A chronicle of the final seven days of a town that is about to be razed to the ground by an invading army. The lonely voyage of an elephant from Kerala to a princess’s palace in Morocco. A fabled cook who flavours his food with precious stones. A coterie of international diplomats trapped in near-Earth orbit. These, and the other stories can be found in this collection.

    To open this spirited collection, Irving explains how he became a writer. There follow six scintillating stories written over the last twenty years ending with a homage to Charles Dickens. This irresistible collection cannot fail to delight and charm.The first collection of short pieces--two of them previously unpublished--by the author of The World According to Garp includes memoirs, six short stories, and essays on Charles Dickens and Gu+a5nter Grass. Reprint. Tour.This gem, a delightful collection of shorter works, both fiction and nonfiction, written by one of the country's finest--and funniest--writers, includes a living portrait of Irving's grandmother, a new, never-before-published essay, six scintillating short stories--including the O. Henry Award-winning "Interior Space"--and two essays on Irving's favorite 19th-century novelist, Charles Dickens. Trying to Save Piggy Sneed is John Irving at the top of his form.

    Within six months his stories appeared in Harper's, Esquire, Mirabella, Story, Buzz, and in The New Yorker twice more. "The Pugilist at Rest" - the title story from this stunning collection - took first place in Prize Stories 1993: The O. Henry Awards and was selected for inclusion in Best American Short Stories 1992. He is a writer of astonishing talent. Jones's stories - whether set in the combat zones of Vietnam or the brittle social and intellectual milieu of an elite New England college, whether recounting the poignant last battles of an alcoholic ex-fighter or the hallucinatory visions of an American wandering lost in Bombay in the aftermath of an epileptic fugue - are fueled by an almost brutal vision of the human condition, in a world without mercy or redemption. Physically battered, soul-sick, and morally exhausted, Jones's characters are yet unable to concede defeat: his stories are infused with the improbable grace of the spirit that ought to collapse, but cannot. For in these extraordinary pieces of fiction, it is not goodness that finally redeems us, but the heart's illogical resilience, and the ennobling tenacity with which we cling to each other and to our lives. The publication of The Pugilist at Rest is a major literary event, heralding the arrival of an electrifying new voice in American fiction, and a writer of magnificent depth and range. With these eleven stories, Thom Jones takes his place among the ranks of this country's most important authors.

    A young girl suffers her first betrayal. A widow flirts with an elderly blind man against the wishes of her grown-up children. A neighborhood loan shark teaches o white social worker a lesson in responsibility. And there is more. Sharing the world of Toni Cade Bambara's "straight-up fiction" is a stunning experience.

    Megan Mayhew Bergman's twelve stories capture the surprising moments when the pull of our biology becomes evident, when love or fear collide with good sense, or when our attachment to an animal or wild place can't be denied. In "Housewifely Arts," a single mother and her son drive hours to track down an African Gray Parrot that can mimic her deceased mother's voice. A population control activist faces the ultimate conflict between her loyalty to the environment and her maternal desire in "Yesterday's Whales." And in the title story, a lonely naturalist allows an attractive stranger to lead her and her aging father on a hunt for an elusive woodpecker. As intelligent as they are moving, the stories in Birds of a Lesser Paradise are alive with emotion, wit, and insight into the impressive power that nature has over all of us.

    This is the most complete and generous sampling of the first half of an indispensable American writer's career.

    These pieces illustrate how our possessions act as proxies for ourselves, and how tussles over ownership articulate the power dynamics of our relationships. In Lionel Shriver’s world, we may possess people and objects and places, but in turn they possess us.In the stunning novella "The Standing Chandelier," a woman with a history of attracting other women’s antagonism creates a deeply personal wedding present for her best friend and his fiancée—only to discover that the jealous fiancée wants to cut her out of their lives. In "Domestic Terrorism," a thirty-something son refuses to leave home, resulting in a standoff that renders him a millennial cause célèbre. In "The ChapStick," a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security. In "Vermin," an artistic Brooklyn couple’s purchase of a ramshackle house destroys their once-passionate relationship. In "The Subletter," two women, both foreign conflict junkies, fight over a claim to a territory that doesn’t belong to either.Exhibiting a satisfying thematic unity unusual for a collection, this masterful work showcases the biting insight that has made Shriver one of the most acclaimed writers of our time.

