The bestselling author of The Hidden Diary of Marie Antoinette and The Last Wife of Henry VIII returns with an enchanting novel about one of the most seductive women in history: Josephine Bonaparte, first wife of Napoleon.   Born on the Caribbean island of Martinique, Josephine had an exotic Creole appeal that would ultimately propel her to reign over an empire as wife of the most powerful man in the world.  But her life is a story of ambition and danger, of luck and a ferocious will to survive.  Married young to an arrogant French aristocrat who died during the Terror, Josephine also narrowly missed losing her head to the guillotine.  But her extraordinary charm, sensuality, and natural cunning helped her become mistress to some of the most powerful politicians in post-Revolutionary France.  Soon she had married the much younger General Bonaparte, whose armies garnered France an empire that ran from Europe to Africa and the New World and who crowned himself and his wife Emperor and Empress of France.  He dominated on the battlefield and she presided over the worlds of fashion and glamor.  But Josephine's heart belonged to another man--the mysterious, compelling stranger who had won her as a girl in Martinique.

    'War From The Ground Up' offers a distinctive perspective in its consideration of the concept of contemporary warfare.

    During this period they have become much like other Americans and yet have remained strikingly distinct. The Cajuns: Americanization of a People explores these six decades and analyzes the forces that had an impact on Louisiana's Acadiana.In the 1940s, when America entered World War II, so too did the isolated Cajuns. Cajun soldiers fought alongside troops from Brooklyn and Berkeley and absorbed aspects of new cultures. In the 1950s as rock 'n' roll and television crackled across Louisiana airwaves, Cajun music makers responded with their own distinct versions. In the 1960s, empowerment and liberation movements turned the South upside down. During the 1980s, as things Cajun became an absorbing national fad, "Cajun" became a kind of brand identity used for selling everything from swamp tours to boxed rice dinners. At the dawn of the twenty-first century, the advent of a new information age launched "Cyber-Cajuns" onto a worldwide web. All these forces have pushed and pulled at the fabric of Cajun life but have not destroyed it.A Cajun himself, the author of this book has an intense personal fascination in his people.By linking seemingly local events in the Cajuns' once isolated south Louisiana homeland to national and even global events, Bernard demonstrates that by the middle of the twentieth century the Cajuns for the first time in their ethnic story were engulfed in the currents of mainstream American life and yet continued to make outstandingly distinct contributions.

    Now this classic history is being reissued, with a new foreword byacclaimed biographer Arnold Rampersad.As Rampersad notes, Harlem Renaissance remains an indispensable guide to the facts and features, the puzzles and mysteries, of one of the most provocative episodes in African-American and American history. Indeed, Huggins offers a brilliant account of the creative explosion in Harlem during thesepivotal years. Blending the fields of history, literature, music, psychology, and folklore, he illuminates the thought and writing of such key figures as Alain Locke, James Weldon Johnson, and W.E.B. DuBois and provides sharp-eyed analyses of the poetry of Claude McKay, Countee Cullen, and LangstonHughes. But the main objective for Huggins, throughout the book, is always to achieve a better understanding of America as a whole. As Huggins himself noted, he didn't want Harlem in the 1920s to be the focus of the book so much as a lens through which readers might see how this one moment in timesheds light on the American character and culture, not just in Harlem but across the nation. He strives throughout to link the work of poets and novelists not only to artists working in other genres and media but also to economic, historical, and cultural forces in the culture at large.This superb reissue of Harlem Renaissance brings to a new generation of readers one of the great works in African-American history and indeed a landmark work in the field of American Studies.

    In the intervening centuries as many as 30,000 people disappeared on the roads of northern India.

    As he did so brilliantly in London: The Novel and New York: The Novel, Edward Rutherfurd brings to life the most magical city in the world: Paris. This breathtaking multigenerational saga takes readers on a journey through thousands of years of glorious Parisian history.

    The real-life protagonist of The Black Count, General Alex Dumas, is a man almost unknown today yet with a story that is strikingly familiar, because his son, the novelist Alexandre Dumas, used it to create some of the best loved heroes of literature.Yet, hidden behind these swashbuckling adventures was an even more incredible secret: the real hero was the son of a black slave -- who rose higher in the white world than any man of his race would before our own time. Born in Saint-Domingue (now Haiti), Alex Dumas was briefly sold into bondage but made his way to Paris where he was schooled as a sword-fighting member of the French aristocracy. Enlisting as a private, he rose to command armies at the height of the Revolution in an audacious campaign across Europe and the Middle East – until he met an implacable enemy he could not defeat.The Black Count is simultaneously a riveting adventure story, a lushly textured evocation of 18th-century France, and a window into the modern world’s first multi-racial society. But it is also a heartbreaking story of the enduring bonds of love between a father and son.

