It gets a lot more complicated when they start falling in love with them.This is an Age Gap with women from different worlds. Can they overcome all the odds against them and escape with their lives and love intact?Elena is one of the best underworld assassins that there is, regularly called upon to kill important targets.When she is tasked with killing Katherine Scott-Webb, the ex-wife of a politician in the running for British Prime Minister, she doesn't question it. Just another target, right?As she starts studying Katherine, Elena realises this target is not what she expected.But if Elena doesn't kill her, then someone else will.Will Elena choose to kill Katherine or to keep her safe? And is she falling in love with her target?

    Lucy Worsley takes us through the bedroom, bathroom, living room and kitchen, covering the architectural history of each room, but concentrating on what people actually did in bed, in the bath, at the table, and at the stove.

    In the winter of 1859, Anna Palmer becomes its newest patient. To Anna’s dismay, her new husband has declared her in need of treatment and brought her to this shabby asylum. Confused and angry, Anna is determined to prove her sanity, but with her husband and doctors unwilling to listen, her freedom will notbe easily won. As the weeks pass, she finds other allies: a visiting physician who believes the new medium of photography may reveal the state of a patient’s mind; a longtime patient named Talitha Batt, who seems, to Anna’s surprise, to be as sane as she is; and the proprietor’s bookish daughter, who also yearns to escape. Yet the longer Anna remains at Lake House, the more she realizes that—like the ethereal bridge over the asylum’s lake—nothing and no one is quite as it appears. Not her fellow patients, her husband, her family—not even herself. Locked alone in her room, driven by the treatments of the time into the recesses of her own mind, she may discover the answers and the freedom she seeks . . . or how thin the line between madness and sanity truly is. Wendy Wallace’s taut, elegantly crafted first novel, The Painted Bridge is a story of family betrayals and illicit power; it is also a compelling portrait of the startling history of the psychiatric field and the treatment of women— in society and in these institutions. Wallace sets these ideas and her characters on the page beautifully, telling a riveting story that is surprising and deeply moving.

    Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins.

    Step inside the props cupboard or the hair and make-up truck and catch a glimpse of the secret backstage world. In-depth interviews and exclusive photos give insight into the actors' experiences on set as well as the celebrated creative team behind the award-winning drama. Straight from the director's chair, this is the inside track on all aspects of the making of the show.

    It smelt of time and decay, sour, like old books and parchments. The light from the chapel's stained glass window blushed red upon it, and upon my hands, as if the thing itself radiated a bloody glow.Ramshackle and crumbling, trapped in the past and resisting the future, St Saviour's Infirmary awaits demolition. Within its stinking wards and cramped corridors the doctors bicker and fight. Ambition, jealousy and hatred seethe beneath the veneer of professional courtesy. Always an outsider, and with a secret of her own to hide, apothecary Jem Flockhart observes everything, but says nothing.And then six tiny coffins are uncovered, inside each a handful of dried flowers and a bundle of mouldering rags. When Jem comes across these strange relics hidden inside the infirmary's old chapel, her quest to understand their meaning prises open a long-forgotten past - with fatal consequences.In a trail that leads from the bloody world of the operating theatre and the dissecting table to the notorious squalor of Newgate and the gallows, Jem's adversary proves to be both powerful and ruthless. As St Saviour's destruction draws near, the dead are unearthed from their graves whilst the living are forced to make impossible choices. And murder is the price to be paid for the secrets to be kept.

    J. Charles. Lodging-house keeper Clem Talleyfer prefers a quiet life. He’s happy with his hobbies, his work—and especially with his lodger Rowley Green, who becomes a friend over their long fireside evenings together. If only neat, precise, irresistible Mr. Green were interested in more than friendship... Rowley just wants to be left alone—at least until he meets Clem, with his odd, charming ways and his glorious eyes. Two quiet men, lodging in the same house, coming to an understanding... it could be perfect. Then the brutally murdered corpse of another lodger is dumped on their doorstep and their peaceful life is shattered. Now Clem and Rowley find themselves caught up in a mystery, threatened on all sides by violent men, with a deadly London fog closing in on them. If they’re to see their way through, the pair must learn to share their secrets—and their hearts.

