Three women seek to secure the affections of one man, while he, in turn, tries to satisfy them all. But in the middle of this contest of wills stands his unwitting and vulnerable young daughter. The savage conclusion of The Other House makes it one of the most disturbing and memorable of Henry James’s depictions of the uncontrollable passions that lie beneath the polished veneer of civilized life."Oh blest Other House, which gives me thus at every step a precedent, a divine little light to walk by…" — Henry James

    His brother, a slumlord, hires him to collect rent in the buildings he owns in Manhattan. Making his rounds from apartment to apartment, Moonbloom confronts a wildly varied assortment of brilliantly described urban characters, among them a gay jazz musician with a sideline as a gigolo, a Holocaust survivor, and a brilliant young black writer modeled on James Baldwin. Moonbloom hears their cries of outrage and abuse; he learns about their secret sorrows and desires. And as he grows familiar with their stories, he finds that he is drawn, in spite of his best judgment, into a desperate attempt to improve their lives.Edward Lewis Wallant's astonishing comic tour de force is a neglected masterpiece of 1960s America.

    Davis’s 1971 novel, A Meaningful Life, is a blistering black comedy about the American quest for redemption through real estate, and a gritty picture of New York City in collapse. Just out of college, Lowell Lake, the Western-born hero of Davis’s novel, heads to New York, where he plans to make it big as a writer. Instead he finds a job as a technical editor, at which he toils away while passion leaks out of his marriage to a nice Jewish girl. Then Lowell discovers a beautiful crumbling mansion in a crime-ridden section of Brooklyn, and against all advice, not to mention his wife’s will, sinks his every penny into buying it. He quits his job, moves in, and spends day and night on demolition and construction. At last he has a mission: he will dig up the lost history of his house; he will restore it to its past grandeur. He will make good on everything that’s gone wrong with his life, and he will even murder to do it.

    It created a sensation when it was first published in 1937, and has lost none of its immediacy or its power to move the reader.   Having suffered a nervous breakdown after her brother’s death in a car accident, Harriet Demuth is committed to a mental hospital, but her doctor’s Freudian nostrums do little to make her well. Convinced that she and she alone can refashion her life, Harriet makes a daring escape from the hospital—hopping a train by night and riding the rails into the vastness of New York City in the light of the rising sun. It is the middle of the Great Depression, and at first Harriet is lost among the city’s anonymous multitudes. She pawns her jewelry and lives an increasingly hand-to-mouth existence until she meets John, a machine-shop worker. Slowly Harriet begins to recover her sense of self; slowly she and John begin to fall in love. The story of that emerging love, told with the lyricism of Virginia Woolf and the realism of Theodore Dreiser, is the heart of Millen Brand’s remarkable book.

    Alwyn Tower, an American expatriate and sometime novelist, is staying with a friend outside of Paris, when a well-heeled, itinerant Irish couple drops in—with Lucy, their trained hawk, a restless, sullen, disturbingly totemic presence. Lunch is prepared, drink flows. A masquerade, at once harrowing and farcical, begins. A work of classical elegance and concision, The Pilgrim Hawk stands with Faulkner’s The Bear as one of the finest American short novels: a beautifully crafted story that is also a poignant evocation of the implacable power of love.

    True, he and Sarah have not slept together in years, and when he decides to stay behind in Cambridge for the summer while the rest of the family vacations in Maine, his newfound freedom is deeply unsettling. But that does not mean that Merriwether wants to change his life or feels unloved. To a man of science, desire is nothing more than a biological reaction. And Merriwether’s personal philosophy is that once you’re in your forties, real love is nothing but lust and nostalgia.Then Cynthia Ryder walks into his life. Twenty years old, she is beautiful, intelligent, witty, and kind. And, to Merriwether’s great surprise, she wants to be with him. Initially, he evades her advances, sure that hers is just a passing fancy. But as he gets to know her better, Merriwether realizes that Cynthia is more mature than he first suspected and that the joy he feels when they are together has been missing from his life for a long, long time. When the summer ends and their need for each other does not fade, Merriwether realizes that he is being given a chance at true love. The question is, will he be brave enough to take it?Considered by many critics to be Richard Stern’s finest novel, Other Men’s Daughters is a tender, honest, witty, and life-affirming portrait of a love as transcendent as it is unlikely.

