In these timeless and witty essays George Orwell explores the English love of reading about a good murder in the papers (and lament the passing of the heyday of the 'perfect' murder involving class, sex and poisoning), as well as unfolding his trenchant views on everything from boys' weeklies and naughty seaside postcards to being arrested in East End.

    The results are nothing less than an education in the ways literature grips its readers and, at times, transforms their lives. Imagining Characters is indispensable, a work of criticism that returns us to the books it discusses with renewed respect and wonder.

    The assembled group included the poet Percy Bysshe Shelley; his lover (and future wife) Mary Wollstonecraft Godwin; Mary's stepsister Claire Claremont; and Byron's physician, John William Polidori. The famous result was Mary Shelley's Frankenstein, a work that has retained its hold on the popular imagination for almost two centuries. Less well-known was the curious Polidori's contribution: the first vampire novel. And the evening begat a curse, too: Within a few years of Frankenstein's publication, nearly all of those involved met untimely deaths. Drawing upon letters, rarely tapped archives, and their own magisterial rereading of Frankenstein itself, Dorothy and Thomas Hoobler have crafted a rip-roaring tale of obsession and creation.

    After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not.In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself.

    Along the way, Lori explores the small things, both meanness and goodness in relationships, to discover what Austen herself knew: the worth of an ordinary life.

    Joseph Bell. Doyle often observed Bell identifying a patient's occupation, hometown, and ailments from the smallest details of dress, gait, and speech. Although Doyle was training to be a surgeon, he was meanwhile cultivating essential knowledge that would feed his literary dreams and help him develop the most iconic detective in fiction. Michael Sims traces the circuitous development of Conan Doyle as the father of the modern mystery, from his early days in Edinburgh surrounded by poverty and violence, through his escape to University (where he gained terrifying firsthand knowledge of poisons), leading to his own medical practice in 1882. Five hardworking years later--after Doyle's only modest success in both medicine and literature--Sherlock Holmes emerged in A Study in Scarlet. Sims deftly shows Holmes to be a product of Doyle's varied adventures in his personal and professional life, as well as built out of the traditions of Edgar Allan Poe, Émile Gaboriau, Wilkie Collins, and Charles Dickens--not just a skillful translator of clues, but a veritable superhero of the mind in the tradition of Doyle's esteemed teacher.

    With characteristic narrative panache, Ackroyd immerses us in sixteenth-century Stratford and the rural landscape–the industry, the animals, even the flowers–that would appear in Shakespeare’s plays. He takes us through Shakespeare’s London neighborhood and the fertile, competitive theater world where he worked as actor and writer. He shows us Shakespeare as a businessman, and as a constant reviser of his writing. In joining these intimate details with profound intuitions about the playwright and his work, Ackroyd has produced an altogether engaging masterpiece.

    "I like this London life . . . the street-sauntering and square-haunting."--Virginia Woolf, diary, 1925In the early twentieth century, Mecklenburgh Square--a hidden architectural gem in London's Bloomsbury--was a radical address, home to students, struggling artists, and revolutionaries. And in the pivotal era between the two world wars, the lives of five remarkable women intertwined around this one address: the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and author and publisher Virginia Woolf. In an era when women's freedoms were fast expanding, they each sought a space where they could live, love, and--above all--work independently.With sparkling insight and a novelistic style, Francesca Wade sheds new light on a group of artists and thinkers whose pioneering work would enrich the possibilities of women's lives for generations to come.

    This engaging and beautiful book includes the complete Academy Award-winning script and Thompson's own diaries detailing the production of the film, reviewed by Stanley Kauffmann in The New Republic as "vivid, funny, and gamy"

    Eventually the group came to include among its members Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell. It was known simply as “the Club.”     In this captivating book, Leo Damrosch brings alive a brilliant, competitive, and eccentric cast of characters. With the friendship of the “odd couple” Samuel Johnson and James Boswell at the heart of his narrative, Damrosch conjures up the precarious, exciting, and often brutal world of late eighteenth‑century Britain. This is the story of an extraordinary group of people whose ideas helped to shape their age, and our own.

