Here the first three books in the series are presented together. The Illegal Gardener Driven by a need for some control in her life, Juliet sells up on impulse and buys a dilapidated farmhouse in a tiny Greek village, leaving her English life behind. The house is livable by local standards, but the job of restoring the garden is too big. It requires strength. Juliet cannot bring it to life on her own. Around the olive tree, hidden beneath the covering of bindweeds, are mattresses, broken chairs, shepherds' crooks, and old goat bells, the remains of past lives intertwined in a slow decay. The beauty of the garden is lost with the years of neglect and no one to appreciate it. Juliet reluctantly enlists casual labour. She has no desire to share her world with anyone. The boys have grown, Mick has gone. This is her time now. Aaman has travelled to Greece from Pakistan illegally. His task is to find work and raise money for the harvester his village desperately needs to deliver them out of poverty. Poverty that is sending the younger generation to the cities, dividing families, and slowly destroying his community. What he imagined would be a heroic journey in reality is fraught with danger and corruption. He finds himself in Greece and follows the work, a little here, a little there. As time passes, he loses his sense of self. He is now an immigrant worker, illegal, displaced, unwanted, with no value. Some days he does not have enough money to feed himself, let alone to return home to Pakistan. In the village square, he waits for work, dawn not even broken. Juliet hires Aaman. Neither is entirely comfortable with their role. Juliet the Westerner, who has money and a valid passport, resents the intrusion even though she wants her garden cleared. Aaman needs the work and money but resents the humiliation. As the summer progresses, even though they are from vastly different backgrounds, cultures apart, they discover they have something in common, an event that has defined how they interact and even how they view themselves. Pieces of their lives they have kept hidden even from themselves are exposed. They are each other's catalysts to facing their own ghosts... ) Although the island looks harmless, Marina knows it harbours ghosts from the past. Nothing would induce her to visit there again - except to protect her daughter. Sara Alexi's second book is a romp packed with a troupe of colourful characters intertwining in a gripping story. By turn uproariously funny, touching or sad this book is the stuff of which all families are made. Hopes, fears, secrets and misunderstandings beset relationships. Discovery and acceptance bridge a divide. The Explosive Nature of Friendship Do you like books about people? Then you'll love this intimate portrait of a man searching for meaning... Set in an idyllic Greek village, with a backdrop of sea and sun, this book will transport you... Mitsos has spent the last twenty years trying to comes to terms with the events of a single day and all that led up to it. In his twilight years a surprising turn of events gives him a chance to rectify his biggest wrong and give himself the peace he is seeking. But is what he has wanted for the last twenty years what he still wants now and is he the man he thought he was? Set against a backdrop of a small Greek farming village, comedy and tragedy are present in equal measures.Sara transports you to a land of sea and sun as she explores what it means to be human, and fallible.The book examines the nature of friendship, and how our choices and our perceptions of our place in society can define us.

    Doctors suspected he was suffering from a rare and degenerative neurological disorder known as Multiple System Atrophy (MSA). However, Nigel also had many of the symptoms of both Parkinson’s disease and Lewy Body dementia and an official diagnosis was never made.For four years Nigel's wife, Eileen, kept a diary. This was her "safety valve" - an outlet for the daily stresses of caring for him at home, as his mental and physical health slowly deteriorated. In her diary she gives a frank and detailed account of his challenging and erratic behaviour, his bizarre hallucinations, the relentless struggle with his incontinence and the endless disturbed nights.Even in her darkest moments, Eileen's dry Scottish humour shines through - you will laugh one moment and be moved the next. You can’t help but smile at Nigel's trousers with the “appetite mechanism” and his special “anti-dandruff comb”.As the dementia advances, Nigel retreats into a busy world of army and lecturing duties, harking back to his earlier days. Eventually, the burden of running her own “one-woman nursing home” becomes too much for Eileen and her quest to find respite care begins. This presents challenges of its own. This true and touching account offers a unique insight into the day-to-day experience of caring for someone with dementia or a related illness.Some Amazon Five Star Reviews:★★★★★ Excellent - a great read★★★★★ Loved it★★★★★ Very eye opening★★★★★ Brilliant book★★★★★ Sad but a good read★★★★★ A gem★★★★★ Five stars

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    GOOD GRIEF follows Nkechi, or N- a med-school dropout, a first generation Nigerian, a would-be goddess- as she navigates first loves and losses, and tries to find answers in her parents, the boy next door, and the stars.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    She meets the women of Lockerbie, who are fighting the U.S. government to obtain the clothing of the victims found in the plane s wreckage. The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victim s families. THE WOMEN OF LOCKERBIE is loosely inspired by a true story, although the characters and situations in the play are purely fictional. Written in the structure of a Greek tragedy, it is a poetic drama about the triumph of love over hate. Winner of the silver medal in the Onassis International Playwriting Competition and the Kennedy Center Fund for New American Plays award.

    He has also written fim scripts and for television.

    And what is more, she is so intensely interesting that the girls admire her above all else. But Miss Brodie is not honest. She prevaricates and then tells the girls to do as she tells them, not as she does herself. She is having an affair with the music teacher and has had one with the art teacher, and this is not the most exemplary conduct. A

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    It is time to rewrite the stories. We are no longer the hero’s love interest. Neither do we believe in happily ever after. We do not wish to dance to anybody else’s tunes. We choose our path. We make mistakes. We learn from them. We love. We lose. We age. We evolve. These are stories of women. Different women. For we cannot and should not stereotype women. These stories are of relationships. These stories touch upon social issues. These stories may inspire you. These stories make you feel like you are not alone. These stories may surprise you. These stories may entertain you. I hope everybody would be able to pick something they like.

    There are boilers to be fixed, cats to be fed, and the perfect funeral to be planned. As a mother researches burial spots and biodegradable coffins, her family is finally forced to communicate with her and each other as they face up to the future. A dark comedy about death and life going on.

    Joe sits at the nexus of Washington life: beloved, feared, and courted in equal measure by the very people whose careers and futures he determines. But as the sixties dawn and America undergoes dizzying change, the intense political dramas Joe has been throwing his weight around in—supporting the war in Vietnam and Soviet containment, criticizing student activism—come to bear a profound personal cost.Based on the real-life story of Joe Alsop, whose columns at the time of his 1974 retirement were running three times a week in more than three hundred newspapers, David Auburn’s The Columnist is a deft blend of history and storytelling. A hilarious, searing portrait of the glorious rewards and devastating losses that accompany ego, ambition, and the pursuit of power, The Columnist pens a vital letter from a radically changing decade to our own turbulent era.

    Through the skillfully disarming use of clichéd language and homilies, the play explores with subtle grace and depth the way the death of a child tears one family apart, while showcasing the talents of a promising young playwright who "in [a] very modern way [is] making a rather old-fashioned case for the power of the written word" (Jason Zinoman, The New York Times).Fresh from its critically acclaimed off-off-Broadway run this past spring, God's Ear moves off-Broadway to the Vineyard Theatre in April 2008.

    In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

    As they prepare for a wedding, outside their living room the Iranian Revolution simmers and threatens to alter the course of their lives. Set over the course of 14 years, Sanaz Toossi’s timely world premiere play, directed by Gaye Taylor Upchurch, shines a light on the daring potential of friendship amid the relentless aftershocks of political upheaval. Directed by Gaye Taylor Upchurch