Offers a behind-the-scenes look at the creation of EPCOT, a showcase of urban planning, technological developments, and world cultures

    He announced to the public his grandiose plans for the thousands of acres he had secretly purchased.For the eighteen months prior to the announcement, Walt entrusted a small group of men to covertly make these purchases. Next, they were tasked with drafting a legislative act to submit to the state of Florida that would allow Disney to wield nearly absolute legal control over the property under a quasi-government municipality.Staying true to its storytelling roots, Disney wove a tale of mystery centered around a high-ranking CIA operative, who was rumored to have been, just a few short years before, the paymaster behind the Bay of Pigs Invasion in Cuba.This savvy and well-connected CIA agent became the de facto leader for the group of Disney executives and attorneys who orchestrated and executed a nearly perfect plan to keep Disney’s identity a secret from the public by utilizing aliases, shell corporations, and meandering travel itineraries, all in an effort to protect the company’s identity during the land acquisition process.As told through the personal notes and files from the key figures involved in the project, Buying Disney’s World details the story of how Walt Disney World came to be, like you’ve never heard before.From conception to construction and everything in between—including how a parcel of land within Disney’s Fort Wilderness Resort was acquired during a high-stakes poker game—explore how the company most famous for creating Mickey Mouse acquired central Florida’s swamps, orange groves, and cow pastures to build a Disney fiefdom and a Magic Kingdom.

    Packed with photos, Baham's book contains everything there is to know about the Mansion, with never-before-told stories and comprehensive coverage of the Haunted Mansion's colorful past and its chilling presence at Disneyland, Walt Disney World, and other Disney theme parks.The Machine in the GhostsBeginning with the Haunted Mansion's original (but never realized) incarnation as "Bloodmere Manor", Baham pulls back the shroud on the clever effects that haunt the Mansion, including Ken Anderson's plan for a cyclorama-enhanced Headless Horseman, Yale Gracey and Rolly Crump's creative wizardry and "happy accidents", Bob Gurr's Doom Buggies, the technology behind Madame Leota's crystal ball, and the controlled chaos of the Ballroom Scene.You'll learn why X. Atencio's idea for a raven narrator was ditched in favor of the now infamous Ghost Host, whether a screaming man caught in a spider web once dwelt in the Mansion, and how technology exorcised the Hatbox Ghost.Only Ghost Stories, of CourseThere's more to the Mansion than mere mechanics. More than perhaps any other Disney attraction, the Haunted Mansion is powered by story: the scenes and spirits you witness from your Doom Buggy all play roles in the overall narrative of the Mansion, and if you don't know the story, you'll miss out on a lot of the fun, and a few of the scares, too.Baham clues you in about such things as why the Mansion is there, who built it, how it became haunted, and the dastardly deeds done by some of its residents in their corruptible, mortal states.A Taste of What's InsideFrom the comfort of your Doom Buggy you'll read: How Walt's boyhood experience with the haunted Sauer Castle may have inspired Disneyland's Haunted Mansion Insider accounts of the creative clashes between Disney Imagineers over whether the Mansion's haunts should be humorous or horrific An analysis of the ride, scene by scene, with insight into how the effects work, delightfully eerie trivia, and anecdotes from Mansion Imagineers and Cast Members The stories behind some of the Mansion's many denizens, including the Hatbox Ghost, the Knight, the Sea Captain, the Raven, the unhappy couple Constance and George, and the Ghost Host himself Extensive, exclusive commentary by Mansion designer Rolly Crump A summary of the most notable Mansion collectibles released by Disney over the years There's always room for one more, and this time you're it: come experience the Haunted Mansion with the "lights on" and learn its ghostly history, its sinister secrets, and why this Disney attraction continues to happily haunt fans young and old.Cory Doctorow [BoingBoing.net]: Baham is one of the most trusted, established experts on the Haunted Mansion, a trufan’s trufan.Guillermo del Toro [Award-winning film director, co-creator The Strain]: Having delved into Disney lore for decades and having been immersed in the Haunted Mansion world since age 3, I thought I knew pretty much everything there is about my favorite Disneyland ride ever. I was wrong. Prepare to be enchanted, bewildered and mesmerized by this beat-by-beat account of the Haunted Mansion’s creation. A haunted tour that is both scholarly and thrilling. An “E” ticket ride to the darkest, most glorious regions of Disney’s imagination!

