During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

    Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.The vignettes are drawn from Burroughs' own experiences in these places and his addiction to drugs (heroin, morphine, and while in Tangier, majoun [a strong hashish confection] as well as a German opioid, brand name Eukodol, of which he wrote frequently).[source wiki}

    Remainder is about the secret world each of us harbors within, and what might happen if we were granted the power to make it real.

    It is Gaston Glew's sixteenth Sad Day - the sixteenth anniversary of the saddest day of his life: his day of birth - and his parents have just committed suicide. Fed up with the sadness of Pickled Planet, Gaston Glew builds a rocket ship and blasts off into outer space, hoping to escape his briny fate. Meanwhile, on Pancake Island, Fanny Fod, the most beautiful pancake girl in the world, nurses a secret sadness as she guards the origin of all happiness: the mysterious Cuddlywumpus. When Gaston's rocket ship crash-lands in the sea of maple syrup that surrounds Pancake Island, nothing will ever be the same for him, or for Fanny Fod. Captain Pickle says: "Unchain yourself from this briny fate, oh pickled prisoner, and read Cameron Pierce's The Pickled Apocalypse of Pancake Island: A Tragedy for People Who Eat Food!"

    His problem: she wants to have him aborted. But what this bitch doesn't know is that she isn't pregnant with some mild-mannered developing human form. Heck no. This is Super Fetus. He has an attitude and he is deter mined to be born, whether she likes it or not. Doing push-ups in the womb day and night, until he becomes amazingly buff, this little fetus is prepared to fight off the onslaught of vacuums, tongs, coat hangers, and scalpels. Once that sonofabitch doctor comes for him... he'll be ready. A horrific and humorous romp with strange characters, stranger sex scenes, and one kick-ass musclebound fetus.

    The Familiar (Volume 1) ranges from Mexico to Southeast Asia, from Venice, Italy, to Venice, California, with nine lives hanging in the balance, each called upon to make a terrifying choice. They include a therapist-in-training grappling with daughters as demanding as her patients; an ambitious East L.A. gang member contracted for violence; two scientists in Marfa, Texas, on the run from an organization powerful beyond imagining; plus a recovering addict in Singapore summoned at midnight by a desperate billionaire; and a programmer near Silicon Beach whose game engine might unleash consequences far exceeding the entertainment he intends. At the very heart, though, is a twelve-year-old girl named Xanther who one rainy day in May sets out with her father to get a dog, only to end up trying to save a creature as fragile as it is dangerous . . . which will change not only her life and the lives of those she has yet to encounter, but this world, too—or at least the world we think we know and the future we take for granted.(With full-color illustrations throughout.)

    The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H.P. Lovecraft, H.G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.

    In Douglas Coupland's ingenious new novel--sort of a Clerks meets Who's Afraid of Virginia Woolf--we meet Roger, a divorced, middle-aged aisles associate at Staples, condemned to restocking reams of 20-lb. bond paper for the rest of his life. And Roger's co-worker Bethany, in her early twenties and at the end of her Goth phase, who is looking at fifty more years of sorting the red pens from the blue in aisle 6.One day, Bethany discovers Roger's notebook in the staff room. When she opens it up, she discovers that this old guy she's never considered as quite human is writing mock diary entries pretending to be her: and, spookily, he is getting her right.These two retail workers then strike up an extraordinary epistolary relationship. Watch as their lives unfold alongside Roger's work-in-progress, the oddly titled Glove Pond, a Cheever-era novella gone horribly, horribly wrong. Through a complex layering of narratives, The Gum Thief reveals the comedy, loneliness, and strange comforts of contemporary life.Coupland electrifies us on every page of this witty, wise, and unforgettable novel. Love, death and eternal friendship can all transpire where we least expect them ...and even after tragedy seems to have wiped your human slate clean, stories can slowly rebuild you.

    6Ariadne The House with an AtticIonychThe DarlingThe Lady with the LapdogAnton Pavlovich Chekhov may be likened to his contemporaries, the "pointilliste" painters. Piece by piece, episode by episode, character by character, he constructs in prose a survey of the human condition. As David Magarshack writes in his introduction, on reading these stories 'one gets the impression of holding life itself, like a fluttering bird, in one's cupped hands'.

