This book will equally deepen the awareness of clinicians and enlighten the lay reader. It is a gift to both.' Donald M. Berwick, MD, MPPIn this highly articulate, down-to-earth, generous book, Dr David Galler tells stories of life and death from his position as Intensive Care specialist at Middlemore Hospital. Written lyrically and warmly, these stories are based on real life events describing the everyday dilemmas and challenges that doctors and patients commonly face.It aims to explain and demystify much of the work doctors do, cast light on the workings of the medical establishment and how medicine operates, in the hope that it will encourage patients to seek to be better informed and play a greater role in the decisions that will affect them and their loved ones.It speaks to the resilience of individuals and families and their extraordinary generosity and dignity under the most extreme pressure. This book is about realistic optimism and is a celebration of life.It is also a very personal story about David Galler's life, his family and about his own slow coming of age as a doctor, from the sadness and helplessness he felt about his father's death to at last feeling that he was of some use to his most important patient, his mother.

    When one of Daphne's sisters dies, a crisis is provoked that leads Daphne to a mental asylum where she receives shock treatment. Her voice from "the Dead Room" haunts the novel with its poetic insights.

    There's "Let's Go," the story of a young couple's apathetic wanderings on a trip to discover the real Prague; "You Can Hear the Boats Go By," the story of ex-lovers who cope with their chance meeting in a supermarket in the most childish way; and "Barking," the mad rant of a drama student pissed off by Clown class. Not Her Real Name presents an essential guide to postmodern romance, to the vagaries of city life, and to a chronically self-absorbed generation whose love affairs are never as good as the last movies they've seen.

    A group of white-collar deadbeats attend a swinger’s party in the era of drunk Muldoon. A pervasive smell seeps through the walls of a German housing block. A seabird performs at an open-mic night.Bug Week is a scalpel-clean examination of male entitlement, a dissection of death, an agar plate of mundanity. From 1960s Wellington to post-Communist Germany, Bug Week traverses the weird, the wry and the grotesque in a story collection of human taxonomy.

    But the following night David collapses from a rare brain disease and within a few months his world is turned upside down.It was a perfectly acceptable life – successful business, happy marriage, two children. Why then has David involved himself in an identity-theft crime worth millions of dollars? Why is he taking instructions from the oddly eloquent, handsome criminal, Ben Strbic? David can't quite understand the sequence of events that has led him here, only that he must continue to the very end.As the days and months progress, a scam that was meant to be straightforward becomes a perilous mystery unfolding in David's very own life.

    With an invisible monster you never know when you're in danger and when you're safe—if you retreat to your fortress you can't be sure you haven't locked it in with you. The invisible monster is something on which no one is an expert. But everyone has the same relationship to it. It could just as well be peering over your shoulder as mine.On a sunny spring morning the settlement of Kahukura in Tasman is suddenly overwhelmed by a mysterious mass insanity. A handful of survivors find themselves cut off from the world, and surrounded by the dead. As the group of try to take care of one another, and survive in ever more difficult circumstances, it becomes apparent that this isn't the first time that this has happened, and that they aren't all survivors and victims - two of them are something quite other. And, it seems, they are trapped with something. Something unseen is picking at the loose threads of their characters, corrupting, provoking, and haunting them.Wake is a book that asks: 'What are the last things left when the worst has happened?' It is a book about extreme events, ordinary people, heroic compassion—and invisible monsters.

    These are stories about how some New Zealanders go missing - the wrong person in the wrong place at the wrong time.

     When fourteen-year-old Jordan and her younger brothers learn they'll have to ride a rickety plane home for the holidays, they're a little scared. But when it crashes on a wild and deserted peninsula in New Zealand, they are completely terrified. And injured. Worst of all, they're completely alone. Or are they? Whose voice is Jordan hearing telling her what to do next? Two hundred years ago, a hunter, Jordan's age, slave to Maori warriors hunting for the Moa bird, is in a dangerous spot, as well. He has the gift of sight, but what is the strange silvery bird that he sees crashing into the sea? And who is the girl with golden hair who is in trouble? He needs to escape the warriors, but he is driven to help the girl. If she will only listen. . . . In this suspenseful, captivating book, renowned author Joy Cowley brings two very different worlds together, giving us a rare glimpse at the remarkable human spirit that connects us all.

