They may even have a point. But to build something so successful, so popular, so inescapable, you've got to have mighty strong foundations.Prior to 1992, the old First Division was England's premier prize. Its rich tapestry winds back to 1888 and the formation of the Football League. A grand century-long tradition in danger of being lost in the wake of Premier League year zero.No more! In The Title Scott Murray tells the lively, cherry-picked story of English football through the prism of the First Division. Rich with humour yet underpinned with solid research, this is a glorious meander across our national sport's varied terrain.With as much about Burnley, Wolves, West Brom and Portsmouth as the likes of Arsenal, Liverpool and Manchester United, we learn the less well-known stories the sport has to tell, such as the plight of Glossop, the smallest club to ever play top-flight football, and final day drama involving Huddersfield and Cardiff that knocks Michael Thomas into a cocked hat. We bask in the managerial genius of Tom Watson, the bowler-hatted Victorian Mourinho; celebrate the joy of the Busby Babes; discover the shameless showmanship of George Allison; embark on righteous escapades with Hughie Gallacher; and meet some old favourites in Don Revie, Bill Shankly, Alex Ferguson and Brian Clough.At turns exciting, surprising, witty and bittersweet, The Title is a highly informed, fresh and affectionate love-letter to the English game, and a delight for any football fan.

    She sees the footprints of early humans fossilised in the soft mud of an estuary alongside the scattered pockmarks made by rain falling eight thousand years ago. She visits a cave where the remnants of a Neanderthal meal have turned to stone. In Denmark she sits beside Tollund Man who, despite having lain in a peat bog since the start of the Bronze Age, seems to be about to wake from a dream...'This book is a wonder' Adam Nicolson, Spectator'A clairvoyant and poetic conversation with the past' Antony Gormley

    Contending with the perils and the varied cast of characters of the marriage market, Belinda strides resolutely toward independence. Admired by her contemporary, Jane Austen, and later by Thackeray and Turgenev, Edgeworth tackles issues of gender and race in a manner at once comic and thought-provoking. The 1802 text used in this edition also confronts the difficult and fascinating issues of racism and mixed marriage, which Edgeworth toned down in later editions.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Drawn from the archives of British Vogue, an immense resource of over 1,000,000 images, the book presents hundreds of images never seen before - the killed pictures, rejects and out-takes - to form a fresh, new history of fashion photography. Featuring the first attempts of many now internationally famous photographers, great pictures by forgotten masters, out-takes from famous shoots and many other extraordinary and sometimes controversial pictures. By showing contact sheets and unedited film UNSEEN VOGUE opens up the process of making fashion images, previously the reserve of fashion's inner circle.From Irving Penn to David Bailey, from Cecil Beaton to Mario Testino - the new book will be an authoritative addition to the documented history of fashion photography.

    Yet Margaret has been largely airbrushed out of the story in which she played so important a role. John Guy restores her to her rightful place in this captivating account of their relationship.Always her father’s favorite child,Margaret was such an accomplished scholar by age eighteen that her work earned praise from Erasmus. She remained devoted to her father after her marriage—and paid the price in estrangement from her husband.When More was thrown into the Tower of London,Margaret collaborated with him on his most famous letters from prison, smuggled them out at great personal risk, even rescued his head after his execution. John Guy returns to original sources that have been ignored by generations of historians to create a dramatic new portrait of both Thomas More and the daughter whose devotion secured his place in history.

