It is 1952, and new apartheid laws have recently gone into effect, dividing a nation into black and white while supposedly healing the political rifts between the Afrikaners and the English. Tensions simmer as the fault line between the oppressed and the oppressors cuts deeper, but it's not until an Afrikaner police officer is found dead that emotions more dangerous than anyone thought possible boil to the surface.When Detective Emmanuel Cooper, an Englishman, begins investigating the murder, his mission is preempted by the powerful police Security Branch, who are dedicated to their campaign to flush out black communist radicals. But Detective Cooper isn't interested in political expediency and has never been one for making friends. He may be modest, but he radiates intelligence and certainly won't be getting on his knees before those in power. Instead, he strikes out on his own, following a trail of clues that lead him to uncover a shocking forbidden love and the imperfect life of Captain Pretorius, a man whose relationships with the black and coloured residents of the town he ruled were more complicated and more human than anyone could have imagined.The first in her Detective Emmanuel Cooper series, "A Beautiful Place to Die" marks the debut of a talented writer who reads like a brilliant combination of Raymond Chandler and Graham Greene. It is a tale of murder, passion, corruption, and the corrosive double standard that defined an apartheid nation. I

    Five victims; four of them killed with military efficiency and, judging from the wounds, a military bayonet. The fifth victim, the lady of the house, is found nearly naked, sprawled on a bed, her throat slashed with a razor. Even more startling than the actual carnage are two subsequent findings: the lack of any sort of sexual assault and the discovery of a child - a young girl hiding beneath a bed.Scotland Yard sends out Inspector John Madden to investigate the murders. Madden, with some heavy psychological baggage of his own courtesy of the war, recognizes the mark of madness in the killer's work and has a unique understanding of the killer's methods, habits, and rituals. While the local constabulary figures the murders for a robbery gone horribly wrong, Madden is quick to recognize the presence of a more sinister motive. He seeks the help of Dr. Helen Blackwell, a local physician who lost both her brothers and her husband to the war. Dr. Blackwell's professional connections include a Viennese psychiatrist who is well versed in the relatively new field of forensic psychology, and together they try to develop a psychological profile for the killer.The deeper Madden digs into the case, the harder it is for him to maintain the fragile wall he has built around his own painful memories. A spark between him and Helen Blackwell quickly becomes an all-consuming fire, and in the tender exploratory phase of their relationship, Helen gently urges him to face his personal demons head-on. Meanwhile, Madden discovers the killer has struck once before, a murder that was left unsolved. When Madden gets the idea to look for similar crimes that may have occurred during the war, he finds one, and a clearer and even more frightening picture of the killer begins to evolve. As the police investigation proceeds, plodding at times and getting fortuitous breaks at others, the killer plans his next attack. Together, killer and cops move along parallel timelines, a loose scrabble of concurrent events held together by a taut string of tension. When the string finally breaks, it culminates in a vivid and terrifying climax that demonstrates how fine a line often exists between sanity and utter madness. River of Darkness is the first book in a promised series. Inspector John Madden is precisely the type of multifaceted and complex character readers will enjoy meeting time and again. And the supporting cast of characters is the perfect complement, the sum total being a rich and full-bodied story. What's more, if Airth shows the same flair for finely etched prose and brilliantly manipulated tension as he does here, this series promises to be the start of a powerful new niche in psychological suspense, a uniquely fresh voice that will stand out among the crowd.

    In Full Dark House, Christopher Fowler tells the story of both their first and last case--and how along the way the unlikely pair of crime fighters changed the face of detection.A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer's identity, May finds his old friend's notes of their very first case and becomes convinced that the past has returned...with a killing vengeance.It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits--and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant's unorthodox techniques and John May's dogged police work to catch a criminal whose ability to escape detection seems almost supernatural--a murderer who even decades later seems to have claimed the life of one of them...and is ready to claim the other.Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer.

    Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.