    Rose can’t imagine the future without Ray, but she’s certain he would have wanted her to start again. She decides to volunteer as a postwoman in West London, and when she courageously rescues a young boy from a bombed-out house and takes him home, she finds a new sense of purpose. Traumatised from losing his mother in the ruins, seven-year-old Alfie is also rebellious and withdrawn. However, he touches the hearts of Rose's family, and with kindness, patience and love, they eventually win his trust. But then a handsome stranger, Johnny Beech, turns up on the doorstep, looking for his son, and everything changes...

    Despite the best medical efforts, chemotherapy fails and doctors inform her a marrow transplant is his only hope. But the search for a donor presents a new set of challenges. Because finding a match among blood relatives is his best hope, Danielle must return to her hometown and confront painful childhood secrets and people who left deep scars on her heart. Can she face her demons to save the son she loves so dearly? A portion of the proceeds from each book sold are donated to organizations helping children fight cancer.

    She's got lots of friends, and her boyfriend is the school hunk. She's being encouraged to 'take the relationship to the next stage' by her friend Lizzie.Home is pretty much a non-event. Her mother seems distracted, her father breezes in and out but isn't really present, her brother is a stoner. Her life is turned upside down when Dad announces that he wants them to live on an off-shore island for a year and work to make it into a conservation island. Minna is horrified at the idea, as is her mother. All the more so when they discover that the whole venture is to be made into a reality TV series.To her utter dismay, Minna finds herself on an island, with only her family for company. There's no phone or email contact with the outside world. The helicopter ride to the island has made Mum sick and she doesn't seem to be recovering. Minna has to cope with new family dynamics, come to terms with the fact that her parents' marriage is doomed, and has to learn domestic arts that don't rate very highly on her excitement meter.Can you find a new you?

    Youth and frailty, ambition and anxiety, the limitations of the body and the challenges of personal transformation: these are the undercurrents that animate acclaimed poet Ashleigh Young's first collection of essays. In Can You Tolerate This?—the title comes from the question chiropractors ask to test a patient's pain threshold—Young ushers us into her early years in the faraway yet familiar landscape of New Zealand: fantasizing about Paul McCartney, cheering on her older brother's fledging music career, and yearning for a larger and more creative life. As Young's perspective expands, a series of historical portraits—a boy who grew new bone wherever he was injured, an early French postman who built a stone fortress by hand, a generation of Japanese shut-ins—strike unexpected personal harmonies, as an unselfconscious childhood gives way to painful shyness in adolescence. As we watch Young fall in and out of love, undertake an intense yoga practice that masks an eating disorder, and gradually find herself through her writing, a highly particular psyche comes into view: curious, tender, and exacting in her observations of herself and the world around her. Can You Tolerate This? presents a vivid self-portrait of an introspective yet widely curious young woman, the colorful, isolated community in which she comes of age, and the uneasy tensions—between safety and risk, love and solitude, the catharsis of grief and the ecstasy of creation—that define our lives.

    But Clifford's words have too much life in them to be ignored, and start to permeate his family's world. This book tells the story of three generations of the Stilton family.

    The words aren’t coming out right, Harvey’s mojo is fading and a celebrity host is eyeing his timeslot.Back in Shorton, Harvey’s father Lionel appears at long last to be dying. It seems it’s finally time for Harvey Beam to head home and face a different kind of music.In wading through a past that seems disturbingly unchanged, the last thing he expects is a chance encounter with a wonderful stranger …

    This colourful story focuses on the relationship between the girls as they grow into women and their attempt to escape their impoverished background.The story is alternatively narrated by the eloquent Fag and the sensitive Ginnie, as well sections told by an historian and industrial psychologist.