A spare and chilling account of the day-to-day experience of Sloper, a janitor in a big-city office building, WASTE explores the import of the discarded--for those who generate it, those who dispose of it, and those who are themselves discarded. From the humble prospect of his station, Sloper uncovers ominous possibility in lives he barely brushes. Brian Evenson says, "Only Eugene Marten can keep a reader enthralled with the minutiae of a janitorial existence.... Precisely and exquisitely detailed, WASTE is a stark little masterpiece." And Dawn Raffel writes, "[P]itch-perfect. WASTE wastes nothing--not a syllable, a beat, a ragged breath." And Sam Lipsyte writes, "There is nothing quite like the controlled burn of Eugene Marten's prose."

    In slaking her sexual thirst, Celeste Price is remorseless and deviously free of hesitation, a monstress of pure motivation. She deceives everyone, is close to no one, and cares little for anything but her pleasure.

    To this town there comes one day one of the reckless sociopaths who wander the West to kill and rape and pillage. By the time he is through and has ridden off, Hard Times is a smoking ruin. The de facto mayor, Blue, takes in two survivors of the carnage–a boy, Jimmy, and a prostitute, Molly, who has suffered unspeakably–and makes them his provisional family. Blue begins to rebuild Hard Times, welcoming new settlers, while Molly waits with vengeance in her heart for the return of the outlaw. Here is E. L. Doctorow’s debut novel, a searing allegory of frontier life that sets the stage for his subsequent classics.

    The unlikely killer: Charles Jessold, composer, prodigy, and Shepherd's collaborator on the opera that was set to open the following night. The victims: Jessold's wife and her vocal coach, found poisoned in her marriage-bed. At the centre of the scandal is the opera itself, now postponed indefinitely - the tale of a betrayed husband who murders his wife and her lover, before taking his own life. Shepherd's own involvement stretches back to his first encounter with Jessold decades earlier, when he captivated the young musician with a sordid true-crime story of a cuckolded composer whose murderous revenge prefigured Jessold's crime. Throughout the book this marital theme - a husband, a wife and her lover - replays itself in endless variations as Shepherd wrestles with questions of guilt, justice and the responsibility of a muse to those she inspires.CHARLES JESSOLD, CONSIDERED AS A MURDERER brings centre stage ideas of fidelity and the complexities of love in all of its forms. Set amid growing anti-German sentiment, as English composers turned to folk song to create a truly national music, the novel also explores the relationship between critic and artist, in particular the distorting effects of the biographical approach to criticism. Wesley Stace conducts this symphony with a wit reminiscent of Wodehouse. The result is a dazzling, passionate novel that masterfully pairs rich, complex characters with feather-light dialogue in sparkling counterpoint to the seriousness of the book's themes.

    A dazzling fourth novel by the author of The Recognitions, Carpenter’s Gothic, and JR uses his considerable powers of observation and satirical sensibilities to take on the American legal system.

    Eleanor is a health nut of the first stripe, and when in 1907 she journeys to Dr. John Harvey Kellogg's infamous Battle Creek Spa to live out the vegetarian ethos, poor Will goes too. So begins T. Coraghessan Boyle's wickedly comic look at turn-of-the-century fanatics in search of the magic pill to prolong their lives - or the profit to be had from manufacturing it. Brimming with a Dickensian cast of characters and laced with wildly wonderful plot twists, Jane Smiley in The New York Times Book Review called The Road to Wellville "a marvel, enjoyable from beginning to end."

    In 1963, 13-year-old Sam Callahan and his tart-tongued, divorced, misbehavingmother, Lydia, must cope as best they can after they are banished to the hicktown of GroVont, Wyoming, by Lydia's Southern gentleman father.

    After being released from prison, Glen Davis returns to his hometown only to commit double homicide within forty-eight hours of his return. Sheriff Bobby Blanchard, as upright as Glen is despicable, walks in the path of Glen’s destruction and tries to rebuild the fragile ties of the families and community they share. Dark secrets that have been simmering for two generations explode to the surface, allowing us a chilling glimpse at how evil can fester in a man’s heart and eat up his soul.“This is the novel that will live with you day and night.” — Kaye Gibbons“Cancel the competition for the suspense thriller of the year. Larry Brown has already won it with Father and Son.” —St. Louis Post-Dispatch“Larry Brown is one of the great unsung heroes of American fiction... His work is a reminder of a reason to read.” —San Jose Mercury News

    He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

    But Kirby is destined to inherit the magical power to freeze time itself--a power that could rock the entire universe.

    The Johns family is unraveling. Hollis, a retired Ohio banker, isolates himself in esoteric hobbies and a dangerous flirtation with a colleague's daughter. Susan, his wife of forty years, risks everything for a second chance at who she might have been. David, their eldest, thrashes to stay afloat as his teaching career capsizes in a storm of accusations over a missing student and the legacy of Christopher Columbus. While Tilly, the black sheep, trades her literary promise for an improbable career as a starlet, and then struggles to define herself amidst a humiliating scandal and the judgment of an uncompromising writer. By turns comical, suspenseful and poignant, the Johns family is tumbling toward the discovery that sometimes youhave to let go of your identity to find out who you are.

    Taking off in Enzio’s ’62 Impala, she retreats to the Bronx home of her estranged daughter, Adrienne, and her granddaughter, Lucia, only to be turned away by Adrienne at the door. Their neighbor, Lacey “Wolfie” Wolfstein, a one-time Golden Age porn star and retired Florida Suncoast grifter, takes Rena in and befriends her.When Lucia discovers that Adrienne is planning to hit the road with her ex-boyfriend Richie, she figures Rena’s her only way out of a life on the run with a mother she can’t stand. But Richie has massacred a few members of the Brancaccio crime family for a big payday, and he drags even more trouble into the mix in the form of an unhinged enforcer named Crea. The stage is set for an explosion that will propel Rena, Wolfie, and Lucia down a strange path, each woman running from something and unsure what comes next.A Friend Is a Gift You Give Yourself is a screwball noir about finding friendship and family where you least expect it, in which William Boyle again draws readers into the familiar—and sometimes frightening—world in the shadows at the edges of New York’s neighborhoods.

    But things fester in America's utter South. And Skelton's plans to become a skiff guide in the shining blue subtropical waters place him on a collision course with Nichol Dance, who has risen to the crest of the profession by dint of infallible instincts and a reputation for homicide. Out of their deadly rivalry, Thomas McGuane has constructed a novel with the impetus of a thriller and the heartbroken humor that is his distinct contribution to American prose.

    At the outset, the young men seem louche but harmless, their activities limited to drinking, snacking, peering at a naked neighbor through a window, and performing karaoke. The six "aunties" are fiercely independent career women. When one of the boys executes a lethal ambush of one of the women, chaos ensues. The women band together to find the killer and exact revenge. In turn, the boys buckle down, study physics, and plot to take out their nemeses in a single blast. Who knew that a deadly "gang war" could be such fun? Murakami builds the conflict into a hilarious, spot-on satire of modern culture and the tensions between the sexes and generations.

    (Hilarity and disaster -- of a sort peculiar to the tropics -- ensue.)It's the novel in which the Pulitzer Prize-winning author of such acclaimed and bestselling novels as The Caine Mutiny and War and Remembrance draws on his own experience (Wouk and his family lived for seven years on an island in the sun) to tell a story at once brilliantly comic and deeply moving.