Shannon had the perfect family, two great sons and two beautiful daughters. Everyone was striving in life and she enjoyed being around her children. How quickly things change! When her younger son Dominic meets Markeeta, he is instantly smitten with the young woman. Dom hasn't been in a relationship in over two years, so when Markeeta locks her claws into him, he quickly falls for her. When Dominic starts changing towards his family, Shannon knows exactly who is behind it. Markeeta isn't looking for anything but the next dude to give her everything she wants. When she realizes that Dominic could be her ticket to easy street, she quickly sinks her teeth into the inexperienced young man. When Dom's family tries to warn him about the woman he has so quickly given his heart to, he doesn't want to hear it. With a huge rift now drawn between the family and Dom, Shannon wonders if things will ever be the same. Will a mother be able to save her son from the likes of a chick who is all wrong for her son? Or will it be too late for him to be saved? Find out in the first installment of My Mama Was Right About Yo Azz...

    

    What I destroyed in that building might end up saving this sorry planet.This dumbass shrink has been trying to dissect my brain all week. He thinks the months I spent lost in the wilderness somehow turned me into a Loony Tune. Boy, is he barking up the wrong tree. No matter how many drugs they pump into my veins, they'll never make me forget what really happened.

    Everything goes downhill from there as two Space Marines are arrested and accused of dealing China Mike—a highly addictive and illegal synthetic drug—and Fortis is forced to either get involved in the war against the cartel or abandon his Marines to the local legal system.However, as their involvement in the drug war deepens, Fortis suspects the platoon has been plunged into the middle of something much bigger. Rumors of a growing resistance movement against the colonial government abound, and it appears his men are being used to do the security force’s dirty work of putting it down.As Fortis navigates his way between the corrupt colonial government, a corporate espionage agent, intergalactic mercenaries, and his own chain of command, he has to find the truth of the situation and answer one important question—is there any way for Third Platoon to be successful when everyone else on the planet wants them to fail?

     Meet Daniel Sullivan, a man with a complicated life. A New Yorker living in the wilds of Ireland, he has children he never sees in California, a father he loathes in Brooklyn and a wife, Claudette, who is a reclusive ex-film star given to shooting at anyone who ventures up their driveway.He is also about to find out something about a woman he lost touch with twenty years ago, and this discovery will send him off-course, far away from wife and home. Will his love for Claudette be enough to bring him back?Maggie O'Farrell's seventh novel is a dazzling, intimate epic about who we leave behind and who we become as we search for our place in the world.

    

    She has an internship with her famous film director uncle, a hit BookTube channel with her actress cousin Sadie and is fully determined to get her world on track as a true adult person, complete with happiness and sparkly love in spades. But nothing is going to plan. She applied to all the wrong colleges, is the only one of her friends still single and is majorly crushing on 23-year-old cinema genius wunderkind Leo Landis, even though he may or may not be breaking up with his girlfriend and may or may not even notice her. But Saoirse's not giving up.She steels herself with hyper-romantic hope and sets out to be her best positive self, which works fabulously until it doesn't and things get complicated. Luckily, life turns in Saoirse's favor as her Hollywood family spins out of control and a sweet and equally quirky street artist, Hector Rojas, spots her magical sparkle and inspires her to see things from a kaleidoscope of angles, even her own beautiful self.Uniquely charming in a Bridget Jones's Diary way with a Cyrano de Bergerac twist, Saoirse Berger takes us on an 18-year-old's hilariously painful journey through love, self-doubt, rejection and the search for belonging as a new adult, ultimately discovering she's already right where she's supposed to be.

    Tank Girl sets off on an illegal cross-continental race in a bid to win enough money for an incredibly expensive operation to bring her best friend Barney out of a skateboard-accident induced coma.

    Clever, awkward, & laugh-out-loud funny.”The Huffington Post

    His colleagues are an assortment of misfits, including Prendy (plagued by doubts) and captain Grimes, who is always in the soup (or just plain drunk). Then Sports Day arrives, and with it the delectable Margot Beste-Chetwynde, floating on a scented breeze. As the farce unfolds and the young run riot, no one is safe, least of all Paul. Taking its title from Edward Gibbon's Decline and Fall of the Roman Empire, Evelyn Waugh's first, funniest novel immediately caught the ear of the public with his account of an ingénu abroad in the decadent confusion of 1920s high society.

    This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.More than just a merciless satire of cloistered college life and stuffy postwar manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh. As Christopher Hitchens has written, “If you can picture Bertie or Jeeves being capable of actual malice, and simultaneously imagine Evelyn Waugh forgetting about original sin, you have the combination of innocence and experience that makes this short romp so imperishable.”

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    Matt Franklin and his companions would rob the Securicor van. Simple. Until the job turned into a nightmare. Two of them are shot dead and another fatally wounded. But who is trying to wipe them out, killing not just them but their families too? How are the Government and the British army implicated? What lurks within a secret research establishment in the English countryside? Franklin has to find out. Finally the only one left alive, he tires of being the prey and decides to become the hunter. His quest will bring him into conflict with forces he cannot begin to imagine or understand but he is driven by a need for revenge that overrides his fear. Aided by a desperate detective, Franklin becomes embroiled in a series of events that lead to a terrifying climax in the London Underground where he comes face to face with the answers he has sought. Like all of us, Franklin was told monsters don't exist. He's about to find out someone was lying...

    Perfect timing andcrackling dialogue, as well as heartrending pain balanced by uproarious predicaments, make for a shout-hallelujah tale of transgression and grace, a gospel of lusty and everlasting love."-- Booklist “Like Dostoyevsky, Allen colorfully evokes the gambling milieu—the chained (mis)fortunes of the players, their vanities and grotesqueries, their quasi-philosophical ruminations on chance. Like Burroughs, he is a dispassionate chronicler of the addict’s daily ritual, neither glorifying nor vilifying the matter at hand.”-- The New York Times Book Review , on All or NothingInto an austere community of Christian believers at the Church of Our Blessed Redeemer Who Walked Upon the Waters come the star-crossed African American Romeo and Juliet. In the world of Jesus Boy, Romeo is sixteen-year-old Elwyn Parker, a devout and sincere piano prodigy who learns too late that the saintly girl he has had a crush on all his life is inexplicably pregnant and soon to be wed. Juliet is the beautiful widow, Sister Morrisohn, age forty-two, who, in the pain and confused emotions of her grieving, ends up in Elwyn’s arms.Despite the problems posed by their age difference and the strict prohibitions of their strong religious beliefs, Elwyn and Sister Morrisohn’s love is true, and as it grows among the ascetics, abstainers, and holy ghost rollers of their church, it exposes with wit, poignancy, and insight the dark secrets and ancient crimes of the pious. In Jesus Boy, Elwyn learns through tragedy and epiphany that the holy are no different from the rest of us.

    Many have large casts and an equal mix of boy and girl parts. In this dramatization of Barry Hines's novel, 15-year-old Billy trains a kestrel for whom he learns to feel great affection.