But mankind is too busy hating, stealing, scheming, and killing to care. As luminous green trails of cosmic dust and vapor stream across the heavens, blood flows beneath: nations wage all-out war, bitter strikes erupt, and jealous lovers plot revenge and murder. The earth slips past the comet by the narrowest of margins, but all succumb to the gases in its tail. When mankind wakes up, everyone is completely and profoundly different. An ill-fated romance between Willie Leadford and Nettie Stuart unfolds in a world buried in misery and bent on its own destruction. After the earth passes through the comet's tail, suffering, pettiness, and injustice melt away. Willie, Nettie, and everyone around them are reborn. They now see themselves and their world in a dramatically new and wonderful way.

    True Names by Vernor Vinge, first published in 1981, is such a work.Here is a feast of articles by computer scientists and journalists on the cutting edge of the field, writing about innovations and developments of the Internet, including, among others:Danny Hillis: Founder of thinking machines and the first Disney Fellow.Timothy C. May: former chief scientist at Intel--a major insider in the field of computers and technology.Marvin Minsky: Cofounder of the MIT Artificial Intelligence Lab.Chip Morningstar and F. Randall Farmer: Codevelopers of habitat, the first real computer interactive environment.Mark Pesce: Cocreator of VRML and the author of the Playful World: How Technology Transforms Our Imagination.Richard M. Stallman: Research affiliate with MIT; the founder of the Free Software Movement.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    But even Blaine was unprepared for what happened when he communed with the soul of an utterly alien being lightyears from Earth. After recovering from his experience, he becomes a dangerous man: not only has he gained startling new powers—but he now understands that humankind must share the stars.Hunted through time and space by those who he used to trust, Blaine undergoes a unique odyssey that takes him through a nightmarish version of small-town America as he seeks to find others who share his vision of a humane future. Blaine has mastered death and time. Now he must master the fear and ignorance that threatened to destroy him!

    In the first installment, Carter wins the affections of the "princess of Mars" and the respect of the Martian warlords whom he befriends. The excitement continues in The Gods of Mars when Carter engages the Black Pirates in airborne combat above the dead seas of Mars and leads a revolt to free the Martian races from a religion that thrives on living sacrifices. In the third book, Warlord of Mars, Carter overcomes the forces of evil that would destroy the planet. By the end of the trilogy the Martians all clamor for a triumphant John Carter to be their king.About the Author:Born in Chicago, Illinois, on September 1, 1875, Edgar Rice Burroughs grew to maturity during the height of the Industrial Revolution and witnessed the emergence of the United States as a twentieth-century world power. Hailing from a well-to-do family, Burroughs was given an aristocratic education steeped in Latin and Greek, but he was drawn more to an itinerant life of adventure than to a life in the boardroom. The author of Tarzan of the Apes (1912), Burroughs did not confine himself to a single genre; he also wrote medieval romances (The Outlaw of Torn, 1914), westerns (The War Chief of the Apaches, 1927), and mainstream novels (The Girl from Hollywood, 1922).

