Caitlin Hendrix has been a Narcotics detective for six months when the killer at the heart of all her childhood nightmares reemerges: the Prophet. An UNSUB—what the FBI calls an unknown subject—the Prophet terrorized the Bay Area in the 1990s and nearly destroyed her father, the lead investigator on the case.The Prophet’s cryptic messages and mind games drove Detective Mack Hendrix to the brink of madness, and Mack’s failure to solve the series of ritualized murders—eleven seemingly unconnected victims left with the ancient sign for Mercury etched into their flesh—was the final nail in the coffin for a once promising career.Twenty years later, two bodies are found bearing the haunting signature of the Prophet. Caitlin Hendrix has never escaped the shadow of her father’s failure to protect their city. But now the ruthless madman is killing again and has set his sights on her, threatening to undermine the fragile barrier she rigidly maintains for her own protection, between relentless pursuit and dangerous obsession.Determined to decipher his twisted messages and stop the carnage, Caitlin ignores her father’s warnings as she draws closer to the killer with each new gruesome murder. Is it a copycat, or can this really be the same Prophet who haunted her childhood? Will Caitlin avoid repeating her father’s mistakes and redeem her family name, or will chasing the Prophet drag her and everyone she loves into the depths of the abyss?

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    The first and only author to win back-to-back Edgars for Best Novel. Every book a New York Times bestseller. After five years, John Hart is back. Since his debut bestseller, The King of Lies, reviewers across the country have heaped praise on John Hart, comparing his writing to that of Pat Conroy, Cormac McCarthy and Scott Turow. Each novel has taken Hart higher on the New York Times Bestseller list as his masterful writing and assured evocation of place have won readers around the world and earned history's only consecutive Edgar Awards for Best Novel with Down River and The Last Child. Now, Hart delivers his most powerful story yet. Imagine: A boy with a gun waits for the man who killed his mother. A troubled detective confronts her past in the aftermath of a brutal shooting. After thirteen years in prison, a good cop walks free as deep in the forest, on the altar of an abandoned church, a body cools in pale linen… This is a town on the brink. This is Redemption Road.Brimming with tension, secrets, and betrayal, Redemption Road proves again that John Hart is a master of the literary thriller.

    Chris Shepard, a busy young doctor in Natchez, Mississippi, has never seen his new patient Alex Morse before. But the attractive young woman with the scarred face has come to Dr. Shepards office on a mission to catch a killer. This New York Times bestseller is available in a tall Premium Edition.

    A series of terrorist attacks throws the global order into disarray, and the secretary is tasked with assembling a team to unravel the deadly conspiracy, a scheme carefully designed to take advantage of an American government dangerously out of touch and out of power in the places where it counts the most.This high-stakes thriller of international intrigue features behind-the-scenes global drama informed by details only an insider could know.

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    It's also where twenty-one-year-old Sophie Collier vanished eighteen years ago.Francesca has spent the last twenty years haunted by the disappearance of her best friend. But when she receives a phone call from Sophie's brother saying that a body has been found, she knows she can't keep hiding from what happened. With her own secrets to keep, Francesca doesn't relish the idea of digging up the past or returning to Oldcliffe. But it is time to go back to where she grew up, and it looks like she isn't the only one there hiding truths.

    But eight years later, she returns, seeking familiarity as respite from the shattered remains of her new life. And despite the changes brought on by a bump in tourism--the shiny new welcome sign at the town line and a decidedly less shiny new police presence--Golden Cove appears much as it ever was: a small settlement on the savage West Coast of the South Island, populated by all the remembered faces and set against a backdrop of lush greenery, jagged cliffs, and crashing waves.Detective Will Gallagher knows all about ghosts; his own chased him out of a promising career in Christchurch, landing him as the sole cop in a quaint town where his most pressing concerns are petty theft and the occasional drunk. When Golden Cove resident Miri Hinewai goes out for a run and fails to return, Will finds himself heading up a missing person's search that rapidly escalates into an official investigation after this case is connected with similar ones from the past. As an outsider, Will begins to rely on Anahera's knowledge of the area and its residents to help him delve into Golden Cove's secrets, and to determine whether it shelters something far more dangerous than just an unforgiving landscape.

    It’s not the sort of place where people are brutally murdered in their own kitchens. But it is the sort of place where everyone has a secret. And everyone is watching you.As the headmaster credited with turning around the local school, Tom Fitzwilliam is beloved by one and all—including Joey Mullen, his new neighbor, who quickly develops an intense infatuation with this thoroughly charming yet unavailable man. Joey thinks her crush is a secret, but Tom’s teenaged son Freddie—a prodigy with aspirations of becoming a spy for MI5—excels in observing people and has witnessed Joey behaving strangely around his father.One of Tom’s students, Jenna Tripp, also lives on the same street, and she’s not convinced her teacher is as squeaky clean as he seems. For one thing, he has taken a particular liking to her best friend and fellow classmate, and Jenna’s mother—whose mental health has admittedly been deteriorating in recent years—is convinced that Mr. Fitzwilliam is stalking her.Meanwhile, twenty years earlier, a schoolgirl writes in her diary, charting her doomed obsession with a handsome young English teacher named Mr. Fitzwilliam…

    But did she arrange her own murder?One bright spring morning in London, Diana Cowper – the wealthy mother of a famous actor - enters a funeral parlor. She is there to plan her own service.Six hours later she is found dead, strangled with a curtain cord in her own home.Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric investigator who’s as quick with an insult as he is to crack a case. Hawthorne needs a ghost writer to document his life; a Watson to his Holmes. He chooses Anthony Horowitz.Drawn in against his will, Horowitz soon finds himself at the center of a story he cannot control. Hawthorne is brusque, temperamental and annoying but even so his latest case with its many twists and turns proves irresistible. The writer and the detective form an unusual partnership. At the same time, it soon becomes clear that Hawthorne is hiding some dark secrets of his own.New York Times bestselling author of Magpie Murders and Moriarty, Anthony Horowitz has yet again brilliantly reinvented the classic crime novel, this time writing a fictional version of himself as the Watson to a modern-day Holmes.A masterful and tricky mystery that springs many surprises, The Word is Murder is Anthony Horowitz at his very best.

    Paris returns to her heartland of gripping psychological suspense in The Therapist--a powerful tale of a house that holds a shocking secret.When Alice and Leo move into a newly renovated house in The Circle, a gated community of exclusive houses, it is everything they’ve dreamed of. But appearances can be deceptive…As Alice is getting to know her neighbours, she discovers a devastating secret about her new home, and begins to feel a strong connection with Nina, the therapist who lived there before.Alice becomes obsessed with trying to piece together what happened two years before. But no one wants to talk about it. Her neighbors are keeping secrets and things are not as perfect as they seem…

    But when Ryan goes silent, Gina is shocked to discover the young woman has died tragically in a Jet Ski accident while on holiday. Meanwhile, REL counsel Michael Carter finds himself in a tricky spot. Several female employees have come forward with allegations of sexual misconduct. Carter approaches the CEO, offering to persuade the victims to accept settlements in exchange for their silence. It’s a risky endeavor, but it could well make him rich. As more allegations emerge and the company’s IPO draws near, Carter’s attempts to keep the story from making headlines are matched only by Gina Kane’s determination to uncover the truth. Was Ryan’s death truly an accident? And when another accuser turns up dead, Gina realizes someone—or some people—will go to depraved lengths to keep the story from seeing the light.