Arriving in the small rural town she finds nothing much has changed there – including Jamie McBride, who lives on the neighbouring farm to her and is as ridiculously good looking as he was when they were seventeen and madly in love.Desperate to bring back her grandmother’s smile, Erin goes through old photo albums with her. Though frail and confused her grandmother tells vivid stories about the past, including memories of a soldier she once loved. Erin’s curiosity about the man deepens when she finds an engagement ring he once gave her grandmother.Meanwhile, Jamie McBride seems intent on rekindling their relationship, even though Erin’s not at all sure she wants to risk heartache again…From the bestselling author of Poppy’s Dilemma and Gemma’s Bluff, this poignant, heartfelt story of old loves and new possibilities is inspirational and entertaining.

    Edna’s work spans decades. Her soaring images of red dirt, close interiors and distant jungles have the potential to change the way the nation views itself.Edna could have been an official war artist. Did she choose to hide herself away? Or were there people who didn’t want her to become famous? As the biographer is pulled into Edna’s life, she is confronted with the fact that how she tells Edna’s past will affect her own future.This elegant and engrossing novel explores how we value and celebrate art and artists’ lives. The Biographer’s Lover reminds us that all memory is an act of curation.‘A delight to read. Ruby J. Murray enters the mind of an ambitious young biographer to assemble a moving portrait of a mysterious Australian painter.’ Carrie Tiffany‘An accomplished and memorable novel about the gaps left in our inherited history, and the imperfect storytellers we entrust to fill them. Beautifully constructed.’ Abigail Ulman

    Dr Jennifer Kelly has reached the pinnacle of her career as a successful Manhattan obstetrician, complete with ambitious, blue-blooded fianc�. After a desolate childhood with a distant grandmother, life seems everything she's ever wanted.When a grandfather she's never heard of leaves her a dairy farm on an isolated Australian island - plus one depressed dog, thirty geriatric cows and a bunch of ancient surfboards - she plans a quick trip to put the farm up for sale. Her aloof, socialite grandmother Muriel is appalled, yet insists on accompanying her.Once there, Jenny finds herself caught, by cows, by turtles - and by Jack McLachlan, the overworked island doctor who desperately needs her help. Muriel's caught too, with ghosts of her wartime past threatening to crack the shell she's built with such dedication and care.But isn't Manhattan their home? How can two women give up the perfect world they've worked so hard for by taking a chance on...life?'Joyous and breathtaking, a story to touch your heart, make you smile and see the world as a better place.' - Barbara Hannay

    Armed with a freshly completed manuscript, a yellow cravat and a machete, Ava strides out into the world in the hope of being published – and so the adventure begins. Despite being dismissed as an eccentric – or worse – by the world around her, and battling poverty and age, Ava’s internal world remains vivid; her purpose, clear.Author Mark O’Flynn first learned about legendary Blue Mountains writer and recluse Eve Langley when he stumbled across her abandoned hut outside the small town of Leura. Though he moved on to other projects, Langley’s voice stayed with him: ‘Why did she change her name (by deed poll) to Oscar Wilde? Why the romantic preoccupation with her past? So little is known of her final days.’ O’Flynn’s fascination with her life eventually led to the creation of the irrepressible Ava Langdon.Rich in wordplay and colourful anecdote, The Last Days of Ava Langdon is an intimate, witty and soulful conjuring of a once-great artist in her final days, which will leave the reader questioning – what passion would sustain you if everything was lost?

    The only survivor is Isabella Winterbourne, who clutches a priceless gift meant for the Australian Parliament. This gift could be her ticket to a new life, free from the bonds of her husband and his overbearing family. But whom can she trust in Lighthouse Bay?Fast-forward to 2011: after losing her lover, Libby Slater leaves her life in Paris to return to her hometown of Lighthouse Bay, hoping to gain some perspective and grieve her recent loss. Libby also attempts to reconcile with her sister, Juliet, to whom she hasn’t spoken in twenty years. Libby did something so unforgivable, Juliet is unsure if she can ever trust her sister again.In these two adventurous love stories, both Isabella and Libby must learn that letting go of the past is the only way to move into the future. The answers they seek lie in Lighthouse Bay.

    When the corporate rug is pulled from under her Maddison Markham heads back home – back to Blue Gum Flat. It won’t be for long, just time to regroup and get her life back on track. But Blue Gum Flat is not the sleepy little town she remembers from her childhood. New people, new attitudes and even a coffee machine. Cameron Dean has every intention of making his dream of a rural life a reality and when Maddison arrives in town it seems his stars have finally aligned. But he hasn’t considered the impact their relationship will have on his son and after the mistakes he has made family comes first.

    Despite her anger and grief, she sets about running the house, taking care of her younger sister, and helping her father clear their wild acreage to carve out a farm. But gradually they realise that while they may own the land, they cannot tame it – nor can they escape their past.Anchor Point is an eloquent and arresting Australian novel no reader will easily forget.

