Over the weeks leading up to this upheaval, she talks often with her psychiatrist Dr Grene, and their relationship intensifies and complicates.Told through their respective journals, the story that emerges is at once shocking and deeply beautiful. Refracted through the haze of memory and retelling, Roseanne's story becomes an alternative, secret history of Ireland's changing character and the story of a life blighted by terrible mistreatment and ignorance, and yet marked still by love and passion and hope.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    Crowds pack the courtroom, eagerly following every twist, while the newspapers print lurid theories about the killings and the mysterious woman being held in the Old Bailey.The testimonies against Frannie are damning. She is a seductress, a witch, a master manipulator, a whore.But Frannie claims she cannot recall what happened that fateful evening, even if remembering could save her life. She doesn’t know how she came to be covered in the victims’ blood. But she does have a tale to tell: a story of her childhood on a Jamaican plantation, her apprenticeship under a debauched scientist who stretched all bounds of ethics, and the events that brought her into the Benhams’ London home—and into a passionate and forbidden relationship.Though her testimony may seal her conviction, the truth will unmask the perpetrators of crimes far beyond murder and indict the whole of English society itself.The Confessions of Frannie Langton is a breathtaking debut: a murder mystery that travels across the Atlantic and through the darkest channels of history. A brilliant, searing depiction of race, class, and oppression that penetrates the skin and sears the soul, it is the story of a woman of her own making in a world that would see her unmade.

    But now, after running away to Baton Rouge and briefly knowing a different kind of life, she finds herself with nowhere to go but back home. And she knows there will be a price to pay with her father.Matilda, daughter of a sharecropper, is from the other side of the Trace. Doing what she can to protect her family from the whims and demands of some particularly callous locals is an ongoing struggle. She forms a plan to go north, to pack up the secrets she's holding about her life in the South and hang them on the line for all to see in Ohio.As the two girls are drawn deeper into a dangerous world of bootleggers and moral corruption, they must come to terms with the complexities of their tenuous bond and a hidden past that links them in ways that could cost them their lives.

    On a scorching day in August 1954, thirteen-year-old Jubie Watts leaves Charlotte, North Carolina, with her family for a Florida vacation. Crammed into the Packard along with Jubie are her three siblings, her mother, and the family's black maid, Mary Luther. For as long as Jubie can remember, Mary has been there cooking, cleaning, compensating for her father's rages and her mother's benign neglect, and loving Jubie unconditionally. Bright and curious, Jubie takes note of the anti-integration signs they pass and of the racial tension that builds as they journey further south. But she could never have predicted the shocking turn their trip will take. Now, in the wake of tragedy, Jubie must confront her parents failings and limitations, decide where her own convictions lie, and make the tumultuous leap to independence.Infused with the intensity of a changing time, here is a story of hope, heartbreak, and the love and courage that can transform us from child to adult, wounded to indomitable.

    Neva Bradley, a third-generation midwife, is determined to keep the details surrounding her own pregnancy—including the identity of the baby’s father— hidden from her family and co-workers for as long as possible. Her mother, Grace, finds it impossible to let this secret rest. For Floss, Neva’s grandmother and a retired midwife, Neva’s situation thrusts her back 60 years in time to a secret that eerily mirrors her granddaughter’s—a secret which, if revealed, will have life-changing consequences for them all. Will these women reveal their secrets and deal with the inevitable consequences? Or are some secrets best kept hidden?

    In 1958, at the height of the Cold War, CIA agent Mack Hooper arrived in the tiny middle-eastern kingdom of Kurash with a mission to befriend and protect its inexperienced young ruler. Now, forty years later, the country no longer exists and Mack’s son Terry is trying to piece together his father’s story. Was he a friend to the young king, or a diplomat-seducer sent to betray him? And what happened to the lost kingdom? Moving deftly between the feudal world of Kurash and the martini-washed enclaves of the American spies, Little America is a riveting and unexpectedly moving tale of honor and betrayal as well as a brilliant evocation of espionage in the darkest days of the Cold War.

     For four young immigrant women living in Boston’s North End in the early 1900s, escaping tradition doesn’t come easy. But at least they have one another and the Saturday Evening Girls Club, a social pottery-making group offering respite from their hectic home lives—and hope for a better future.Ambitious Caprice dreams of opening her own hat shop, which clashes with the expectations of her Sicilian-born parents. Brilliant Ada secretly takes college classes despite the disapproval of her Russian Jewish father. Stunning Maria could marry anyone yet guards her heart to avoid the fate of her Italian Catholic mother, broken down by an alcoholic husband. And shy Thea is torn between asserting herself and embracing an antiquated Jewish tradition.The friends face family clashes and romantic entanglements, career struggles and cultural prejudice. But through their unfailing bond, forged through their weekly gathering, they’ll draw strength—and the courage to transform their immigrant stories into the American lives of their dreams.