    As the Irish people prepare to welcome President John F. Kennedy to the land of his ancestors, a German national is murdered in a seaside guesthouse. Lieutenant Albert Ryan, Directorate of Intelligence, is ordered to investigate. The German is the third foreigner to die within a few days, and Minister for Justice Charles Haughey wants the killing to end lest a shameful secret be exposed: the dead men were all Nazis granted asylum by the Irish government in the years following World War II.A note from the killers is found on the dead German's corpse, addressed to Colonel Otto Skorzeny, Hitler's favorite commando, once called the most dangerous man in Europe. The note simply says: "We are coming for you."As Albert Ryan digs deeper into the case he discovers a network of former Nazis and collaborators, all presided over by Skorzeny from his country estate outside Dublin. When Ryan closes in on the killers, his loyalty is torn between country and conscience. Why must he protect the very people he fought against twenty years before? Ryan learns that Skorzeny might be a dangerous ally, but he is a deadly enemy.

    And when her body is found in the woods, Cooper's investigation begins with a short list of markedly uncooperative suspects: retired miner Harry Dickinson, whose black Labrador discovered Laura's body, and Laura's wealthy parents. Uneasily teamed with ambitious newcomer Detective Constable Diane Fry, Cooper tests a town's family ties, friendships, and loyaties -- and finds that in order to understand the present, they must unearth the past.

    A book that makes you care about its large cast of characters, even when you know that they are going to die—frequently horribly. This is a novel as rich and complex as Brazil itself, with villains who make you want to spit, and heroes whose goodness is heartbreaking.”—Rebecca Pawel, Edgar Award-winning author of Death of a Nationalist In the remote Brazilian town of Cascatas do Pontal, where landless peasants are confronting the owners of vast estates, the bishop arrives by helicopter to consecrate a new church and is assassinated. Mario Silva, chief inspector for criminal matters of the federal police of Brazil, is dispatched to the interior to find the killer. The pope himself has called Brazil’s president; the pressure is on Silva to perform. Assisted by his nephew, Hector Costa, also a federal policeman, Silva must battle the state police and a corrupt judiciary as well as criminals who prey on street kids, the warring factions of the Landless League, the big landowners, and the church itself, in order to solve the initial murder and several brutal killings that follow. Justice is hard to come by. An old priest, a secret liberation theologist, finally metes it out. Here is a Brazil that tourists never encounter. Leighton Gage is married to a Brazilian woman and spends part of each year in Santana do Parnaiba, Brazil, and the rest of the year in Florida and Belgium. This is his first novel.

    But railroad police Special Agent Sydney Rose Parnell, brought in by the Denver Major Crimes unit to help investigate, can't shake the feeling that larger forces are behind this apparent crime of passion.In the depths of an icy winter, Parnell and her K9 partner, Clyde ― both haunted by their time in Iraq ― descend into the underground world of a savage gang of rail riders. There, they uncover a wide-reaching conspiracy and a series of shocking crimes. Crimes that threaten everything Parnell holds dear.As the search for the truth puts her directly in the path of the killer, Parnell must struggle with a deadly question: Can she fight monsters without becoming one herself?

    Ernst, a cross-dressing lounge singer at a seedy nightclub, had many secrets, a never-ending list of lovers, and plenty of opportunities to get into trouble.Hannah delves into the city's dark underbelly to flush out his murderer, but the late night arrival of a five-year-old orphan on her doorstep complicates matters. The endearing Anton claims that Hannah is his mother. and that her dead brother Ernst is his father.As her investigations into Ernst's murder and Anton's parentage uncover political intrigue and sex scandals in the top ranks of the rising Nazi party, Hannah fears not only for her own life, but for that of a small boy who has come to call her 'mother.'

    Bernhard Gunther, a hard-boiled Berlin detective who specializes in tracking down missing persons — mostly Jews. He is summoned by a wealthy industrialist to find the murderer of his daughter and son-in-law, killed during the robbery of a priceless diamond necklace. Gunther quickly is catapulted into a major political scandal involving Hitler's two main henchmen, Goering and Himmler. The search for clues takes Gunther to morgues overflowing with Nazi victims; raucous nightclubs; the Olympic games where Jesse Owens tramples the theory of Aryan racial superiority; the boudoir of a famous actress; and finally to the Dachau concentration camp. Fights with Gestapo agents, shoot-outs with adulterers, run-ins with a variety of criminals, and dead bodies in unexpected places keep readers guessing to the very end. Hard-hitting, fast-paced, and richly detailed, March Violets is noir writing at its blackest and best.

