Oliver Wendell Holmes, and James Russell Lowell, along with publisher J. T. Fields—are finishing America's first translation of The Divine Comedy and preparing to unveil Dante's remarkable visions to the New World. The powerful Boston Brahmins at Harvard College are fighting to keep Dante in obscurity, believing that the infiltration of foreign superstitions into American minds will prove as corrupting as the immigrants arriving at Boston Harbor.The members of the Dante Club fight to keep a sacred literary cause alive, but their plans fall apart when a series of murders erupts through Boston and Cambridge. Only this small group of scholars realizes that the gruesome killings are modeled on the descriptions of Hell's punishments from Dante's Inferno. With the lives of the Boston elite and Dante's literary future in America at stake, the Dante Club members must find the killer before the authorities discover their secret.Dr. Oliver Wendell Holmes and an outcast police officer named Nicholas Rey, the first black member of the Boston police department, must place their careers on the line to end the terror. Together, they discover that the source of the murders lies closer to home than they ever could have imagined.The Dante Club is a magnificent blend of fact and fiction, a brilliantly realized paean to Dante's continued grip on our imagination, and a captivating thriller that will surprise readers from beginning to end.

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

    Wall Street speculators, the Manhattan downtown club scene, Russian gangsters, immigrant neighborhoods - all the elements in the urban turf of this finely crafted contemporary crime novel wed danger with excitement and possibility. They're the rewards that Monty Brogan, who stands at the center of the moral glare in this tale, has already lost, just as he's lost his Corvette, and the "sway" that opened the doors of exclusive night spots and guaranteed him courtside seats at Madison Square Garden. Tomorrow Monty's traveling by bus, to the federal prison in Otisville, for seven years. He's afraid, and all he'd ever really wanted when he grew up was to be a fireman. With the pulse of the city in its prose, this debut novel follows Monty through the twenty-four hours of his last day out. At the same time, it illuminates the worlds, and souls, of his two best friends: Frank Slattery, an edgy bond trader who gambles daily with financial ruin, and Jakob Elinsky, an English teacher who clings to illusions as he compromises his ideals. Friends since their high school days, the three of them nostalgically share a past, but warily they confront a future that can no longer accommodate their adolescent dreams. They meet. They drink, and talk, go clubbing, dance, drink, and remember. What neither Slattery nor Jakob know, however, is that Monty has a plan. It's a shocker.Originally published: New York: Carroll & Graf Pub., 2000.

    It has been seven years since she disappeared, and nobody said a word. Now, following the death of his wife, her father Leon feels compelled to find her. Rumour had it she ran off when her baby boy was born with the family's genetic disorder. Leon is not so sure. He wants to know the truth and he hires a private investigator to discover it - Ray Lovell. Ray starts to delve deeper, but his investigation is hampered by the very people who ought to be helping him - the Jankos. He cannot understand their reluctance to help. Why don't they want to find Rose Janko?

    This time it could be theirs . . .It isn’t safe. That’s what Joe tells her when he ends their affair—moments before their car skids off an icy road in a blinding snowstorm and hits a tree. Desperate to keep her life intact—her job, her husband, and her precious daughter, Lily—Dorrie will do everything she can to protect herself, even if it means walking away from the wreckage. Dorrie has always been a good actress, pretending to be someone else: the dutiful daughter, the satisfied wife, the woman who can handle anything. Now she’s going to put on the most challenging performance of her life. But details about the accident leave her feeling uneasy and afraid. Why didn’t Joe’s airbag work? Why was his car door open before the EMTs arrived? And now suddenly someone is calling her from her dead lover’s burner phone. . . .Joe’s death has left his wife in free fall as well. Karen knew Joe was cheating—she found some suspicious e-mails. Trying to cope with grief is devastating enough without the constant fear that has overtaken her—this feeling she can’t shake that someone is watching her. And with Joe gone and the kids grown, she’s vulnerable . . . and on her own.Insurance investigator Maggie Devlin is suspicious of the latest claim that’s landed on her desk—a man dying on an icy road shortly after buying a lucrative life insurance policy. Maggie doesn’t believe in coincidences. The former cop knows that things—and people—are never what they seem to be.As the fates of these three women become more tightly entwined, layers of lies and deception begin to peel away, pushing them dangerously to the edge . . . closer to each other . . . to a terrifying truth . . . to a shocking end.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    Another year, and he'll be out of the department completely. That's the plan, at least, until his niece's body is found in the guest home of one of his city's most wealthy citizens. The coroner calls it an overdose, but the case doesn't add up. Against orders, Ash begins a danger-filled investigation to find his niece's murderer, but the longer he searches, the more entangled he becomes in a case that hits increasingly close to home. If he doesn't solve it fast, his niece won't be the only family member he has to bury.