    Others scatter them to the wind and hope they land somewhere far away.Judith Kratt inherited all the Kratt family had to offer—the pie safe, the copper clock, the murder no one talks about. She knows it's high time to make an inventory of her household and its valuables, but she finds that cataloging the family belongings—as well as their misfortunes—won't contain her family's secrets, not when her wayward sister suddenly returns, determined to expose skeletons the Kratts had hoped to take to their graves.Interweaving the present with chilling flashbacks from one fateful evening in 1929, Judith pieces together the influence of her family on their small South Carolina cotton town, learning that the devastating effects of dark family secrets can last a lifetime and beyond.

    An exile in a strange country, Janya Kapur has left her wealthy, close-knit Indian family for an arranged marriage to a man she barely knows. Plainspoken Wanda Gray is tired of watching her marriage fail, so she takes a job guaranteed to destroy it--"if" her husband cares enough to discover what she's doing. Since her daughter's death, widow Alice Brooks has grown forgetful and confused. Her son-in-law and granddaughter have come to stay, but Alice isn't sure she's grateful.When the only other resident of Happiness Key dies alone in his cottage, the four women warily join forces to find his family. Together, they discover difficult truths about their own lives and the men they love--and uncover the treasure of an unlikely friendship.

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

    Brendan spends his days happily labouring on building sites and his evenings drinking alone in bars and hooking up with a constant stream of one-night stands. Following a second DUI, Brendan’s peaceful and predictable life ends abruptly and he is forced to go to live in the town of Dover, New Jersey, with his overbearing uncle. There he forms an unlikely friendship with his meek, downtrodden cousin Eileen. Forced into completing his community service, he meets Jonathan Doe, an intriguing man living in a local homeless shelter whose amazing stories of a happy childhood in the Appalachian Mountains captivate him. Within weeks of his arrival in Dover, Brendan loses himself in the strange man’s incredible stories. Fascinated by the fact that Jonathan Doe can no longer remember exactly where he is from, Brendan becomes obsessed with helping his new friend find his way back to the kind of home he himself has always dreamed of. But is Jonathan’s past real or are his memories the product of a deeply troubled mind? The closer Brendan gets to the truth, the more he realises that all is not what it seems with Jonathan Doe.

    Natasha Rowe and her partner Harry Campbell are asked to go under cover to investigate what appears to be a murder. In the process of investigating, Natasha finds herself attracted to lecturer and psychiatrist Taj Jackson. She also realizes that all is not what it appears to be at the school. There are secrets and lies under the veneer of holiness, especially in the life of the dead president.

    He enlists the help of Annika Knopf, his childhood friend and the caretaker’s daughter, who is eager to help the man she’s loved her entire life. But when Max also brings Luzia Weiss, a young Jewish woman, to hide at the castle, it complicates Annika’s feelings and puts their entire plan―even their very lives―in jeopardy. Especially when the Nazis come to scour the estate and find both Luzia and the treasure gone.Eighty years later, Callie Randall is mostly content with her quiet life, running a bookstore with her sister and reaching out into the world through her blog. Then she finds a cryptic list in an old edition of Bambi that connects her to Annika’s story . . . and maybe to the long-buried story of a dear friend. As she digs into the past, Callie must risk venturing outside the safe world she’s built for a chance at answers, adventure, and maybe even new love.

    "Used to" was a graceful home in a historic Charleston neighborhood. Country clubs, cotillions, childhood friends, and a close-knit church group. "Now" is a run-down cottage on an island estate that is no longer in the family. A restaurant job, a cantankerous old truck, and mud on just about everything.But something is wearing DeVeaux down. It's not living on the island, which is actually kind of interesting. And it's not missing her old friends, who have developed an annoying fixation on boys. What really bothers DeVeaux is that being "ruined" has changed her dad into an ill-tempered jerk, and her mother just tiptoes around him. If the good Lord has a plan for saving them, now might be a good time to start.A gritty but gentle drawl of a story, Grace at Low Tide is a tender and evocative portrait of a young girl embracing womanhood. With southern society as her backdrop, Beth Webb Hart paints for us a hard-luck family scrabbling to find its heart again. It is a testimony to the small miracles of love and loyalty--the gifts of grace that manage to keep us all afloat, even at our lowest ebb.