A joke at first; but then he was caught up, terrifyingly, in a vision of suffering, and he sought a way out, turning first here, then there—Art, Sex, Religion. Shrike, the cynical editor, the friend and enemy, compulsively destroyed each of his friend’s gestures toward idealism. Together, in the city’s dim underworld, Shrike and Miss Lonelyhearts turn round and round in a loathsome dance, unresolvable, hating until death…The Day of the LocustTo Hollywood comes Tod Hackett, hoping for a career in scene designing, but he finds the way hard and falls in with others—extras, technicians, old vaudeville hands—who are also in difficulty. Around him he sees the great mass of inland Americans who have retired to California in expectation of health and ease. But boredom consumes them, their own emptiness maddens them; they search out any abnormality in their lust for excitement—drugs, perversion, crime. In the end only blood will serve; unreasoned, undirected violence. The day of the locust is at hand…

    One of the cars he is hired to demolish is a snow-white Cadillac that was supposed to be a present for the Big Bopper, who died in the Iowa plane crash that killed Buddy Holly and Ritchie Valens. Gastin has a change of heart and takes off in the car, heading for Texas where the Bopper is buried. Armed with a thousand hits of Benzedrine and chased by adversaries real and imagined, Gastin navigates a road trip that covers many miles and states of mind. Traveling in time from the Beat era to the dawn of the sixties, from the coffeehouses of North Beach to the open plains of America, Gastin picks up some extraordinary hitchhikers: the self-proclaimed "world's greatest salesman," the Reverend Double-Gone Johnson, and a battered housewife with a box of old 45s. As the miles and sleepless hours roll by, Gastin's trip becomes a blur of fantasy and reality fueled by a soundtrack of classic rock 'n' roll.

    But his past life is a recurring nightmare—filth, desperation, and blackouts. And more trouble is only a hundred miles away. Darren and Alastair leave Liverpool, heading south in a rickety old car. They have been sent by their gang boss to wreak violent revenge, but they have only a rough idea of their quarry: a one-armed man.Interspersed between the scabrous banter and a pitch-perfect street dialect, Niall Griffiths offers stunning descriptions of the Welsh landscape and a dark, knowing humor. Despite the ever present drugs, violence, and anger, he reveals a fragile humanity. Graywolf is proud to introduce this striking, distinctive voice to American readers.

    As Algren admitted, it wasn't written until long after it had been walked... I found my way to the streets on the other side of the Southern Pacific station, where the big jukes were singing something called "Walking the Wild Side of Life." I've stayed pretty much on that side of the curb ever since".Perhaps his own words describe the book best: The book asks why lost people sometimes develop into greater human beings than those who have never been lost in their whole lives. Why men who have suffered at the hands of other men are the natural believers in humanity, while those whose part has been simply to acquire, to take all and give nothing, are the most contemptuous of mankind.Cover Photograph: Jason Fulford

    An epic chronicle of one man's judgement and death, "The Death of Bunny Munro" is an achingly tender portrait of the relationship between father and son.

    Here is the incredible story of an imprisoned pedophile who is drawn into an erotically charged correspondence with a nineteen-year-old suburban coed. As the two reveal—and revel in—their obsessive desires, Homes creates in The End of Alice a novel that is part romance, part horror story, at once unnerving and seductive.