    Gene Wolfe, of whom The Washington Post said, “Of all SF writers currently active none is held in higher esteem,” has selected the short fiction he considers his finest into one volume.  There are many award winners and many that have been selected for various Year’s Best anthologies among the thirty-one stories, which include: “Petting Zoo,” “The Tree Is My Hat,” “The Island of Dr. Death and Other Stories,” “The Hero as Werewolf,” “Seven American Nights,” “The Fifth Head of Cerberus,” “The Detective of Dreams,” and “A Cabin on the Coast.” Gene Wolfe has produced possibly the finest and most significant body of short fiction in the SF and fantasy field in the last fifty years, and is certainly among the greatest living writers to emerge from the genres.  This is the first retrospective collection of his entire career.  It is for the ages.Contents11 • The Island of Doctor Death and Other Stories • [Archipelago] • (1970) • shortstory by Gene Wolfe23 • Afterword (The Island of Doctor Death and Other Stories) • essay by Gene Wolfe25 • The Toy Theater • (1971) • shortstory by Gene Wolfe30 • Afterword (The Toy Theater) • essay by Gene Wolfe31 • The Fifth Head of Cerberus • (1972) • novella by Gene Wolfe76 • Afterword (The Fifth Head of Cerberus) • essay by Gene Wolfe78 • Beech Hill • (1972) • shortstory by Gene Wolfe83 • Afterword (Beech Hill) • essay by Gene Wolfe84 • The Recording • (1972) • shortstory by Gene Wolfe86 • Afterword (The Recording) • essay by Gene Wolfe88 • Hour of Trust • (1973) • novelette by Gene Wolfe112 • Afterword (Hour of Trust) • essay by Gene Wolfe114 • The Death of Dr. Island • [Archipelago] • (1973) • novella by Gene Wolfe158 • Afterword (The Death of Dr. Island) • essay by Gene Wolfe159 • La Befana • (1973) • shortstory by Gene Wolfe162 • Afterword (La Befana) • essay by Gene Wolfe163 • Forlesen • (1974) • novelette by Gene Wolfe201 • Afterword (Forlesen) • essay by Gene Wolfe202 • Westwind • (1973) • shortstory by Gene Wolfe208 • Afterword (Westwind) • essay by Gene Wolfe209 • The Hero as Werwolf • (1975) • shortstory by Gene Wolfe221 • Afterword (The Hero as Werwolf) • essay by Gene Wolfe222 • The Marvelous Brass Chessplaying Automaton • (1977) • novelette by Gene Wolfe236 • Afterword (The Marvelous Brass Chessplaying Automaton) • essay by Gene Wolfe237 • Straw • (1975) • shortstory by Gene Wolfe243 • Afterword (Straw) • essay by Gene Wolfe244 • The Eyeflash Miracles • (1976) • novella by Gene Wolfe291 • Afterword (The Eyeflash Miracles) • essay by Gene Wolfe292 • Seven American Nights • (1978) • novella by Gene Wolfe331 • Afterword (Seven American Nights) • essay by Gene Wolfe333 • The Detective of Dreams • (1980) • shortstory by Gene Wolfe346 • Afterword (The Detective of Dreams) • essay by Gene Wolfe347 • Kevin Malone • (1980) • shortstory by Gene Wolfe355 • Afterword (Kevin Malone) • essay by Gene Wolfe356 • The God and His Man • (1980) • shortstory by Gene Wolfe360 • Afterword (The God and His Man) • essay by Gene Wolfe361 • On the Train • [Redwood Coast Roamer] • (1983) • shortfiction by Gene Wolfe362 • Afterword (On the Train) • essay by Gene Wolfe363 • From the Desk of Gilmer C. Merton • (1983) • shortstory by Gene Wolfe367 • Afterword (From the Desk of Gilmer C. Merton) • essay by Gene Wolfe368 • Death of the Island Doctor • [Archipelago] • (1983) • shortstory by Gene Wolfe372 • Afterword (Death of the Island Doctor) • essay by Gene Wolfe373 • Redbeard • (1984) • shortstory by Gene Wolfe377 • Afterword (Redbeard) • essay by Gene Wolfe379 • The Boy Who Hooked the Sun • (1985) • shortstory by Gene Wolfe381 • Afterword (The Boy Who Hooked the Sun) • essay by Gene Wolfe382 • Parkroads—A Review • (1987) • shortfiction by Gene Wolfe384 • Afterword (Parkroads—A Review) • essay by Gene Wolfe385 • Game in the Pope's Head • (1988) • shortstory by Gene Wolfe390 • Afterword (Game in the Pope's Head) • essay by Gene Wolfe391 • And When They Appear • (1993) • novelette by Gene Wolfe408 • Afterword (And When They Appear) • essay by Gene Wolfe409 • Bed and Breakfast • (1996) • shortfiction by Gene Wolfe (variant of Bed & Breakfast)426 • Afterword (Bed and Breakfast) • essay by Gene Wolfe427 • Petting Zoo • (1997) • shortstory by Gene Wolfe431 • Afterword (Petting Zoo) • essay by Gene Wolfe433 • The Tree Is My Hat • (1999) • novelette by Gene Wolfe452 • Afterword (The Tree Is My Hat) • essay by Gene Wolfe454 • Has Anybody Seen Junie Moon? • (1999) • shortstory by Gene Wolfe464 • Afterword (Has Anybody Seen Junie Moon?) • essay by Gene Wolfe466 • A Cabin on the Coast • (1984) • shortstory by Gene Wolfe475 • Afterword (A Cabin on the Coast) • essay by Gene Wolfe

    Anderson * Doug Beason * M. Shayne Bell * David Bischoff * A.C.Crispin * Kenneth C. Flint * Barbara Hambly * Rebecca Moesta * Daniel KeysMoran * Jerry Oltion * Judith & Garfield Reeves-Stevens * Jennifer Roberson* Kathy Tyers * Tom Veitch & Martha Veitch * Dave Wolverton * TimothyZahn

    Here the colonists lived a peaceful, almost idyllic life, amid ancient and secret relics, co-existing with their strange and compatible neighbours. The arrival of Gregory Chart, the greatest dramatist ever, whose productions were played out in the skies, and whose actors were also the audience, could only disrupt and destroy once the Yanfolk were aroused from their dreaming indifference . . . (First published 1972)

    Reprint.

