Tuchman’s classic histories of the First World War era   In January 1917, the war in Europe was, at best, a tragic standoff. Britain knew that all was lost unless the United States joined the war, but President Wilson was unshakable in his neutrality. At just this moment, a crack team of British decoders in a quiet office known as Room 40 intercepted a document that would change history. The Zimmermann telegram was a top-secret message to the president of Mexico, inviting him to join Germany and Japan in an invasion of the United States. How Britain managed to inform the American government without revealing that the German codes had been broken makes for an incredible story of espionage and intrigue as only Barbara W. Tuchman could tell it.  Praise for The Zimmermann Telegram   “A true, lucid thriller . . . a tremendous tale of hushed and unhushed uproars in the linked fields of war and diplomacy . . . Tuchman makes the most of it with a creative writer’s sense of drama and a scholar’s obeisance to the evidence.”—The New York Times  “The tale has most of the ingredients of an Eric Ambler spy thriller.”—Saturday Review

    The Women's March began with one cause, women's rights, but quickly became a movement around the many issues that were hotly debated during the 2016 U.S. presidential race--immigration, health care, environmental protections, LGBTQ rights, racial justice, freedom of religion, and workers' rights, among others. In the mere 66 days between the election and inauguration of Donald J. Trump as the 45th President of the United States, 673 sister marches sprang up across the country and the world. ABRAMS Image presents Why I March to honor the movement, give back to it, and promote future activism in the same vein.

    The Summer of 1787 takes us into the sweltering room in which delegates struggled for four months to produce the flawed but enduring document that would define the nation -- then and now. George Washington presided, James Madison kept the notes, Benjamin Franklin offered wisdom and humor at crucial times. The Summer of 1787 traces the struggles within the Philadelphia Convention as the delegates hammered out the charter for the world's first constitutional democracy. Relying on the words of the delegates themselves to explore the Convention's sharp conflicts and hard bargaining, David O. Stewart lays out the passions and contradictions of the often painful process of writing the Constitution. It was a desperate balancing act. Revolutionary principles required that the people have power, but could the people be trusted? Would a stronger central government leave room for the states? Would the small states accept a Congress in which seats were alloted according to population rather than to each sovereign state? And what of slavery? The supercharged debates over America's original sin led to the most creative and most disappointing political deals of the Convention. The room was crowded with colorful and passionate characters, some known -- Alexander Hamilton, Gouverneur Morris, Edmund Randolph -- and others largely forgotten. At different points during that sultry summer, more than half of the delegates threatened to walk out, and some actually did, but Washington's quiet leadership and the delegates' inspired compromises held the Convention together. In a country continually arguing over the document's original intent, it is fascinating to watch these powerful characters struggle toward consensus -- often reluctantly -- to write a flawed but living and breathing document that could evolve with the nation.

    Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it." —Annie LeibovitzAnnie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

    Features works prior to the Tree Show, including Blood, Sweat, Tears, and The Creatrix. A survey of 55 of Ryden s most impressive works from past shows to the present. A gem of a book, presented in a beautiful hardcover, clothbound format. Text in Japanese.

    In the grand tradition of such luminaries of the field as Bill Bryson, Richard Dawkins, and Oliver Sacks—as well as his own The Whole Shebang and Coming of Age in the Milky Way—Ferris has written a brilliant chronicle of how science sparked the spread of liberal democracy and transformed today’s world.

    Dr. Seuss) in a whole new light. Depicting outlandish creatures in otherworldly settings, the paintings use a dazzling rainbow of hues not seen in the primary-color palette of his books for children, and exhibit a sophisticated and often quite unrestrained side of the artist. 65 color illustrations.

    Passionately argued, brilliantly written, and filled with Paglia’s trademark audacity, Glittering Images takes us on a tour through more than two dozen seminal images, some famous and some obscure or unknown—paintings, sculptures, architectural styles, performance pieces, and digital art that have defined and transformed our visual world. She combines close analysis with background information that situates each artist and image within its historical context—from the stone idols of the Cyclades to an elegant French rococo interior to Jackson Pollock’s abstract Green Silver to Renée Cox’s daring performance piece Chillin’ with Liberty. And in a stunning conclusion, she declares that the avant-garde tradition is dead and that digital pioneer George Lucas is the world’s greatest living artist. Written with energy, erudition, and wit, Glittering Images is destined to change the way we think about our high-tech visual environment.