    Now his first and last works come together for the first time in print, in a collection aptly titled after his famous phrase, We Are What We Pretend To Be.Written to be sold under the pseudonym of “Mark Harvey,” Basic Training was never published in Vonnegut’s lifetime. It appears to have been written in the late 1940s and is therefore Vonnegut’s first ever novella. It is a bitter, profoundly disenchanted story that satirizes the military, authoritarianism, gender relationships, parenthood and most of the assumed mid-century myths of the family. Haley Brandon, the adolescent protagonist, comes to the farm of his relative, the old crazy who insists upon being called The General, to learn to be a straight-shooting American. Haley’s only means of survival will lead him to unflagging defiance of the General’s deranged (but oh so American, oh so military) values. This story and its thirtyish author were no friends of the milieu to which the slick magazines’ advertisers were pitching their products.When Vonnegut passed away in 2007, he left his last novel unfinished. Entitled If God Were Alive Today, this last work is a brutal satire on societal ignorance and carefree denial of the world’s major problems. Protagonist Gil Berman is a middle-aged college lecturer and self-declared stand-up comedian who enjoys cracking jokes in front of a college audience while societal dependence on fossil fuels has led to the apocalypse. Described by Vonnegut as, “the stand-up comedian on Doomsday,” Gil is a character formed from Vonnegut’s own rich experiences living in a reality Vonnegut himself considered inevitable.Along with the two works of fiction, Vonnegut’s daughter, Nanette shares reminiscences about her father and commentary on these two works—both exclusive to this edition.In this fiction collection, published in print for the first time, exist Vonnegut’s grand themes: trust no one, trust nothing; and the only constants are absurdity and resignation, which themselves cannot protect us from the void but might divert.

    Guy Grand is an eccentric billionaire — the last of the big spenders — determined to create disorder in the material world and willing to spare no expense to do it. Leading a life full of practical jokes and madcap schemes, his ultimate goal is to prove his theory that there is nothing so degrading or so distasteful that someone won't do it for money. In Guy Grand's world, everyone has a price, and he is all too willing to pay it. A satire of America's obsession with bigness, toughness, money, TV, guns, and sex, The Magic Christian is a hilarious and wickedly original novel from a true comic genius.

    Then the ER doctors revived him. It’s infatuation at first sight when he meets his nurse, Felicia Vogan, a strange young woman with a weakness for sad sacks and losers. After she helps Elliot escape from the hospital, she takes him back to her place. He’s happy to go with her, even when she leads him straight to a gang planning a million dollar heist. Does Felicia just want Elliot to protect her from the outfit’s psychotic leader, Stan the Man? Or is Elliot being set up to take the hard fall? One thing’s for sure: if he’s going to survive this long night of deceit and murder, Elliot will have to finally face himself and his own dark past.

    First published in 1940, it focuses on the lynching of three innocent men and the tragedy that ensues when law and order are abandoned. The result is an emotionally powerful, vivid, and unforgettable re-creation of the Western novel, which Clark transmuted into a universal story about good and evil, individual and community, justice and human nature. As Wallace Stegner writes, [Clark's] theme was civilization, and he recorded, indelibly, its first steps in a new country.

    After his life spirals out of control, a young man navigates a world of juggalos, transients, and petty criminals with Shane, an enigmatic small-time drug dealer with a penchant for body modification.

    He decided right then, at the age of nine, what he wanted to be when he grew up...an undertaker. The day he turned twenty-one, Casey joined the ranks of Morton-Albright, a family owned and operated mortuary, in the small Florida town of Angel Shoals. Immediately, he felt right at home. He seems to have a gift for embalming. The Morton and Albright families welcome him like the family he never had. The quirky and mischievous Natalie Albright is the girl he's always dreamed of. And within the walls of Morton-Albright, Casey feels a reassuring presence that calms him, like nothing ever has before. But his happiness will be short-lived if the mortuary falls victim to a rapacious funeral-home giant. With family secrets being uncovered, contested wills, and rumors of illegal funeral practices circling, the lives entwined in this funeral home become filled with intrigue, deception, and, of course, death. Bringing abundant experience and a fresh wit to the page, Miles Keaton Andrew offers a clever, spirited, darkly humorous first novel, rich with dialogue and full of nuanced characters.

    They live in a decommissioned church in the middle of America, with a radar dish on its steeple and a spaceship in the sanctuary. Their children have the run of the house when Dash and Dot are away. When a couple of UFO groupies show up looking for the extraterrestrial duo, they find instead a nuclear family—or rather, a family gone nuclear—whose comically discomforting world resembles our own as much as it does another world altogether.

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    When The Professor, a man of enormous intellect and appetite, takes The Kid under his wing, his own startling past will cause upheavals in both of their worlds. At once lyrical, witty, and disturbing, Banks’s extraordinary novel showcases his abilities as a world-class storyteller as well as his incisive understanding of the dangerous contradictions and hypocrisies of modern American society.