The text integrates the new with the old, simplifying explanations, shortening sentences, and improving readability. Hundreds of illustrations cover new developments, espeially those relating to the foreign automotive industry and federal laws governing automotive air pollution, safety, and fuel economy. The Tenth Edition contains two four-color illustrated sections. Many chapters end with vocabulary words and "think-type" review questions, in addition to the National Institute of Automotive Service Excellence (ASE) style of multiple-choice questions. For schools seeking program certification by the national Automotive Technicians Education Foundation (NATEF), the high-priority items from their diagnosis, service, and repair task lists have been included.

    Over the course of seven months in 1988, eleven women disappeared off the streets of New Bedford, Massachusetts, a gloomy, drug-addled coastal town that was once the whaling capital of the world. Nine turned up dead. Two were never found. And the perpetrator remains unknown to this day.   How could such a thing happen? How, in what was once one of America’s richest cities, could the authorities let their most vulnerable citizens down this badly? As Carlton Smith, a Pulitzer Prize finalist for his coverage of the Green River Killer case, demonstrates in this riveting account, it was the inability of police officers and politicians alike to set aside their personal agendas that let a psychopath off the hook.   In Killing Season, Smith takes readers into a close-knit community of working-class men and women, an underworld of prostitution and drug abuse, and the halls of New England law enforcement to tell the story of an epic failure of justice.

    More than 150 people -- primarily women -- from 24 communities were charged with witchcraft; 19 were hanged and others died in prison. In his introduction to this compact yet comprehensive volume, Richard Godbeer explores the beliefs, fears, and historical context that fueled the witch panic of 1692. The documents in this collection illuminate how the Puritans' worldview led them to seek a supernatural explanation for the problems vexing their community. Presented as case studies, the carefully chosen records from several specific trials offer a clear picture of the gender norms and social tensions that underlie the witchcraft accusations. The final documents cover recantations of confessions, the aftermath of the witch hunt, and statements of regret. A chronology of the witchcraft crisis, questions for consideration, and a selected bibliography round out the book's pedagogical support.

    She and her eighteen-year-old son, Peter Reilly, lived in a drab one-bedroom house on a desolate stretch of road. An intelligent, lively woman with a wicked sense of humor, Barbara also had dark moods and drank too much. She fought loudly with neighbors and her son, and appeared to have a messy, complicated love life. When Peter came home from the Teen Center one night to discover his mother lying naked on the bedroom floor with her throat slashed, the police made him their prime suspect. After eight hours of interrogation and a polygraph test, Peter confessed. Investigators were convinced they had an open-and-shut case, but the townspeople disagreed. They couldn’t believe that the naïve teenager was capable of such a gruesome crime, and blamed detectives for taking advantage of the boy’s trust. With the help of celebrities including Mike Nichols and William Styron, who contributes an eloquent and persuasive introduction to Joan Barthel’s account of the case, the community of Canaan rallied to Peter’s defense. A gripping murder mystery and an intimate portrait of the loyalties, resentments, and secrets lurking beneath the placid surface of quiet towns across America, A Death in Canaan is a masterpiece of “first-class journalism” (The New York Times).

    With 75 million fans and its popularity soaring in every corner of the country, NASCAR is a 200-mile-an-hour traveling tent-and-revival show, a platinum-plated,multibillion-dollar V-8 hero machine -- a sports entertainment empire built at the very crossroads of pop culture, corporate commerce, and American mythology.Smart, funny, and profane, Sunday Money is the kaleidoscopic account of an entire season on the NASCAR circuit. Driving 48,000 miles in a tiny motorhome, writer Jeff MacGregor and his wife, an award-winning photographer, covered 36 races at 23 tracks in 18 states, from Daytona to Darlington, New Hampshire to California, from the Wal-Mart to the Waldorf, profiling the lives of superstar drivers like Dale Earnhardt Jr. and Tony Stewart, their crews, and their fans, across the grinding reach of a 40-week season.But this is not just a behind-the-scenes chronicle of America's loudest pastime. It is the story of a hundred stories; of red states and blue, of splendid Rebel lizards and golden Yankee hotshoes, of mystic true believersand their holy roll of honored ghosts. In the tradition of On the Road, Travels with Charley, and The Electric Kool-Aid Acid Test, Sunday Money is a snapshot of American culture -- of race, religion, class, sex, money, politics, and fame -- taken from the window of a moving car, a brilliantly observed, keenly rendered, anddarkly comic portrait of America.

