Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    Included are: Introduction (The Second Cthulhu Mythos Megapack) • essay by Shawn Garrett Dreams of Yith • (1934) • poem by Duane W. Rimel and H. P. Lovecraft Out of the Aeons • short fiction by Hazel Heald and H. P. Lovecraft (variant of Out of the Eons 1935) Fishhead • (1913) • short story by Irvin S. Cobb When Chaugnar Wakes • (1932) • poem by Frank Belknap Long The Mound • (1940) • novella by H. P. Lovecraft and Zealia Bishop The Thing on the Roof • (1932) • short story by Robert E. Howard The Isle of Dark Magic • (1934) • novelette by Hugh B. Cave The Secret in the Tomb • (1935) • short story by Robert Bloch The Horror from the Hills • (1931) • novella by Frank Belknap Long The Terrible Parchment • (1937) • short story by Manly Wade Wellman The Shambler from the Stars • (1935) • short story by Robert Bloch The Diary of Alonzo Typer • (1938) • short story by H. P. Lovecraft and William Lumley Hydra• (1939) • short story by Henry Kuttner The Suicide in the Study • (1935) • short story by Robert Bloch Marmok • (1940) • poem by Emil Petaja The Intruder • (1940) • short story by Emil Petaja Out of the Jar • (1941) • short story by Charles R. Tanner [as by Charles A. Tanner] Skydrift • (1949) • short story by Emil Petaja Anonymous • (1951) • short story by George T. Wetzel Why Abdul Alhazred Went Mad • (1950) • short story by D. R. Smith (variant of Why Abdul Al Hazred Went Mad) Caer Sidhi • (1954) • short story by George T. Wetzel Dead of Night • (1988) • short story by Lin Carter Death of a Damned Good Man • (1991) • short story by Avram Davidson Medusa's Coil • short fiction by Zealia Bishop and H. P. Lovecraft [as by Howard Phillips Lovecraft and Zealia Bishop] Perchance to Dream • (1988) • short story by Lin Carter The Winfield Heritence • short fiction by Lin Carter (variant of The Winfield Heritance 1981) The Challenge from Beyond • (1935) • short story by C. L. Moore and A. Merritt and H. P. Lovecraft and Robert E. Howard and Frank Belknap Long The Last Horror Out of Arkham • (1977) • short story by Darrell Schweitzer If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!

    News From Nowhere, one of the most significant English works on the theme of utopia, is the tale of William Guest, a Victorian who wakes one morning to find himself in the year 2102 and discovers a society that has changed beyond recognition into a pastoral paradise, in which all people live in blissful equality and contentment. A socialist masterpiece, News From Nowhere is a vision of a future free from capitalism, isolation and industrialisation. This volume also contains a wide selection of Morris's writings, lectures, journalism and letters, which expand upon the key themes of News From Nowhere.

    All you have is the disconnected voice of an attentive caretaker. Dr. Kuhn is there to help you—physically, emotionally, and psychologically. She’ll help you remember everything. She’ll make sure you reclaim your lost identity. Now answer one question: Are you sure you want to?Paul Tremblay’s The Last Conversationis part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    These unflinching tales, including three original pieces, consider a woman born with her heart exposed and the heartless killer who protects her; a wolf who is willingly ensnared by a devious academic; a businessman resurrected to play at politics; and an ingenious mouse dreaming beyond the laboratory. With the perceptiveness of Joyce Carol Oates, the inventiveness of Ray Bradbury, and the emotional resonance of Alice Sebold, The Fate of Mice is a meditation on the very art of storytelling: mythic, beautiful, and often brutal, filled with authentic compassion.

    Nevertheless, it is often whispered by those who claim knowledge of such things, that a number of these Elder Gods - the lower rank and file, if you will - decided to hold this ground, so enamored were they by the cults who spilled blood in their names.Those times are all but forgotten, obscured by the shifting mists of history.Fast forward to today, and a wrong turn on a country lane is about to expose Jennifer Bueller, and her daughter Megan, to an unpleasant truth: Yes, times have changed, but ancient deities will adapt in order to thrive.Abandoned space gods, an unfaithful husband, a sociopath rapist, and a broken society with a social welfare system that presents horrors of its own; lastly, though by no means least in this eclectic collection of stories, a flash fiction homage to James Herbert, featuring his most infamous creation.