    The newly minted policemen are met with deep hostility by their white peers and their authority is limited: They can’t arrest white suspects; they can’t drive a squad car; they can’t even use the police headquarters and must instead operate out of the basement of a gym.When a black woman who was last seen in a car driven by a white man turns up fatally beaten, no one seems to care except for Boggs and Smith, two black cops from vastly different backgrounds. Pressured from all sides, they will risk their jobs, the trust the community has put in them, and even their own safety to investigate her death. Their efforts bring them up against an old-school cop, Dunlow, who has long run the neighborhood like his own, and Dunlow’s young partner, Rakestraw, a young progressive who may or may not be willing to make allies across color lines.

    Desperately seeking a fresh start after his experiences during the Great War, Wyndham has been recruited to head up a new post in the police force. But with barely a moment to acclimatise to his new life or to deal with the ghosts which still haunt him, Wyndham is caught up in a murder investigation that will take him into the dark underbelly of the British Raj.A senior British official has been murdered, and a note left in his mouth warns the British to quit India: or else. With rising political dissent and the stability of the Raj under threat, Wyndham and his two new colleagues–arrogant Inspector Digby, who can barely conceal his contempt for the natives and British-educated, but Indian-born Sargeant Banerjee, one of the few Indians to be recruited into the new CID–embark on an investigation that will take them from the luxurious parlours of wealthy British traders to the seedy opium dens of the city.The start of an atmospheric and enticing new historical crime series.

    Created after the Metropolitan Police’s spectacular failure to capture Jack the Ripper, The Murder Squad suffers rampant public contempt. They have failed their citizens. But no one can anticipate the brutal murder of one of their own . . . one of the twelve . . .When Walter Day, the squad’s newest hire, is assigned the case of the murdered detective, he finds a strange ally in the Yard’s first forensic pathologist, Dr. Bernard Kingsley. Together they track the killer, who clearly is not finished with The Murder Squad . . . but why?Filled with fascinating period detail, and real historical figures, this spectacular debut in a new series showcases the depravity of late Victorian London, the advent of criminology, and introduces a stunning new cast of characters sure to appeal to fans of The Sherlockian and The Alienist.

    Inspector Bordelli is one of the few policemen left in the deserted city. He spends his days on routine work, and his nights tormented by the heat and mosquitoes. Suddenly one night, a telephone call gives him a new sense of purpose: the suspected death of a wealthy Signora. Bordelli rushes to her hilltop villa, and picks the locks. The old woman is lying on her bed - apparently killed by an asthma attack, though her medicine has been left untouched.With the help of his young protégé, the victim's eccentric brother, and a semi-retired petty thief, the inspector begins a murder investigation. Each suspect has a solid alibi, but there is something that doesn't quite add up . . .

    There they were summarily executed. Their bodies were hidden away, the location a secret of the Soviet state.A decade later, one man lives in purgatory, banished to a forest on the outskirts of humanity. Pekkala was once the most trusted secret agent of the Romanovs, the right-hand man of the Tsar himself. Now he is Prisoner 4745-P, living a harsh existence in which even the strongest vanish into the merciless Soviet winter.But the state needs Pekkala one last time. The man who knew the Romanovs best is given a final mission: catch their killers, locate the royal child rumored to be alive, and give Stalin the international coup he craves. Find the bodies, Pekkala is told, and you will find your freedom. Find the survivor of that bloody night and you will change history.In a land of uneasy alliances and deadly treachery, pursuing clues that have eluded everyone, Pekkala is thrust into the past where he once reigned. There he will meet the man who betrayed him and the woman he loved and lost in the fires of rebellion—and uncover a secret so shocking that it will shake to its core the land he loves.With stunning period detail and crackling suspense, Eye of the Red Tsar introduces a complex and compelling investigator in a fiercely intelligent thriller perfect for readers of Gorky Park, Child 44, and City of Thieves.