A locked front door is to an adult what a duvet it is to a child. Once the key is turned in the lock, and once the child is safely snuggled under the duvet, the monsters are kept at bay.Except they’re not. A closed door won’t keep out the boogeymen… And a blanket won’t keep away the monsters. The safety of our cosy homes is a lie. There are bad people out there, who want to do bad things to you in the dead of night, and a locked door isn’t going to stop them. There are bad things already lurking IN our homes; monsters that live in the shadows and in closets, just waiting for you to close your eyes at night.From the real to the supernatural, this collection of stories, held together with a wraparound story, explores all manners of evil that can invade our homes at night.Lock your doors, bolt your windows and sleep with the light on, because THEY are coming to get you….

    Their honeymoon plans go puff as India announces a nationwide lockdown.Months after living under the pressures of joint family, social distancing rules, and work-from-home stress, they get an opportunity to venture out. Viraj plans a trip to the inviting Green Villa for an intimate weekend getaway. But something is lurking beneath the surface.Will it pan out to be the exciting honeymoon that Viraj thinks they desperately need?What is Jhanak scared about?Who is the girl in the Green Villa?Key highlights of the story:• Fast-paced narration• Non-linear storytelling• Interesting twists and turns• Flavours of the supernatural• Imminent dread, doom, and deceit

    Don't open the door. Jake Austin finds himself standing in the middle of a dirt road, looking at an old farmhouse with no memory of how he got there. It isn’t the first time he’s been somewhere and not remember how—but it is the first time he’s woken up alone. Valley Draper has lived in the farmhouse for as long as she can remember. It might be haunted, but nothing comes without a price. When the handsome if not confused Jake comes in like he owns the place, Valley decides quickly that he needs a rude awakening. With a storm coming closer and time ticking away, can Jake find a way back home? Or are he and Valley stuck in a place that is much more than either of them bargained for?

    Fortune. Beauty. Everything except her freedom. So when a powerful movie producer forces an experimental treatment on Grace--one that's purported to make beauty immortal--she stages her own death to escape him. With the help of trusted friends, Grace slips into hiding. She's forever flawless. Forever young, and forever pursued by her past. But when a stranger arrives on her doorstep, holding the key to a life she thought she'd left behind, Grace must decide between the safety she's known...and embracing the role she was born to play.

    After watching it, one of them vanishes...A heart transplant recipient gets much more than he bargained for when he digs into his donor's sinister past...Mourning the death of their son, a young couple is plunged into madness after encountering something otherworldly in the wilderness...DREAMS IN BLACK STATIC is a collection of eight terrifying stories by Ambrose Ibsen, author of The Haunting of Beacon Hill and Asylum. The tales included are:"Me and Mr. Ray" **"Decatur Road" **"Dreams in Black Static" **"Distortional Addict" **"Trim" **"Subterrane Dream" **"Orchard""The Uncanny" **** = Appearing in print for the first time

    Some rend the veil of sleep with heart-stopping madness. Others defy sanity to leave a helpless corner of your mind twitching for release. Sometimes, hours after waking, a nightmare drifts across your memory, tainting your day with wisps of discomfort. NIGHTMARES UNHINGED reveals horror in all its mutable forms—abject to absurd—through twenty tales of terror.Contributors include Mario Acevedo, Edward Bryant, Dustin Carpenter, Sean Eads, Keith Ferrell, Warren Hammond, Jason Heller, Gary Jonas, Stephen Graham Jones, J.V. Kyle, Aaron Michael Ritchey, Jeanne C. Stein, Steve Rasnic Tem, and Dean Wyant. Foreword by New York Times bestseller Steve Alten. Edited by Joshua Viola. Illustrations by Aaron Lovett.A portion of the book's proceeds will be donated to Rocky Mountain Cancer Assistance in honor of Melanie Tem.Contents:Foreword “Terrors In The Night” by Steve AltenIntroduction “Reclaim Your Fears” by Joshua Viola“The Brollachan” by Steve Rasnic Tem“Fangs” by J.V. Kyle“Be Seated” by Keith Ferrell“The Man Who Killed Texas” by Stephen Graham Jones “Scarecrows” by Joshua Viola “Zou Gou” by Mario Acevedo “Needles” by Joshua Viola and Dean Wyant “The Projectionist” by Jason Heller “The Wolf’s Paw” by Jeanne C. Stein “Danniker’s Coffin” by Keith Ferrell “Deep Woods” by Aaron Michael Ritchey “Diamond Widow” by Dustin Carpenter “The Camera” by Joshua Viola “Lost Balls” by Sean Eads “Bathroom Break” by J.V. Kyle “Marginal Ha’nts” by Edward Bryant “Delicioso” by Warren Hammond “The Librarian” by Joshua Viola “Gurgle. Gurgle.” by Mario Acevedo “Taking The Dare” by Gary Jonas Afterword “Melanie Tem: Hubble’s Child” by Edward Bryant