    It is a typical example of a Romantic closet drama. Manfred was adapted musically by Robert Schumann in 1852, in a composition entitled Manfred: Dramatic Poem with music in Three Parts, and later by Pyotr Ilyich Tchaikovsky in his Manfred Symphony, Op. 58, as well as by Carl Reinecke. Friedrich Nietzsche was impressed by the poem's depiction of a super-human being, and wrote some music for it. Byron wrote this "metaphysical drama", as he called it, after his marriage failed in scandal amidst charges of sexual improprieties and an incestuous affair between Byron and his half-sister, Augusta Leigh. Attacked by the press and ostracized by London society, Byron fled England for Switzerland in 1816 and never returned. Because Manfred was written immediately after this and because Manfred regards a main character tortured by his own sense of guilt for an unmentionable offense, some critics consider Manfred to be autobiographical, or even confessional.The unnamed but forbidden nature of Manfred's relationship to Astarte is believed to represent Byron's relationship with his half-sister Augusta. Byron commenced this work in late 1816, only a few months after the famed ghost-story sessions which provided the initial impetus for Mary Shelley's Frankenstein. The supernatural references are made clear throughout the poem. In one scene, for example, (Act III, Scene IV, Interior of the Tower), Manfred recalls traveling through time (or astral projection traveling) to Caesar's palace, "and fill'd up, As 't were anew, the gaps of centuries...".

    Howard Phillips Lovecraft may have been a writer for only a short time, but the creations he left behind after his death in 1937 have shaped modern horror more than any other author in the last two centuries: the shambling god Cthulhu, and the other deities of the Elder Things, the Outer Gods, and the Great Old Ones, and Herbert West, Reanimator, a doctor who unlocked the secrets of life and death at a terrible cost. In Lovecraft Unbound, more than twenty of today's most prominent writers of literature and dark fantasy tell stories set in or inspired by the works of H. P. Lovecraft. 9 • Introduction (Lovecraft Unbound) • essay by Ellen Datlow 11 • The Crevasse • short story by Dale Bailey and Nathan Ballingrud 31 • The Office of Doom • [Dust Devil] • short story by Richard Bowes 43 • Sincerely, Petrified • short fiction by Anna Tambour 73 • The Din of Celestial Birds • (1997) • short story by Brian Evenson 85 • The Tenderness of Jackals • short fiction by Amanda Downum 99 • Sight Unseen • short fiction by Joel Lane 113 • Cold Water Survival • short story by Holly Phillips 139 • Come Lurk With Me and Be My Love • short fiction by William Browning Spencer 161 • Houses Under the Sea • (2006) • novelette by Caitlín R. Kiernan 195 • Machines of Concrete Light and Dark • short story by Michael Cisco 213 • Leng • short fiction by Marc Laidlaw 239 • In the Black Mill • (1997) • short story by Michael Chabon 267 • One Day, Soon • short fiction by Lavie Tidhar 277 • Commencement • (2001) • novelette by Joyce Carol Oates 305 • Vernon, Driving • short fiction by Simon Kurt Unsworth 315 • The Recruiter • short fiction by Michael Shea 331 • Marya Nox • short fiction by Gemma Files 347 • Mongoose • [Boojum] • novelette by Elizabeth Bear and Sarah Monette 375 • Catch Hell • short fiction by Laird Barron 413 • That of Which We Speak When We Speak of the Unspeakable • short fiction by Nick Mamatas

    There, fortunes are made and fortunes are broken over games of chess, backgammon and every other game under the sun.But those whom fortune favours may be invited to compete in the higher league... a league where the games played are of politics and empires, of economics and kings. It is a league where Capture the Castle involves real castles, where hide and seek takes place on a scale as big as the British Isles. Not everyone proves worthy of competing in the higher league. But one woman, who is about to play, may just exceed everyone's expectations.Though she must always remember: the higher the stakes, the more deadly the rules...

