A loving home, shared with squabbling siblings, overseen by devoted parents. Yet in other ways it was the precise opposite: a revolving door of TV camera crews and documentary makers, a world of extreme discipline, of siblings vanishing in the night.Megan Phelps-Roper was raised in the Westboro Baptist Church - the fire-and-brimstone religious sect at once aggressively homophobic and anti-Semitic, rejoiceful for AIDS and natural disasters, and notorious for its picketing the funerals of American soldiers. From her first public protest, aged five, to her instrumental role in spreading the church's invective via social media, her formative years brought their difficulties. But being reviled was not one of them. She was preaching God's truth. She was, in her words, 'all in'.In November 2012, at the age of twenty-six, she left the church, her family, and her life behind. Unfollow is a story about the rarest thing of all: a person changing their mind. It is a fascinating insight into a closed world of extreme belief, a biography of a complex family, and a hope-inspiring memoir of a young woman finding the courage to find compassion for others, as well as herself.

    That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.The copying and translation of this ancient book—the greatest discovery of the greatest book-hunter of his age—fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.

    Patrick is far more inspiring than the myths. In St. Patrick of Ireland, Philip Freeman brings the historic Patrick and his world vividly to life. Patrick speaks in his own voice in two remarkable letters he wrote about himself and his beliefs, new translations of which are included here and which are still astonishing for their passion and eloquence. Born late in the fourth century to an aristocratic British family, Patrick’s life was changed forever when he was abducted and taken to Ireland just before his sixteenth birthday. He spent six grueling years there as a slave, but the ordeal turned him from an atheist into a true believer. After a vision in which God told him he would go home, Patrick escaped captivity and, following a perilous journey, returned safely to Britain to the amazement of his family. But even more amazing to them was his announcement that he intended to go back to Ireland to spend the rest of his life ministering to the people who had once enslaved him. Set against the turbulent backdrop of the British Isles during the last years of the Roman Empire, St. Patrick of Ireland brilliantly brings to life the real Patrick, a man whose deep spiritual conviction and devotion helped to transform a country.

    McCarthyism was on the run, and movements on the political left were grabbing headlines. The media lampooned John Birchers's accusations that Dwight Eisenhower was a communist puppet. Mainstream America snickered at warnings by California Congressman James B. Utt that barefooted Africans were training in Georgia to help the United Nations take over the country. Yet, in Utt's home district of Orange County, thousands of middle-class suburbanites proceeded to organize a powerful conservative movement that would land Ronald Reagan in the White House and redefine the spectrum of acceptable politics into the next century.Suburban Warriors introduces us to these people: women hosting coffee klatches for Barry Goldwater in their tract houses; members of anticommunist reading groups organizing against sex education; pro-life Democrats gradually drawn into conservative circles; and new arrivals finding work in defense companies and a sense of community in Orange County's mushrooming evangelical churches. We learn what motivated them and how they interpreted their political activity. Lisa McGirr shows that their movement was not one of marginal people suffering from status anxiety, but rather one formed by successful entrepreneurial types with modern lifestyles and bright futures. She describes how these suburban pioneers created new political and social philosophies anchored in a fusion of Christian fundamentalism, xenophobic nationalism, and western libertarianism.While introducing these rank-and-file activists, McGirr chronicles Orange County's rise from nut country to political vanguard. Through this history, she traces the evolution of the New Right from a virulent anticommunist, anti-establishment fringe to a broad national movement nourished by evangelical Protestantism. Her original contribution to the social history of politics broadens--and often upsets--our understanding of the deep and tenacious roots of popular conservatism in America.

    Arnade's raw, deeply reported accounts cut through today's clickbait media headlines and indict the elitists who misunderstood poverty and addiction in America for decades.After abandoning his Wall Street career, Arnade decided to document poverty and addiction in the Bronx. He began interviewing, photographing, and becoming close friends with homeless addicts, and spent hours in drug dens and McDonald's. Then he started driving across America to see how the rest of the country compared. He found the same types of stories everywhere, across lines of race, ethnicity, religion, and geography.The people he got to know, from Alabama and California to Maine and Nevada, gave Arnade a new respect for the dignity and resilience of what he calls America's Back Row--those who lack the credentials and advantages of the so-called meritocratic upper class. The strivers in the Front Row, with their advanced degrees and upward mobility, see the Back Row's values as worthless. They scorn anyone who stays in a dying town or city as foolish, and mock anyone who clings to religion or tradition as naive.As Takeesha, a woman in the Bronx, told Arnade, she wants to be seen she sees herself: "a prostitute, a mother of six, and a child of God." This book is his attempt to help the rest of us truly see, hear, and respect millions of people who've been left behind.