    For his parents and their set, life seems to revolve around dinners and dancing at the country club, tennis dates and rounds of golf, holiday parties, summers on The Island, and the many sparkling occasions full of people and drinks and food and laughter. With his curiosity and impatience to grow up, however, Tommy will soon come to glimpse something darker beneath the genteel complacency: the embarrassment of poor relations; the subtle (and not so subtle) slighting of the black or American Indian “help”; the discovery that not everybody in the club was Episcopalian; the mockery of President Roosevelt; the messy mechanics of sex and death; and “the commandment they talked least about in Sunday school,” adultery.In this remarkable 1984 debut novel, the Pulitzer Prize–winning book critic William McPherson subtly leavens his wide-eyed protagonist’s perspective with mature reflection and wry humor and surrounds him with a sizable cast of vibrant characters, creating a scrupulously observed, kaleidoscopic portrait that will shimmer in readers’ minds long after the final page is turned.

    The vagaries of the Fairchilds are keenly observed, and sometimes harshly judged, by nine-year-old Laura McRaven, a Fairchild cousin who takes The Yellow Dog train to the Delta for Dabney Fairchild's wedding. An only child whose mother has just died, Laura is resentful of her boisterous, careless cousins, and desperate for their acceptance. As the hour moves closer and closer to wedding day, Laura arrives at a more subtle understanding of both the Fairchilds and herself. Born in 1909 in Jackson, Mississippi, Eudora Welty is one of the South's finest novelists. She won a Pulitzer in 1972 for The Optimist's Daughter. Delta Wedding is her best known work.

    None of Melville's other "secondary" works has so regularly been acknowledged by its most thorough critics as a work of genuine grandeur, however flawed.When Pierre Glendinning's lifelong desire for a sister is seemingly realized on the eve of his marriage, his world is suddenly turned upside down, for he must choose between acknowledging his illegitimate half-sister or perpetuating his unsullied family legacy. Melville unfolds the story of an idealistic young man whose steadfast beliefs lead him to destroy his world and himself.HarperCollins is proud to present this controversial masterpiece of American literature, now restored to its original form and illuminated with 30 full-color pictures by Maurice Sendak.

    Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, the widows and divorcées struggling to hold their own.The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s Introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.

    Befriended by Donatello, a young Italian with the classical grace of the "Marble Faun," Miriam, Hilda, and Kenyon find their pursuit of art taking a sinister turn as Miriam's unhappy past precipitates the present into tragedy. Hawthorne's 'International Novel' dramatizes the confrontation of the Old World and the New and the uncertain relationship between the 'authentic' and the 'fake' in life as in art. The author's evocative descriptions of classic sites made The Marble Faun a favorite guidebook to Rome for Victorian tourists, but this richly ambiguous symbolic romance is also the story of a murder, and a parable of the Fall of Man. As the characters find their civilized existence disrupted by the awful consequences of impulse, Hawthorne leads his readers to question the value of Art and Culture and addresses the great evolutionary debate which was beginning to shake Victorian society.

    With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

    Scott Fitzgerald is known for his novels, but in his lifetime, his fame stemmed from his prolific achievement as one of America's most gifted (and best-paid) writers of stories and novellas. In 'The Short Stories of F. Scott Fitzgerald', Matthew J. Bruccoli, the country's premier Fitzgerald scholar and biographer, assembles a sparkling collection that encompasses the full scope of Fitzgerald's short fiction. The forty-three masterpieces range from early stories that capture the fashion of the times to later ones written after the author's fabled crack-up, which are sober reflections on his own youthful excesses. Included are classic novellas, such as "The Rich Boy," "May Day," and "The Diamond as Big as the Ritz," as well as a remarkable body of work he wrote for the Saturday Evening Post and its sister "slicks." These stories can be read as an autobiographical journal of a great writer's career, an experience deepened by the illuminating introductory headnotes that Matthew Bruccoli has written for each story, placing it in its literary and biographical context.Together, these forty-three stories compose a vivid picture of a lost era, but their brilliance is timeless. This essential collection is a monument to the genius of one of the great voices in the history of American literature.

    After a nine-year affair with Jake, a married man, Kate Ennis decides to escape. She takes off, looking for something beautiful and quiet by the sea, but finds herself in a pitch dark and driving rain on a lonely Irish road. It is only months later that she learns that she may have committed a crime, but by then she is home, once more negotiating with Jake for time, for attention, and for love."

    His father starred in Westerns. His mother was a goddess of the silver screen. The family enjoyed the high life on their estate, Casa Fiesta. But his parents' careers have crashed since then, and their marriage has broken up too.Lovesick and sex-crazed, the mother sets out on an intercontinental quest for the right—or wrong—man, while her mild-mannered but manipulative former husband clings to his memories in California. And their teenage son? How he struggles both to keep faith with his family and to get by himself, and what in the end he must do to break free, makes for a classic coming-of-age story—a novel that combines keen insight and devastating wit to hilarious and heartbreaking effect.