    He was both a creative visionary and a dynamic entrepreneur, roles whose demands he often could not reconcile.In his compelling new biography, noted animation historian Michael Barrier avoids the well-traveled paths of previous biographers, who have tended to portray a blemish-free Disney or to indulge in lurid speculation. Instead, he takes the full measure of the man in his many aspects. A consummate storyteller, Barrier describes how Disney transformed himself from Midwestern farm boy to scrambling young businessman to pioneering artist and, finally, to entrepreneur on a grand scale. Barrier describes in absorbing detail how Disney synchronized sound with animation in Steamboat Willie; created in Snow White and the Seven Dwarfs sympathetic cartoon characters whose appeal rivaled that of the best live-action performers; grasped television’s true potential as an unparalleled promotional device; and—not least—parlayed a backyard railroad into the Disneyland juggernaut.Based on decades of painstaking research in the Disney studio’s archives and dozens of public and private archives in the United States and Europe, The Animated Man offers freshly documented and illuminating accounts of Disney’s childhood and young adulthood in rural Missouri and Kansas City. It sheds new light on such crucial episodes in Disney’s life as the devastating 1941 strike at his studio, when his ambitions as artist and entrepreneur first came into serious conflict.Beginning in 1969, two and a half years after Disney’s death, Barrier recorded long interviews with more than 150 people who worked alongside Disney, some as early as 1922. Now almost all deceased, only a few were ever interviewed for other books. Barrier juxtaposes Disney’s own recollections against the memories of those other players to great effect. What emerges is a portrait of Walt Disney as a flawed but fascinating artist, one whose imaginative leaps allowed him to vault ahead of the competition and produce work that even today commands the attention of audiences worldwide.

    All of the telltale signs are there: the sound of joyful music pipes across the promenade; the smells of popcorn and cookies waft through the air; and the colorful attraction posters depict all the wonderful rides and shows created for Guests by the Imagineers. Poster Art of the Disney Parks is a tribute to those posters, which begin telling the story of each attraction even before Guests have entered the queue area. Disney attraction posters have been an important means of communication since Disneyland began displaying them in 1956. Not only are they eye-catching pieces of artwork that adorn the Parks with flair and style, they are also displayed to build excitement and disseminate information about the newest additions to the Disney landscape. When the first attraction posters made their debut at Disneyland, one such piece of art proclaimed that Guests could have a “true-life adventure” on the Jungle Cruise. And in 2012 at Disney California Adventure, a poster announced the grand opening of Cars Land—the newest thrill-filled destination at the Disneyland Resort. Both of those posters are reproduced within this book, along with posters from every decade in between. As evidenced by the evolution of the attraction posters, art styles and design techniques have certainly changed over the years. These characteristics also differ from continent to continent. Posters from Tokyo Disneyland, Hong Kong Disneyland, and Disneyland Paris exhibit the nuances in presentation that give each Park’s pantheon of posters its signature look. But while artistic interpretations and color palettes may vary from Park to Park and from year to year, the spirit of Disney storytelling is a constant that ties them all together.

    Four-color throughout.

    The stylishness and vibrant color of Disney films in the early 1940s through mid-1950s came primarily from artist Mary Blair. In her prime, she was an amazingly prolific American artist who enlivened and influenced the not-so-small worlds of film, print, theme parks, architectural decor, and advertising. At its core, her art represented joyful creativity and communicated pure pleasure to the viewer. Her exuberant fantasies brimmed with beauty, charm, and wit, melding a child's fresh eye with adult experience. Blair's personal flair comprised the imagery that flowed effortlessly and continually for more than a half a century from her brush. Emulated by many, she remains inimitable: a dazzling sorceress of design and color.

    A celebration of a century of Disney features the antics of Mickey, Donald, and the gang, while also celebrating the corporation's many groundbreaking moves, such as the jump to television and the most recent revitalization of the company.

    Tracing the relationship of the Disney parks to their historical forebears, Designing Disney's Theme Parks: The Architecture of Reassurance charts Disneyland's evolution from one man's personal dream to a multinational enterprise, a process in which the Disney "magic" has moved ever closer to the real world. This is a unique perspective on one of the great post-war American icons.

