At times sensual, always potent, Lemons in the Chicken Wire delivers a collage of work that reflects rural identity through a rich medley of techniques and forms.It is an audacious, lyrical and linguistically lemon flavoured poetry debut that possesses a rare edginess and seeks to challenge our imagination beyond the ordinary. Alison Whittaker demonstrates that borders, whether physical or imagined, are no match for our capacity for love."Lemons in the Chicken Wire is truly an astounding, proudly experimental, innovative, daring, disjunctive, playful and unique poetry debut" – Dr AJ Curruthers, Rabbit Poetry Journal

    Styled as  entries from a journal, Hunter Summerall’s poetry takes the personal and constructs a universal story about unrequited love and anguish.

    I Will Look For You Among The Stars is a poetry collection about love, loss, and grief- the pain of losing people you can never get back.

    This is a new voice made of sunlight, knives, emergencies, heat, honesty, bottles of vodka, and a tanker full of talent. Madievsky has created something we should not go without."- Matthew Dickman"Go ahead, try all you want pulling on Ruth Madievsky’s Emergency Brake—but just remember it won’t do you any good. This will be the most exciting and inventive first book you have read in years, and this poet’s take-no-prisoners attitude makes for an ecstatic joyride. These deeply moving poems reflect the raw darkness paring at the edges of our lives, and they reveal how that dark can sometimes move to the very centers of our being. Sexy, irreverent, sorrowful, thrilling—the poems of Emergency Brake become a young woman’s survival manual for the Twenty-First Century: ignore it at your own peril."- David St. John"...a metaphor-maker par excellence"- ZYZZYVA"The social importance of Emergency Brake doesn’t come at the cost of artful finesse; a cleverly engineered speaker who invites distrust through sly direction guides us through the collection’s gallery of sex and Los Angeles sprawl..."- Columbia Journal"Emergency Brake is filled with boxcar after boxcar of metaphors you’ll wish you wrote, but Madievsky got to them first. You’ll want to hate her if it wasn’t for that sugary child jumping up and down behind your ribs, yelling, 'Do it again! Do it again!'”- Harpur Palate

    Winner of the 2017 Cave Canem Poetry Prize Set against the backdrop of the Obama presidency, Julian Randall's Refuse documents a young biracial man's journey through the mythos of Blackness, Latinidad, family, sexuality and a hostile American landscape.  Mapping the relationship between father and son caught in a lineage of grief and inherited Black trauma, Randall conjures reflections from mythical figures such as Icarus, Narcissus and the absent Frank Ocean.  Not merely a story of the wound but the salve, Refuse  is a poetry debut that accepts that every song must end before walking confidently into the next music

    His many readers will recognize the musical and formal variety, the voice that can be tender and funny, credibly mystical and savagely skeptical. But there are many new notes in this collection as well, including a moving elegy to the poet's father, sharp observations and distillations of modern American life, and rangy poems that merge and juxtapose different modes of speech and thought. The cumulative effect is extraordinary. Reading Survival Is a Style, one has the sense one is encountering work that will become a permanent part of American literature.

    Hell’s Bottom is more than a ranch. Home to Renny, one of those women who prefers “a little Hell swirled with their Heaven,” and her husband, Ben, who’s “gotten used to smoothing over Renny’s excesses,” the ranch has been the site of births and deaths of both cattle and children, as well as moments of amazing harmony and clear vision. A day of haying turns violent in “A New Name Each Day,” while in “Rattlesnake Fire,” Ben and his estranged sister must decide whether to put aside their differences to save families trapped by a forest fire. In Pritchett’s masterful hands, the western landscape becomes a zone of familial crisis and, sometimes, transcendence.

    It is a story about owning the emotions that live inside the heart and the head. It is the cathartic experience of pain and loss but also the bittersweet feelings of joy and the complexity of beauty. Elisabet expresses the unraveling of herself and the complexity of emotions that stemmed from heartache, her own mental health and the struggles of growing up and into a world with no precedence for a first generation child. This is the accumulation of three years of tears and long nights figuring out that chaos isn't always a bad thing.

    These poems take the reader on surprising journeys of healing, hard-won amid personal and social vicissitudes – including triumph over addiction, and alcoholism – and open spaces in which to share in emotional, quasi-spiritual transcendence despite. Who could ask for more? Rabbit was chosen for the PBS Wild Card Choice for Winter, 2018.

