Nominated for running book of the year in The Running Awards 2019.

    In a dress rehearsal for World War II, fascists support the Nationalists, while communists have come to the aid of the Republicans. Atrocities have devastated both sides. It is at this moment, when the Republicans have surrendered, and the Guardia Civil has begun to impose order in the ruins of Madrid, that Tejada finds the body of his best friend, a hero of the siege of Toledo, shot to death on a street named Amor de Dios. Naturally, a Red is suspected. And it is easy for Tejada to assume that the woman caught kneeling over the body is the killer. But when his doubts are aroused, he cannot help seeking justice.

    The city of Sevilla waits, heavy with anticipation. But Pacote finds he is afraid, and fears disgrace in the ring. Time, once his friend, now presses him on to the moment when the gate opens and the first bull enters the ring. You are there in the stands with the screaming crowd and in the lonely emptiness at the center of the arena with only a red cap and a slender sword. You are there for one of the most magnificent passages ever written on bullfighting. "Conrad, himself a veteran of the bull ring, knows the sport even better than Hemingway. And he writes about it magnificently...a tale of high courage, throbbing with excitement." (B-O-M-C News)

    These are, Kerrigan writes, "ferocious writers, truculent, badly spoken, foul mouthed." However provocative and disturbing, they are also flat-out dazzling as writers, whose sentences, as rigorous as riotous, lodge like knives in the reader's mind. Cela called himself a proponent of "uglyism," of "nothingism." But he has the knack, the critic Am�erico Castro reminds us, of deploying those "nothings and lacks" to construct beauty. The Hive is set over the course of a few days in the Madrid of 1943, not long after the end of the Spanish Civil War and when the regime of General Francisco Franco was at its most oppressive. The book includes more than three hundred characters whose comings and goings it tracks to hypnotic effect. Scabrous, scandalous, and profane, this virtuosic group portrait of a wounded and sick society was first published in Buenos Aires in 1950 because in Spain it could not be published at all. This new translation by James Womack is the first in English to present Cela's masterpiece in uncensored form"--

    The Spanish Civil War inspired and haunted an extraordinary number of exceptional artists and writers, including Pablo Picasso, Joan Miro, Martha Gellhorn, Ernest Hemingway, George Orwell, and John Dos Passos. The idealism of the cause—defending democracy from fascism at a time when Europe was darkening toward another world war—and the brutality of the conflict drew from them some of their best work: Guernica, For Whom the Bell Tolls, Homage to Catalonia, The Spanish Earth.The war spurred breakthroughs in military and medical technology as well. New aircraft, new weapons, new tactics and strategy all emerged in the intense Spanish conflict. Indiscriminate destruction raining from the sky became a dreaded reality for the first time. Progress also arose from the horror: the doctors and nurses who volunteered to serve with the Spanish defenders devised major advances in battlefield surgery and front-line blood transfusion. In those ways, and in many others, the Spanish Civil War served as a test bed for World War II, and for the entire twentieth century. From the life of John James Audubon to the invention of the atomic bomb, readers have long relied on Richard Rhodes to explain, distill, and dramatize crucial moments in history. Now, he takes us into battlefields and bomb shelters, into the studios of artists, into the crowded wards of war hospitals, and into the hearts and minds of a rich cast of characters to show how the ideological, aesthetic, and technological developments that emerged in Spain changed the world forever.

    Antonito hand rears a little black calf and they become firm friends, but the boy doesn't yet understand the fate of the black bulls – the corrida and death. Later, when he learns of the horrors of the bull fight, he frees Paco, the black bull, and rides with him into the hills.There they witness the bombing of their village (it's the year 1936, and the Spanish Civil War has started) and Antonito cannot go back – his family and the farm are destroyed, and Paco has run off, wild with fright. He decides to stay in the hills, where he meets up with the Resistance fighters. During the War, Antonito hears stories round the campfire of the wonderful black bull, who becomes a symbol of freedom for them all. Could this really be Paco? But no-one has ever seen him. After the war, when Antonito is working as a muleteer in the mountains, he falls asleep and dreams of Paco. In the morning, he wakes to see hoof prints on the ground beside him…A delightful story, full of nostalgia and drama in the author's own inimitable style. Illustrated by Michael Foreman.

