The effects were personally devastating, but amidst the loss there was a glimmer of hope, of opportunity, and what ultimately became the starting point for a journey of remarkable self-discovery.In this profound and inspirational memoir, McMahon traces his and John’s paths, from his earliest recollections of their childhood through the maelstrom of Ballymun’s heroin epidemic. He considers the relationships, tensions, arguments and chance occurrences that pushed them in very different directions: Philly to university, the boardroom and the hallowed turf of Croke Park; John to exile in London, heartbreak and, ultimately, tragedy.Raw, vivid and intensely moving, The Choice is many things – an epic story of triumph in the face of adversity and loss, a family saga, a tribute to the redemptive power of sport – but above all it’s a stirring meditation on the roles compassion and resilience can play in shaping our lives, and those around us, for the better.

    But his backstory remains largely untold, and Fader unearths new information about the childhood that shaped "The Greek Freak"—from sleeping side by side with his brothers to selling trinkets on the side of the street with his family to the racism he experienced in Greece. Antetokounmpo grew up in an era when Golden Dawn, Greek's far-right, anti-immigrant party, patrolled his neighborhood, and his status as an illegal immigrant largely prevented him from playing for Greek's top clubs, making his rise to the NBA all the more improbable. Fader tells a deeply-human story of how an unknown, skinny, Black-Greek teen, who played in the country's lowest pro division and was seen as a draft gamble, transformed his body and his game into MVP material.Antetokounmpo's story has been framed as a feel-good narrative in which the globe has embraced him, watching him grow up and lead the underdog Bucks to the best record in the NBA in 2020. Giannis reveals a more nuanced story: how hesitant Antetokounmpo was, and still is, to spend money; how lonely and isolated he felt, adjusting to America and the NBA early in his career; the way he changed after his father recently died of a heart attack; the complexity of grappling with his Black and Greek identities; how private he is, so hard on himself and his shortcomings, a drive that fuels him every day; and the deep-rooted responsibility he feels to be a nurturing role model for his younger brothers. Fader illustrates a more vulnerable star than people know, a person who has evolved triumphantly into all of his roles: as father, brother, son, teammate, and global icon. Giannis gives readers a front-row seat as Antetokounmpo strives for an elusive championship with the Bucks, quelling speculation about potentially leaving Milwaukee after signing a five-year supermax contract extension worth $228 million. Now, he contends with his next big hurdle: proving that committing to a small-market franchise can bring Milwaukee back to glory.

    Harris recalls a lost era—the vibrant New York City of her youth, where her social circle included Maya Angelou, James Baldwin, and other members of the Black intelligentsia.In the Technicolor glow of the early seventies, Jessica B. Harris debated, celebrated, and danced her way from the jazz clubs of the Manhattan's West Side to the restaurants of the Village, living out her buoyant youth alongside the great minds of the day—luminaries like Maya Angelou, James Baldwin, and Toni Morrison. My Soul Looks Back is her paean to that fascinating social circle and the depth of their shared commitment to activism, intellectual engagement, and each other. Harris paints evocative portraits of her illustrious friends: Baldwin as he read aloud an early draft of If Beale Street Could Talk, Angelou cooking in her California kitchen, and Morrison relaxing at Baldwin’s house in Provence. Harris describes her role as theater critic for the New York Amsterdam News and editor at then burgeoning Essence magazine; star-studded parties in the South of France; drinks at Mikell’s, a hip West Side club; and the simple joy these extraordinary people took in each other’s company. The book is framed by Harris’s relationship with Sam Floyd, a fellow professor at Queens College, who introduced her to Baldwin. More than a memoir of friendship and first love My Soul Looks Back is a carefully crafted, intimately understood homage to a bygone era and the people that made it so remarkable.

    This biography captures Munson's meteoric rise to stardom in baseball's most storied franchise.