    Her works range from short lyric love poetry to longer, more complex cycles, such as Requiem, a tragic depiction of the Stalinist terror. One of the forefront leaders of the Acmeism movement, which focused on rigorous form and directness of words, she was a master of conveying raw emotion in her portrayals of everyday situations. During the time of heavy censorship and persecution, her poetry gave voice to the Russian people. Anna Akhmatova published the collection "White Flock" in 1917. Joseph Brodsky later described this volume as writing of personal lyricism tinged with the "note of controlled terror." Today, it remains among her most celebrated publications. It is presented here in full, in a dual-language book, translated by Andrey Kneller.

    His poems chart a course through his own highly original American dreamscape in language that is fresh, accessible, and remarkably precise. This debut collection has received extraordinary acclaim from readers and reviewers alike and is quickly becoming a cult classic. As Pulitzer Prize-winning poet James Tate said, "These poems are beautiful, strange, intelligent, and funny. . . . It's a book for everyone."

    These narrative poems take readers into the heart of southern Appalachia—its highways and strip malls and gun culture, its fragility and danger—as the speaker wrestles with what it means to be the only Jewish family in an Evangelical neighborhood and the anxieties of raising one white son and one black son amidst racial tensions and school lockdown drills. With a firm hand on the pulse of the uncertainty at the heart of 21st century America and a refusal to settle for easy answers, Meitner’s poems embrace life in an increasingly fractured society and never stop asking what it means to love our neighbor as ourselves.

    a ballsy paean to self-determination and body confidence ... McSharry's style is a pleasure: precise, colloquial, tightly paced. She's nailed the elusive directness central to the work of essayists like Lena Dunham. If you read one heart-breaking yet bouncy true-life memoir this summer, make sure it's this one.' Sunday Times 'An absolutely stunning piece of work ... just a fantastic book' Roisin Ingle'Hello there @louisemcsharry. Well, I LOVED your book and now I LOVE YOU TOO!!!!! You are INSPIRATIONAL!' Marian Keyes on Twitter'Louise is heartbreakingly honest. A sharp, well-observed, and ultimately inspirational read. Every woman of every age should read this book.' Louise O'Neill'Searingly honest ... at times makes for heart-breaking reading but Louise is at her most inspiring talking about her journey towards fat acceptance' Irish Daily Star'Louise's life reads like a thriller - I had goose-bumps throughout! Brave, funny, emotional and totally relatable for women.' Roz Purcell'Hugely enjoyable. So honest and insightful. I loved the positivity and the REALNESS! Will be amazing for young women to read.' Una Mullaly'Both heart-warming and heart-breaking. Vividly raw and surprisingly visceral, Louise makes you feel every single bit.' Angela Scanlon'Should be compulsory reading for all young people, male and female. Older readers will also be inspired by McSharry's no-nonsense approach ... Whether writing about sex, feminism, family or body acceptance, McSharry is compassionate, funny and wise' Irish Times'A mighty woman, with cojones the size of Mexico and coolness in the face of adversity not seen since John Wayne's heyday' Irish Independent'She's a straight shooter, honest and to the point' The HeraldLouise McSharry's passion is to talk to young women (and the men who love them), about being a woman in the modern world. Drawing on her own 33 years of life, she writes about everything from surviving a messed up childhood, to crashing out of education and still making it, to figuring out sex, weight, feminism, make-up, friendship, workplace politics and a whole lot more.Though she has the raw material (the early death of her father and being taken into care at seven because of her mother's alcoholism) the last thing Louise wanted do was to write a misery memoir. She wasn't keen on writing a cancer survival story either (she went through treatment while planning her wedding ... trying on white dresses while sweating and hairless - not a good look).So, though it has its sad moments, Fat Chance is honest, upbeat, irreverent and inspirational - just like a long chat with a best friend. A fabulous, funny and wise best friend!

    Self and it (word and particle) are ritual and rigmarole, song-and-dance and long distance call into whatever dark matter might exist. How could a self not be selfish? Armantrout accesses the strangeness of everyday occurrence with wit, sensuality, and an eye alert to underlying trauma, as in the poem Price Points where a man conducts an imaginary orchestra but gets no points for originality. In their investigations of the cosmically mundane, Armantrout's poems use an extraordinary microscopic lens--even when she's glancing backwards from the outer reaches of space. An online reader's companion is available at http: //raearmantrout.site.wesleyan.edu.

    Ask me whetherwhat I have done is my life.     —from Ask MeIn celebration of the poet’s centennial, Ask Me collects one hundred of William Stafford’s essential poems. As a conscientious objector during World War II, while assigned to Civilian Public Service camps Stafford began his daily writing practice, a lifelong early-morning ritual of witness. His poetry reveals the consequences of violence, the daily necessity of moral decisions, and the bounty of art. Selected and with a note by Kim Stafford, Ask Me presents the best from a profound and original American voice.