    The book traces the history of three families: the working-class African-American Twymons, the working-class Irish McGoffs, and the middle-class Yankee Divers. It gives brief genealogical histories of each families, focusing on how the events they went through illuminated Boston history, before narrowing its focus to the racial tension of the 1960s and the 1970s. Through their stories, Common Ground focuses on racial and class conflicts in two Boston neighborhoods: the working-class Irish-American enclave of Charlestown and the uneasily integrated South End.

    They were helpless. It sounds like a familiar story, but these people were not African. They were Irish, and they were slaves before African slavery became widespread. This is their story.

    Here is a literary love song that will entrance anyone who has lived in—or spent time—in the greatest of American cities. A masterful evocation of the city that never sleeps, The Colossus of New York captures the city’s inner and outer landscapes in a series of vignettes, meditations, and personal memories. Colson Whitehead conveys with almost uncanny immediacy the feelings and thoughts of longtime residents and of newcomers who dream of making it their home; of those who have conquered its challenges; and of those who struggle against its cruelties. Whitehead’s style is as multilayered and multifarious as New York itself: Switching from third person, to first person, to second person, he weaves individual voices into a jazzy musical composition that perfectly reflects the way we experience the city. There is a funny, knowing riff on what it feels like to arrive in New York for the first time; a lyrical meditation on how the city is transformed by an unexpected rain shower; and a wry look at the ferocious battle that is commuting. The plaintive notes of the lonely and dispossessed resound in one passage, while another captures those magical moments when the city seems to be talking directly to you, inviting you to become one with its rhythms. The Colossus of New York is a remarkable portrait of life in the big city. Ambitious in scope, gemlike in its details, it is at once an unparalleled tribute to New York and the ideal introduction to one of the most exciting writers working today.From the Hardcover edition.

    Constitution was amended to restrict one of America’s favorite pastimes: drinking alcoholic beverages. From its start, America has been awash in drink. The sailing vessel that brought John Winthrop to the shores of the New World in 1630 carried more beer than water. By the 1820s, liquor flowed so plentifully it was cheaper than tea. That Americans would ever agree to relinquish their booze was as improbable as it was astonishing. Yet we did, and Last Call is Daniel Okrent’s dazzling explanation of why we did it, what life under Prohibition was like, and how such an unprecedented degree of government interference in the private lives of Americans changed the country forever. Writing with both wit and historical acuity, Okrent reveals how Prohibition marked a confluence of diverse forces: the growing political power of the women’s suffrage movement, which allied itself with the antiliquor campaign; the fear of small-town, native-stock Protestants that they were losing control of their country to the immigrants of the large cities; the anti-German sentiment stoked by World War I; and a variety of other unlikely factors, ranging from the rise of the automobile to the advent of the income tax. Through it all, Americans kept drinking, going to remarkably creative lengths to smuggle, sell, conceal, and convivially (and sometimes fatally) imbibe their favorite intoxicants. Last Call is peopled with vivid characters of an astonishing variety: Susan B. Anthony and Billy Sunday, William Jennings Bryan and bootlegger Sam Bronfman, Pierre S. du Pont and H. L. Mencken, Meyer Lansky and the incredible—if long-forgotten—federal official Mabel Walker Willebrandt, who throughout the twenties was the most powerful woman in the country. (Perhaps most surprising of all is Okrent’s account of Joseph P. Kennedy’s legendary, and long-misunderstood, role in the liquor business.) It’s a book rich with stories from nearly all parts of the country. Okrent’s narrative runs through smoky Manhattan speakeasies, where relations between the sexes were changed forever; California vineyards busily producing “sacramental” wine; New England fishing communities that gave up fishing for the more lucrative rum-running business; and in Washington, the halls of Congress itself, where politicians who had voted for Prohibition drank openly and without apology. Last Call is capacious, meticulous, and thrillingly told. It stands as the most complete history of Prohibition ever written and confirms Daniel Okrent’s rank as a major American writer.

