Kent dreads the inventory of his enchanted objects. While he loves playing with the hula hoop that can turn back time and the jump rope that makes you invisible, the item in Cabinet 11 always escapes, and this time, it will be during school hours! It will take the teamwork of the Troubled Tweens to help Mr. Kent get the magical mayhem returned to its cabinet in his colorful Wall of Wonders.This 4000-word story from the world of the Troubled Tweens is the perfect introduction to D.D. Roy's book series that begins with Jinnie Wishmaker and continues with Marcus Mender._________________________About the AuthorD.D. Roy is the author of the Troubled Tweens series for readers 8-12 years old. Her first novel, Jinnie Wishmaker, was released in 2011. She has published numerous short stories in literary magazines, and Dust Bunnies: Secret Agents, her iPad/iPhone story book for children, will be released by Polycot Labs in 2012.

    but her plans change when the mischievous black tomcat Tai-chan enters the picture! Hey! Sue never signed up to be a catsitter! Sue and Tai-chan is the latest from the reigning meow-narch of cute kitty comics, Konami Kanata.

    Tutu is lost in a village where winter is eternal and the rabbits of the secret police find her guilty of one of the worst crimes imaginable—being a little girl! The Emperor of this strange town holds the key to her redemption, but it will come at a price.

    When that book, Brand Spanking New Day, came out we said we needed Opus, Bill the Cat, and all their friends more than ever before. Well, what was true then is even more true now!The residents of Bloom County are back to put their trademark tragi-comic spin on the horrors of the last year, so lock all your worries in the anxiety closet for a bit. Who knows? When you come back they may be just the tiniest bit funnier.

    From pizza and computers, to love and happiness, this crabby tabby has a funny take on just about everything, and he's not afraid to share it. This collection of short comic stories will make even the grumpiest of grouches crack up and is not to be missed!

    Now her ordinary high school life is turned upside down as she's introduced to the Sohma's world of magical curses and family secrets.

    And, for better or worse, I 'jotted' them down. It was only later, when perhaps I received an angry letter from someone, that it struck me: Hey! Someone's been reading my diary!"Gary Larson, from the preface to The Complete Far SideRevered by its fans as the funniest, most original, most "What the ... ?"-inspiring cartoon ever, The Far Side® debuted in January 1980 and enjoyed an illustrious 14 years on the worlds comics pages until Gary Larson's retirement in 1994. The Complete Far Side celebrates Gary's twisted, irreverent genius in this ultimate Far Side book, a lavish production, which takes its place alongside collector's-edition art books.A masterpiece of comic brilliance, The Complete Far Side contains every Far Side cartoon ever syndicated over 4,000 if you must know presented in (more or less) chronological order by year of publication, with more than 1,100 thathave never before appeared in a book. Also included are additional Far Side cartoons Larson created afterhis retirement: 13 that appeared in the last Far Side book, Last Chapter and Worse, and six cartoons that periodically ran as a special feature in The New York Times Science Times section as The Far Side of Science.Creator Gary Larson offers a rare glimpse into the mind of The Far Side®in quirky and thoughtful introductions to each of the 14 chapters. Complaint letters, fan letters, and queries from puzzled readers appear alongside some of the more provocative or elusive panels. Actor, author,and comedian Steve Martin offers his pithy thoughts in a foreword, and GaryLarson's former editor describes what it was like to be "the guy who could explain every Far Side cartoon."The Complete Far Side © 2003 by FarWorks, Inc. All Rights Reserved. The Far Side ® and the Larson ® signature are registered trademarks of FarWorks, Inc.

    Schulz, starring all your favorite characters and even some underrated ones like Belle and Rerun. Collects issues #17-20.

    The Moomins saw life in many forms but debuted to its biggest audience ever on the pages of world's largest newspaper the London Evening News, in 1954. The strip was syndicated in newspapers around the world with millions of readers in 40 countries.Moomin Book One is the first volume of Drawn & Quarterly publishing plan to reprint the entire strip drawn by Jansson before she handed over the reigns to her brother Lars in 1960. This is the first time the strip will be published in any form in North America and will deservedly place Jansson among the international cartooning greats of the last century.The Moomins are a tight-knit family — hippo-shaped creatures with easygoing and adventurous outlooks. Jansson's art is pared down and precise, yet able to compose beautiful portraits of ambling creatures in fields of flowers or rock-strewn beaches that recall Jansson's Nordic roots. The comic strip reached out to adults with its gentle and droll sense of humor. Whimsical but with biting undertones, Jansson's observations of everyday life, including guests who overstay their welcome, modern art, movie stars, and high society, easily caught the attention of an international audience and still resonate today.