    It was there, on the edge of the dramatic landscape of the Yorkshire Moors, that they produced some of the most memorable, influential and best-loved novels in the English language. Ann Dinsdale paints a detailed picture of everyday life at Haworth in the 1840s, recounting the Brontë family history and describing the local village and surrounding countryside. She goes on to consider the Brontës' poetry and novels in the context of their socio-historic background. This book provides fascinating insight into the lives of the authors of The Tenant of Wildfell Hall, Jane Eyre and Wuthering Heights and will be a must for both literature students and Brontë admirers. It is illustrated with numerous rarely seen images from the Haworth archives, including drawings by Charlotte and Emily, together with evocative pictures by local photographer Simon Warner.

    Their first biographer, Mrs Gaskell, transformed their story of literary ambition into one of the great legends of the 19th century, a dramatic tale of three lonely sisters playing out their tragic destiny on top of a windswept moor. Lucasta Miller reveals where this image came from and how it took such a hold on the popular imagination.Each generation has rewritten the Brontës to reflect changing attitudes - towards the role of the woman writer, towards sexuality, towards the very concept of personality. The Brontë Myth gives vigorous new life to our understanding of the novelists and their culture. It is a witty, erudite and refreshingly unsentimental unravelling of what Henry James described as "the most complete intellectual muddle ever achieved on a literary question by our wonderful public."

    From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction. Everyone knows about Mary Shelley, creator of Frankenstein, who was rumored to keep her late husband’s heart in her desk drawer. But have you heard of Margaret “Mad Madge” Cavendish, who wrote a science-fiction epic 150 years earlier (and liked to wear topless gowns to the theater)? If you know the astounding work of Shirley Jackson, whose novel The Haunting of Hill House was reinvented as a Netflix series, then try the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era. You’ll meet celebrated icons (Ann Radcliffe, V. C. Andrews), forgotten wordsmiths (Eli Colter, Ruby Jean Jensen), and today’s vanguard (Helen Oyeyemi). Curated reading lists point you to their most spine-chilling tales.Part biography, part reader’s guide, the engaging write-ups and detailed reading lists will introduce you to more than a hundred authors and over two hundred of their mysterious and spooky novels, novellas, and stories.

    Joan Austen-Leigh, Austen's own great-great-grandniece, takes readers back to this world with a novel of such style, wit, and wisdom that it is sure to thrill Austen fans both old and new. Utterly faithful to the original story of Emma, A Visit to Highbury is a parallel novel that looks at life in Austen's beloved village through the eyes of Mrs. Goddard, the mistress of the local school attended by Emma's protegee, Harriet Smith. Mrs. Goddard's London-based sister, Mrs. Pinkney, has made a rather hasty second marriage. Lonely for company, she begs Mrs. Goddard for news. In the gossipy exchange of letters that ensues, the sisters speculate about such mysteries as the origins of Jane Fairfax's pianoforte, why young Harriet would have declined Robert Martin's marriage proposal, and what caused Mr. Elton to rush off to Bath. These stories unfold along with Mrs. Pinkney's own heartwarming tale, for - in true Austen tradition - hers is a story of love threatened by misunderstanding. With prose as sparkling and insightful as her esteemed ancestor's, Austen-Leigh offers a work that is an essential companion to Emma and a delightful novel in its own right.

    But the real Jane Austen, who started as author at twelve years old, was something very different. What depths of intellectual and moral despair must she have plumbed before she achieved the extraordinary moral vision that has been compared, with justice, to Chaucer's? It was a fortunate thing for her family that the highly polished surface of the six novels, their sheer artistry concealing tension, makes it easy to miss the depth and bitterness of what they are often saying. We must look for real evidence about her character not in the censored reminiscences of Victorian relatives, but in the books and the letters themselves. Jane Aiken Hodge has gone deeply into the novelist's own writings, family and contemporary records to produce a new picture of this enigmatic figure who did so much to revive the English novel at the beginning of the nineteenth century. Jane Austen appears at once as a very warm and human figure (the "dear Aunt Jane" of the Victorians), and as a baffling one. Did she, in fact, suffer what we should call a nervous breakdown in her silent, middle years? And was she content with her publishers, and with the comparatively modest earnings of her novels? Hodge does not pretend to provide final answers to these and other fascinating questions, but she is meticulous in giving the facts on which readers can base their own conclusions. This is a book for those who have always loved Jane Austen, and for those who would like to know more about her.