    He’s taken sf to places it’s never been (Snow Crash, Anathem). He’s reinvented the historical novel (The Baroque Cycle), the international thriller (Reamde), and both at the same time (Cryptonomicon).Now he treats his legion of fans to Some Remarks, an enthralling collection of essays—Stephenson’s first nonfiction work since his long essay on technology, In the Beginning…Was the Command Line, more than a decade ago—as well as new and previously published short writings both fiction and non.Some Remarks is a magnificent showcase of a brilliantly inventive mind and talent, as he discourses on everything from Sir Isaac Newton to Star Wars.

    It didn't give you the date and it didn't give you specifics. It just spat out a sliver of paper upon which were printed, in careful block letters, the words DROWNED or CANCER or OLD AGE or CHOKED ON A HANDFUL OF POPCORN. It let people know how they were going to die." Machine of Death tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out. Featuring stories by: * Randall Munroe* Ben "Yahtzee" Croshaw* Tom Francis* Camille Alexa* Erin McKean* James L. Sutter* Douglas J. Lane* and many others.Featuring illustrations by: * Kate Beaton* Kazu Kibuishi* Aaron Diaz* Jeffrey Brown* Scott C.* Roger Langridge* Karl Kerschl* Cameron Stewart* and many others

    The title story, "Unicorn Variation", was written as a result of Zelazny having been asked to contribute to two different upcoming anthologies — one collecting stories set in bars, and one collecting stories about unicorns. When Zelazny mentioned these requests to his close friend George R. R. Martin, the other told Zelazny of a third upcoming anthology — one which would collect stories about chess — and jokingly suggested that Zelazny write a story about playing chess against a unicorn in a bar, so that he could sell the story three times. Zelazny did just that and then went on to win a Hugo Award for the story.Contents:Introduction (Unicorn Variations) [essay] (1983)Unicorn Variation (1981)The Last of the Wild Ones [Sam Murdock] (1981)Recital (1981)The Naked Matador (1981)The Parts That Are Only Glimpsed: Three Reflexes [essay] (1978)Dismal Light [Francis Sandow] (1968)Go Starless in the Night (1979)But Not the Herald (1965)A Hand Across the Galaxy (1967)The Force That Through the Circuit Drives the Current (1976)Home is the Hangman [Nemo] (1975)Fire and/or Ice, Exeunt Omnes, A Very Good Year ... [essay] (1983)Fire and/or Ice (1980)Exeunt Omnes (1980)A Very Good Year ... (1979)My Lady of the Diodes (1970)And I Only Am Escaped to Tell Thee (1981)The Horses of Lir (1981)The Night Has 999 Eyes (1964)Angel, Dark Angel (1967)Walpurgisnacht (1981)The George Business (1980)Some Science Fiction Parameters: A Biased View [essay] (1975)

    He arrives on the frozen continent and immediately begins making contact with the various scientific and political factions that comprise Antarctic society.What he finds is an interesting blend of inhabitants who don't always mesh well but who all share a common love of Antarctica and a fierce devotion to their life there. He also begins to uncover layers of Antarctic culture that have been kept hidden from the rest of the world, and some of them are dangerous indeed. Things are brought to a head when the saboteurs—or “ecoteurs” as they call themselves—launch an attack designed to drive humans off the face of Antarctica.

    This is an exploration of her relationship with the literary form we have come to know as "science fiction,” a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer.  This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early  rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias.  In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.  From the Hardcover edition.

    Johnny Mnemonic (1981)The Gernsback Continuum (1981)Fragments of a Hologram Rose (1977)The Belonging Kind (1981) with John ShirleyHinterlands (1981)Red Star, Winter Orbit (1983) with Bruce SterlingNew Rose Hotel (1984)The Winter Market (1985)Dogfight (1985) with Michael SwanwickBurning Chrome (1982)