He travels lightly, simply. To those who travel with him and those whom he meets on the way - including a handsome, enigmatic stranger, a group of careless backpackers and a woman on the edge - he is the Follower, the Lover and the Guardian. Yet, despite the man's best intentions, each journey ends in disaster. Together, these three journeys will change his whole life. A novel of longing and thwarted desire, rage and compassion, "In a Strange Room" is the hauntingly beautiful evocation of one man's search for love, and a place to call home.

    Magnus Mills gives us a wiry novel of tensile strength that proves him a writer of ferocious talent. Eerie, resonant, spare yet rich in tones both hilarious and ominous—as if a work by Irvine Welsh, or perhaps Macbeth, had been adapted by the Coen brothers—his story has a finale so ingenious, insidious, and satisfying, it remains locked in the mind long after the last wire has been strung into place.

    Returning to Ireland to reclaim a painting that is part of his patrimony, a thirty-eight-year-old man commits a ghastly and motiveless murder, which he confesses in a novel-length narrative.

    Time passes and opinions change. “Why should we go on supporting a book which we detest?” Rose Curtland asks. “The brotherhood of Western intellectuals versus the book of history,” Jenkin Riderhood suggests. The theft of a wife further embroils the situation. Moral indignation must be separated from political disagreement. Tamar Hernshaw has a different trouble and a terrible secret. Can one die of shame? In another quarter a suicide pact seems the solution. Duncan Cambus thinks that since it is a tragedy, someone must die. Someone dies. Rose, who has gone on loving without hope, at least deserves a reward.

    Helen, her mother, Lily, and her grandmother, Dora have come together to tend to Helen's brother, Declan, who is dying of AIDS. With Declan's two friends, the six of them are forced to plumb the shoals of their own histories and to come to terms with each other.Shortlisted for the Booker Prize, The Blackwater Lightship is a deeply resonant story about three generations of an estranged family reuniting to mourn an untimely death. In spare, luminous prose, Colm Tóibín explores the nature of love and the complex emotions inside a family at war with itself.

    Disaffected, frustrated and increasingly bitter at the system he is employed to maintain, Patrick begins his rebellion, fuelled by drink and his passionate, unrequited love for a fellow teacher. A Disaffection is the apparently straightforward story of one week in a man's life in which he decides to change the way he lives. Under the surface, however, lies a brilliant and complex examination of class, human culture and character written with irony, tenderness,enormous anger and, above all, the honesty that has marked James Kelman as one of the most important writers in contemporary Britain.

    A young would-be art historian suddenly sees the chance of a lifetime: the opportunity to perform a great public service, and at the same time to make his professional reputation - perhaps even rather a lot of money as well...

    This error and her embittered husband, and unsuccessful actor, catch up with her. Her final act is only the first shocking climax—further surprises await. Neatly savaging our celebrity culture, Spark rejoices in one of her favorite subjects—the clash between sham and genuine identity—and provides Annabel with an unexpected triumph.

    His collection, which he has protected and enlarged through both World War II and Czechoslovakia's years of Stalinism, numbers more than 1,000 pieces, all crammed into his two-room Prague flat. Utz is allowed to leave the country each year, and although he has considered defection, he always returns. He cannot take his precious collection with him, but he cannot leave it, either. And so Utz is as much owned by his porcelain as it is owned by him, as much of a prisoner of the collection as of the Communist state.A fascinating, enigmatic man, Kaspar Utz is one of Bruce Chatwin's finest creations. And his story, as delicately cast as one of Utz's porcelain figures, is unforgettable.

    The matter: a deadly betrayal, unspoken and unspeakable, born of political enmity. As the boy listens through the silence that surrounds him, the truth spreads like a stain until it engulfs him and his family. And as he listens, and watches, the world of legend--the stone fort of Grianan, home of the warrior Fianna; the Field of the Disappeared, over which no gulls fly--reveals its transfixing reality. Meanwhile the real world of adulthood unfolds its secrets like a collection of folktales: the dead sister walking again; the lost uncle, Eddie, present on every page; the family house "as cunning and articulate as a labyrinth, closely designed, with someone sobbing at the heart of it."Seamus Deane has created a luminous tale about how childhood fear turns into fantasy and fantasy turns into fact. Breathtakingly sad but vibrant and unforgettable, Reading in the Dark is one of the finest books about growing up--in Ireland or anywhere--that has ever been written.

    The Dark Room tells the stories of three ordinary Germans: Helmut, a young photographer in Berlin in the 1930s who uses his craft to express his patriotic fervour; Lore, a twelve-year-old girl who in 1945 guides her young siblings across a devastated Germany after her Nazi parents are seized by the Allies; and, fifty years later, Micha, a young teacher obsessed with what his loving grandfather did in the war, struggling to deal with the past of his family and his country.

    In this carnival environment of roller-coasters and freak-shows, while the crest of the Edwardian amusement industry wave is breaking, Cy becomes enamoured with Grace, a mysterious East European immigrant and circus performer who commissions him to cover her body entirely with tattooed eyes.Hugely atmospheric, exotic, and familiar, The Electric Michelangelo is a love story and an exquisitely rendered portrait of seaside resorts on opposite sides of the Atlantic by one of the most uniquely talented novelists of her generation.

    Overflowing with magic, jokes and inventions, peopled with aviators, car salesmen, Chinamen and impresarios, Peter Carey's novel is a contemporary classic.

    It picks up where A Legacy leaves off, leading us from the Kaiser's Germany into the wider Europe of the 1920s and the limbo between world wars. The narrator, Billi, tells the story of her apprenticeship to life, and of her many teachers: her father, a pleasure-loving German baron; her brilliant, beautiful, erratic English mother; and later, on the Mediterranean coast of France, the Huxleys, Aldous and Maria.

    If you're living in Germany in the 1930s, it probably isn't. But that's no consolation to Egon Loeser, whose carnal misfortunes will push him from the experimental theatres of Berlin to the absinthe bars of Paris to the physics laboratories of Los Angeles, trying all the while to solve two mysteries: whether it was really a deal with Satan that claimed the life of his hero, the great Renaissance stage designer Adriano Lavicini; and why a handsome, clever, charming, modest guy like him can't, just once in a while, get himself laid. From the author of the acclaimed Boxer, Beetle comes a historical novel that doesn't know what year it is; a noir novel that turns all the lights on; a romance novel that arrives drunk to dinner; a science fiction novel that can't remember what 'isotope' means; a stunningly inventive, exceptionally funny, dangerously unsteady and (largely) coherent novel about sex, violence, space, time, and how the best way to deal with history is to ignore it. LET'S HOPE THE PARTY WAS WORTH IT