    This one took 1/250th of a second. The photograph strikes us with visceral force, even years after the instant it captured. A white man, rage written on his face, lunges to spear a black man who is being held by another white. The assailant's weapon is the American flag. Boston, April 5, 1976: As the city simmered with racial tension over forced school busing, newsman Stanley Forman hurried to City Hall to photograph that day's protest, arriving just in time to snap the image that his editor would title The Soiling of Old Glory. The photo made headlines across the U.S. and won Forman his second Pulitzer Prize. It shocked Boston, and America: Racial strife had not only not ended with the 1960s, it was alive and well in the cradle of liberty.Louis P. Masur's evocative biography of a photograph unpacks this arresting image in a tour de force of historical writing. He examines the power of photography and the meaning of the flag, asking why this one picture had so much impact. Most poignantly, Masur recreates the moment and its aftermath, drawing on extensive interviews with Forman and the figures in the photo to reveal not just how the incident happened, but how it changed the lives of the men in it. The Soiling of Old Glory, like the photograph it is named for, offers a dramatic window onto the turbulence of the 1970s and race relations in America.

    It is a tale of death, intrigue, obstruction of justice, corruption and politics." —People Magazine  A young woman leaves a party with a wealthy U.S. senator. The next morning her body is discovered in his car at the bottom of a pond. This is the damning true story of the death of campaign strategist Mary Jo Kopechne at Chappaquiddick and of the senator—37-year-old Senator Ted Kennedy—who left her trapped underwater while he returned to his hotel, slept, and made phone calls to associates. It is the story of a powerful, privileged American man who was able to treat a woman's life as disposable without facing real consequences. And it is the story of a shameful political coverup involving one of the nation's most well-connected families and its network of lawyers, public relations people, and friends who ensured Ted Kennedy remained a respected member of the Senate for forty more years. Originally published in 1988 under the title Senatorial Privilege, this book almost didn't make it into print after its original publisher, Random House, judged it too explosive and backed out of its contract with author Leo Damore. Mysteriously, none of the other big New York publishers wanted to touch it. Only when small independent publisher Regnery obtained the manuscript was the book's publication made possible and the true story of the so-called "Chappaquiddick Incident" finally told. This new edition, Chappaquiddick, is being released 30 years after the original Senatorial Privilege to coincide with the nationwide theatrical release of the movie Chappaquiddick starring Jason Clarke, Kate Mara, Ed Helms, Bruce Dern, and Jim Gaffigan.

    For years their familiar story was of two siblings who took different paths out of South Boston: William "Billy" Bulger, former president of the Massachusetts State Senate; and his brother James "Whitey" Bulger, a vicious criminal who became the FBI's second most-wanted man after Osama Bin Laden. While Billy cavorted with the state's blue bloods to become a powerful political force, Whitey blazed a murderous trail to the top rung of organized crime. Now, in this compelling narrative, Carr uncovers a sinister world of FBI turncoats, alliances between various branches of organized crime, St. Patrick's Day shenanigans, political infighting, and the complex relationship between two brothers who were at one time kings. As the film Black Mass, starring Johnny Depp as Whitey Bulger, hits theaters, take a deeper dive into the story of the Bulgers, and their fifty-year reign over Boston with Howie Carr's The Brother's Bulger.

    14, 1975, eight daring thieves ransacked 148 massive safe-deposit boxes at a secret bank used by organized crime, La Cosa Nostra, and its associates in Providence, R.I. The crooks fled with duffle bags crammed full of cash, gold, silver, stamps, coins, jewels and high-end jewelry. The true value of the loot has always been kept secret, partly because it was ill-gotten to begin with, and partly because there was plenty of incentive to keep its true worth out of the limelight. It's one thing for authorities to admit they didn't find a trace of goods worth from $3 million to $4 million, and entirely another when what was at stake was more accurately valued at about $30 million, the equivalent of $120 million today. It was the biggest single payday in the criminal history of the Northeast. Nobody came close, not the infamous James "Whitey" Bulger, not John "The Dapper Don" Gotti, not even the Brinks or Wells Fargo robbers. The heist was bold enough and big enough to rock the underworld to its core, and it left La Cosa Nostra in the region awash in turmoil that still reverberates more than forty years later. Last Good Heist is the inside story of the robbery and its aftermath.