    In Shrub, Ivins focuses her Texas-size smarts on the biggest politician in her home state: George Walker Bush, or "Shrub," as Ivins has nicknamed Bush the Younger.         A candidate of vague speeches and an ambiguous platform, Bush leads the pack of GOP 2000 presidential hopefuls; "Dubya" could very well be our next president. What voters need now is an original, smart, and accessible analysis of Bush--one that leaves the "youthful indiscretions" to the tabloids and gets to the heart of his policies and motivations. Ivins is the perfect woman for the job.         With her trademark wit and down-home wisdom, Molly Ivins shares three pieces of advice on judging a politician: "The first is to look at the record. The second is to look at the record. And third, look at the record." In this book, Ivins takes a good, hard look at the record of the man who could be the leader of the free world. Beginning with his post-college military career, Ivins tracks Dubya's winding, sometimes unlikely path from a failed congressional bid to a two-term governorship. Bush has made plenty of friends and supporters along the way, including Texas oil barons, evangelist Billy Graham, and co-investors in the Texas Rangers baseball team. "You would have to work at it to dislike the man," she writes. But for all of Bush's likeability, Ivins points to a disconcerting lack of political passion from this ascending presidential candidate. In her words, "If you think his daddy had trouble with 'the vision thing,' wait till you meet this one."         Witty, trenchant, and on target, Ivins gives a singularly perceptive and entertaining analysis of George W. Bush. To head to the voting booth without it would be downright un-American.From Shrub: The Short but Happy Political Life of George W. Bush"        The past is prologue in politics. If a politician is left, right, weak, strong, given to the waffle or the flip-flop, or, as sometimes happens, an able soul who performs well under pressure, all that will be in the record." ¸         Bush's welfare record: "Texas pols like to 'git tuff' on crime, welfare, commies, and other bad stuff. Bush proposed to git tuff on welfare recipients by ending the allowance for each additional child--which in Texas is $38 a month." ¸         Bush and the Christian right: "Bush has learned to dance with the Christian right. It has been interesting and amusing to watch the process. Interesting because it's sometimes hard to tell who's leading and who's following; amusing because when a scion of Old Yankee money gets together with a televangelist with too much Elvis, the result is swell entertainment." ¸         Bush's environmental record: Since Governor Bush's election, Texas air quality has been rated the worst in the nation, leading all fifty states in overall toxic releases, recognized carcinogens in the air, cancer risk, and ten other categories of pollutants. ¸         Bush's military career: "Bush was promoted as the Texas Air National Guard's anti-drug poster boy, one of life's little ironies given the difficulty he has had answering cocaine questions all these years later. 'George Walker Bush is one member of the younger generation who doesn't get his kicks from pot or hashish or speed,' reads a Guard press release of 1970. 'Oh, he gets high, all right, but not from narcotics.'"From the Hardcover edition.

    Every citizen of the United States, student of history anywhere in the world, or anyone interested in understanding who we are as a nation should have and study a copy of these works.

    President Abraham Lincoln and one of the most quoted speeches in United States history. It was delivered at the dedication of the Soldiers' National Cemetery in Gettysburg, Pennsylvania, on the afternoon of Thursday, November 19, 1863, during the American Civil War, four and a half months after the Union armies defeated the Confederates at the decisive Battle of Gettysburg.

     Noah Webster's name is now synonymous with the dictionary he created, but although there is much more to his story than that singular achievement, his rightful place in American history has been forgotten over time. Webster hobnobbed with various Founding Fathers and was a young confidant of George Washington and Benjamin Franklin, among others. He started New York City's first daily newspaper, predating Alexander Hamilton's New York Post. His "blue- backed speller" for schoolchildren, his first literary effort, sold millions of copies and influenced early copyright law. He helped found Amherst College and served as a state representative for both Connecticut and Massachusetts. But perhaps most important, Webster was an ardent supporter of a unified, definitively American culture, distinct from the British, at a time when the United States of America were anything but unified-and his dictionary of American English is a testament to that. In The Forgotten Founding Father, Joshua Kendall, author of The Man Who Made Lists: Love, Death, Madness, and the Creation of Roget's Thesaurus, gives us a well-researched and absorbing look into the life of Webster, another man driven by his obsessions and compulsions to compile and organize words. The result is a treat for word lovers and history buffs alike.

    Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans--all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States' "exceptional" history and destiny.Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation--attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II.As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century's decades of devastating conflict.

    More than a successful book, A People’s History triggered a revolution in the way history is told, displacing the official versions with their emphasis on great men in high places to chronicle events as they were lived, from the bottom up.Now Howard Zinn, historian Paul Buhle, and cartoonist Mike Konopacki have collaborated to retell, in vibrant comics form, a most immediate and relevant chapter of A People’s History: the centuries-long story of America’s actions in the world. Narrated by Zinn, this version opens with the events of 9/11 and then jumps back to explore the cycles of U.S. expansionism from Wounded Knee to Iraq, stopping along the way at World War I, Central America, Vietnam, and the Iranian revolution. The book also follows the story of Zinn, the son of poor Jewish immigrants, from his childhood in the Brooklyn slums to his role as one of America’s leading historians.Shifting from world-shattering events to one family’s small revolutions, A People’s History of American Empire presents the classic ground-level history of America in a dazzling new form.

    A ten-year-old student at the School of American Ballet in New York describes her classes and the preparation for and performance of her role in the ballet "The Nutcracker."