An apocyphral invention by some 17th or 18th century scolar, or a transcrpit of what it appears to be - a hitherto unheard of letter to St Augustine to a woman he renounced for chastity? VITA BREVIS is both an entrancing human document and a fascinating insight into the life and philosophy of St.Augustine. Gaarder'sinterpretation of Floria's letter is as playful, inventive and questioning as Sophie's World. About The Author: Jostein Gaarder was born in Olso, Norway on August 8, 1952. A former high school philosophy teacher, he now writes numerous novels for children and adults. His best known work is Sophie's World. He has received numerous awards including the Deutscher Jugendliteraturpreis in 1994 for Sophie's World, the Buxtehude Bulle in 1997, and the Willy-Brandt-Award in 2004.

    Israeli soldiers capture and rape a young Palestinian woman, and kill and bury her in the sand. Many years later, a woman in Ramallah becomes fascinated to the point of obsession with this ‘minor detail’ of history. A haunting meditation on war, violence and memory, Minor Detail cuts to the heart of the Palestinian experience of dispossession, life under occupation, and the persistent difficulty of piecing together a narrative in the face of ongoing erasure and disempowerment.

    There has been much international excitement too-to date, rights have been sold in thirteen countries. Wolf Totem is set in 1960s China-the time of the Great Leap Forward, on the eve of the Cultural Revolution. Searching for spirituality, Beijing intellectual Chen Zhen travels to the pristine grasslands of Inner Mongolia to live among the nomadic Mongols-a proud, brave, and ancient race of people who coexist in perfect harmony with their unspeakably beautiful but cruel natural surroundings. Their philosophy of maintaining a balance with nature is the ground stone of their religion, a kind of cult of the wolf. The fierce wolves that haunt the steppes of the unforgiving grassland searching for food are locked with the nomads in a profoundly spiritual battle for survival-a life-and-death dance that has gone on between them for thousands of years. The Mongols believe that the wolf is a great and worthy foe that they are divinely instructed to contend with, but also to worship and to learn from. Chen's own encounters with the otherworldly wolves awake a latent primitive instinct in him, and his fascination with them blossoms into obsession, then reverence. After many years, the peace is shattered with the arrival of Chen's kinfolk, Han Chinese, sent from the cities to bring modernity to the grasslands. They immediately launch a campaign to exterminate the wolves, sending the balance that has been maintained with religious dedication for thousands of years into a spiral leading to extinction-first the wolves, then the Mongol culture, finally the land. As a result of the eradication of the wolves, rats become a plague and wild sheep graze until the meadows turn to dust. Mongolian dust storms glide over Beijing, sometimes blocking out the moon. Part period epic, part fable for modern days, Wolf Totem is a stinging social commentary on the dangers of China's overaccelerated economic growth as well as a fascinating immersion into the heart of Chinese culture.

    In a brilliant translation by Margaret Sayers Peyden, this remarkable new look at the Book of Genesis will appeal to readers of the novels of Isabel Allende, Anne Rice’s Jesus Chronicles, and to all lovers of great imaginative literature.

    His questions of faith surrounding his father's run-of-the-mill Christianity and his mother's suppressed Judaism lead him to a bizarre obsession with the idea of the messiah. After the collapse of his latest affair and his introduction to a reclusive physics professor, Karl is given the opportunity to confront his obsession and take a journey that no man has taken before, and from which he knows he cannot return.Upon arriving in Palestine, A.D. 29, Glogauer finds that Jesus Christ is not the man that history and faith would like to believe, but that there is an opportunity for someone to change the course of history by making the ultimate sacrifice.First published in 1969, Behold the Man broke through science fiction's genre boundaries to create a poignant reflection on faith, disillusion and self-sacrifice. This is the classic novel that established the career of perhaps contemporary science fiction's most cerebral and innovative author.

    His mission is to blow up buses transporting Palestinian workers into Israel.Shocked to discover that many of his fellow citizens have adjusted to life under military rule, Usama exchanges harsh words with his friends and family. Despite uncertainty, he sets out to accomplish his mission … with disastrous consequences.Originally published in Jerusalem, Wild Thorns was the first Arab novel to offer a glimpse of social and personal relations under Israeli occupation. Featuring unsentimental portrayals of everyday life, its deep sincerity, uncompromising honesty and rich emotional core plead elegantly for the cause of survival in the face of oppression.Sahar Khalifeh was born in Nablus in 1941. She entered into a traditional arranged marriage at eighteen, and after thirteen years left her husband and began writing. Her first novel was confiscated by Israeli authorities; the second was published in Cairo. She taught at the University of Iowa and at Palestine’s Bir Zeit University, and founded the Women's Affairs Centres in Nablus, Gaza City and Amman. Wild Thorns is her third novel.

