I Loved You More is a rich, expansive tale of love, sex, and heartbreak, covering twenty-five years in the life of a striving, emotionally wounded writer. In New York, Ben forms a bond of love with his macho friend and foil, Hank. Years later in Portland, a now ill Ben falls for Ruth, who provides the care and devotion he needs, though they cannot find true happiness together. Then Hank reappears and meets Ruth, and real trouble starts. Set against a world of struggling artists, the underground sex scene of New York in the 1980s, the drab, confining Idaho of Ben’s youth, and many places in between, I Loved You More is the author’s most complex and wise novel to date.

    He's picked on because he likes boys, and fighting gets him kicked out of public school. As a last resort, his parents place him in St. Thomas Aquinas Catholic Boarding School for Boys.At his first mass at St. Thomas he sees Avery Dendritch, a senior who serves as altar boy during the service. When they meet, the attraction between them is hard to deny. The two become fast friends, and as the school year progresses, their friendship deepens until Jacob feels he's found a place where he belongs.But the other students gossip about their growing relationship. Avery can ignore them; Jacob can't. As the rumors and slurs start up again, can he curb his temper, or will his fighting get him expelled from St. Thomas, too?

    old boy named Tyler Morris, who auditions for a student film to win the heart of Billy Greske, the school's celebrity thespian. The plan seems promising until Tyler’s bipolar best friend Jenny offers love advice and a local skater takes interest in Tyler as well. Furthering complications, Tyler's estranged mother, a clairvoyant circus clown, returns home to win back the love of her family.

    So cut off from the rest of the world that even the Internet is blocked, Rosary is a town named by Catholics but run by evangelicals (and the evangelicals aren’t particularly happy about that). It’s a town on very formal relations with its neighbors, one that doesn’t have much traffic in or out and that boasts an oil refinery as well as a fairly sizable population of teenagers.For Helen and her friends, the Tire Yard, sex, and beer are the best ways to pass the days until they turn eighteen and can leave Sky County. Her best friends, Win and Rainbolene, late arrivals to Rosary, are particularly keen to depart—Rain in part because she’ll finally be able to get the hormones she needs to fully become herself. Watching over them is Aunt Bev, an outcast like the kids, who runs the barely tolerated Psychic Encounter Shoppe. As time passes, though, tensions are amping up for everyone: and threats against the Psychic Encounter Shoppe become actions. What these flawed, lovable characters in Tupelo Hassman’s gods with a little g discover about one another in the process will reshape how they think about trust and family, and how to make a future you can see.

    After twenty years under the Pygmalion-like direction of his older partner Walter, Aaron at last decides it is time to stop letting life happen to him and to take control of his own fate. But soon after establishing himself in San Francisco—where he alternates between a shoddy garage apartment and the absurdly ramshackle ESL school where he teaches—Aaron sees that real freedom will not come until he has made peace with his memories of Morton, Minnesota: a cramped town whose four hundred souls form a constellation of Aaron’s childhood heartbreaks and hopes.After Aaron’s father died in the town parade, it was the larger-than-life misfits of his childhood—sardonic, wheel-chair bound dwarf named Clarence, a generous, obese baker named Bernice, a kindly aunt preoccupied with dreams of The Rapture—who helped Aaron find his place in a provincial world hostile to difference. But Aaron’s sense of rejection runs deep: when Aaron was seventeen, Dolores—Aaron’s loving, selfish, and enigmatic mother—vanished one night with the town pastor. Aaron hasn’t heard from Dolores in more than twenty years, but when a shambolic PI named Bill offers a key to closure, Aaron must confront his own role in his troubled past and rethink his place in a world of unpredictable, life-changing forces.Lori Ostlund’s debut novel is an openhearted contemplation of how we grow up and move on, how we can turn our deepest wounds into our greatest strengths. Written with homespun charm and unceasing vitality, After the Parade is a glorious new anthem for the outsider.

    On TV the guy always gets the girl. As Carlos watched, he recalled Sal, the supposedly gay guy at school. It was then that the idea first popped into his brain: If Sal truly were queer...could he possibly help Carlos?...Not to propose to Roxy, of course -- at least not yet -- but to get her to maybe like him?

    Hailed for its searing emotional insights, and for the astonishing originality with which it weaves together personal history, cultural essay, and readings of classical texts by Sophocles, Ovid, Euripides, and Sappho, The Elusive Embrace is a profound exploration of the mysteries of identity.  It is also a meditation in which the author uses his own divided life to investigate the "rich conflictedness of things," the double lives all of us lead.Daniel Mendelsohn recalls the deceptively quiet suburb where he grew up, torn between his mathematician father's pursuit of scientific truth and the exquisite lies spun by his Orthodox Jewish grandfather; the streets of manhattan's newest "gay ghetto," where "desire for love" competes with "love of desire;" and the quiet moonlit house where a close friend's small son teaches him the meaning of fatherhood.  And, finally, in a neglected Jewish cemetery, the author uncovers a  family secret that reveals the universal need for storytelling, for inventing myths of the self.  The book that Hilton Als calls "equal to Whitman's 'Song of Myself,'" The Elusive Embrace marks a dazzling literary debut.

    They’ve been living in poverty under the tyrannical regime of their own elite familias for the last two-hundred years, ever since their generation ship landed on the planet and found it already populated by earlier Earth settlers, the Skanians, who banished them to the inhospitable south.Increasingly shamed by the decisions of their ancestors, the Skanians seek to open their borders. But dissent exists on both sides, and in the midst of this explosive political situation, a dead body appears on the island.Bengt, a Skanian investigator, is shipped to Santuario to lead the murder investigation—which, he quickly realizes, the local teniente wants nothing to do with. As far as Bengt is concerned, things can’t get worse than the brutal climate, his own memories, and a growing attraction to a partner who will barely say two words to him. But then he and Alex run afoul of the local familias, and the problems with their investigation and their budding relationship seem like nothing compared to just getting out of this whole mess alive.

    The book is an urgent recall of heartbreak, a stark portrait of an identity in crisis.

    Bordering on obsessed and unable to make sense of her solitary life, she heads cross-country without a word, resolved to cultivate a new persona by creating her own kind of amnesia. But as time goes by, she is unable to deny hers truest self. Targeted media.

    He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

    Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business.Phil is a vicious sadist, with a seething contempt for weakness to match his thirst for dominance; George has a gentle, loving soul. They sleep in the room they shared as boys, and so it has been for forty years. When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX

    Over the course of the summer of 1965, Linda Rosenkrantz taped conversations between three friends (two straight, one gay) on the cusp of thirty vacationing at the beach: Emily, an actor; Vince, a painter; and Marsha, a writer. The result was Talk, a novel in dialogue. The friends are ambitious, conflicted, jealous, petty, loving, funny, sex- and shrink-obsessed, and there’s nothing they won’t discuss. Topics covered include LSD, fathers, exes, lovers, abortions, S&M, sculpture, books, cats, and of course, each other. Talk was ahead of its time in recognizing the fascination and significance of nonfamily ties in contemporary life. It may be almost fifty years since Emily, Vince, and Marsha spent the season in East Hampton, but they wouldn’t be out of place on the set of Girls or in the pages of a novel like Sheila Heti’s How Should a Person Be?

    The book is a fierce satire of the gay ghetto and a touching story of one man's desperate search for love there, and reading it today is a fascinating look at how much, and how little, has changed.

    Rough, sexy, humorous, and authentic, B-Boy Blues is a first-rate love story.