    Nearly seventy years later, in prose that is witty, understated, and poignant, Lewis describes the duo's travels first to Madrid, then through the bloody insurrection of October '34, and finally via the length of Portugal to Seville. Once there, they find the Corvaja tomb, but it is nothing like they expected. In this, his last book before his death in 2003, Lewis conjures up the country he returned to time and again in his writing, and displays the spirit of pure fascination that has inspired generations of readers. He recalls covering a hundred miles on foot, sleeping in caves, dodging sniper fire, and attempting to dissuade the communist-leaning Eugene from joining the People's Army. Yet Lewis's sweetly infectious enthusiasm for the sights and sounds of a country holding on to its glorious past in the face of a violent future never wanes. For the avid and the new Norman Lewis reader alike, The Tomb in Seville is a vibrantly fresh tale of a historic time and place.

     On the Camino: advice and information about what to expect on the Camino. Terrain, waymarkings, accommodation, food and drink, money matters, keeping in touch (telephone, internet, etc.), health – with advice on staying healthy and accessing the Spanish health service, Camino administration, etiquette and safety – staying safe and planning for any eventuality. The Caminos: information about the other Caminos, a list of books about the Caminos and pilgrim statistics, with the most popular starting points, nationalities, routes and busiest months. History: the History section aims to give you an understanding of the historical background to the Camino and the role it played in the foundation of modern Spain and Europe. It contains a history of Spain, and a history of the Camino from its beginnings to its revival, in the late 20th century. There’s also an account of life on the Camino in the middle-ages, the people who walked then, and the hardships and hazards they faced. Society, Culture & Environment: a brief outline of the fascinating mosaic that is modern Spain, its politics, cultures and peoples. The natural environment of northern Spain and the impact of the Camino on it. A description of the architectural styles and periods you’ll see along the Camino. Communicating: advice on making yourself understood and understanding others, with a Menu Guide and the most useful Spanish words and phrases for Camino life, plus a few phrases in Basque and Galician. Glossary: a concise reference for many Camino-related persons and things. This new edition, published in September 2013, has been extensively changed, updated and expanded based on feedback and criticisms received from readers over the past two years, and the author's experiences of walking various Caminos during that time. Most of the changes and additions are in the areas: - Packing, what to bring: with the different packing options listed in detail, and the pros and cons of different items explained. - A typical Camino day is described, from waking at the crack of dawn, to bedding down at nightfall. - There's detailed information about how Pilgrim Hostels work, and what it's like to stay in one. - Health: blisters, bedbugs, heatstroke, and other Camino hazards, are described with advice on avoiding them and dealing with them. Thanks to everybody for their feedback and their help with this new edition. ¡Buen Camino!

    A gripping narrative history of Spain’s most brilliant and troubled literary family—a tale about the making of art, myth, and legacy—set against the upheaval of the Spanish Civil War and beyondIn this absorbing and atmospheric historical narrative, journalist Aaron Shulman takes us deeply into the circumstances surrounding the Spanish Civil War through the lives, loves, and poetry of the Paneros, Spain’s most compelling and eccentric family, whose lives intersected memorably with many of the most storied figures in the art, literature, and politics of the time—from Neruda to Salvador Dalí, from Ava Gardner to Pablo Picasso to Roberto Bolaño.Weaving memoir with cultural history and biography, and brought together with vivid storytelling and striking images, The Age of Disenchantments sheds new light on the romance and intellectual ferment of the era while revealing the profound and enduring devastation of the war, the Franco dictatorship, and the country’s transition to democracy.A searing tale of love and hatred, art and ambition, and freedom and oppression, The Age of Disenchantments is a chronicle of a family who modeled their lives (and deaths) on the works of art that most inspired and obsessed them and who, in turn, profoundly affected the culture and society around them.

    From the Spanish Civil War in 1937 through the wars in Central America in the mid-eighties, her candid reports reflected her feelings for people no matter what their political ideologies, and the openness and vulnerability of her conscience. I wrote very fast, as I had to, she says, afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place. Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. Collected here together for the first time, The Face of War is what The New York Times called a brilliant anti-war book.

