She has hordes of devoted fans, and there have been numerous adaptations of her life and work. But who was Jane Austen? The writer herself has long remained a mystery. And despite the resonance her work continues to have for teens, there has never been a young adult trade biography on Austen. Catherine Reef changes that with this highly readable account. She takes an intimate peek at Austen’s life and innermost feelings, interweaving her narrative with well-crafted digests of each of Austen’s published novels. The end result is a book that is almost as much fun to read as Jane’s own work—and truly a life revealed. Includes bibliography and index.

    A Family Record" (1913). The book lovingly details Jane's birth, childhood, adolescence, and maturity; the everyday minutiae of her life, the circumstances in which she wrote her juvenilia and her six novels, and her early death. Using Jane Austen's own letters, additional letters sent between a large and fond family, and family reminiscences, William and Richard Austen-Leigh continued the family tradition of carefully nurturing the literary and personal reputation of a literary icon who also happened to be a most beloved aunt.

    The Regency (1811–1820) began when the profligate Prince of Wales—the future king George IV—replaced his insane father, George III, as Britain’s ruler.Around the regent surged a society steeped in contrasts: evangelicalism and hedonism, elegance and brutality, exuberance and despair. The arts flourished at this time with a showcase of extraordinary writers and painters such as Jane Austen, Lord Byron, the Shelleys, John Constable, and J. M. W. Turner. Science burgeoned during this decade, too, giving us the steam locomotive and the blueprint for the modern computer.Yet the dark side of the era was visible in poverty, slavery, pornography, opium, and the gothic imaginings that birthed the novel Frankenstein. With the British military in foreign lands, fighting the Napoleonic Wars in Europe and the War of 1812 in the United States, the desire for empire and an expanding colonial enterprise gained unstoppable momentum. Exploring these crosscurrents, Robert Morrison illuminates the profound ways this period shaped and indelibly marked the modern world.

    In true emulative and contrarian style, Hitchens is both admiring and aggressive, sympathetic yet critical, taking true measure of his subject as hero and problem. Answering both the detractors and the false claimants, Hitchens tears down the façade of sainthood erected by the hagiographers and rebuts the critics point by point. He examines Orwell and his perspectives on fascism, empire, feminism, and Englishness, as well as his outlook on America, a country and culture towards which he exhibited much ambivalence. Whether thinking about empires or dictators, race or class, nationalism or popular culture, Orwell's moral outlook remains indispensable in a world that has undergone vast changes in the fifty years since his death. Combining the best of Hitchens's polemical punch and intellectual elegance in a tightly woven and subtle argument, this book addresses not only why Orwell matters today, but how he will continue to matter in a future, uncertain world. Christopher Hitchens, one of the most incisive minds of our own age, meets Orwell on the page in this provocative encounter of wit, contention and moral truth.

    Brothers and sisters, nieces and nephews, friends and acquaintances were always coming and going, which offered numerous occasions for convivial eating and drinking. One of Jane’s dearest friends, Martha Lloyd, lived with the family for many years and recorded in her “Household Book” over 100 recipes enjoyed by the Austens. A selection of this family fare, now thoroughly tested and modernized for today’s cooks, is recreated here, together with some of the more sophisticated dishes which Jane and her characters would have enjoyed at balls, picnics, and supper parties. A fascinating introduction describes Jane’s own interest in food, drawing upon both the novels and her letters, and explains the social conventions of shopping, eating, and entertaining in late Georgian and Regency England. The book is illustrated throughout with delightful contemporary line drawings, prints, and watercolours.Authentic recipes, modernized for today’s cooks, include:• Buttered Prawns• Wine-Roasted Gammon and Pigeon Pie• Broil’d Eggs• White Soup and Salmagundy• Pyramid Creams• Martha’s Almond Cheesecakes

    Leithart explores the life of Jane Austen, beloved author of such books as Pride and Prejudice and Emma. Jane Austen is now what she never was in life, and what she would have been horrified to become—a literary celebrity.Austen’s novels achieved a timelessness that makes them perennially appealing. Kipling and Churchill found solace in her writings during times of war and illness. Mark Twain had a love/hate relationship with her work. And then, there’s our celebrity culture: the television hit Pride and Prejudice, the award-winning 1995 film Sense and Sensibility, and all the remakes and prequels and sequels. Modern-day Jane Austen fans just can’t seem to leave her characters alone.“Janeia” is the author’s term for the mania for all things Austen. This biography captures the varied sides of Austen’s character and places her Christian faith in a more balanced light and with less distortion than has been achieved previously. It is a delightful journey through a life spent making up stories that touched the lives of millions.    Jane Austen “I was riveted by Leithart's excellent biography of Austen, the woman who profoundly influenced me to search for the universal truth in my novels. I was able to see the flesh-and-blood woman I've admired since my teens. Highly recommended for Janeites like me!”--Colleen Coble, best-sellingauthor of The Lightkeeer's Daughter

    Tolkien's creativity and the sources of his inspiration. Shippey shows in detail how Tolkien's professional background led him to write "The Hobbit" and how he created a timeless charm for millions of readers.

