As a dark serial killer – The Axeman – stalks the city, three individuals set out to unmask him…Though every citizen of the ‘Big Easy’ thinks they know who could be behind the terrifying murders, Detective Lieutenant Michael Talbot, heading up the official investigation, is struggling to find leads. But Michael has a grave secret – and if he doesn’t find himself on the right track fast – it could be exposed…Former detective Luca d’Andrea has spent the last six years in Angola state penitentiary, after Michael, his protégée, blew the whistle on his corrupt behaviour. Now a newly freed man, Luca finds himself working with the mafia, whose need to solve the mystery of the Axeman is every bit as urgent as the authorities’.Meanwhile, Ida is a secretary at the Pinkerton Detective Agency.Obsessed with Sherlock Holmes and dreaming of a better life, Ida stumbles across a clue which lures her and her trumpet-playing friend, Lewis ‘Louis’ Armstrong, to the case and into terrible danger…As Michael, Luca and Ida each draw closer to discovering the killer’s identity, the Axeman himself will issue a challenge to the people of New Orleans: play jazz or risk becoming the next victim. And as the case builds to its crescendo, the sky will darken and a great storm will loom over the city…

    Our fears pick us.Tash Carmody has been traumatised since childhood, when she witnessed her gruesome imaginary friend Sparrow lure young Mallory Fisher away from a carnival. At the time nobody believed Tash, and she has since come to accept that Sparrow wasn’t real. Now fifteen and mute, Mallory’s never spoken about the week she went missing. As disturbing memories resurface, Tash starts to see Sparrow again. And she realises Mallory is the key to unlocking the truth about a dark secret connecting them. Does Sparrow exist after all? Or is Tash more dangerous to others than she thinks?

    She's an officer in sleepy Woodbury, MA, where a bicycle theft still makes the newspapers. No one there knows she was once victim number seventeen in the grisly story of serial killer Francis Michael Coben. The only one who lived.When three people disappear from her town in three years―all around her birthday―Ellery fears someone knows her secret. Someone very dangerous. Her superiors dismiss her concerns, but Ellery knows the vanishing season is coming and anyone could be next. She contacts the one man she knows will believe her: the FBI agent who saved her from a killer all those years ago.Agent Reed Markham made his name and fame on the back of the Coben case, but his fortunes have since turned. His marriage is in shambles, his bosses think he's washed up, and worst of all, he blew a major investigation. When Ellery calls him, he can’t help but wonder: sure, he rescued her, but was she ever truly saved? His greatest triumph is Ellery’s waking nightmare, and now both of them are about to be sucked into the past, back to the case that made them...with a killer who can't let go.

    Like Michael Connelly’s Bosch, John Bailey will risk everything to get to the truth – and expose a deadly enemy. There’s nothing more dangerous than a man who can fall no further  … ‘Ayliffe delivers a taut, nail-biting page-turner, stamping his mark on the modern day Australian thriller.’ Better ReadingHe had never killed anyone who hadn’t deserved it. The means always justified the end. He didn’t need forgiveness. He needed justification. The greater good. Battered war correspondent John Bailey is a man living on the edge. He’s haunted by nightmares of being kidnapped and tortured in Iraq and he’s drinking too much to drown the memories. As he battles to get his life back together, a story breaks that will force him back into the spotlight – and into the crosshairs of a deadly international player. When a beautiful prostitute is found murdered in her luxury apartment, Bailey is ordered to cover the story by The Journal’s editor and his old friend, Gerald Summers, because he can’t trust anyone else. One of the victim’s clients, a key advisor to the Defence Minister, is chief suspect in her murder and he’s on the run. When he contacts Bailey, claiming to have information that will bring down the government, the stakes become deadly. To complicate matters, the investigating police detective is the woman Bailey walked out on a decade ago. When a ruthless CIA fixer turns up, followed by a murderous Chinese agent hot on his trail, Bailey realises he has stumbled onto the story of a lifetime – one that he may not live to tell. The brilliant first book in Tim Ayliffe's bestselling John Bailey series. Bailey's adventures in The Greater Good, State of Fear and The Enemy Within will be adapted for the screen by CJZ Productions, Australia's largest independently owned production company.Praise for The Greater Good ‘A brilliantly written character starring in cracking crime thriller’ Herald Sun ‘A fun and exhilarating political crime thriller that is guaranteed to electrify and entertain in good measure.’? The Unseen Library    ‘Readers will not fail to enjoy the ride from start to finish.’ Good Reading   ‘A crime thriller with the lot: murder, deceit, corruption and a hint of romance … Ayliffe takes you deep inside the worlds of politics and the media, with a heavy dose of international intrigue thrown in.’ Michael Rowland   Ayliffe delivers a taut, nail-biting page-turner, stamping his mark on the modern day Australian thriller.’ Better Reading ‘If Rake were a journalist, with a talent that equals his capacity to survive being beaten up, Bailey would be him.’ Julia Baird ‘An absolute cracker of a thriller.’ Chris UhlmannPraise for State of Fear ‘Another brilliantly crafted thriller from Ayliffe that fits perfectly in today’s worrying world … Verdict: Get this guy on TV’  Herald Sun Praise for Enemy Within  ‘A breathlessly written book, ripped from today’s headlines, this is a cracking read that blurs the line between fact and fiction. More please.’ Michael Robotham 'A cracking yarn told at breakneck speed. I couldn't put it down.' Chris Hammer ‘Sharp, gritty, sophisticated. Ayliffe’s criminal world is terrifyingly real.’ Candice Fox