    This Very Short Introduction integrates the political, social and cultural history of the Spanish Civil War. It sets out thedomestic and international context of the war for a general readership. In addition to tracing the course of war, the book locates the war's origins in the cumulative social and cultural anxieties provoked by a process of rapid, uneven and accelerating modernism taking place all over Europe. Thisshared context is key to the continued sense of the war's importance. The book also examines the myriad of political polemics to which the war has given rise, as well as all of the latest historical debates. It assesses the impact of the war on Spain's transition to democracy and on the country'scontemporary political culture.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundredsof key topics, from philosophy to Freud, quantum theory to Islam.

    They would leave behind a groundbreaking political system and a growing economy--as well as the glaring inequalities that had undermined the American experiment from its beginning. The young nation had outlived the men who made it, but could it survive intensifying divisions over the very meaning of the land of the free?A new network of dissent--connecting firebrands and agitators on pastoral communes, in urban mobs, and in genteel parlors across the nation--vowed to finish the revolution they claimed the Founding Fathers had only begun. They were men and women, black and white, fiercely devoted to causes that pitted them against mainstream America even while they fought to preserve the nation's radical ideals: the brilliant heiress Frances Wright, whose shocking critiques of religion and the institution of marriage led to calls for her arrest; the radical Bostonian William Lloyd Garrison, whose commitment to nonviolence would be tested as the conflict over slavery pushed the nation to its breaking point; the Philadelphian businessman James Forten, who presided over the first mass political protest to free African Americans; Marx Lazarus, a vegan from Alabama whose calls for sexual liberation masked a dark secret; black nationalist Martin Delany, the would-be founding father of a West African colony who secretly supported John Brown's treasonous raid on Harpers Ferry--only to ally himself with Southern Confederates after the Civil War.Though largely forgotten today, these figures were enormously influential in the pivotal period flanking the war, their lives and work entwined with reformers like Frederick Douglass, Elizabeth Cady Stanton, and Henry David Thoreau, as well as iconic leaders like Abraham Lincoln. Jackson writes them back into the story of the nation's most formative and perilous era in all their heroism, outlandishness, and tragic shortcomings. The result is a surprising, panoramic work of narrative history, one that offers important lessons for today.

    For the last thirty-five years the small Andalusian village of Marinaleda has been the centre of a tireless struggle to create a living utopia. Dan Hancox reveals the fascinating history of a community that seized the land owned by wealthy aristocrats in order to work it themselves.Since the 1980s, led by the charismatic mayor, Juan Manuel Sánchez Gordillo, the villagers have been fighting for a better life. But as the economic crisis started to bite, how long could the utopia hold on to its dreams?

    Together, these experienced, undeterred Nicaraguan women offer powerful clues about a truly revolutionary and democratizing feminism."––Adrienne Rich"If it were not for writers like Margaret, how would women around the world find each other when there is such an institutional effort to keep us apart and silent? Here Margaret brings us the voice of Sandino's daughters, honoring his hat and wearing their own, wiser now, having been part of political and personal revolution."––Holly Near "Powerful, moving, and challenging. Everyone interested in decency and justice will want to read Sandino's Daughters Revisited."––Blanche Wiesen Cook Sandino's Daughters, Margaret Randall's conversations with Nicaraguan women in their struggle against the dictator Somoza in 1979, brought the lives of a group of extraordinary female revolutionaries to the American and world public. The book remains a landmark. Now, a decade later, Randall returns to interview many of the same women and others. In Sandino's Daughters Revisited, they speak of their lives during and since the Sandinista administration, the ways in which the revolution made them strong––and also held them back. Ironically, the 1990 defeat of the Sandinistas at the ballot box has given Sandinista women greater freedom to express their feelings and ideas. Randall interviewed these outspoken women from all walks of life: working-class Diana Espinoza, head bookkeeper of a employee-owned factory; Daisy Zamora, a vice minister of culture under the Sandinistas; and Vidaluz Meneses, daughter of a Somozan official, who ties her revolutionary ideals to her Catholicism. The voices of these women, along with nine others, lead us to recognize both the failed promises and continuing attraction of the Sandinista movement for women. This is a moving account of the relationship between feminism and revolution as it is expressed in the daily lives of Nicaraguan women.

    The contours of the war take shape through the words of the eyewitnesses. The atmosphere of events is vividly recaptured. And though the lived experience of the participants is revealed the uniquely tragic essence of all civil war. 'Fascinating and brilliantly unorthodox. ' Hugh Thomas, author of THE CONQUEST OF MEXICO.