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?

    The authors represented range from Hawthorne, Maupassant, and Poe, through Henry James, Conrad, Aldous Huxley, and James Joyce, to Hemingway, Katherine Anne Porter, Faulkner, E.B. White, Saroyan, and O'Connor. The variety in style and subject is enormous, but all these stories have one point in common—the enduring quality of the writing, which places them among the masterpieces of the world's fiction.Garden party / Katherine Mansfield --Three-day blow / Ernest Hemingway --Standard of living / Dorothy Parker --Saint / V.S. Pritchett --Other side of the hedge / E.M. Forster --Brooksmith / Henry James --Jockey / Carson McCullers --Courting of Dinah Shadd / Rudyard Kipling --Shot / Alexander Poushkin, translated by T. Keane --Graven Image / John O'Hara --Putois / Anatole France, translated by Frederic Chapman --Only the dead know Brooklyn / Thomas Wolfe --A.V. Laider / Max Beerbohm --Lottery / Shirley Jackson --Masque of the Red Death / Edgar Allan Poe --Looking back / Guy de Maupassant, translated by H.N.P. Sloman --Man higher up / O. Henry --Summer of the beautiful white horse / William Saroyan --Other two / Edith Wharton --Theft / Katherine Anne Porter --Good man is hard to find / Flannery O'Connor --Man of the house / Frank O'Connor --Man who shot snapping turtles / Edmund Wilson --Gioconda smile / Aldous Huxley --Curfew tolls / Stephen Vincent Benet --Father wakes up the village / Clarence Day --Ivy Day in the committee room / James Joyce --Chrysanthemums / John Steinbeck --Door / E.B. White --Upheaval / Anton Chekhov --How beautiful with shoes / Wilbur Daniel Steele --Haunted house / Virginia Woolf --Catbird seat / James Thurber --Schartz-Metterklume method / H.H. Munro --Death of a Bachelor / Arthur Schnitzler --Apostate / George Milburn --Phoenix / Sylvia Townsend Warner --That evening sun / William Faulkner --Law / Robert M. Coates --Tale / Joseph Conrad --Girl from Red Lion, PA / H.L. Mencken --Main currents of American thought / Irwin Shaw --Ghosts / Lord Dunsany --Minister's black veil / Nathaniel Hawthorne --String of beads / W. Somerset Maugham --Golden honeymoon / Ring Lardner --Man who could work miracles / H.G. Wells --Foreigner / Francis Steegmuller --Thrawn Janet / Robert Louis Stevenson --Chaser / John Collier

    . . . Mr. Thurber belongs in the great lines of American humorists that includes Mark Twain and Ring Lardner." --Philadelphia InquirerJames Thurber’s unique ability to convey the vagaries of life in a funny, witty, and often satirical way earned him accolades as one of the finest humorists of the twentieth century. A bestseller upon its initial publication in 1945, The Thurber Carnival captures the depth of his talent and the breadth of his wit. The stories compiled here, almost all of which first appeared in The New Yorker, are from his uproarious and candid collection My World and Welcome to It--including the American classic "The Secret Life of Walter Mitty"--as well as from The Owl in the Attic, The Seal in the Bathroom, Men, Women and Dogs. Thurber’s take on life, society, and human nature is timeless and will continue to delight readers even as they recognize a bit of themselves in his brilliant sketches.