    A once up-and-coming detective, she's been given this beat as punishment after filing a sexual harassment complaint against a supervisor.But one night she catches two cases she doesn't want to part with: the brutal beating of a prostitute left for dead in a parking lot and the killing of a young woman in a nightclub shooting. Ballard is determined not to give up at dawn. Against orders and her own partner's wishes, she works both cases by day while maintaining her shift by night. As the cases entwine they pull her closer to her own demons and the reason she won't give up her job no matter what the department throws at her.

    It’s made her sympathetic to the missing and their families.Starting her new life, Abigail moves to small town and buys a fixer-upper house left empty when old Edna Summers died. Once it was also home to Edna’s younger sister, Emily, and her two children, Jenny and Christopher, who, people believe, drove away one night, thirty years ago, and just never came back.But in renovating the house Abigail finds scraps of paper hidden behind baseboards and tucked beneath the porch that hint the three could have been victims of foul play.Then she finds their graves hidden in the woods behind the house and with the help of eccentric townspeople and ex-homicide detective, Frank Lester, she discovers the three were murdered. Then she and Frank try to uncover who killed them and why…but in the process awaken the ire of the murderer. ***

    A young African boy, the son of one of her clients, has been murdered in a dingy back alley. Stella, in her forties and running low on empathy, heads into the night to comfort the grieving mother. But when she gets there, she makes a discovery that has the potential to uncover something terrible from her past — something she thought she'd gotten away with.Then Stella's neighbour Tania mysteriously vanishes. When Stella learns that Tania is the heir to a billion-dollar mining empire, Stella realises her glamorous young friend might have had more up her sleeve than just a perfectly toned arm. Who is behind her disappearance?Enlisting the help of her friend, Senior Constable Phuong Nguyen, Stella's investigation draws her further and further into a dark world of drug dealers, sociopaths, and killers, such as the enigmatic Mr Funsail, whose name makes even hardened criminals run for cover.One thing is clear: Stella needs to find answers fast — before the people she's looking for find her instead.Set in the bustling, multicultural innerwest of Melbourne, Good Money reveals a daring and exciting new voice in Australian crime fiction.

    Eight months ago, a shocking nighttime assault by unidentified men killed his partner Stephanie, nearly killed him, and left him enraged, ashamed, and ready to explode. He is unfit for duty...until he meets his new partner.Maggie is not doing so well, either. A German shepherd who survived three tours in Iraq and Afghanistan sniffing explosives before losing her handler to an IED, her PTSD is as bad as Scott's.They are each other's last chance. Shunned and shunted to the side, they set out to investigate the one case that no one wants them to touch: the identity of the men who murdered Stephanie. What they begin to find is nothing like what Scott has been told, and the journey will take them both through the darkest moments of their own personal hells. Whether they will make it out again, no one can say.

    But then he slips--he meets a young "model" and begins an affair. One night he arrives at his girlfriend's apartment and finds more than he bargained for. Two masked men have caught his misdemeanors on camera and now they want a cool hundred grand. But they've picked the wrong man, because Harry Mitchell doesn't get mad--he gets even.

    The murders couldn't be more gruesome. The method of killing is identical, the backgrounds of the girls very similar -- all are prostitutes. As the book opens, a seventh body is found, same modus operandi but the victim this time is a sweet young student. Anna stumbles on a vital piece of information that links one man to the killings, a well-known, much-loved actor. His protestation of innocence is convincing, and Anna might be succumbing to his flattering attention. What if he is arrested, the media erupts, and he is the wrong man?