    Zombies: Garden Warfare graphic novel! Based on the hit video game, this comic tells the story that leads up to Plants vs. Zombies: Garden Warfare 2, the game! How did the "Zombossification" of surburbia begin? Where did all the powerful new plants and zombies come from? Here's where you'll find out! Written by Paul Tobin (Plants vs. Zombies: Timepocalypse, Bandette, Banana Sunday) and illustrated by Jacob Chabot (Mighty Skullboy Army, SpongeBob Comics), don't miss this hilarious, action-packed, all-ages, zombie fightin' adventure! Something sinister has taken over suburbia. Are your . . . brainsssss . . . prepared for the zombie infestation?

    The unlikely trio lie, flirt, fight, and manipulate each other as they make their way across Britain, disrupting society balls, slaying vampires, and making every effort not to betray their feelings to each other as their personal and romantic lives become increasingly entangled. Both witty and slapstick, elegant and gory, Emily McGovern’s debut graphic novel pays tribute to and pokes fun at beloved romance tropes, delivering a joyous, action-packed world of friendship and adventure.

    . . and how is it even possible? Prepare yourself for a Simpsons saga filled with Futurama! A Futurama fable suffused with the Simpsons! Featuring a plethora of pleasing plot devices including: evil brain spawn, lactose-intolerant space aliens, a giant ball of yarn, flying cars, mistaken identities, world domination, the brittle fabric of reality torn asunder, a comic book-collecting sentient planet, the Dewey Decimal system, self-eating watermelons, slave labor, space pirates, power-crazed vampires, super hero battles, unflattering underwear, mad science run amok, and much, much more! This is the epic story that you've been waiting for . . . a story so big, so ambitious, so sweeping that it can only be told in a 208-page, large format, slip-cased edition, complete with new material, supplemental stories, preliminary sketches, character designs, and a pin-up gallery featuring the talents of comics industry luminaries Alex Ross, Sergio Aragonés, Geof Darrow, Kyle Baker, Peter Kuper, and Bernie Wrightson, among others. It's a comic convergence on a reality ripping, time altering, space traveling, intergalactic scale! It's The Simpsons Futurama Crossover CrisisUncut and all comedy! First published in 2002 and 2005 as two two-part, comic book mini-series (Futurama/Simpsons Infinitely Secret Crossover Crisis and The Simpsons/Futurama Crossover Crisis II), these four hard-to-find comics are collected together for the first time in a hardcover collection, encased in a die-cut slipcase, and packaged with a reprint of the very first Eisner Award-winning issue of Simpsons Comics from 1993. “Abrams’ initial release is a beautifully designed package, a glossy hardcover in a glossier slipcover, as bright and colorful as a grab-bag bin in a candy-store.”—The Onion AV ClubFrom Publishers Weekly Two classic animated series are brought together in a comic that offers many surprises, including how well it all works when transported to a new medium. Although both sources are the creation of cartoonist Matt Groening, the broadcast runs of each series referred to the other as works of fiction within their own universes, perhaps seeking to avoid the temptation of an attention grabbing crossover. And yet somehow this assemblage ably accomplishes just such a task while remaining faithful to the source materials. When Futurama's crew from the Planet Express delivery service become trapped in the fictional world of a Simpsons comic book, they must escape from Springfield. But shortly afterward they open a rift that brings the Simpsons characters into the Planet Express world, where the fictional characters must be rescued and returned to the pages of their comic book. Boothby's writing excels at letting each universe and the characters in them maintain their subtly distinct identities even when they blend. The overarching story for the book is designed to easily allow opportunities for affectionate references to comics, to science fiction, and to notable works of fiction. While the Simpsons comics included in the collection are not as strong, the crossover story takes what could have been a simple throwaway gag and instead crafts a funny, intricately detailed story. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

    Meet Dirty Bertie - a boy with nose-pickingly disgusting habits! He's full to bursting with madcap plans and crazy ideas, and if it's trouble you're after, look no further - Bertie's sure to be up to his neck in it!

    Not just once or twice, but seven dozen times. Each death a new demise, from the comic to the grim to the absurd to the transcendent and back again. With text by Jesse Ball and Brian Evenson complimented by Lilli Carré's macabre, gravestone-rubbing-style art, Henry King's ends are brought to a vivid life.