    Not in a bar, but in the emergency room where Alexis sutured a bullet wound in Austin's arm. Six months later, on the brink of falling in love, they travel to Vietnam on a bike tour so that Austin can show her his passion for cycling and he can pay his respects to the place where his father and uncle fought in the war. But as Alexis sips white wine and waits at the hotel for him to return from his solo ride, two men emerge from the tall grass and Austin vanishes into thin air. The only clue he leaves behind is a bright yellow energy gel dropped on the road. As Alexis grapples with this bewildering loss, and deals with the FBI, Austin's prickly family, and her colleagues at the hospital, Alexis uncovers a series of strange lies that force her to wonder: Where did Austin go? Why did he really bring her to Vietnam? And how much danger has he left her in? Set amidst the adrenaline-fueled world of the emergency room, The Red Lotus is a global thriller about those who dedicate their lives to saving people, and those who peddle death to the highest bidder.

    He considers himself to be a mostly lucky guy—despite the fact that he’s suffered from a debilitating disease since he was a small child, one that has left him unable to speak or to move without a wheelchair. Largely confined to his home, Daniel spends the hours he’s not online communicating with irate air travelers observing his neighborhood from his front porch. One young woman passes by so frequently that spotting her out the window has almost become part of his daily routine. Until the day he’s almost sure he sees her being kidnapped.

    A local redneck was tried, sentenced, and set to fry.Then Ward James, hotshot investigative reporter for the Miami Times, returns to his rural hometown with a death row femme fatale who promises him the story of the decade.  She's armed with explosive evidence, aiming to free--and meet--her convicted "fiancÚ."With Ward's disillusioned younger brother Jack as their driver, they barrel down Florida's back roads and seamy places in search of The Story, racing flat out into a shocking head-on collision between character and fate as truth takes a back seat to headline news...

    As a young man, Arthur fled his small Kansas hometown, moved to Detroit, married Celia, and never looked back. But when the 1967 riots frighten him even more than his past, he convinces Celia to pack up their family and return to the road he grew up on, Bent Road, and that same small town where Eve mysteriously died. While Arthur and their oldest daughter slip easily into rural life, Celia and the two younger children struggle to fit in. Daniel, the only son, is counting on Kansas to make a man of him since Detroit damn sure didn't. Eve-ee, the youngest and small for her age, hopes that in Kansas she will finally grow. Celia grapples with loneliness and the brutality of life and death on a farm. And then a local girl disappears, catapulting the family headlong into a dead man's curve...

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

    She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents--her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the House of Horrors into a force for good. But first she must come to terms with her siblings - and with the childhood they shared.

    But nothing can prepare him for what he finds: a large airplane has crash-landed and is now sitting sideways on the runway, and there are no signs of a pilot or cargo. When the body of a local man is discovered—shot dead and lying on the grass near the crash site—Winston begins a murder investigation that will change the course of his life and the fate of the community that he has sworn to protect.Everyone is a suspect, including the dead man. As rumors and accusations fly, long-simmering racial tensions explode overnight, and Winston, whose own tragic past has followed him like a ghost, must do his duty while facing the painful repercussions of old decisions. Winston also knows that his days as sheriff may be numbered. He’s up for re-election against a corrupt and well-connected challenger, and his deputies are choosing sides. As if these events weren’t troubling enough, he must finally confront his daughter Colleen, who has come home grieving a shattering loss she cannot fully articulate.As the suspense builds and this compelling mystery unfolds, Wiley Cash delves deep into the hearts of these richly drawn, achingly sympathetic characters to reveal the nobility of an ordinary man struggling amidst terrifying, extraordinary circumstances.

    Dressed in couture YSL, drinking the finest champagne at trendy Balthazar, Reba, as she’s known, is the picture of a wealthy art collector. To some, the elusive Miss Farwell is a shark with outstanding business acumen. To others, she’s a heartless capitalist whose only interest in art is how much she can make.But a thousand miles from the Big Apple, in the small town of Pierson, Illinois, Miss Farwell is someone else entirely—a quiet single woman known as Becky who still lives in her family’s farmhouse, wears sensible shoes, and works tirelessly as the town’s treasurer and controller. No one understands the ins and outs of Pierson’s accounts better than Becky; she’s the last one in the office every night, crunching the numbers. Somehow, her neighbors marvel, she always finds a way to get the struggling town just a little more money. What Pierson doesn’t see—and can never discover—is that much of that money is shifted into a separate account that she controls, “borrowed” funds used to finance her art habit. Though she quietly repays Pierson when she can, the business of art is cutthroat and unpredictable. But as Reba Farwell’s deals get bigger and bigger, Becky Farwell’s debt to Pierson spirals out of control. How long can the talented Miss Farwell continue to pull off her double life?