    For millennia, the world's great ethical and religious traditions taught that true happiness lies in pursuing virtue and accepting limits. But now, unbound from these stubborn traditions, we are free to choose whichever way of life we think is most optimal — or, more often than not, merely the easiest. All that remains are the fickle desires that a wealthy, technologically advanced society is equipped to fulfill.The result is a society riven by deep conflict and individual lives that, for all their apparent freedom, are marked by alienation and stark unhappiness.In response to this crisis, Ahmari offers twelve questions for us to grapple with — twelve timeless, fundamental queries that challenge our modern certainties. Among them: Is God reasonable? What is freedom for? What do we owe our parents, our bodies, one another? Exploring each question through the life and ideas of great thinkers, from Saint Augustine to Howard Thurman and from Abraham Joshua Heschel to Andrea Dworkin, Ahmari invites us to examine the hidden assumptions that drive our behavior and, in so doing, to live more humanely in a world that has lost its way.Editorial Reviews“[The Unbroken Thread] merits attention . . . because Ahmari is a notable combatant in the fight on the American right for the future of conservatism.”—The New York Times Book Review“Ahmari’s elegantly written book matters because it seeks to give moral voice to what so far has mainly been a populist scream against the values of elite liberalism.”—Bret Stephens, The New York Times“A scholarly rebuke to the fashionable currents of our rootless age. . . . Salted with an intellectual breadth and curiosity, expressed with exceptional clarity.”—The Times (London)“A formidable combination of storytelling and philosophy that might change your life.”—The Times (London), Audiobook of the Week“A vital and provocative read. . . . Designed to satisfy the curiosity of those wondering whether there is more to life than rootless independence, The Unbroken Thread is an easy read, while still meaty enough to reward those already sympathetic to tradition’s insights. . . . Studded with little gems of historical and philosophical intrigue.”—The Telegraph (London)“[Ahmari] is a master storyteller. . . . Readers of Sohrab Ahmari’s new book will be grateful to him for reminding us of how serious the loss [of our traditions] could turn out to be.”—First Things“Even those who reject Ahmari’s categories and conclusions will still admire and be edified by the stories he has to tell.”—National Review“A triumph of intellectual hagiography that leads the reader confidently into deep waters.”—Commentary“Ahmari proposes a path out of the chaos in our culture today, discerning the reasons of the heart and promoting moral excellence. He frames the questions we all need to ponder and identifies many topics that families and religious leaders need to address — the sooner, the better.”—The New Criterion“Sohrab Ahmari’s latest book presents compelling critiques of the modern understanding of human freedom.”—The American Conservative“An extended, carefully worded invitation to share in the treasures of Western civilization.”—Claremont Review of Books“Ahmari’s prose is always clear, and he manages to articulate sophisticated arguments without ever sounding academic or getting lost in minutia.”—Washington Examiner“The Unbroken Thread will be of great service to Americans who have been deprived of their moral and philosophical inheritance by a shallow educational establishment. . . . Ahmari introduces a generation (and more) to the spiritual patrimony of which they have been robbed. And he does it in the gentlest way possible, knowing its riches may dazzle eyes that have too long alighted on only the rusted scrap of utilitarian liberalism.”—Spectator USA“The urgent need for this work cannot be doubted. For as Ahmari concludes his reflections, the social trends that fill parents like him with unease also come into sharper focus.”—National Catholic Register“The quality that makes [Ahmari] a valuable thinker for our current moment is the same one that made him write this book in the way that he did: his willingness to take risks.”—City Journal“Honestly, if there were another hundred Sohrab Ahmaris, or even just a dozen, the Church in the US would be transformed. . . . [A] humane and combative book.”—The Catholic Herald“Fiercely intelligent. . . . Bristling with ideas and insights, this is a book to engage theologians and general readers alike.”