    One was a celebrity at twenty-three, the other virtually unknown until his dying days. One was right-wing and religious, the other a socialist and an atheist. Yet, as this ingenious and important new book reveals, at the heart of their lives and writing, Evelyn Waugh and George Orwell were essentially the same man. Orwell is best known for Animal Farm and 1984, Waugh for Brideshead Revisited and comic novels like Scoop and Vile Bodies. However different they may seem, these two towering figures of twentieth-century literature are linked for the first time in this engaging and unconventional biography, which goes beyond the story of their amazing lives to reach the core of their beliefs–a shared vision that was startlingly prescient about our own troubled times.Both Waugh and Orwell were born in 1903, into the same comfortable stratum of England’s class-obsessed society. But at first glance they seem to have lived opposite lives. Waugh married into the high aristocracy, writing hilarious novels that captured the amoral time between the wars. He converted to Catholicism after his wife’s infidelity and their divorce. Orwell married a moneyless student of Tolkien’s who followed him to Barcelona, where he fought in the Spanish Civil War. She saved his life there–twice–but her own fate was tragic.Waugh and Orwell would meet only once, as the latter lay dying of tuberculosis, yet as The Same Man brilliantly shows, in their life and work both writers rebelled against a modern world run by a privileged, sometimes brutal, few. Orwell and Waugh were almost alone among their peers in seeing what the future–our time–would bring, and they dedicated their lives to warning us against what was coming: a world of material wealth but few values, an existence without tradition or community or common purpose, where lives are measured in dollars, not sense. They explained why, despite prosperity, so many people feel that our society is headed in the wrong direction. David Lebedoff believes that we need both Orwell and Waugh now more than ever.Unique in its insights and filled with vivid scenes of these two fascinating men and their tumultuous times, The Same Man is an amazing story and an original work of literary biography.

    Her writing career spanned six decades, during which time she wrote 66 crime novels, 6 non-crime novels (including romances), and over 150 short stories. Not only was she a phenomenally successful novelist, but she is also the most successful female playwright of all time - her play "The Mousetrap" is the longest-running show in history.As you learn about Christie’s experiences and her storied career, you will better understand how the circumstances of her life shaped her work and vice versa. Along the way, consider some fascinating questions:How did becoming a nurse and an apothecary’s assistant influence her crime stories?Would her literary career have been different if she had not been a part of well-to-do British society?Why did Christie disappear at the height of her fame - and will we ever know the whole truth about that fateful event?Agatha Christie’s works have been read by millions and have been adapted into film, television, plays, and more since her debut novel, The Mysterious Affair at Styles, introduced the world to Hercule Poirot in 1920. Her famous detectives, Poirot and Miss Marple, have become beloved staples of pop culture around the world. With such a legacy, it can sometimes be surprising how much of her life remains a mystery to her readers. In The Mysterious Case of Agatha Christie, you will get an intimate glimpse of her private life, investigate the secrets of her greatest novels, and perhaps solve a few mysteries yourself.

    S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance."

    But it's also true, as Sebastian Faulks argues in this remarkable book, that the novel helped invent the British: for the first time we had stories that reflected the experiences of ordinary people, with characters in which we could find our reality, our understanding and our escape.In Faulks on Fiction, Faulks examines many of these enduring fictional characters from over the centuries -- Heroes from Tom Jones to John Self, Lovers from Mr Darcy to Lady Chatterly, Villains from Fagin to Barbara Covett, and Snobs from Emma Woodhouse to James Bond -- and shows us how they mapped and inspired the British psyche, and continue to do so.Published to coincide with a major BBC series, Faulks on Fiction is an engaging and opinionated look at the psychology of the British through their literature, and a unique social history of Britain from one of our most respected writers.From the Trade Paperback edition.

    S. Eliot, E. M. Forster and D. H. Lawrence during 1922, the birth year of modernismThe World Broke in Two tells the fascinating story of the intellectual journey four legendary writers, Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence, make over the course of one pivotal year. As 1922 begins, all four writers are literally at a loss for words, confronting an uncertain creative future despite success in the past. The literary ground is shifting beneath their feet, as Ulysses is published and Proust’s Remembrance of Things Past is translated into English. Yet, dismal as they felt in January, by the end of the year Woolf has started Mrs. Dalloway, Forster has returned to the pages that would become Passage to India, Lawrence has begun Kangaroo, and Eliot has finished The Waste Land.As Willa Cather put it, The world broke in two in 1922 or thereabouts, and what these writers were struggling with that year was in fact the invention of modernism. Based on original research in libraries and archives, The World Broke in Two captures both the literary breakthroughs and the intense personal dramas of these beloved writers as they strive for greatness.

    The author of 'The Life and Times of the Thunderbolt Kid' isn't, after all, a Shakespeare scholar, a playwright, or even a biographer. Reading 'Shakespeare The World As Stage', however, one gets the sense that this eclectic Iowan is exactly the type of person the Bard himself would have selected for the task. The man who gave us 'The Mother Tongue' and 'A Walk in the Woods' approaches Shakespeare with the same freedom of spirit and curiosity that made those books such reader favorites. A refreshing take on an elusive literary master.

    H. Lawrence. He wanted, in fact, to write his "Lawrence book." The problem was, he had no idea what his "Lawrence book" would be, though he was determined to write a "sober academic study." Luckily for the reader, he failed miserably.Out of Sheer Rage is a harrowing, comic, and grand act of literary deferral. At times a furious repudiation of the act of writing itself, this is not so much a book about Lawrence as a book about writing a book about Lawrence. As Lawrence wrote about his own study of Thomas Hardy, "It will be about anything but Thomas Hardy, I am afraid-queer stuff-but not bad."

    The Letters of J.R.R Tolkien sheds much light on Tolkien's creative genius and grand design for the creation of a whole new world: Middle-earth. Featuring a radically expanded index, this volume provides a valuable research tool for all fans wishing to trace the evolution of THE HOBBIT and THE LORD OF THE RINGS.