    There's something horrible in that storm over the ocean. What does "feed the pig" mean? What are those ropes in the sky? Why is Dad acting so funny? In these dark tales you will experience every type of horror imaginable. It is so gruesome, frightening, and demented that only the bravest of readers will make it through these pages.

    One shocking discovery leads to another as the animals prove to be intelligent, charismatic creatures with sinister motives. A husband and wife recently parted by adultery, an enterprising sociopath and a thirty-year-old mentally handicapped man all become pivotal to the animals’ cryptic timetable. Each strangely connected character begins to realize they are caught up in a frightening force spiraling toward a bizarre state of authoritarianism. This frenetic story is a fast and immersive read told through letters, journal entries and news transcripts.

    You will never be the same.”—Cory Doctorow, author of Little Brother and HomelandIn a topsy-turvy world where clowns are killers and crooks, Little Bigtop is a three-ring circus of crime, and no syndicate is more dangerous than the Bozo family. From the wildly original mind of Carlton Mellick III comes the short-story collection ClownFellas—an epic mob saga where life is cheap and the gags will slay you.For years, the hard-boiled capos of the Bozo family have run all of the funny business in Little Bigtop, from the clown brothels to the illegal comedy trade. But hard times have befallen the Bozos now that Le Mystère, the French clown Mafia, has started moving in and trying to take over the city. If that weren’t enough, they’ve got to deal with the cops, the Feds, the snitches, the carnies, the mysterious hit man Mr. Pogo, and the mutant clowns over in the Sideshow district. With the odds stacked against them, the Bozos must fight to survive . . . or die laughing.Praise for ClownFellas“Mario Puzo meets Barnum & Bailey . . . You just can’t look away as the ridiculousness escalates.”—Publishers Weekly“The most original novelist working today? The most outrageous? The most unpredictable? These aren’t easy superlatives to make; however, Carlton Mellick may well be all of those things, behind a canon of books that all irreverently depart from the form and concepts of traditional novels, and adventure the reader into a howling, dark fantasyland of the most bizarre, over-the-top, and mind-warping inventiveness. In my opinion, ClownFellas is his best work to date.”—Edward Lee, author of City Infernal and Header“I rarely enjoy clowns—which is ironic since I’ve been one for over four decades—but ClownFellas is great on so many levels, irony being one of them. What can I say besides I love it! Great read, and funny as hell . . . I have been accused of being unfunny before, and after the trial I had to enter the Witless Protection Program. This is funny!”—Barry Lubin, aka Grandma, longtime Big Apple Circus clown“If Martin Scorsese and Ronald McDonald had a baby, this would be it. . . . Each story is clever, multi-layered, and filled with witty dialogue. . . . A must-read.”—This Is Horror   “Mellick’s writing is wonderfully descriptive and wildly imaginative. . . . I was utterly delighted, amused, and engrossed. . . . ClownFellas is a gem!”—The Qwillery   “A rollercoaster ride through a strange world that borders on our own reality . . . a story that is just as difficult to define as it is to put down.”—Examiner.com   “Mellick has created another amazing read. . . . Highly recommended.”—Kitty Horror

    Desperate for social interaction, he explores the landscape of flesh and blood, teeth and tongue, trying to befriend any strange creature or community that he comes across.

    A wonderful debut, this funny yet sad novel recounts a young man's attempt--as father, husband, and son--to put together the pieces of an ordinary, and at the same time, very puzzling life.

    After a childhood moving from one academic outpost to another with her father (a man prone to aphorisms and meteoric affairs), Blue is clever, deadpan, and possessed of a vast lexicon of literary, political, philosophical, and scientific knowledge—and is quite the cineaste to boot. In her final year of high school at the elite (and unusual) St. Gallway School in Stockton, North Carolina, Blue falls in with a charismatic group of friends and their captivating teacher, Hannah Schneider. But when the drowning of one of Hannah's friends and the shocking death of Hannah herself lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide—or misguide—her.