    After having overcome a very emotionally trying childhood and young adulthood, Leigh finally managed to escape the harsh words of an emotionally abusive father, the estrangement of a family that refused to accept her lifestyle, and the horribly oppressive nature of the small, Midwest town she had always called home. Not to mention the memories of a brief, yet powerful love affair with a woman almost twice her age who not only became Leigh’s first and truest love, but who also became the source of her deepest heartbreak, and ultimately, changed her life. Twelve years after her tragic parting with Beth Layton, the older woman who had managed to steal Leigh’s heart as a teen, Leigh is living the high life over a thousand miles from her hometown in one of the largest cities in the U.S. Making a six-figure salary working for a publishing company, having just received a major publishing contract for her manuscript Fracture, having earned a reputation as one of the hottest lesbian commodities in the city, and with the love and respect of Jared Patel, the most incredible friend she could have ever hoped for, Leigh couldn’t ask for a happier, healthier, more successful life.That is, until the mass publication of and media attention surrounding her semi-autobiographical novel, Fracture, swiftly forces open the dusty doors to her complex past, and her long lost, but far from forgotten love, Beth, shows up in the city that Leigh now calls home, looking to rekindle a twelve-year-old flame. Will Leigh be consumed by the desires of her heart or by the fear of the heartbreak that dances in her memories?

    Handsome and possessive, it’s not long before Ivy falls for him. But Mr. Markham has dark secrets, secrets that may put Ivy in danger...I am afraid...As Ivy unravels the mystery surrounding her cousin’s death, she falls deeper and deeper in love with Julian, who opens her body and her mind to his indomitable will. But even as he draws pleasure and desire from her night after night, Ivy can’t shake the feeling that their passionate affair may end in violence…And I'm completely his.***The Awakening of Ivy Leavold is the first book in the Markham Hall Trilogy. It is 40,000 words. ***For Mature Audiences only**

    But Abby has a secret. Best friend Jude Goodman is the love of her life, and very, very straight. Even if Jude had ever given a woman a second glance, there’d also be the small problem of Maggie – she would definitely not approve. But secrets have a habit of sneaking out, and Abby’s not the only one with something to hide. Life is just about to get very interesting for the Goodmans.Things are not what they used to be, but could they be even better?97,600 words

    Sherlock Holmes investigates the murder of two Americans whose deaths have some mysterious connection to sinister Socialist groups gathering power in both Britain and America.

    Blood and death are Fiona Mahoney’s trade, and business, as they say, is booming. Dying is the only thing people do with any regularity, and Fiona makes her indecorous living cleaning up after the corpses are carted away. Her childhood best friend, Mary, was the last known victim of Jack the Ripper. It’s been two years since Fiona scrubbed Mary’s blood from the floorboards, and London is no longer buzzing about the Ripper, but Fiona hasn’t forgotten. And she hasn’t stopped searching for Jack. When she’s called to a murder in the middle of the night, Fiona finds a victim mutilated in an eerily similar fashion to those of the Ripper, and only a few doors down from Mary’s old home. The relentless, overbearing, and irritatingly handsome Inspector Grayson Croft warns her away from the case. She might have listened, if she hadn’t found a clue in the blood. A clue that will lead her down a path from which there is no return.As a killer cuts a devastating swath through London, a letter written in blood arrives at her door, and it is only then that Fiona realizes just how perilous her endeavor is. For she has drawn the attention of an obsessive evil, and is no longer the hunter, but the prey. Fiona Mahoney is in the business of blood. But she’s not the only one. With intriguing twists, blood-chilling discoveries, and dazzling prose, USAToday Bestselling author Kerrigan Byrne shows that a woman’s work is never done, even when she is sleuthing out a serial killer.

    But whispers from her past slowly begin to poison her new life and both she and Rebekah are lured into the most sinister of investigations.Hester and Rebekah find themselves crossing every boundary they've ever known in pursuit of truth, redemption and passion. But their trust in each other will be tested as a web of deceit begins to unspool, dragging them into the blackest heart of a city where something more depraved than either of them could ever imagine is lurking . . .

    But her plain looks mask a passionate woman who yearns to know a man's intimate caresses. Michel des Anges- Michael of the Angels- is renowned for his ability to bring women pleasure. All it will cost her is ten thousand pounds...Driven by vengeance, ravaged by tragedy, Michael seeks to lose himself in a woman who will demand only physical pleasure. A woman who won't suspect his own aching needs- or his true motive for accepting her terms. Unable to resist the lure of her guileless desire, he plunges her into a deadly web of deception and revenge where the price of carnal ecstacy is life itself...

    It is a work of unmasking the cynical double moral standards of the Victorian era: The love of Camille and Teleny is shattered by social reprisals. The book was published in 1893 in 200 copies by Leonard Smithers who praised it as being "the most powerful and cleverly written erotic romance which has appeared in the English language" during that era, "a book that will certainly rank as the chief of its class."