    Neiberg): baseball star Babe Ruth, symphony conductor Karl Muck, and Harvard Law student Charles Whittlesey.In the fall of 1918, a fever gripped Boston. The streets emptied as paranoia about the deadly Spanish flu spread. Newspapermen and vigilante investigators aggressively sought to discredit anyone who looked or sounded German. And as the war raged on, the enemy seemed to be lurking everywhere: prowling in submarines off the coast of Cape Cod, arriving on passenger ships in the harbor, or disguised as the radical lecturing workers about the injustice of a sixty-hour workweek.War Fever explores this delirious moment in American history through the stories of three men: Karl Muck, the German conductor of the Boston Symphony Orchestra, accused of being an enemy spy; Charles Whittlesey, a Harvard law graduate who became an unlikely hero in Europe; and the most famous baseball player of all time, Babe Ruth, poised to revolutionize the game he loved. Together, they offer a gripping narrative of America at war and American culture in upheaval.

    Through the eyes of seven principal characters including the bombers, the wounded, a cop, and a doctor, Boston Globe reporters Helman and Russell trace the paths that brought them together.

    Speed and control: I was fascinated by both, as well as by the way they were inextricably bound together.” Eventually, when Posey’s son was born, he was convinced that building him a basement layout would be the highest expression of fatherhood. Sixteen years and thousands of hours later, this project, “the outgrowth of chance meetings, unexpected friendships, mistakes, illness, latent ambitions, and sheer luck” was completed. But for Posey, the creation of his HO-scale masterpiece based on the historic Colorado Midland, was just the beginning.In Playing with Trains, Sam Posey ventures well beyond the borders of his layout in northwestern Connecticut, to find out what makes the top modelers tick. He expects to find men “engaged in a genial hobby, happy to spend a few hours a week escaping the pressures of contemporary life.” Instead he uncovers a world of extremes–extreme commitment, extreme passion, and extreme differences of approach. For instance, Malcolm Furlow, holed up on his ranch in the wilderness of New Mexico, insists that model railroading is defined by scenery and artistic self-expression. On the other hand, Tony Koester, a New Jersey modeler, believes his “mission” is to replicate, with fanatical precision and authenticity, the way a real railroad operates. Going to extremes himself, Posey actually “test drives” a real steam engine in Strasburg, Pennsylvania, in an attempt to understand the great machines that inspired the models and connect us to a time when “the railroad was inventing America.” Timeless and original, Playing with Trains reveals a classic, questing American world.From the Hardcover edition.

    The racing world held its breath again 19 months later while witnessing his incredible return to racing. In Alex Zanardi - My Sweetest Victory Zanardi takes us from his childhood in Italy through his hard-fought racing success to the moving story of perseverance and love that motivated his recovery. Along the way, Zanardi presents the triumphs and setbacks in his racing career, culminating in back-to-back CART championships for 1997 and 1998. In riveting detail, Zanardi relates his terrible accident, the long path to recovery and his return to Lausitzring to complete the 13 laps he didn't finish in 2001. Alex Zanardi - My Sweetest Victory is an inspiring book about how personal strength and passion can triumph over even the most challenging circumstances -- an autobiography whose significance extends far beyond the world of motorsports.

    An hour and a half later, she killed her father the same way. Although the story has been told by those least qualified to do so -- outsiders and men. Now, for the first time, this famous American crime is examined by someone with all the proper credentials: Victoria Lincoln, a native of Fall River and thus knows the never-revealed 'inside' story of the crime that insular community regarded as its private disgrace; she is a woman, and as she convincingly demonstrates, the Borden murders -- and their solution -- can be fully understood only by a fellow woman.Miss Lincoln comes up with startling new findings in her penetrating analysis of the crime. Among them: the hitherto unknown motive for the killings (a secret no one but an inhabitant of Fall River, Massachusetts, ever could possibly disclose); a startling new hypothesis to account for Lizzie's celebrated 'peculiar spells' that casts new light on how the crime was committed; and the place where Lizzie hid the dress she was wearing at the time of the murders -- a mystery that has been plaguing criminologists for years.

    From the Tsarnaev brothers’ years leading up to the act of terror to the bomb scene itself (which both authors witnessed first-hand within minutes of the blast), from the terrifying police shootout with the suspects to the ultimate capture of the younger brother, Boston Strong: A City’s Triumph over Tragedy reports all the facts—and so much more. Based on months of intensive interviews, this is the first book to tell the entire story through the eyes of those who experienced it. From the cop first on the scene, to the detectives assigned to the manhunt, the authors provide a behind-the-scenes look at the investigation. More than a true-crime book, Boston Strong also tells the tragic but ultimately life-affirming story of the victims and their recoveries and gives voice to those who lost loved ones. With their extensive reporting, writing experience, and deep ties to the Boston area, Sherman and Wedge create the perfect match of story, place, and authors.If you’re only going to read one book on this tragic but uplifting story, this is it.