Opened CD included. Dinged upper spine. No markings.

    But within a year she’d developed an intestinal illness so rare she wound up in a medical journal. Janet navigated misdiagnosis, multiple surgeries, and life with a permanent colostomy. Like many female patients her concerns were glossed over by doctors. She was young and insecure, major liabilities in her life as a patient. How would she advocate for low-income people when she couldn’t even advocate for herself? Janet’s model for assertiveness was her friend Beth. She was the kind of friend who’d accompany you to the doctor when you got dysentery in Ecuador, nonchalantly translating the graphic details of your symptoms into Spanish. Throughout Janet’s illness Beth took care of her; then she developed brain cancer and their roles reversed. Eventually Janet recovered, but Beth’s condition worsened. At the age of 38, Beth died. To cope, Janet competed in endurance events, becoming a triathlete with a colostomy pouch. With themes that echo Susannah Cahalan’s 'Brain on Fire' and Gail Caldwell’s 'Let’s Take the Long Way Home', GUTS is a story of resilience for the millions of Americans who manage to thrive while living with a chronic condition, as well as the many who’ve lost a loved one at a young age.

    Brimming with color, anecdote, and the presence of people such as Bill Murray, Penny Marshall, Carrie Fisher, Chevy Chase, James Taylor, Robin Williams, Harrison Ford and Jack Nicholson, this memoir relates a journey through a troublesome time; a journey she never expected to take, with a destination she could not have imagined. 24 pages of photographs.

    Johnson's story of AIDS, abuse, and hope received extensive media coverage. Foreword by Paul Monette; Afterword by Fred Rogers, with a new Afterword by the author.

    More than 300 slaves worked the plantation's fields at the height of its prosperity; but nearly 125 years later, the only remembrance of their lives at Somerset, now a state historic site, was a lonely wooden sign marked "Site of Slave Quarters."Somerset Homecoming, first published in 1989, is the story of one woman's unflagging efforts to recover the history of her ancestors, slaves who had lived and worked at Somerset Place. Traveling down winding southern roads, through county courthouses and state archives, and onto the front porches of people willing to share tales handed down through generations, Dorothy Spruill Redford spent ten years tracing the lives of Somerset's slaves and their descendants. Her endeavors culminated in the joyous, nationally publicized homecoming she organized that brought together more than 2,000 descendants of the plantation's slaves and owners and marked the beginning of a campaign to turn Somerset Place into a remarkable resource for learning about the history of both African Americans and whites in the region.

     He awoke five days later with to learn of the catastrophic loss of his two friends and both of his legs. Recovering physically presented a great challenge, but the mental recovery was the toughest battle. For three and a half months he never left the hospital because he didn't want people to see his injured body. In One Step at a Time, Bleill shares the story of his own personal redemption and the many life-changing moments he encountered, from his enlistment to active duty in Fallujah, through two years of intensive rehabilitation, and ultimately to his job as the community spokesman for the Indianapolis Colts. Readers will be inspired by his undying enthusiasm, infectious joy, and sense of humor as he shares his message of going forward, one step at a time.

    During that time he worked some of the most notorious murders in Seattle, from serial murderers, domestic terrorists and psychotic killers. In his true crime memoir, Homicide: The View from Inside the Yellow Tape, he describes some of the most interesting murders he's worked on. Often shocking, often inane and even funny, it's a view you won't see on the evening news. A look inside the yellow tape; inside the interrogation room, where you come face to face with pure evil, and see what it's like to investigate murder.

    He worked as a police reporter, racing the cops to robberies and shootings. He interviewed and wrote about mass murders and serial killers. He wrote dark, sexually graphic, and violent films like "Basic Instinct," "Jagged Edge," and "Jade."Eszterhas knew a lot about darkness. Then, on a hellishly hot day in 2001, desperately battling to survive throat cancer and his addictions to alcohol and cigarettes, Joe Eszterhas found God. Or God found him.And he came from darkness into light."Crossbearer" is the powerful, poignant, and sometimes wryly humorous account of a streetwise and cynical man's newfound faith, and of how he discovers God in the most intimate and routine moments of life: a family game of baseball, a child's photograph of a cloud, a dying mother's dying roses.It is also the inspiring story of a man who must overcome his addictions to stay alive--and can't by himself. He realizes that he needs the love of his wife, his children, and especially his new friend, God, to do it.Eszterhas is a master memoirist--his "Hollywood Animal "was called "powerful and affecting" ("The New York Times"), "absolutely first-rate" ("Los Angeles Times Book""Review") and "heartbreaking, funny and outrageous" ("Houston Chronicle")--and with "Crossbearer" he reveals a fresh and completely unexpected new chapter of his life. With surprising tenderness and a willingness to bare even weaknesses and mistakes, Joe Eszterhas has written a startling personal story about faith, values, family and love.

