It’s 1964 in idyllic Zephyr, Alabama. People either work for the paper mill up the Tecumseh River, or for the local dairy. It’s a simple life, but it stirs the impressionable imagination of twelve-year-old aspiring writer Cory Mackenson. He’s certain he’s sensed spirits whispering in the churchyard. He’s heard of the weird bootleggers who lurk in the dark outside of town. He’s seen a flood leave Main Street crawling with snakes. Cory thrills to all of it as only a young boy can.   Then one morning, while accompanying his father on his milk route, he sees a car careen off the road and slowly sink into fathomless Saxon’s Lake. His father dives into the icy water to rescue the driver, and finds a beaten corpse, naked and handcuffed to the steering wheel—a copper wire tightened around the stranger’s neck. In time, the townsfolk seem to forget all about the unsolved murder. But Cory and his father can’t.   Their search for the truth is a journey into a world where innocence and evil collide. What lies before them is the stuff of fear and awe, magic and madness, fantasy and reality. As Cory wades into the deep end of Zephyr and all its mysteries, he’ll discover that while the pleasures of childish things fade away, growing up can be a strange and beautiful ride.   “Strongly echoing the childhood-elegies of King and Bradbury, and every bit their equal,” Boy’s Life, a winner of both the Bram Stoker and World Fantasy Awards, represents a brilliant blend of mystery and rich atmosphere, the finest work of one of today’s most accomplished writers (Kirkus Reviews).

    Back in print by popular demand, this spectacular debut, from a writer of “infernal ingenuity” (The New York Times Book Review), includes a new Introduction by bestselling author Michael Connelly.Murder has always been easy for the Butcher’s Boy—it’s what he was raised to do. But when he kills the senior senator from Colorado and arrives in Las Vegas to pick up his fee, he learns that he has become a liability to his shadowy employers. His actions attract the attention of police specialists who watch the world of organized crime, but though everyone knows that something big is going on, only Elizabeth Waring, a bright young analyst in the Justice Department, works her way closer to the truth, and to the frightening man behind it.

    DS Logan McRae investigates after a year off the job sick – but knows time is running out fast…Dying Light: A woman is found dead by the docks, in the heart of Aberdeen’s Red Light District. For DS Logan McRae it’s a bad start to another bad day. Rosie Williams is just the first – how many more will die?Broken Skin: A serial rapist leaves a string of victims as DS Logan McRae’s investigations suggest that someone in the local bondage community has developed a taste for full-blown violence. The Granite City’s seedy side is about to be exposed…

    Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him.And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

    That's why he's been hired to descend into the Nightside, an otherworldly realm in the center of London where fantasy and reality share renting space and the sun never shines.

    Until one day a letter appears, summoning him to the frozen woods of Vermont. There, Ricky is inducted into a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard The Voice: a mysterious murmur on the wind, a disembodied shout, or a whisper in an empty room that may or may not be from God.Evoking the disorienting wonder of writers like Haruki Murakami and Kevin Brockmeier, but driven by Victor LaValle’s perfectly pitched comic sensibility, Big Machine is a mind-rattling literary adventure about sex, race, and the eternal struggle between faith and doubt.

     In the clear waters of Pine Island, Florida darkness is swirling. Trained to be a killer, Ellie O’Conner opts for a new life of quiet privacy away from the bloated bureaucracy that has become the CIA. Now, she wants nothing more than to catch up on years lost to the wind. But when a horrifying death shocks her sleepy fishing community Ellie is compelled by a sense of duty to track down the killer. And along the way, she finds out that some of Pine Island’s residents may have not the cleanest of hands. And dark waters swirl fiercest in the daylight.

    But his past life is a recurring nightmare—filth, desperation, and blackouts. And more trouble is only a hundred miles away. Darren and Alastair leave Liverpool, heading south in a rickety old car. They have been sent by their gang boss to wreak violent revenge, but they have only a rough idea of their quarry: a one-armed man.Interspersed between the scabrous banter and a pitch-perfect street dialect, Niall Griffiths offers stunning descriptions of the Welsh landscape and a dark, knowing humor. Despite the ever present drugs, violence, and anger, he reveals a fragile humanity. Graywolf is proud to introduce this striking, distinctive voice to American readers.

    Evolved from lucha libre, the family gimmick is sacred, and the mask is the sole expression of one’s identity. Now, Hood prostitutes are turning-up murdered and worse, unmasked, and the ‘Skin’ establishment is as much help as a paid-off ref. Enter X, former luchadora with a bruised past, a bum knee and no time to play Santo. She’s no hero, but there’s nobody else to tag-in, as her hunt for a killer uncovers a conspiracy that could take down all of maskedkind. Like Casablanca with wrestling masks, Hoodtown is vintage pulp noir with a lucha libre pop culture twist.

    Shortly after the post-mortem, Hunter witnesses a second murder, but that is not the end of the slaughter. With a young woman's life also hanging in the balance, the last thing Hunter needs is a new man on his team: Detective Constable Tim Myerscough, the son of his nemesis, the former Chief Constable Sir Peter Myerscough. Hunter's perseverance and patience are put to the test time after time in this first novel in The Edinburgh Crime Mysteries series.

    including the President of the United States?

    The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

    The latest victim is the awesome superb Starbuck, America's deep-diving nuclear arsenal. Its loss poses an unthinkable threat to national defense. Pitt's job is to find it, salvage it, before the sea explodes. In a furious race against time, Pitt's mission swirls him into a battle with underwater assassins-and traps him in the arms of Summer Moran, the most stunningly exotic and dangerous toward disaster, Clive Cussler plummets his hero onto an ancient sunken island-the astonishing setting for the explosive climax of Pacific Vortex!

    The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    She used those attributes to survive a divorce in 1940s America with two children and to claw her way out of poverty, becoming a successful businesswoman. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to her monstrous daughter.Out of these elements, Cain created a novel (later made into a film noir classic) of acute social observation and devastating emotional violence—and a heroine whose ambitions and sufferings are never less than recognizable.