When Sarah reclaims Jeremiah from his foster parents, he finds himself catapulted into her world of motels and truck stops, exposed to the abusive, exploitative men she encounters. As he learns to survive in this harrowing environment, Jeremiah also learns to love his mother, even as she descends into drug-fueled madness. Told in spare, lyrical prose, rich with imagination and dark humor, The Heart Is Deceitful Above All Things transforms the savagery of Jeremiah's world into an indelible experience of compassion. This special edition includes an additional seven stories, previously uncollected, by JT LeRoy, the literary persona of Laura Albert.

    From this interaction, John meets a variety of characters, each with their own values and ideas of "self-actualization." However, Liz begins to fall in love with John's best friend, and John realizes his journey of self-discovery has only just begun.

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

    Frederick Seidel is, in the words of the critic Adam Kirsch, “the best American poet writing today.”

    In the process she is dragged into the black market world of erotica and shady, infatuated men, where a cat-and-mouse chase for an erotic film rumored to 'star' Adolf Hitler leads to trickery, maneuvering, and bloodshed. With streamlined prose and a thriller's narrative pace, Running Dog is a bright star in the modern master's early career.

    Which, in his characters' vernacular, means he's a total scream.Having made a career of deconstructing the denizens of the modern gay world, Robert Rodi now turns his hand to -- and twists the knife in -- yet another gay archetype: the kept boy.Dennis Racine is 31, but looks 23...which might be considered his good fortune, except that even 23 is a bit old for his chosen profession: pampered "companion" to the fiftyish, filthy rich Chicago theatrical impresario Farleigh Nock (a.k.a. "the Papp of the Provinces"). In fact, Farleigh has lately become so resistant to Dennis's charms that he's conferred the ultimate indignity on him: demanding that he get a job.Dennis proves himself astonishingly unemployable, then learns that his old job is in peril as well; for Farleigh's affections have been snared by the lithe young pool boy Jasper Moran. When Jasper is promoted from chlorination duties to directing Farleigh's production of Lady Windermere's Fan, Dennis knows he's in danger of losing his place in Farleigh's life (not to mention his Last Will and Testament).Lending him a hand in a spirit of common cause are his two best friends. Lonnie Roach is the kept boy of an ancient gossip columnist; Paulette Ng is retained by a member of Congress whose anonymity she protects by referring to him only as "the Spanker of the House".Together they devise a plan to whisk Farleigh away from Jaspers influence, landing him in Greece, where Dennis can re-seduce him in exotic privacy. The scheme provokes bigger repercussions than Dennis ever expected and he finds himself fighting for his man -- and his man's legacy-- more fiercely than ever before, aided only by two Iowa co-eds and a maniacal Santorini grandmother.His satiric eye sharper than ever, but never straying from the deep humanity that makes his characters and stories so appealing, Robert Rodi once again delivers a fabulous, unforgettable farce of the kind that has made him so enduringly popular.

    In her seventh volume Marilyn Hacker confronts life and death at the end of our genocidal century, making another extraordinary contribution to the feminist and lesbian canon.

    Each is basically attracted to the other but because of their divergent attitudes toward life, each over the course of years is driven away from the other. Not until toward the end does the doctor realize that the girl's high idealism is basically right, and while she is still in love with him, it turns out that neither time nor circumstances will allow the two ultimately to come together. "

    The personal and political crash into one language here, gothic as it is supple, meditating on visual art and myth, to desire, the practice of lynching and Hurricane Katrina. Always at its center, though, is the poet himself—confessing a double song of pleasure and inevitable pain.

    The revision covers all the poems published in Princeton's earlier bilingual edition, "George Seferis: Collected Poems" (expanded edition, 1981). Winner of the Nobel Prize for Literature in 1963, George Seferis (1900-71) has long been recognized as a major international figure, and Keeley and Sherrard are his ideal translators. They create, in the words of Archibald MacLeish, a "translation worthy of Seferis, which is to praise it as highly as it could be praised."Although Seferis was preoccupied with his tradition as few other poets of the same generation were with theirs, and although he was actively engaged in the immediate political aspirations of his nation, his value for readers lies in what he made of this preoccupation and this engagement in fashioning a broad poetic vision. He is also known for his stylistic purity, which allows no embellishment beyond that necessary for precise yet rich poetic statement.

    Whatever the occasion--and her work offers a rich profusion of them--the poems reach to where possession is not within us, where new names are needed and meaning enlarged. Hence, what she sees reminds her of what is missing, and what she knows suggests what she cannot. From any event, she arcs bravely into the farthest reaches of mind. Fast readers will have trouble, but so what. To the good reader afraid of complexity, I would offer the clear trust that must bond us to such signal poems as (simply to cite three appearing in a row) Mother's Sewing Box, For My Father Looking for My Uncle, and The Chicory Comes Out Late August in Umbria. Finally, the poet's words again: . . . you get / just what you want and (just before that), Just as / from time to time / we need to seize again / the whole language / in search of / better desires.--Marvin Bell

    This drama was first performed as part of the Nigerian Independence Celebrations.

    The Woman of the Pharisees--one of Mauriac's most accomplished novels--is a penetrating evocation of the moral and religious values of a Bordeaux community. In Brigitte, we see how the ideals of love and companionship are stifled in the presence of a self-righteous woman whose austere religious principals lead her to interfere--disastrously--in the lives of others. One by one the unwitting victims fall prey to the bleakness of her "perfection." A conscientious schoolteacher, a saintly priest, her husband and stepdaughter and an innocent schoolboy are all confronted with tragedy and upheaval. But the author's extraordinary gift for psychological insight goes on to show how redeeming features inevitably surface from disaster. The unfolding drama is seen through the discerning eye of a young Louis--Brigitte's stepson--whose point of view is skillfully blended into the mature and understanding adult he later becomes.

    Whether in southern Italy, where as a boy he has a crush on his parents’ cabinet maker, or on a snowbound campus in New England, where his enduring passion for a girl he’ll meet again and again over the years is punctuated by anonymous encounters with men; on a tennis court in Central Park, or a sidewalk in early spring New York, his attachments are ungraspable, transient and forever underwritten by raw desire—not for just one person’s body but, inevitably, for someone else’s as well. In mapping the most inscrutable corners of desire, Aciman proves to be an unsparing reader of the human psyche and a master stylist of contemporary literature. With language at once lyrical, bare-knuckled, and unabashedly candid, he casts a sensuous, shimmering light over each facet of desire to probe how we ache, want, and waver, and ultimately how we sometimes falter and let go of those who may want only to offer what we crave from them. Behind every step the hero takes, his hopes, denials, fears, and regrets are always ready to lay their traps. Yet the dream of love always casts its luminous halo. We may not always know what we want. We may remain enigmas to ourselves and others. But sooner or later we discover who we’ve always known we were.