Recommended for all collections." - Choice

    But Florence is nursing a broken heart and a terrible secret, which might destroy her one chance of happiness...Meanwhile, a new plane is being developed that could turn the tide of the war, but Florence fears there is traitor is in their midst, putting Siegfried - and the whole country - in terrible danger. Can Florence save her Spitfire boys, and her own heart?

    A compelling tale of one woman’s triumphs and tragedies which you will not be able to put down. Young peasant girl Nicole Berthois works hard to support her family in a wine-making village in Champagne. Her life changes forever when she falls in love with handsome aristocrat Philippe de Tramont. The young lovers marry despite his mother’s objections, and Nicole’s strength and determination help her husband to follow his dreams. But then tragedy strikes; Philippe is killed and Nicole must struggle to raise their two small children as a young widow. She faces many challenges as she tries to win her mother-in-law’s approval, and build her husband’s legacy into a great champagne dynasty. But will illicit passions, war and a shocking family secret destroy all she has worked to achieve? ‘Tessa Barclay always spins a fine yarn. Her novels are gripping and entertaining.’ Wendy Craig ‘Filled with fascinating historical detail and teeming with human passions.’ Marie Joseph ‘A red hot contender for the Romantic Novelist of the Year Award.’ Daily Mirror From the publishers of Hardacre and Hardacre’s Luck. Perfect for fans of Nadine Dorries, Margaret Dickinson, Lyn Andrews and Helen Forrester. Tessa Barclay is the author of many much-loved family sagas and historical romance novels, including the Wine Widow trilogy, the four-part Craigallan series, and the Corvill Weaving saga – all coming soon in new paperback editions and as ebooks for the very first time. Tessa began her writing career after being educated at the Miss Jean Brodie school, and has since written over 100 books.

    It was only when Max Ophuls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has reset these circular scenes of love and betrayal in the present day, with a cast of two actors playing a succession of characters whose sexual lives enmesh like a daisy chain. The Blue Room is a meditation on men and women, sex and social class, actors and the theater. With deft insight about the gap between the sexes, The Blue Room takes the treacherous Freudian subject of projection and desire and reinvents it in a bittersweet landscape that is both eternal and completely up-to-date.

    Friendship. Aaron, Candice, sex and Connor Jones. Chewing Gum Dreams is a one-woman play that recalls those last days of innocence before adulthood.Written and performed by Michaela Coel who spent her childhood in Hackney, London, Chewing Gum Dreams won the 2012 Alfred Fagon Award."Coel is by turns casually cruel, hilariously funny, naïve, wise and vulnerable. Her play tackles some difficult themes, including sexual assault, violence, and underachievement across generations…a serious new talent." Londonist"An engrossing, engaging and compelling one-woman show... nothing short of virtuosic." What's On Stage"A promising, resilient artist." Ché Walker

    The eclectic band of citizens that make up this town are portrayed by only two performers, making this satire on life in rural America even more delightful as they depict all of the inhabitants of Tuna -- men, women, children and animals.

    Douglas. The play features Academy Awards nominees Paul Giamatti in the role of Stephen A. Douglas and David Straithairn as Abraham Lincoln. Two Presidential candidates - one a rising Illinois legislator, the other a bombastic US Senator. Obama and McCain? Think again. In this transcendent Broadway play, the famous Lincoln-Douglas debates tackle the day's most passionate issue - slavery. Their battle comes to life through the eyes of Adele Douglas, wife of candidate Stephen Douglas. Challenged by the charming man from Illinois, she reexamines her basic beliefs about the American concept of freedom. Evocative, inspiring and stirring theatre]] raves The New York Times.

    It chronicles the playwright at the age of eighteen during the early 1930s when he worked at an auto parts warehouse in New York to save enough money to attend college. This scholarly edition with extensive commentary and notes is ideal for students.

    Lloyd, who lives with Mae, spends his time caring a little too much for the farm animals; he scorns to learn from a book, and treats Mae with angry disrespect. When Lloyd becomes ill, Mae goes searching for a diagnosis, and brings their simple, yet eloquent, neighbor Henry home with her, in order to help her read the difficult medical language. The ensuing love / hate triangle that brews between the three creates a toxic environment, and Mae, whose love and respect for Henry turn to impatience and resentment after an accident renders him helpless, determines that to escape the ill-luck of her life, she must escape the men who depend upon her.

    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

    A searing, emotional play of love and redemption. A L.A. Theatre Works full-cast performance featuring: Spencer Garrett, Harry Hamlin, Jamie Hanes, Stacy Keach, Rick Podell, Mandy Siegfried and Mare Winningham.

    Wealthy, overbearing Madame Rosepettle with her stuttering, awkward son Jonathan at her heels, arrives at a posh hotel with a man-eating tropical plant, pirahna fish and coffin in tow. Rosalie, a voluptuous babysitter from the couple next door "who never come home" attempts to seduce Jonathan and proves a formidable opponent to Madame herself.