    Along with many other defining principles of our national character, they can be traced directly back to one of the most pivotal events in British history—the late-seventeenth-century uprising known as the Glorious Revolution. In a work of popular history that stands with recent favorites such as David McCullough’s 1776 and Joseph J. Ellis’s Founding Brothers, Michael Barone brings the story of this unlikely and largely bloodless revolt to American readers and reveals that, without the Glorious Revolution, the American Revolution may never have happened.Unfolding in 1688–1689, Britain’s Glorious Revolution resulted in the hallmarks of representative government, guaranteed liberties, the foundations of global capitalism, and a foreign policy of opposing aggressive foreign powers. But as Barone shows, there was nothing inevitable about the Glorious Revolution. It sprang from the character of the English people and depended on the talents, audacity, and good luck of two men: William of Orange (later William III of England), who launched history’s last successful cross-channel inva sion, and John Churchill, an ancestor of Winston, who commanded the forces of the deposed James II but crossed over to support William one fateful November night.The story of the Glorious Revolution is a rich and riveting saga of palace intrigue, loyalty and shocking betrayal, and bold political and military strategizing. With narrative drive, a sure command of historical events, and unforgettable portraits of kings, queens, soldiers, parliamentarians, and a large cast of full-blooded characters, Barone takes an episode that has fallen into unjustified obscurity and restores it to the prominence it deserves. Especially now, as we face enemies who wish to rid the world of the lasting legacies of the Glorious Revolution—democracy, individual rights, and capitalism among them—it is vitally important that we understand the origins of these blessings.From the Hardcover edition.

    This collection presents fifty large-scale artworks from the American master's color field period (1949–1970) alongside essays by Rothko's son, Christopher Rothko, and San Francisco Museum of Modern Art curator of painting and sculpture Janet Bishop. Featuring illuminating details about Rothko's life, influences, and legacy, and brimming with the emotional power and expressive color of his groundbreaking canvases, this essential volume brings the renowned artist's luminous work to light for both longtime Rothko fans and those discovering his work for the very first time. A textured case and large-scale tip-on on the front cover round out this sumptious package.

    Born in 1778, Robert Emmet, the youngest son of the State Physician of Ireland, has grown up in the heart of a prosperous and loving family, one of the most respected in Dublin city. From his parents he acquired a deep love of Ireland and a commitment to justice. From his brother Thomas he acquired an understanding of the divisions and inequalities of his country. In the historic year of 1798 Robert’s life changed from its charted course to one of rebellion. A brilliant student at Trinity, he casts aside all hopes of a scientific career, all the privileges of his class, to join the United Irishmen – a society dedicated to the union of Protestant and Catholic. But the men in Dublin Castle determined on the continuance of English rule, force him to flee to France. But even as his boat sails away from his beloved homeland, he looks back and knows he will return – to the cause of his country’s liberty, and to the beautiful girl he has fallen in love with, Sarah Curran, the daughter of Ireland’s most talented lawyer. He returns – and meets Anne Devlin, a passionate and brave Catholic country girl, who becomes his most devoted companion. Set against the background of the beauty of Ireland, the dark clouds of its past, as well as the humour and dreams of its people, this is a passionate and powerful true story of three young people, Robert Emmet, Anne Devlin, and Sarah Curran, drawn together in love, in hope, and tragedy.

    Since its very origins, Ireland has become the home for a successive series of invaders-the Celts, Christians, Vikings, and Normans. And despite deprivation, desperation, and suppression, Ireland has developed an unwavering sense of purpose and place. In this lucid and fascinating introduction to the island's story, Richard Killeen separates the history from the myths. Ranging from Ireland's pre-Gaelic origins to the present day, it emphasizes the island's uniqueness as well as it close ties to English and European culture. The tangled and often violent relationship between Ireland and the English crown is a key part of the story, as are nationalism, religious allegiances, and the island's internal conflicts. Killeen locates Ireland in a European and Atlantic world and explores the nation's remarkable contribution internationally: through its literature, its diaspora, and its genius for popular politics.

    

    

    

    Here, the Pulitzer Prize-winning photojournalist returns with a stunning collection of more than two hundred of her photographs from across the Middle East, South Asia, and Africa. In her distinctively powerful dramatic style, Addario documents life in Afghanistan under the Taliban, the stark truth of sub-Saharan Africa, and the daily reality of women in the Middle East, as well as much more. Featuring revelatory essays from esteemed writers, such as Dexter Filkins, Suzy Hansen, and Lydia Polgreen, Of Love & War is an utterly compelling and singular statement about the world, and all its inescapable chaos and conflict, from one of the most brilliant and influential journalists working today in any medium.

    In the absence of their employers the Tennants, the servants enact their own battles and conflict amid rumours about the war in Europe, invading one another's provinces of authority to create an anarchic environment of self-seeking behaviour, pilfering, gossip, and love.With an Introduction by Philip Hensher