Her boyfriend Brad Stockton - black and from the wrong side of the tracks - was convicted of the murders and sits on death row, though he always maintained his innocence. With his execution only weeks away, his devoted sister, insisting she has spotted Sarah at a local gas station, hires PI Roxane Weary to look again at the case.Reeling from the recent death of her cop father, Roxane finds herself drawn to the story of Sarah's vanishing act, especially when she thinks she's linked Sarah's disappearance to one of her father's unsolved murder cases involving another teen girl. Despite her self-destructive tendencies, Roxane starts to hope that maybe she can save Brad's life and her own.With echoes of Sue Grafton, Dennis Lehane and the hit podcast Serial, The Last Place You Look is the gripping debut of both a bold new voice and character.

    Thing is, you gotta kill it first.”Kevin Pearce—baseball star, honor student, the pride of Brighton—was fifteen when he left town in the back of his uncle’s cab. He and his buddy, Bobby Scales, just committed a heinous act of violence for what they thought were the best of reasons. Kevin didn’t want a pass, but he was getting it anyway. Bobby would stay and face the music; Kevin’s future would remain as bright as ever. At least that was the way things were supposed to work. Except in Brighton, things never work the way they’re supposed to. Twenty-seven years later, Kevin is a Pulitzer Prize-winning journalist for the Boston Globe. He’s never been back to his old block, having avoided his family and, especially, Bobby Scales. Then he learns his old friend is the prime suspect in a string of local murders. All of the sudden Kevin’s headed home—to protect a friend and the secret they share. To report this story to the end and protect those he loves, he must navigate not only an elusive, slippery killer, but his own corrupted conscience.A powerhouse of a thriller, Brighton is a riveting and elegiac exploration of promises broken, debts owed, and old wrongs made right . . . no matter what the cost.

    As a young man, Arthur fled his small Kansas hometown, moved to Detroit, married Celia, and never looked back. But when the 1967 riots frighten him even more than his past, he convinces Celia to pack up their family and return to the road he grew up on, Bent Road, and that same small town where Eve mysteriously died. While Arthur and their oldest daughter slip easily into rural life, Celia and the two younger children struggle to fit in. Daniel, the only son, is counting on Kansas to make a man of him since Detroit damn sure didn't. Eve-ee, the youngest and small for her age, hopes that in Kansas she will finally grow. Celia grapples with loneliness and the brutality of life and death on a farm. And then a local girl disappears, catapulting the family headlong into a dead man's curve...

    A bloody, brilliant and brutal story of murder, kidnap and revenge.Detective Constable Ash Henderson has a dark secret…Five years ago his daughter, Rebecca, went missing on the eve of her thirteenth birthday. A year later the first card arrived: homemade, with a Polaroid picture stuck to the front – Rebecca, strapped to a chair, gagged and terrified. Every year another card: each one worse than the last.The tabloids call him ‘The Birthday Boy’. He’s been snatching girls for twelve years, always just before their thirteenth birthday, sending the families his homemade cards showing their daughters being slowly tortured to death.But Ash hasn’t told anyone about Rebecca’s birthday cards – they all think she’s just run away from home – because if anyone finds out, he’ll be taken off the investigation. And he’s sacrificed too much to give up before his daughter’s killer gets what he deserves…

    But she doesn't know she's lost.Carmel Wakeford becomes separated from her mother at a local children's festival, and is found by a man who claims to be her estranged grandfather. He tells her that her mother has had an accident and that she is to live with him for now. As days become weeks with her new family, 8-year-old Carmel realises that this man believes she has a special gift...While her mother desperately tries to find her, Carmel embarks on an extraordinary journey, one that will make her question who she is - and who she might become.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.Brand-new stories by: Kirsten Tranter, Mandy Sayer, John Dale, Eleanor Limprecht, Mark Dapin, Leigh Redhead, Julie Koh, Peter Polites, Robert Drewe, Tom Gilling, Gabrielle Lord, Philip McLaren, P.M. Newton, and Peter Doyle.From the introduction by John Dale:Nothing lasts in Sydney, especially good fortune: lives are upturned, shops are sold, roads dug up, trees and houses knocked down, premiers discarded, and entire communities relocated in the name of that economic mantra—growth and progress. Just when you think the traffic can’t get any worse and the screech of the 747s descending over your roof can’t get any louder, along comes a wild electrical storm that batters the buildings and shakes the power lines and washes the garbage off the streets and you stand, sheltered under your broken brolly in the center of Sydney, admiring this big beautiful city.What never changes, though, is the hustle on the street. My father was a detective in the vice squad shortly after the Second World War, and he told stories of busting SP bookies in Paddington and Surry Hills, collaring cockatoos stationed in the laneways of South Sydney, and arresting sly-groggers. Policing back then was hands-on for the poor and hands-off for the rich. Crime and Sydney have always been inseparable: a deep vein of corruption runs beneath the surface of even its most respectable suburbs.