    Or as one gentleman whom had has picture taken at an infamous Old West Cemetery, only to have it developed and discover someone else was in the picture, too—holding a knife. Envision yourself walking along in a cemetery when a tall, handsome young man approaches asking for the location of a crypt. When you politely respond in the negative, he politely thanks you, turns, and disappears. Be cautious visiting a cemetery at dusk for a pack of large, dark-colored hellhounds with fiery red eyes might pass right through the trees as they are running toward you, barking and baying in a terrifying fashion. These stories and more fill the pages of this book. Included are cemetery hauntings from all over the world, including the United States, Ireland, Scotland, Canada, Egypt, Argentina, Mexico, and Czechoslovakia. Infamous hauntings from Greyfriars Kirkyard and Stull Cemetery, as well as countless lesser-known hauntings are guaranteed to unnerve even the bravest of readers. Ghosts of criminals, police chiefs, murder victims, innocent young children, distraught mothers, lonely bachelors, forlorn lovers, a cursed pharaoh and many more are described in this book. All sorts of manifestations are also integrated including ghostly animals, shadows cast by a hangman’s tree no longer there, a screaming skull encased in concrete…these are just a few of the ghostly manifestations you will learn of within these pages. Be prepared to view cemeteries in a whole new light. Don’t read this without all the lights on and think twice before visiting any of these cemeteries without showing the proper respect—you may not come out with your sanity intact. Ready to scare yourself senseless? Scroll to the top of the page and hit buy!

    And then there's the dead people. But even as they are trying to figure out their relationship status, Cassie's godfather and their mutual boss, Steve Crawford, starts to make headway on finding the man he believes murdered his entire family when Steve was just a child.Cassie and Michael are inevitably brought into the ongoing investigation. Meanwhile, the sad spirit of a little boy, probably killed by the same murderer that Steve is pursuing, continues to haunt Cassie. And to make matters worse, Cassie begins to have progressing visions of a deadly hunt where she is the prey. Michael realizes to his chagrin that he can't help her: all they can do is hope that working with Steve and his law enforcement colleagues to find a murderer, might bring an end to the nightmare visions that take Cassie all the way to the gates of hell.

    Now, there's a reason to be. Lux and his younger brother Lunam enjoy the full freedom of the simple life and all the childhood adventures offered by growing up in a small village in a picturesque glen. Life is tranquil, peaceful, and just about perfect—except for one formidable fact... Every day is followed by night. And, with the night, comes the DARKNESS. Slowly shrouding the valley and relentlessly seeping into every nook and cranny on its nightly rampage, the darkness returns to feast on its victims. No man, woman, child, animal—or even, insect—is safe. The darkness consumes all; the darkness's hunger is never satisfied. When the sun falls from the sky, the villagers, young and old, must take to arms, guarding their homes, loved ones, and livestock with every ray of light they can muster. Even young Lux and Lunam are well-soldiered in their responsibilities to safeguard themselves and their parents during the nightly vigil, the nightly fight to live to see another day. It's always been this way—the truths and ritual passed down from generation to generation since ancient times. No one dares question why. Nothing can change the frightening fact of the lives of the villagers or emancipate them from their singular foe—nothing, except a child's imagination and a curiosity as immutable as the darkness's own appetite. There's just one truth guiding every man, woman, and child to strive to see another day: "Darkness Comes but Once a Night."