    R. Martin classic science fiction tales.On a voyage toward the boundaries of the known universe, nine misfit academics seek out first contact with a shadowy alien race.But another enigma is the Nightflyer itself, a cybernetic wonder with an elusive captain no one has ever seen in the flesh. Soon, however, the crew discovers that their greatest mystery – and most dangerous threat – is an unexpected force wielding a thirst for blood and terror….Also included are five additional classic George R. R. Martin tales of science fiction that explore the breadth of technology and the dark corners of the human mind.“Long live George Martin....A literary dervish, enthralled by complicated characters and vivid language, and bursting with the wild vision of the very best tale tellers.” ----- The New York Times

    Titus Crow and his faithful companion fight the forces of darkness--the infamous and deadly Elder Gods of H.P. Lovecraft--wherever they arise. The powerful Cthulhu and his dark minions are bent on ruling the earth--or destroying it, yet time after time, Titus Crow drives the monsters back into the dark from whence they came.Volume Three contains two full novels, In the Moons of Borea and Elysia.

    He’s been hired by a ten-year-old to kill the kid’s stepdad, McKinsey. The man in question is abusive, abrasive, and abominable. He’s also a monster, which makes Persons the perfect thing to hunt him. Over the course of his ancient, arcane existence, he’s hunted gods and demons, and broken them in his teeth.As Persons investigates the horrible McKinsey, he realizes that he carries something far darker. He’s infected with an alien presence, and he’s spreading that monstrosity far and wide. Luckily Persons is no stranger to the occult, being an ancient and magical intelligence himself. The question is whether the private dick can take down the abusive stepdad without releasing the holds on his own horrifying potential.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    In the cathedral-city of Lodellan and its uneasy hinterland, babies are fashioned from bread, dolls are given souls and wishes granted may be soon regretted. There are ghosts who dream, men whose wings have been clipped and trolls who long for something other. Love, loss and life are elegantly dissected in Slatter's earthy yet poetic prose. As Rob Shearman says in his Introduction: 'Sourdough and Other Stories manages to be grand and ambitious and worldbuilding-but also as intimate and focused as all good short fiction should be . . . The joy of Angela Slatter's book is that she's given us a set of fairy tales that are at once both new and fresh, and yet feel as old as storytelling itself.'

    H. Lawrence. The story describes a young middle-class Englishwoman who "had no luck." Though outwardly successful, she is haunted by a sense of failure; her husband is a ne'er-do-well and her work as a commercial artist doesn't earn as much as she'd like. The family's lifestyle exceeds its income and unspoken anxiety about money permeates the household. Her children, a son Paul and his two sisters, sense this anxiety; moreover, the kids even claim they can hear the house whispering "There must be more money." Paul tells his Uncle Oscar Cresswell about betting on horse races with Bassett, the gardener. He's been placing bets using his pocket money and has won and saved three hundred twenty pounds. Sometimes he says he is "sure" of a winner for an upcoming race, and the horses he names do in fact win, sometimes at remarkable odds. Uncle Oscar and Bassett both place large bets on the horses Paul names. After further winning, Paul and Oscar arrange to give the mother a gift of five thousand pounds, but the gift only lets her spend more. Disappointed, Paul tries harder than ever to be "lucky." As the Derby approaches, Paul is determined to learn the winner. Concerned about his health, his mother rushes home from a party and discovers his secret. He has been spending hours riding his rocking horse, sometimes all night long, until he "gets there," into a clairvoyant state where he can be sure of the winner's name. Paul remains ill through the day of the Derby. Informed by Cresswell, Bassett has placed Paul's bet on Malabar, at fourteen to one. When he is informed by Bassett that he now has 80,000 pounds, Paul says to his mother: "I never told you, mother, that if I can ride my horse, and get there, then I'm absolutely sure - oh absolutely! Mother, did I ever tell you? I am lucky!" "No, you never did," said his mother. The boy dies in the night and his mother hears her brother say, "My God, Hester, you're eighty-odd thousand to the good, and a poor devil of a son to the bad. But, poor devil, poor devil, he's best gone out of a life where he rides his rocking horse to find a winner.

    Twenty-five chances to impress.When the test takes an unexpected and tragic turn, Idir is handed the power of life and death.How do you value a life when all you have is multiple choice?