    It's payoff time for a year spent screening miles of videotape and probing mountains of data, balancing the promise of a dazzling 40-yard-dash time against the perils of a putrid GPA, and text-messaging high schoolers 50 times a day. It's the day when coaches across the country camp out in front of their fax machines waiting for their football futures to be decided by a bunch of 18-year-olds. It's National Signing Day.In this surprising and unprecedented dissection of college football's secret season, author Bruce Feldman takes you deep inside the war room of Ole Miss head coach Ed Orgeron, the combustible Cajun who built national championship teams at the University of Miami and USC before setting up shop in the Deep South. In a blow-by-blow account of the year leading up to National Signing Day 2007, Feldman reveals the inner secrets of Orgeron's success, recounting every step along the way as Orgeron and his Ole Miss staff pick 25 winners from a list of 1,000 names.Meat Market makes the actual football season the one that runs from September through January read like a postscript.

    There was nothing surprising about men turning up dead in the Second City. Life was cheaper than a quart of illicit gin in the gangland capital of the world. But two murders that spring were special - worthy of celebration. So believed Maurine Watkins, a wanna-be playwright and a "girl reporter" for the Chicago Tribune, the city's "hanging paper." Newspaperwomen were supposed to write about clubs, cooking and clothes, but the intrepid Miss Watkins, a minister's daughter from a small town, zeroed in on murderers instead. Looking for subjects to turn into a play, she would make "Stylish Belva" Gaertner and "Beautiful Beulah" Annan - both of whom had brazenly shot down their lovers - the talk of the town. Love-struck men sent flowers to the jail and newly emancipated women sent impassioned letters to the newspapers. Soon more than a dozen women preened and strutted on "Murderesses' Row" as they awaited trial, desperate for the same attention that was being lavished on Maurine Watkins's favorites. In the tradition of Erik Larson's The Devil in the White City and Karen Abbott's Sin in the Second City, Douglas Perry vividly captures Jazz Age Chicago and the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal. Fueled by rich period detail and enlivened by a cast of characters who seemed destined for the stage, The Girls of Murder City is crackling social history that simultaneously presents the freewheeling spirit of the age and its sober repercussions.

    Wickedly funny and full of juicy inside information, Mad Women also tackles some of the tougher issues of the era, such as unequal pay, rampant, jaw-dropping sexism, and the difficult choice many women faced between motherhood and their careers.

    They are the stars of professional tennis -- the young, brash, and often reckless women who hold court, and serve.The last several years have seen such a seismic explosion in women's tennis that you might be surprised to learn there's still a men's game. Fans flock to the high-voltage matches, which come packaged with tales of infighting, family squabbles, and, of course, Anna Kournikova's micro-miniskirts. In Venus Envy, Sports Illustrated investigative reporter and tennis columnist L. Jon Wertheim draws back the curtain on the soap opera that is the women's professional tennis tour, with its primal plotlines driven by ambition, sex, and revenge.Here are the stories behind the stories: the tragic Garbo-like star who whiles away hours in a midwestern hotel room because she's afraid to go outdoors; the teenager who tries to cope with the pressure of the big time as well as an abusive father; the brilliant number one who plays out her adolescent tantrums on the public stage; the coquette who launched a thousand Web sites; and a little-understood African-American family who proved that they could play by their own rules and still win the game -- not to mention the endorsements.The biggest story in sports in 2000 was Venus Williams. Forced to the sidelines for the early months by injuries to both her wrists and her psyche, she stormed back to win Wimbledon, the U.S. Open, and two Olympic gold medals. Not since the glory days of Martina Navratilova -- and the historic days of Althea Gibson -- has women's tennis seen such a dominant champion with the rare combination of athleticism, intelligence, and competitive fire. By the time Venus signed the biggest endorsement deal ever for a female athlete, her opponents' sentiments could be described in just two words: Venus Envy.