    The shy, sheltered, introspective girl is thrown into the world of action of her famous husband. From the very first moment he makes her a partner in his activities. He teaches her to fly; she learns to navigate and operate radio and to take serial photographs on the survey flights they make together. Their flying meant long hours in cramped quarters, often sitting on parachutes in open cockpits of single-engine planes. Fog and storm posed frequent threats unknown to modern highly instrumental aircraft. Alertness is demanded, regardless of fatigue, and self-control under the pressure of fear. Most difficult of all, she has to live in the constant glare of publicity, tracked down by journalists, photographers, and a gaping public. No longer can she speak her mind.Yet, there was "a kind of bright golden 'bloom' over everything..." The beauty of flying in the early days of aviation, with its closenss to nature - and also to death - never palled. Then the first house was built, the first child was born.In a reversal of terrifying swiftness, the hour of gold turned into the hour of lead. The tragedy of the kidnapping of Charles Lindbergh, Jr. unfolds in an extraordinary series of letters only recently recovered, in which Anne Lindbergh keeps her mother-in-law meticulously informed of each day's events, hopes, deceptions, up to the final blow. There are few lives in which fame and fortune show their obverse so starkly. It is a measure of the strength of their characters and their marriage that Anne and Charles Lindbergh were able to sustain each other sufficiently to overcome bitterness and despair and to build a new life - though not another house until much, much later. A second son is born to them, and Anne writes: "The spell was broken by this real, tangible, perfect baby, coming...out of the teeth of sorrow - a miracle."The spell was broken, but the scars of tragedy would mark their future, indelibly. Awareness of the fragility of life runs through the later notations, heightening their intensity to occasionally visionary perception. Mrs. Lindbergh has written an introduction for each section, the second a memorable essay on the nature of grief. With 32 pages of illustrations

    Fish and Wildlife Service. In August 1992, she accepted an assignment that forever changed--and endangered--her life. She posed as a big-game hunter in Alaska in order to infiltrate an international ring of poachers out to kill the biggest and best of that state's wildlife.A Hunt for Justice recounts her dramatic story--a story she was not legally permitted to write about until her retirement in 2004.

    Born into a destitute family with a dominating Irish-Catholic mother and an absconding father during World War II in London, John Cornwell's childhood was deeply dysfunctional. When he was thirteen years old he was sent to Cotton College, a remote seminary for boys in the West Midlands countryside. For the next five years Cornwell lived under an austere monastic regime as he wrestled with his emotional and spiritual demons. In the hothouse atmosphere of the seminary he strove to find stable, loving friendships among his fellows and fatherly support from the priests, one of whom proved to be a sexual predator.The wild countryside around the seminary, the moving power of church ritual and music, and a charismatic priest enabled him to persevere. But while normal teenagers were being swept up by the rock ’n’ roll era, Cornwell and his fellow seminarians continued to be emotionally and socially repressed. Secret romantic attachments between seminarians were not uncommon; on visits home they were overwhelmed by the powerful attractions of the emerging youth culture of the 1950s. But when they returned to Cotton College, the boys were once again governed by the age-old traditions and disciplines of seminary life. And like many young seminarians, Cornwell struggled with a natural adolescent rebelliousness, which in one crucial instance provoked a crisis that would eventually lead to his decision to abandon his dream of becoming a priest. Written with tremendous warmth and humor, Seminary Boy is a truly unforgettable memoir and a penetrating glimpse into the hidden world of seminary life.

    From his work in popular movies, including Beetlejuice, Working Girl, Glengarry Glen Ross, The Cooler, and Martin Scorsese’s The Departed to his role as Jack Donaghy on Tina Fey’s irreverent series 30 Rock—for which he won two Emmys, three Golden Globes, and seven Screen Actors Guild Awards—and as Republican presidential candidate Donald Trump on Saturday Night Live, he’s both a household name and a deeply respected actor.In Nevertheless, Baldwin transcends his public persona, making public facets of his life he has long kept private. In this honest, affecting memoir, he introduces us to the Long Island child who felt burdened by his family’s financial strains and his parents’ unhappy marriage; the Washington, DC, college student gearing up for a career in politics; the self-named "Love Taxi" who helped friends solve their romantic problems while neglecting his own; the young soap actor learning from giants of the theatre; the addict drawn to drugs and alcohol who struggles with sobriety; the husband and father who acknowledges his failings and battles to overcome them; and the consummate professional for whom the work is everything. Throughout Nevertheless, one constant emerges: the fearlessness that defines and drives Baldwin’s life.Told with his signature candor, astute observational savvy, and devastating wit, Nevertheless reveals an Alec Baldwin we have never fully seen before.

    His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck’s documentary “I Am Not Your Negro.” Edited by Nobel laureate Toni Morrison, the Library of America’s Collected Essays is the most comprehensive gathering of Baldwin’s nonfiction ever published.With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as “The Harlem Ghetto,” “Everybody’s Protest Novel,” “Many Thousands Gone,” and “Stranger in the Village.”Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political. “One writes,” he stated, “out of one thing only—one’s own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give.” With singular eloquence and unblinking sharpness of observation he lived up to his credo: “I want to be an honest man and a good writer.”The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America’s racial divide and an impassioned call to “end the racial nightmare…and change the history of the world.” The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays—nine of them previously uncollected—include some of Baldwin’s earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines.

    As he recounts his journey, he opens up about the pivotal role his faith has played in his life and career, and he shares his time-tested secrets to success, both on and off the field."All In" is an inspirational must-read for football fans everywhere and for anyone who has ever struggled to overcome their own 5-19 season of life.

    Secrets of a Sparrow, her inspirational and intimate memoir, which takes its title from a favorite spiritual her mother sang to her, focuses on just that: the pain and pleasure of getting to number one and staying there, along with the lessons learned and the lessons taught. Diana Ross's onstage electricity and allure are here transposed to the page. With earthiness and humor, the lady looks back - and she isn't singing the blues. On the contrary, she's writing in a clear, confident voice about the life she's worked so hard to build - the early struggle followed by supreme success, the two marriages and five children, the Oscar nomination and countless music honors, the brilliant business acumen. Secrets of a Sparrow gives us the three-dimensional self-portrait of a glamorous woman who prizes her role as wife and mother every bit as much as her spectacular career, to whom love is right up there with fame. Always true to herself, Diana Ross is the ultimate entertainer, aiming to please but never compromise - and she's not about to start now. Elegantly designed and filled with memorable photographs - many never seen before - Secrets of a Sparrow is as stunning as Diana Ross herself.