    In a mountain-locked valley, Jessie is on the run.Born wild and brave, by twenty-six she has already lived life as a circus rider, horse and cattle rustler, and convict. But on this fateful night she is just a woman wanting to survive though there is barely any life left in her.Two men crash through the bushland, desperate to claim the reward on her head: one her lover, the other the law.But as it has always been for Jessie, it is death, not a man, who is her closest pursuer and companion. And while all odds are stacked against her, there is one who will never give up on her—her own child, who awaits her.

    Haunted by her sister's death and her fractured family, all she wants is freedom.But Callie hasn't counted on falling for Matt Hawkins, an ex-soldier determined to fulfil his own dream of land and family. Nor could she predict the way the land, animals and people of Glenmore will capture her heart.Callie is faced with impossible choices. But she must find the courage to decide where her future lies, even if it costs her everything she holds dear.

    Gradually they begin to comprehend that their country has been invaded and everyone in their town has been taken prisoner. As the reality of the situation hits them, they must make a decision — run and hide, give themselves up and be with their families, or fight back.

    So Karuna returns the favour. Eventually, Karuna can’t ignore the reality: she is pregnant. Incensed, her mother, already over-protective, confines her to their fourteenth-storey housing-commission flat for one hundred days, to protect her from the outside world – and make sure she can’t get into any more trouble. Stuck inside for endless hours, Karuna battles her mother and herself for a sense of power in her own life, as a new life forms and grows within her. One Hundred Days is a fractured fairytale exploring the fault lines between love and control. At times tense and claustrophobic, it also brims with humour, warmth and character. It is a magnificent new work from one of Australia’s most celebrated writers.

    When the rain finally comes, it’s a miracle. For a moment, the scrubland flourishes and the remote swimming hole fills. Returning home from an afternoon swim, fourteen-year-old Tommy and sixteen-year-old Billy McBride discover a scene of heartbreaking carnage: their dogs dead in the yard, their hardworking father and mother shot to death, and their precocious younger sister unconscious and severely bleeding from a wound to her gut. The boys believe the killer is their former Aboriginal stockman, and, desperate to save Mary, they rush her to John Sullivan, the wealthiest landowner in the region and their father’s former employer, who promises to take care of them.Eager for retribution, the distraught brothers fall sway to Sullivan, who persuades them to join his posse led by the Queensland Native Police, an infamous arm of British colonial power whose sole purpose is the “dispersal” of indigenous Australians to “protect” settler rights. The group is led by the intimidating inspector Edmund Noone, a dangerous and pragmatic officer whose intellect and ruthlessness both fascinates and unnerves the watchful Tommy. Riding for days across the barren outback, the group is determined to find the perpetrators they insist are guilty, for reasons neither of the brothers truly understands. It is a harsh and horrifying journey that will have a devastating impact on Tommy, tormenting him for the rest of his life—and hold enduring consequences for a young country struggling to come into its own.Set in a period of Australian and British history as raw and relevant as that of the wild frontier of nineteenth-century America, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son with the atmospheric beauty of Amanda Coplin’s The Orchardist and the raw storytelling power of Ian McGuire’s The North Water.

    The Secret River is the tale of William and Sal’s deep love for their small, exotic corner of the new world, and William’s gradual realization that if he wants to make a home for his family, he must forcibly take the land from the people who came before him. Acclaimed around the world, The Secret River is a magnificent, transporting work of historical fiction.

    Then the gap will close and I will pass her. I will get older. But Katie will always be fifteen, eleven months and twenty-one days old.Hannah's world is in pieces and she doesn't need the school counsellor to tell her she has deep-seated psychological issues. With a seriously depressed mum, an injured dad and a dead sister, who wouldn't have problems?Hannah should feel terrible but for the first time in ages, she feels a glimmer of hope and isn't afraid anymore. Is it because the elusive Josh is taking an interest in her? Or does it run deeper than that?In a family torn apart by grief and guilt, one girl's struggle to come to terms with years of torment shows just how long old wounds can take to heal.

    Anya Crichton.The only female freelancer in the male-dominated field, pathologist Dr. Anya Crichton will take any work she can find to pay child support and her mortgage, get her new business off the ground, and battle her ex-husband for custody of their three-year-old son. Things turn around rapidly, however, when her expert forensic evidence is instrumental in winning a high-profile case -- and new work offers start pouring in.But Anya's investigation into the drug overdose of a young Lebanese girl is raising troubling questions. Startling coincidences between this sad and tragic death and a series of seemingly unrelated suicides that Anya is also examining at the urging of her friend and colleague, detective sergeant Kate Farrer, suggest that there's a monumental evil at work in the shadows. With each scalpel cut, Anya Crichton's forensic prowess and deductive brilliance are pulling her relentlessly toward a sinister plot and a devastating truth -- and once she enters the lethal darkness, she may never again see the light of day.