    Casey Latimer is a wounded soldier in search of a new home and a new beginning. When Casey, battered and bruised, quite literally falls at Emma's feet, she is duty-bound to help him. What happens next is something Emma never expected."Hattie of Crooked Creek"Married three months before the war and now a widow, Harriett McBride can either give up and sell her ranch or fight for the life she and her husband came west to build. With the help of a friend and a stranger, she must stop the one who threatens all she holds dear. When Hattie is faced with an unexpected choice, will she bury her heart on the battlefield forever or find a way to love again?"Briley of Crooked Creek"Far from home and with no family left, Briley Donaghue answers an advertisement from a rancher seeking a wife in Montana Territory. She arrives in Crooked Creek to find an empty cabin, a letter from her fiancé, and too many unanswered questions. Alone and uncertain, Briley forges a new life in an unfamiliar land."Clara of Crooked Creek"No longer willing to allow society's opinion to influence her life, Clara Stowe sought a change, and what better place than the frontier. With her young daughter by her side, she embarks on an unexpected undertaking to the Montana Territory. With grit and determination, they arrive in Crooked Creek to shape the life Clara had always dreamed of and honor the memory of the one they lost.The war is over between the North and the South, but the battles at home are just beginning. If you love stories of bravery and courage with unforgettable women and the men they love, you'll enjoy The Women of Crooked Creek. MK McClintock delivers another extraordinary western series with more to come.

     It is the day before Empire Day – 4th July - the day each year when the British Empire marks the brutal crushing of the rebellion dignified by the treachery of the fifty-six delegates to the Continental Congress who were so foolhardy as to sign the infamous Declaration of Independence in Philadelphia on that day of infamy in 1776. It is nearly two hundred years since George Washington was killed and his Continental Army was destroyed in the Battle of Long Island and now New England, that most quintessentially loyal and ‘English’ imperial fiefdom – at least in the original, or ‘First Thirteen’ colonies - is about to celebrate its devotion to the Crown and the Old Country, of which it still views, in the main, as the ‘mother country’. Yet all is not roses. Since 1776 in a world of empires the British Empire has grown and prospered until now, it stands alone as the ultimate arbiter of global war and peace. The Royal Navy has enforced the global Pax Britannia for over a century since the World War of the 1860s established a lasting but increasingly tenuous ‘peace’ between the great powers. Nonetheless, while elsewhere the Empire may be creaking at the seams, struggling to come to terms with a growing desire for self-determination; thus far the Pax Britannica has survived – buttressed by the commercial and industrial powerhouse of New England stretching from the Atlantic to the Pacific North West - intact for all that barely a year goes by without the outbreak of another small, colonial war somewhere... This said, the British ‘Imperial System’ remains the envy of its friends and enemies alike and nowhere has it been so successful as in North America, where peace and prosperity has ruled in the vast Canadian dominions and the twenty-nine old and recent colonies of the Commonwealth of New England for the best part of two centuries. In Whitehall every British government in living memory has complacently based its ‘American Policy’ on the one immutable, unchanging fact of New England politics; that the First Thirteen colonies will never agree with each other about anything, let alone that the sixteen ‘Johnny-come-lately’ new (that is, post-1776) colonies, protectorates, territories and possessions which comprise half the population and eight-tenths of the land area of New England, should ever have any say in their affairs! New England is a part of England and always will be because, axiomatically, it will never unite in a continental union. Notwithstanding, in the British body politic the myths and legends of that first late eighteenth-century rebellion in the New World still touches a raw nerve in the old country, much as in former epochs memories of Jacobin revolts, Oliver Cromwell and the Civil War still harry old deep-seated scars in the national psyche. Empire Day might not have originally been conceived as a celebration of the saving of the first British Empire and but as time has gone by it has come to symbolise the one, ineluctable truth about the Empire: that New England is the rock upon which all else stands, an empire within an empire that is greater than the sum of all the other parts of the great imperium ruled from London. In past times a troubling question has been whispered in the corridors of power in London: what would happen to the Empire – and the Pax Britannica – if the British hold on New England was ever to be loosened? Generations of British politicians have always known that if the question was ever to be asked again in earnest it has but one answer.

    The scheduled train from Granger was overdue by three hours. He’d suspected a mechanical breakdown or maybe even a derailment. But the engineer of the next train to use that track had just reported that he hadn’t found any signs of the train.He had no idea how an entire train could simply vanish, but as he pondered the mystery, the head telegrapher came to his office and showed him a telegram that had been sent to Union Pacific headquarters. It was a ransom demand for a hundred thousand dollars. If it wasn’t paid within a week, the train and its thirty-four passengers would be blown up.He hurried out of his office and rushed through the early morning streets to tell the resident Union Pacific special agent of the kidnapped train. It was Nelson Cook’s problem now.