    A local surfer named Ray Carlson is found dead in a house not far from Portsea back beach. There’s a silver-handled kitchen knife deep in his chest, and blood everywhere.Detective Sergeant Zoe Mayer is scarcely back from extended leave, and still wrestling with her demons, but she is assigned the case, alongside her new service dog, Harry, whose instincts help her in unexpected ways.There’s an obvious suspect for the murder, and Zoe makes an arrest. But it’s all too neat, and none of Zoe’s colleagues believes her theory that the whole thing is a stitch-up.Except now someone is trying to hunt Zoe down.Superbly plotted, and vividly set in the beachside suburbs and hilly retreats around Melbourne, The Long Game is a mystery about a tough and clever investigator who won’t give up.

    Mysteriously ominous things began to happen—blood in the bed, periods of blackouts, a feeling of being watched—though Bec remained oblivious of what was to come.Eleven years later she is replaced.A young woman, desperate after being arrested, claims to be the decade-missing Bec.Soon the imposter is living Bec's life. Sleeping in her bed. Hugging her mother and father. Learning her best friends' names. Playing with her twin brothers.But Bec's welcoming family and enthusiastic friends are not quite as they seem. As the imposter dodges the detective investigating her case, she begins to delve into the life of the real Bec Winter—and soon realizes that whoever took Bec is still at large, and that she is in imminent danger.

    But it isn't. In fact there's barely an investigation at all, and Superintendent Swann thinks he knows why. Heroin is the new drug in town and the money is finding its way into some very respectable hands.It's the brave or the foolish who accuse their fellow cops of corruption, and sometimes not even Swann is sure which he is. Especially when those he's pointing the finger at have mates in every stronghold of power in the state – big business, organised crime, the government. He might have won the first round by forcing a royal commission, but the judge is an ailing patsy and the outcome seems predetermined. If that's not enough to contend with, Swann's teenage daughter has disappeared, he doesn't know whether she's alive or not, and the word on the street is he's a dead man walking.Line of Sight is classic crime noir, a tale of dark corruption set in a city of sun and heat.

    Her pictures of the musicians and hangers on, the infamous, the damned, and the dead, got her into art galleries and a book deal. But thirty years later she is adrift, on her way down, and almost out. Then an old acquaintance sends her on a mercy gig to interview a famously reclusive photographer who lives on an island in Maine. When she arrives Downeast, Cass stumbles across a decades-old mystery that is still claiming victims, and into one final shot at redemption.

    When a local printer is found dead in his workshop, his body in the shape of an X, Martin and his co-investigator, journalist Lucy Tan, are drawn into a mystery that is stranger than anything they have encountered before. Someone is leaving typographical clues at the scenes of a series of murders. All the trails lead back to Pieter van Floogstraten, a Dutch design genius who disappeared without trace in the 1970s, and who has since been engaged in a mystical scheme to create the world's most perfect font, which is concealed in locations around the globe. But is he really the killer, and how are the crimes connected to his secret font? In solving the mystery, Martin and Lucy may have to expose Martin's hero as a psychopath. The main plot of the novel unfolds in Melbourne, while interleaved chapters set variously in a Tibetan monastery, on the plains of Peru, in London, Naples and Amsterdam, gradually reveal the story of Floogstraten in flashback. Other characters include a noir-style private font investigator, a typographical monk from the Renaissance, a Dutch prog rock group named I Am A Dolphin, and a collective of Italian typo-terrorists. This novel takes the reader into the arcane world of typographers and their typefaces, of symbols, swashes and glyphs, where the difference between a serif and sans serif could mean life and death.