    Using medication that darkened his skin to deep brown, he exchanged his privileged life as a Southern white man for the disenfranchised world of an unemployed black man. His audacious, still chillingly relevant eyewitness history is a work about race and humanity-that in this new millennium still has something important to say to every American.

    The '85-86 Celtics played with a fire, a wisdom, and a delight that are rarely seen on the hardwoods today. Peter May captures that unique season--the last of an era for the great green dynasty.

    And with good reason: he was the youngest quarterback to ever win a Super Bowl; the only quarterback in NFL history to win three Super Bowls before turning twenty-eight; the fourth player in history to win multiple Super Bowl MVP awards. He started the season with a 57-14 record, the best of any NFL quarterback since 1966.Award-winning sports journalist Charles P. Pierce's "Moving the Chains "explains how Brady reached the top of his profession and" "how he stays there. It is a study in highly honed skills, discipline, " "and making the most of good fortune, and is shot through with ironies--a sixth-round draft pick turned superstar" "leading a football dynasty that was once so bedraggled it had to play a home game in Birmingham, Alabama, because no stadium around Boston would have it. It is also about an ordinary man and an ordinary" "team becoming extraordinary. Pierce interviewed Brady's friends, family, coaches, and teammates. He interviewed" "Brady (notably for "Sports Illustrated"'s 2005 Sportsman of the Year cover article). And then he got the" "one thing he needed to truly take Brady's measure: 2005 turned out to be the toughest Patriots season in five years.

    Schulman takes us back to her Lower East Side and brings it to life, filling these pages with vivid memories of her avant-garde queer friends and dramatically recreating the early years of the AIDS crisis as experienced by a political insider. Interweaving personal reminiscence with cogent analysis, Schulman details her experience as a witness to the loss of a generation’s imagination and the consequences of that loss.

    Only one of them killed a man. This is the story of Ray Chapman of the Cleveland Indians, a popular player struck in the head and killed in August 1920 by a pitch thrown by Carl Mays of the New York Yankees. Was it, as most baseball observers thought at the time, a tragic but unavoidable accident? Mike Sowell's book investigates the incident and probes deep into the backgrounds of the players involved and the events that led to one of baseball's darkest moments.

    That day these rousing ball clubs would meet at Fenway Park. Both had won ninety-nine games. Only one would win one hundred. The Yankees should have been reaching for their golf clubs-they had feuded until they were fourteen games out of first place. Then their fortunes turned, and they capped one of the most thrilling comebacks in baseball history by defeating the Red Sox that October afternoon in a game that many still remember as the greatest ever played. Transporting us into the midst of this unforgettable team, Roger Kahn weaves the first in-depth account of the legendary season of '78 and reaffirms his standing as our nation's master storyteller of baseball.

    Patrick McEnroe has been in the world of professional tennis in one way or another for most of his life. As a player, coach, and ESPN commentator, he's seen it all. The significant tennis books of recent years have all been autobiographies--famous players burnishing their image or attempting to set the record straight within carefully controlled memoirs. No one has been willing to do a book that pulls back the curtain and presents an honest, no-holds-barred look into the ultimate gentleman's sport and the larger-than-life personalities that inhabit it. Patrick McEnroe does just that. Curious to know which marquee player threw a tantrum and bailed early on a tournament? Why Roger Federer, presumably the greatest player of all time, has a losing head-to-head record with Rafael Nadal? Why certain tennis prodigies burned out early? The real role of coaches like Nick Bollettieri? Which player is as much of a diva off the court as on? The greatest match ever played? In Hardcourt Confidential, McEnroe uses his twenty-five-plus years in the trenches of the game to tell true tales and wild stories about the players you think you know (from Sampras to Agassi to Roddick to the Williams sisters), how and why the game has changed since he first swung a racket, and what the future holds in store for American tennis. McEnroe takes an unapologetic look at the men, women, and events of the past three decades, right up to the epic Federer vs. Nadal rivalry that dominates the game today. He's got a lot to say and he's not afraid to say it.