Voth throws himself into his work, obsessively researching the life of Jack Sheppard, a legendary eighteenth century thief. No one knows Jack’s true story—his confessions have never been found. That is, until Dr. Voth discovers a mysterious stack of papers titled Confessions of the Fox. Dated 1724, the manuscript tells the story of an orphan named P. Sold into servitude at twelve, P struggles for years with her desire to live as “Jack.” When P falls dizzyingly in love with Bess, a sex worker looking for freedom of her own, P begins to imagine a different life. Bess brings P into the London underworld where scamps and rogues clash with London’s newly established police force, queer subcultures thrive, and ominous threats of an oncoming plague abound. At last, P becomes Jack Sheppard, one of the most notorious—and most wanted—thieves in history. Back in the present, Dr. Voth works feverishly day and night to authenticate the manuscript. But he’s not the only one who wants Jack’s story—and some people will do whatever it takes to get it. As both Jack and Voth are drawn into corruption and conspiracy, it becomes clear that their fates are intertwined—and only a miracle will save them both. An imaginative retelling of Brecht’s Threepenny Opera, Confessions of the Fox blends high-spirited adventure, subversive history, and provocative wit to animate forgotten histories and the extraordinary characters hidden within.

    Ian is just like Avi, but he is also all sunshine, optimism, and magic. All the things that Avi doesn't know how to deal with...yet.A romantic, #ownvoices fairy tale for trans boys.

    One boy's love of a soldier leads to the death of a stranger. The present takes a bittersweet journey into the past when a man revisits the summer school where he had "an accidental romance." And a forgotten mother writes a poignant letter to the teenage daughter she hasn't seen for fourteen years.Poised between the past and the future are the stories of now. In nontraditional narratives, short stories, and brief graphics, tales of anticipation and regret, eagerness and confusion present distinctively modern views of love, sexuality, and gender identification. Together, they reflect the vibrant possibilities available for young people learning to love others—and themselves—in today's multifaceted and quickly changing world.

    So it’s no wonder then that he’s spent his career crafting them on the long-running reality dating show Ever After. As the most successful producer in the franchise’s history, Dev always scripts the perfect love story for his contestants, even as his own love life crashes and burns. But then the show casts disgraced tech wunderkind Charlie Winshaw as its star. Charlie is far from the romantic Prince Charming Ever After expects. He doesn’t believe in true love, and only agreed to the show as a last-ditch effort to rehabilitate his image. In front of the cameras, he’s a stiff, anxious mess with no idea how to date twenty women on national television. Behind the scenes, he’s cold, awkward, and emotionally closed-off. As Dev fights to get Charlie to connect with the contestants on a whirlwind, worldwide tour, they begin to open up to each other, and Charlie realizes he has better chemistry with Dev than with any of his female co-stars. But even reality TV has a script, and in order to find to happily ever after, they’ll have to reconsider whose love story gets told.In this witty and heartwarming romantic comedy—reminiscent of Red, White & Royal Blue and One to Watch—an awkward tech wunderkind on a reality dating show goes off-script when sparks fly with his producer.

    . . except for one tiny issue. When his sister Delia comes home to find him trying on her clothes, he fears her judgment, but she only fears his fashion choices. One quick makeover later, Declan is transformed into Delia’s mysterious cousin Layla and dragged to the party of the year, hosted by Carter, the most popular boy in school.When Carter meets Layla, he fumbles to charm her. He adores her sense of humor and her poise. But when she vanishes in the middle of the night, he’s left confused and determined to solve the mystery of who she is.As their school year begins, their high school embraces a policy of intolerance, and both Declan and Carter know they must stand up. Carter is tired of being a coward and wants to prove he can be a knight in shining armor. Declan is sick of being bullied and wants desperately to be himself. If they team up, it could be a fairy-tale ending, or a very unhappy ever after.

    But despite their talent, emotional scars from an incident with a homophobic classmate and their grandmother's spiraling dementia make it harder and harder for Carey to find their voice.Then Carey meets Cris, a singer/guitarist who makes Carey feel seen for the first time in their life. With the rush of a promising new romantic relationship, Carey finds the confidence to audition for the role of Elphaba, the Wicked Witch of the West, in the school musical, setting off a chain reaction of prejudice by Carey's tormentor and others in the school. It's up to Carey, Cris, and their friends to defend their rights--and they refuse to be silenced.Told in alternating chapters with identifying pronouns, debut author Steven Salvatore's Can't Take That Away is both a romance, and an affirmation of self-identity.

    After getting another “lateral promotion” by a supervisor who barely remembers his name, it’s suggested that Arthur try to ‘make friends’ and ‘get noticed’ in order to move up the ladder. It’s like high school all over again: his attempts to be friendly come across as awkward and creepy, and no one wants to sit at the same table with him at lunch. In a last-ditch attempt to be seen as friendly and outgoing, he decides to make friends with The Alien, aka Agent Martin Grove, known for his strange eating habits, unusual reading choices, and the fact that no one has spoken to him in three years. Starting with a short, surprisingly interesting conversation on sociology books, Arthur slowly begins to chip away at The Alien’s walls using home-cooked meals to lure the secretive agent out of his abrasive shell. Except Martin just might be something closer to an actual secret agent than paper-pusher Arthur is, and it might be more than hearts at risk when something more than friendship begins to develop. Please note this book has a Heat Rating of zero.