    The magazine published twenty stories by this stellar group of writers over the course of the summer. They are now collected for the first time in one volume.The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.Birdsong / Chimamanda Ngozi Adichie --The warm fuzzies / Chris Adrian --Second Lives / Daniel Alarcón --The train of their departure / David Bezmozgis --The Erlking / Sarah Shun-lien Bynum --The pilot / Joshua Ferris --Here we aren't, so quickly / Jonathan Safran Foer --An arranged marriage / Nell Freudenberger --The entire northern side was covered with fire / Rivka Galchen --The young painters / Nicole Krauss --The science of flight / Yiyun Li --An honest exit / Dinaw Mengestu --What you do out here, when you're alone / Philipp Meyer --Twins / C.E. Morgan --Blue water djinn / Téa Obreht --Dayward / ZZ Packer --The dredgeman's revelation / Karen Russell --The kid / Salvatore Scibona --Lenny hearts Eunice / Gary Shteyngart --The landlord / Wells Tower

    From the lovesick tiger who narrates the unforgettable opener, “The Infamous Bengal Ming” (he mauls his zookeeper out of affection), to the ex-CompUSA employee who masquerades as a doctor; from a railroad manager in a turn-of-the-century Indian village, to an elephant writing her autobiography; from a woman whose Thanksgiving preparations put her husband to eternal rest, to the newlywed executioner of the title, these characters inhabit a marvelous region between desire and death, playfulness and violence. At once glittering and savage, daring and elegant, here are wholly unforgettable tales where reality loops in Borgesian twists and shines with cinematic exuberance, by an author who promises to dazzle the universe of American fiction.

    Show Them a Good Time tells the stories of women slotted away into restrictive roles: the celebrity's girlfriend, the widower's second wife, the lecherous professor's student, the corporate employee. And yet, the genius of Flattery's characters is to blithely demolish the boundaries of these limited and limiting social types with immense complexity and caustic intelligence. Nicole Flattery's women are too ferociously mordant, too painfully funny to remain in their places.In this fiercely original and blazingly brilliant debut, Flattery likewise deconstructs the conventions of genre to serve up strange realities: In Not the End Yet, Flattery probes the hilarious and wrenching ambivalence of Internet dating as the apocalypse nears; in Sweet Talk, the mysterious disappearance of a number of local women sets the scene for a young girl to confront the dangerous uncertainties of her own sexuality; in this collection's center piece, Abortion, A Love Story, two college students in a dystopian campus reconfigure the perilous stories of their bodies in a fraught academic culture to offer a subversive, alarming, and wickedly funny play that takes over their own offstage lives. And yet, however surreal or richly imagined the setting, Flattery always shows us these strange worlds from startlingly unexpected angles, through an unforgettable cast of brutally honest, darkly hilarious women and girls.Like the stories of Mary Gaitskill, Miranda July, Lorrie Moore, Joy Williams, and Ottessa Moshfegh, Show Them a Good Time is the work of a profoundly resonant and revelatory literary voice – at once spiky, humane, achingly hilarious-- that is sure to echo through the literary culture for decades to come.

      Including the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected ones, these forty-one stories demonstrate Eudora Welty's talent for writing from diverse points-of-view with “vision that is sweet by nature, always humanizing, uncannily objective, but never angry” (Washington Post).A curtain of green and other stories.Lily Daw and the three ladies --A piece of news --Petrified man --The key --Keela, the outcast Indian maiden --Why I live at the P.O. --The whistle --The hitch-hikers --A memory --Clytie --Old Mr. Marblehall --Flowers for Marjorie --A curtain of green --A visit of charity --Death of a traveling salesman --Powerhouse --A worn path --The wide net and other stories.First love --The wide net --A still moment --Asphodel --The winds --The purple hat --Livvie --At the landing --The golden apples.Shower of gold --June recital --Sir Rabbit --Moon Lake --The whole world knows --Music from Spain --The wanderers --The bride of the Innisfallen and other stories.No place for you, my love --The burning --The bride of the Innisfallen --Ladies in spring --Circe --Kin --Going to Naples --Uncollected stories.Where is the voice coming from? --The demonstrators.

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.