    It is 1952, and new apartheid laws have recently gone into effect, dividing a nation into black and white while supposedly healing the political rifts between the Afrikaners and the English. Tensions simmer as the fault line between the oppressed and the oppressors cuts deeper, but it's not until an Afrikaner police officer is found dead that emotions more dangerous than anyone thought possible boil to the surface.When Detective Emmanuel Cooper, an Englishman, begins investigating the murder, his mission is preempted by the powerful police Security Branch, who are dedicated to their campaign to flush out black communist radicals. But Detective Cooper isn't interested in political expediency and has never been one for making friends. He may be modest, but he radiates intelligence and certainly won't be getting on his knees before those in power. Instead, he strikes out on his own, following a trail of clues that lead him to uncover a shocking forbidden love and the imperfect life of Captain Pretorius, a man whose relationships with the black and coloured residents of the town he ruled were more complicated and more human than anyone could have imagined.The first in her Detective Emmanuel Cooper series, "A Beautiful Place to Die" marks the debut of a talented writer who reads like a brilliant combination of Raymond Chandler and Graham Greene. It is a tale of murder, passion, corruption, and the corrosive double standard that defined an apartheid nation. I

    . . featuring Charlie Howard, who is the very model of a modern master criminal. -The Raleigh News & ObserverCharlie Howard travels the globe writing suspense novels for a living, about an intrepid burglar named Faulks. To supplement his income---and to keep his hand in---Charlie also has a small side business: stealing for a very discreet clientele on commission.When a mysterious American offers to pay Charlie 20,000 euros if he steals two small monkey figurines to match the one he already has, Charlie is suspicious; he doesn't know how the American found him, and the job seems too good to be true. And, of course, it is. Although the burglary goes off without a hitch, when he goes to deliver the monkeys he finds that the American has been beaten to near-death, and that the third figurine is missing.Back in London, his long-suffering literary agent, Victoria (who is naive enough to believe he actually looks like his jacket photo), tries to talk him through the plot problems in both his latest manuscript and his real life---but Charlie soon finds himself caught up in a caper reminiscent of a Cary Grant movie, involving safe-deposit boxes, menacing characters, and, of course, a beautiful damsel in distress.Publishers Weekly called Chris Ewan's The Good Thief's Guide to Amsterdam one of the best books for grownups.

    And safer. But soon her crime-writer ex-boyfriend turns up in town to promote his new novel, in which a woman is found dead — murdered — in a country lake. Hours later, Brigitte watches the police pull a body from the water near her Gippsland home.Her husband, a country cop now, is at the scene, though it’s not his investigation; he’s only helping the Melbourne Homicide Squad. But there’s something he’s not telling Brigitte.With her personal life spiralling out of control once more, and fearing her family is in danger, who can Brigitte turn to? And what if she makes the wrong choice?'Dead in the Water' is about trying to escape the cycle of trauma. It delves into the darkness beneath the surface of fear, betrayal, and revenge, to find a glimmer of hope.

     Murdoch’s doing just fine, thanks for not asking. He’s dealing drugs for a crime syndicate in Sydney and saving for a house by the sea. But what does he think life is, a fairy tale? As the syndicate puts pressure on him to fill the shoes of his murdered boss, Murdoch is cornered by an equally formidable foe: the Australian Tax Office demanding an explanation for his sizeable cash income. Murdoch spins a beautiful lie, telling tax inspector, Hannah Simms, he’s a private detective. When Simms asks him to investigate the mystery of her niece's disappearance, Murdoch grabs what he thinks is a golden opportunity to outrun the syndicate. But his arrival in the missing girl's small coastal home town causes an unexpected stir and the reluctant PI soon realises his troubles are only just beginning. HEADLAND is crime fiction at its best, a small town murder mystery to keep you guessing until the very end. ** THIS IS NOT THE AUSTRALIA YOU’VE SEEN ADVERTISED ** HEADLAND is the first book in the Bill Murdoch Mystery series. Set in Sydney, and small town Australia, this series will appeal to fans of Mick Herron, Peter Temple, Barry Maitland, Ragnar Jonasson, Erik Hamre, Jane Harper, Garry Disher, Mari Hannah, Dave Warner, Jock Serong, Pete Brassett, and Iain Rankin's Rebus novels. Tense and taut. Smart and sharply-observed. This is a cracking new addition to the Aussie crime genre. Bad-boy-turned-local-hero, Bill Murdoch, is back to solve more murder mysteries in the sequels CLASS ACT, and BASE NATURE. Out now!