    Now the critically acclaimed Michael Pye reveals the cultural transformation sparked by those men and women: the ideas, technology, science, law, and moral codes that helped create our modern world. This is the magnificent lost history of a thousand years. It was on the shores of the North Sea where experimental science was born, where women first had the right to choose whom they married; there was the beginning of contemporary business transactions and the advent of the printed book. In The Edge of the World, Michael Pye draws on an astounding breadth of original source material to illuminate this fascinating region during a pivotal era in world history.

    Calhoun represented the foremost statemen of their age. In the decades preceding the Civil War, they dominated American congressional politics as no other figures have. Now Merrill D. Peterson, one of our most gifted historians, brilliantly re-creates the lives and times of these great men in this monumental collective biography. Arriving on the national scene at the onset of the War of 1812 and departing political life during the ordeal of the Union in 1850-52, Webster, Clay, and Calhoun opened--and closed--a new era in American politics. In outlook and style, they represented startling contrasts: Webster, the Federalist and staunch New England defender of the Union; Clay, the war hawk and National Rebublican leader from the West; Calhoun, the youthful nationalist who became the foremost spokesman of the South and slavery. They came together in the Senate for the first time in 1832, united in their opposition of Andrew Jackson, and thus gave birth to the idea of the Great Triumvirate. Entering the history books, this idea survived the test of time because these men divided so much of American politics between them for so long. Peterson brings to life the great events in which the Triumvirate figured so prominently, including the debates on Clay's American System, the Missouri Compromise, the Webster-Hayne debate, the Bank War, the Webster-Ashburton Treaty, the annexation of Texas, and the Compromise of 1850. At once a sweeping narrative and a penetrating study of non-presidential leadership, this book offers an indelible picture of this conservative era in which statesmen viewed the preservation of the legacy of free government inherited from the Founding Fathers as their principal mission. In fascinating detail, Peterson demonstrates how precisely Webster, Clay, and Calhoun exemplify three facets of this national mind.

    The massacre of thousands of soldiers and civilians by the New Model Army at both Drogheda and Wexford in 1649 must rank among the greatest atrocities in Anglo-Irish history: a tale that makes decidedly uncomfortable reading for those keen to focus on Cromwell's undoubted military and political achievements elsewhere.In a century of unrelenting, bloody warfare and religious persecution throughout Europe, Cromwell was, in many ways, a product of his times.As commander-in-chief of the army in Ireland, however, the responsibilities for the excesses of the military must be laid firmly at his door, while the harsh nature of the post-war settlement also bears his personal imprint. Cromwell was no monster, but he did commit monstrous acts. A warrior of Christ, somewhat like the crusaders of medieval Europe, he acted as God's executioner, convinced throughout the horrors of the legitimacy of his cause, and striving to build a better world for the chosen few. He remains, therefore, a remarkably modern figure, somebody to be closely studied and understood, rather than simply revered or reviled.

    His court at the Palace of Versailles became the most dazzling on the Continent, and through his intelligence and cunning, he made France the leading power of Europe. Now, in this masterful biography, historian Olivier Bernier brilliantly recreates Louis XIV's world to reveal the secrets of this monarch's unequaled sovereignty and to explore the singular mystique that surrounds him today. Not only was Louis heir to his father's throne, he felt he was divinely chosen to rule France. From the year he became king at the age of thirteen, he oversaw every aspect of government, from waging war and making political appointments to supervising the building of his many palaces. Along with political treachery that marked Louis XIV's long reign, Bernier also brings to light the personal scandals. We witness the poignant resignation of Louis XIV's queen to her husband's parade of mistresses and illegitimate children, the infamous intrigue when the king's brother was accused of poisoning his wife in a jealous rage, and the momentous building of Versailles, not an act of monstrous self-indulgence that bankrupted the nation but the visible expression of Louis XIV's new monarchy - his ingenious methods of centering all activity around court life, thus preventing his courtiers from fomenting rebellion. Under the Sun King, architecture, painting, music, and theater flourished, making France not only a great political force but a paradigm of fashion and culture as well. Louis XIV takes us from the grandeur of Versailles to the battlefields of the countryside, from the bedrooms of the king's mistresses to the chambers of his ministers, and presents an engrossing portrait of royal life and a commanding leader.

    In this remarkable novel, Gioia Diliberto tells Virginie's story, drawing on the sketchy historical facts to re-create Virginie's tempestuous personality and the captivating milieu of nineteenth-century Paris. Born in New Orleans and raised on a lush plantation, Virginie fled to France during the Civil War, where she was absorbed into the fascinating and wealthy world of grand ballrooms, dressmakers' salons, and artists' ateliers. Even before Sargent painted her portrait, Virginie's reputation for promiscuity and showy self-display made her the subject of vicious Paris gossip. Immersing the reader in Belle Epoque Paris, I Am Madame X is a compulsively readable and richly imagined novel illuminating the struggle between Virginie and Sargent over the outcome of a painting that changed their lives and affected the course of art history.