    Among them is Tyler Heyward, a 23-year-old recent college graduate in need of funds to pay for med school. As their relationship shifts from business to friendship, Tyler falls for Asher and finds himself caught between the things he thought he wanted and the things he hasn’t allowed himself to dream about. Working together, they get to know each other’s dreams. Set in the backdrop of Detroit’s revival, Idlewild is a story about love and healing.

    Speculative fiction is the literature of questions, of challenges and imagination, and what better to question than the ways in which gender and sexuality have been rigidly defined, partitioned off, put in little boxes? These seventeen stories explore the ways in which identity can go beyond binary from space colonies to small college towns, from angels to androids, and from a magical past to other worlds entirely, the authors in this collection have brought to life wonderful tales starring people who proudly define (and redefine) their own genders, sexualities, identities, and so much else in between.

    He recovers from bitter disappointment and gradually life returns to a regular rhythm. Safe and predictable. Every day he gains confidence, but with health comes boredom. From the window ledge, he watches people outside and wishes he could be like them. There's another side to Luke. Underneath his bed are five hidden pairs of jeans with matching Dr Martens: yellow, purple, striped, green and tartan. Some days he feels the itch to get them out. Nope. Those days are gone. One day, an amazing thing happens. Dynamic blog artist Formaldehyde Bob comes to town with an exhibition of light and dark! Luke has crushed on him since being fifteen, idolising the man and his unusual creations. Something about the art calls to Luke like nothing else, makes him believe there might after all be someone out there who thinks in the same way. A soul mate. A bird with a similar song. No. Luke isn't going to go and see Formaldehyde Bob. He isn't. Because he's happy with his monotonous lot and doesn't want to see hope sliding down a mountain of sand. Will Luke take a chance and visit Formaldehyde Bob? Can the jeans ever be worn again? Does grumpy Barbara ever smile? And the most important question: is there any magic left in the world? Find out in this snowy tale of young love in the most unexpected places. Content warning: references to self-harm, mental illness.

    Those words don’t comfort Emily, because she was born Christopher and her insides know that her outsides are all wrong.They say that it gets better, be who are you and it’ll be fine. For Emily, telling her parents who she really is means a therapist who insists Christopher is normal and Emily is sick. Telling her girlfriend means lectures about how God doesn’t make that kind of mistake.Emily desperately wants high school in her small Minnesota town to get better. She wants to be the woman she knows is inside, but it’s not until a substitute therapist and a girl named Natalie come into her life that she believes she has a chance of actually Being Emily.A story for anyone who has ever felt that the inside and outside don’t match and no one else will understand...

    Now, at last, The Essential Dykes to Watch Out For gathers a “rich, funny, deep and impossible to put down” (Publishers Weekly) selection from all eleven Dykes volumes. Here too are sixty of the newest strips, never before published in book form.Settle in to this wittily illustrated soap opera (Bechdel calls it “half op-ed column and half endless serialized Victorian novel”) of the lives, loves, and politics of a cast of characters, most of them lesbian, living in a midsize American city that may or may not be Minneapolis.Her brilliantly imagined countercultural band of friends -- academics, social workers, bookstore clerks -- fall in and out of love, negotiate friendships, raise children, switch careers, and cope with aging parents.Bechdel fuses high and low culture -- from foreign policy to domestic routine, hot sex to postmodern theory -- in a serial graphic narrative “suitable for humanists of all persuasions.”

    A high school art history teacher, newly single and desperately lonely, he envies his queer students their freedom to live openly the youth he lost to fear and shame.   So when he runs into his childhood friend Oscar Burnham at a wedding in Washington, D.C., he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in a decade. But Oscar has no interest in their shared history. Instead, he’s outraged by what he sees as the death of gay culture: bars overrun with bachelorette parties; friends getting married, having babies. While Oscar and Sebastian struggle to find their place in a rapidly changing world, each is drawn into a cross-generational friendship that treads the line between envy and obsession: Sebastian with one of his students and Oscar with an older icon of the AIDS era. And as they collide again and again, both men must come reckon not just with one another, but with themselves. Rich with sharply drawn characters and contemporary detail, provocative, and emotionally profound, Let’s Get Back to the Party is sure to appeal to readers of Garth Greenwell, Alan Hollinghurst, Claire Messud, and Rebecca Makkai.

    Amy Wagner names him—and she would know best. Amy knows all kinds of things that Dean doesn’t understand—things about sex, music, and the darker side of life. All Dean knows is his safe suburban home with his parents, books, and imaginary games. Until now, he’s been able to hide his true identity, even from himself. To the rest of the world, he is a teenage girl—an awkward, boyish teenage girl, but a girl nonetheless. Meeting Amy changes everything. Soon that protected world around him begins to fall apart, and he is left with no other option but to face himself and the truth. I Know Very Well How I Got My Name chronicles Dean’s clumsy progression through the American public school system. It is the 90’s and early 2000’s, in suburban Syracuse, New York—a world in which LGBTQ bullying is not yet a hot topic in schools, and there is little tolerance for outsiders of any kind. A prequel to the award-winning novel Refuse, Elliott DeLine’s second book is about the prevailing myths surrounding bullying and abuse, and the hardships of being young and transgender without a community, support, or a roadmap.

    He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.