    For the first time translated into English. Bangladesh, 1971: the war of independence from Pakistan has torn through peaceful villages and turned life upside down. In the midst of war, one young girl holds on as she discovers the world’s unpredictability. During her father’s prolonged absence, she reminisces about the essence of her abbu, an esteemed professor, loving community leader, and now unexpected warrior.She is moved by his quiet determination to preserve Bengali language and culture in a struggle for autonomy. In his diaries, her abbu describes the painful decisions he must make because of the threat of war, from embracing the brutality of taking up arms to the struggle of moving his family from the embattled city of Dhaka.Amid the tragedy is the unbroken bond between a father and daughter, which makes this powerful and historically faithful portrait of a family surviving the worst in the fight for independence all the more stirring.

    A British astronomer, Thayer, high on Darwin and other progressive scientists of the age, has come to believe that beings more highly evolved than us are alive on Mars (he has evidence) and that there will be a perfect moment in which we can signal to them that we are here too. He gets the support and funding for a massive project to build the Equilateral, a triangle with sides hundreds of miles long, in the desert of Egypt in time for that perfect window. But as work progresses, the Egyptian workers, less evolved than the British, are also less than cooperative, and a bout of malaria that seems to activate at the worst moments makes it all much more confusing and complex than Thayer ever imagined. We see Thayer also through the eyes of two women--a triangle of another sort--a romantic one that involves a secretary who looks after Thayer but doesn't suffer fools, and Binta, a houseservant he covets but can't communicate with--and through them we catch sight of the depth of self-delusion and the folly of the enterprise. Equilateral is written with a subtle, sly humor, but it's also a model of reserve and historical accuracy; it's about many things, including Empire and colonization and exploration; it's about "the other" and who that other might be. We would like to talk to the stars, and yet we can barely talk to each other.

    Even after he is ransomed, he finds he can't live without her, and the two escape together to a distant Jewish community. Racked by his consciousness of sin in taking a Gentile wife and by the difficulties of concealing her identity, Jacob nonetheless stands firm as the violence of the era threatens to destroy the ill-fated couple.

    Through the eyes of the ancient slave Ti-Noel, The Kingdom of This World records the destruction of the black regime--built on the same corruption and contempt for human life that brought down the French--in an orgy of voodoo, racial hatred, erotomania, and fantastic grandeurs of false elegance.

    Here are excerpts from dozens of works–both renowned (The Qur’an, The Thousand and One Nights) and esoteric (Ibn Washshiyya’s “Book of Poisons”; a 10th-century poem in praise of asparagus)–all accompanied by Robert Irwin’s erudite commentaries that illuminate readers on the vanished world in which they were written.In Night & Horses & the Desert we encounter the dashing Byronic poetry of Imru’ al-Qays and a treatise on bibliomania by Al-Jahiz, possibly the only writer to have been killed by books. There’s a sorcerer’s manual from 11th century Spain and an allegory by the mysterious “Brethren of Purity,” in which animals argue their case against humanity. Encompassing piety and profanity, fables and philosophy, this volume is a thrilling and invaluabe introduction to one of the world’s great bodies of literature.

    The most famous storyteller in Damascus, Salim, the coachman, has mysteriously lost his voice. For seven nights, his seven old friends gather to break the spell with their seven different, unique stories -- some personal, some modern, some borrowed from the past. Against the backdrop of shifting Middle Eastern politics, Schami's eight characters, lost to the Arabian nights, weave in and out of tales of wizards and princesses, of New York skyscrapers and America. With spellbinding power, Schami imparts a luscious vision of storytelling as food for thought and salve for the soul, as the glue which holds our lives together.

    It follows their idyllic childhood together, their sexual awakening in adolescence, their separation during Virginia's education in France and the tragedy that prevents their reunion. Woven into the narrative is a sensuous evocation of an earthly paradise, together with a harmonious blend of the lyrical and the exotic that makes Paul and Virginia strikingly original.

    Schuyler's satiric romp. Black No More is the story of Max Disher, a dapper black rogue of an insurance man who, through a scientific transformation process, becomes Matthew Fisher, a white man. Matt dreams up a scam that allows him to become the leader of the Knights of Nordica, a white supremacist group, as well as to marry the white woman who rejected him when he was black. Black No More is a hysterical exploration of race and all its self-serving definitions. If you can't beat them, turn into them.Ishmael Reed, one of today's top black satirists and the author of Mumbo Jumbo and Japanese by Spring, provides a spirited Introduction.The fertile artistic period now known as the Harlem Renaissance (1920- 1930) gave birth to many of the world-renowned masters of black literature and is the model for today's renaissance of black writers.

    Who are the jokers?The jokers are the government, and the biggest joker of all is the governor, a bug-eyed, strutting, rapacious character of unequaled incompetence who presides over the nameless Middle Eastern city where this effervescent comedy by Albert Cossery is set.The jokers are also the revolutionaries, no less bumbling and no less infatuated with the trappings of power than the government they oppose.And the jokers are Karim, Omar, Heykal, Urfy, and their friends, free spirits who see the other jokers for the jokers they are and have cooked up a sophisticated and, most important, foolproof plan to enliven public life with a dash of subversive humor.The joke is on them all.