    It's where visitors go to cajole, connive, and most of all, complain. Guests cry. They lie. Some even collapse to the floor. For these unhappy campers, Annie Salisbury was the power behind the pixie dust. Her tell-all will shock and amaze.From her unhappy start as a DisneyQuest cast member, Annie worked her way through the theme parks to Guest Relations, and then Magic Kingdom tour guide. Along the way she made friends, she made enemies; she delighted some guests, disappointed others; she discovered the vast gulf behind the public face of Disney and the backstage cauldron of politics, jealousy, and betrayal.Annie's witty, incisive memoir is a fascinating tale of day-to-day interaction with the people behind the pixie dust, and the pushy public who want some of it, no matter what: Share the pain of Annie's disastrous stints at DisneyQuest and the Great Movie Ride Learn the ins and outs of Walt Disney World Guest Relations Stand behind the counter at City Hall in Magic Kingdom and meet some of the craziest guests ever to set foot in the park Tag along with one of Annie's Magic Kingdom tour groups Meet a rogue's gallery of cast members who come to work each day to create magic ... for themselves WALT DISNEY WORLD GUEST RELATIONS: WHERE PIXIE DUST TURNS TO ACID RAIN

    This unprecendented look at the creative processes behind the scenes at the Disney studio offers a wealth of magnificent animation art from uncompleted films stored in the vast Disney Archives. Photos.

    animator Chuck Jones at the Disney Studios Why two women you've never heard of were among Walt's most important influences Walt's admiration for and brief collaboration with legendary artist Salvador Dali Walt and Lillian Disney's raucous 30th wedding anniversary celebration in Frontierland How Walt's early infatuation with polo led to an injury that plagued him for the rest of his life The story of Cinderella's Golden Carrousel and the Disney craftswoman who tended it for decades Walt's fondness for chili and cold weenies, with authentic recipes to create his favorite dishesAnd over twenty more!With a foreword by Walt's daughter Diane Disney Miller, "The Revised Vault of Walt" is your chance to roam the nooks and crannies of Disney culture in the capable hands of Disney historian, master storyteller, and former Cast Member Jim Korkis. As Diane Disney Miller herself writes, Jim's stories are ..".authentic, so true to my dad's spirit, so unprejudiced and non-judgmental, that I ... could see the twinkle in dad's eye, hear his laugh.""The Revised Vault of Walt" consists of four parts, each with seven memorable tales about Walt, Disney films, Disney theme parks, and the many other worlds of Disney. In addition, there's a bonus section about Disney's controversial film "Song of the South" to herald Jim's new book, "Who's Afraid of the Song of the South? And Other Forbidden Disney Stories," also from Theme Park Press and now available on Amazon.Note to readers of the old edition: "The Revised Vault of Walt" omits several of Jim's stories and replaces them with new tales. The book has been professionally copy edited and features a brand-new layout - not to mention a much lower price. But please do remember that most of the content here was also present in the old edition.Jim Korkis is the best-selling author of Vault of Walt, and has been researching and writing about Disney for over three decades. The Disney Company itself uses his expertise for special projects. Korkis resides in Orlando, Florida.

    Wallace provides a lighthearted but scholarly look at each attraction in the Magic Kingdom’s Adventureland, Frontierland, Liberty Square, Fantasyland, Tomorrowland, and Main Street, U.S.A., including the parades and fireworks show. Far from being mere “amusements,” these attractions provide a complex, multi-layered narrative that can be experienced and appreciated just like a great novel, play, or film. The book will fascinate Disney buffs with the surprising insights into old favorites while offering newcomers to the Disney magic a much richer experience during their first Disney days. This updated third edition, new for 2020, adds coverage of The Muppets Present... Great Moments in American History, the new Happily Ever After fireworks, and the Trump-era Hall of Presidents. Additionally, Wallace has written brand-new entries for Pirates of the Caribbean and Walt Disney's Carousel of Progress, diving much deeper than the previous editions did. Other expanded and revised entries include: Jungle Cruise, Dumbo the Flying Elephant, and Cinderella Castle. The book has been updated from front to back to reflect the very latest at Walt Disney World. The 2020 edition also sports gorgeous new cover art and an all-new layout.

    They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Introducing new biographical material about the artists and including largely unpublished artwork from the depths of the Walt Disney Archives and the Disney Animation Research Library, this volume offers a window into the most inspiring work created by the best Disney artists during the studio's early golden age.They Drew as They Pleased is the first in what promises to be a revealing and fascinating series of books about Disney's largely unexamined concept artists, with six volumes spanning the decades between the 1930s and 1990s. Copyright ©2015 Disney Enterprises, Inc. All rights reserved.

    Although Disneyland opened in 1955, its culinary history dates back to 1923 when Walt Disney first arrived in Hollywood. Walt was a simple eater yet a big dreamer. By 1934, four years before his first feature film, Snow White and the Seven Dwarfs, would be released, Mickey Mouse had made him famous enough to have a recipe published in Better Homes & Gardens magazine. Ask fans what Walt's favorite food was and most will say, "Chili." Chili has a cult status at Disneyland. People want to eat what Walt ate, the way he ate, where he ate it.