    Yet. No one believes six-year-old Billie Mae knows how she died. Archivist Andrea Kelley's best friend, police detective William Taka, doesn't believe Andrea is actually conversing with a ghost. And Andrea can’t believe Taka has been doubting her sanity, that she’s scared for the safety of a little girl’s ghost, and that she’s really discovered the trail of a serial killer. Until... She’s relying on strangers to help her investigate, being followed by both the local crime boss and the state cops, fielding phone calls from the dead, and skulking around in the dark, unsure of anyone who crosses her path. Did Billie Mae’s mom kill her? Has Andrea’s bestie run away when she needs him most? How many more kids and cops will die before everyone believes it’s murder?

    Do not expect the "usual" tale filled with blood running down the walls, demons jumping out of closets, heads pivoting while spewing pea soup or seances with levitating mediums. Instead, the horror that lived in the House in the Country began slowly and quietly. It gradually built in intensity until living there became unbearable.The author's family, normal by any criteria, began to earn an unfair reputation as "devil worshipers" and "kooks". Despite efforts by various psychics and clergymen to ease the pressure, the house eventually won. When emotional and psychic shocks turned to physical threats, it became impossible to stay. The book attempts, in diary form, to trace the trajectory of the "haunting".

    As a way of coping with her grief, she keeps him 'alive' in her imagination - talking to him every day, laughing with him, remembering the good times they had together. She thinks she will 'hear' him better if she goes somewhere quieter, away from the hustle and bustle of her hometown, Brighton. Her destination is Glenelk in the Highlands of Scotland, a region her grandfather hailed from and the subject of a much-loved painting from her childhood. Arriving in the village late at night, it is a bleak and forbidding place. However, the house she is renting - Skye Croft - is warm and welcoming. Quickly she meets the locals. Her landlord, Fionnlagh Maccaillin, is an ex-army man with obvious and not so obvious injuries. Maggie, who runs the village shop, is also an enigma, startling her with her strange 'insights'. But it is Stan she instantly connects with. Maccaillin's grandfather and a frail, old man, he is grief-stricken from the recent loss of his beloved Beth. All four are caught in the past. All four are unable to let go. Their lives entwining in mysterious ways, can they help each other to move on or will they always belong to the ghosts that haunt them? From the author of the bestselling The Haunting of Highdown Hall.

    1 cassette / 90 minutesAn Audio Exclusive! For the first time on audio, Anne Rice, the literary phenomenon of the late 20th century, speaks.In the novel that introduced Anne Rice to the world, Interview with the Vampire, a reporter seeks out the facts behind an extraordinary life.  In the years since that publication, Anne Rice has become one of the world's bestselling authors and has herself been the subject of countless interviews, profiles, and a full-length biography.  Yet who Anne Rice is, and the beliefs, fascinations, desires, fears, and passions that inspire her work, remains an endlessly fascinating topic.Now, for the first time ever in an audio format, Anne Rice discusses -- with her longtime friend, Michael Riley -- everything from her latest novels to her relationship to some of her characters; from the relationship of movies and music to her work to issues about gender, eroticism, religion, personal freedom, adolescent sexuality, and more...

    Or how about unexplainably feeling like you’re being watched when you’re completely alone? Things disappearing for no reason or strange ghostly footsteps in the hall? This book is a collage of short stories about a few of the otherworldly experiences I’ve had. Although they are not movie worthy, you may find them interesting. All the stories are %100 true. Nothing has been added for dramatic effect.

    Desperate to win back his father’s approval, the boy hatches a plan involving his father’s love of slasher films. If the boy can become a real-life slasher right out of the movies, it just might be an opportunity to make his father proud again, no matter what the cost.In Iain Rob Wright’s “The Reckoning,” the year is 2035 and people live inside their individual worlds. Amelie’s ‘pod’ is a marvel of tech-centric existence, taking care of her every need. But when a serial killer that the press have named ’The Reckoning’ comes calling for Amelie, her futuristic living space turns deadly.In William Malmborg's "Billy's Blade," a budding serial killer bites off more than he can chew when he tries to stab Stacy Collins to death on the Prairie Path. A ruthless investigative journalist, Stacy goes on the offensive, goading the killer with unflattering articles, all in hopes of sparking a second encounter. Will Billy and Stacy meet again?Jeff Strand’s “Twentieth Anniversary Screening” recounts the grisly events surrounding the terrible slasher flick THE ROOFER, remembered only because an obsessed fan tried to reenact the murders as they played out on the screen. When the same theater shows the film twenty years later, will the warnings that this is a really, really bad idea be justified?