—Church Times (London)“Intriguing and insightful. . . . The Unbroken Thread is clearly the result of wide reading and reflection. . . . While Ahmari’s arguments are easy to read, copying and sending them to your older children is even easier.”—Catholic World Report“Although Ahmari is gentle with the reader, his aim is daring. He seeks nothing less than to build a city of heroes. . . . [His] verve and punchy style will make any educated reader rethink or think more about our society’s shaky foundations. Better yet, it might even make a saint or two.”—The University Bookman“The Unbroken Thread is a most welcome invitation to take both wisdom and tradition seriously again, to see in tradition an indispensable vehicle for conveying and sustaining wisdom about the things that truly matter. In that regard, Ahmari’s very fine book is profoundly countercultural.”—The Public Discourse“The book recalls . . . C.S. Lewis's Mere Christianity, a guide for the skeptical everyman to the traditionalist's position.”—The Washington Free Beacon“The Unbroken Thread is simply tradition issuing a series of reminders to Western liberalism. And yet we’d be remiss if we didn’t attend closely to the conceptual contours traced by Ahmari’s highly readable book.”—Human Events“The Unbroken Thread is an achievement in scholarship, journalism, and entertainment. . . . If you’re feeling 'exhausted' or just looking for refreshment and renewed energy, read The Unbroken Thread.”—The Catholic Thing“Well-written, thoughtful and true arguments.”—UnHerd“The Unbroken Thread is persuasive because it is a father’s working-out of a vision worth imparting to his child. Ahmari’s love for his son is a gateway to the book’s universal concerns.”—Arc Digital“With The Unbroken Thread, New York Post op-ed editor Sohrab Ahmari has given us a beautifully written book that makes classical and Christian thought intelligible, relevant, and attractive to contemporary readers.”—Providence Magazine“Ahmari is speaking to all of us as the children we are, appealing to our reason, as well as to our eternal selves. He petitions that part of us that, like children, reaches out to the sky, the universe, the heavens, and pleads for some glimpse of true meaning. We beggars at the altar of mercy have tried everything we could think of, have indulged in every kind of fulfillment, prioritized every pursuit, and still none of them can equate to the glory of God's love.”—The Post Millennial“Ahmari’s eminently readable book is a rediscovery of time-tested wisdom.”—The Daily Signal“The Unbroken Thread is not a polemic; it is an intellectual journey told as a series of cozy, fireside chats. . . . It satisfies what the late critic Harold Bloom considered the reader’s strongest, most authentic motive: 'the search for a difficult pleasure.’ ”—The Imaginative Conservative“While Ahmari’s new book is certainly well-written, it does not leave readers feeling comfortable. Instead, it challenges readers, conservative and progressive alike, to examine not just their opinions but their habits — and those of their civilization. . . . It is both poignant and edifying.”—The European Conservative“Ahmari deftly blends history, biography, and philosophy to propose answers to the questions he sets himself.” —SemiduplexAdvance Praise“Sohrab Ahmari offers more than a vivid and learned defense of traditionalism. With fatherly love, he leads his son—and us—on a fearless consideration of life’s big questions, taking thinkers of many historical times and circumstances as interlocutors. Along the way, he recovers truths about the nature and flourishing of the human person—truths seemingly in danger of being forgotten in our contentious and uncertain times.”—Timothy Cardinal Dolan, Archbishop of New York“Ahmari’s tour de force makes tradition astonishingly vivid and relevant for the here and now. Only a writer with Ahmari’s intellect, his audacious commitment to faith and reason, and a journalist’s gift for storytelling could have pulled this off.” —Rod Dreher, bestselling author of Live Not by Lies and The Benedict Option“A serious—and seriously readable—book about the deep questions that our shallow age has foolishly tried to dodge.”—Douglas Murray, bestselling author of The Madness of Crowds and The Strange Death of Europe“As having a child instantly teaches us, it’s no longer about you. Ahmari uses his personal experience, but then broadens out to draw on wisdoms of all ages and faiths. He jars us out of our selfie-obsessed world with the clear message that commitment to faith, to others, and to humanity is actually the most liberating existence of all.”—Martha MacCallum, anchor, The Story on Fox News, and author, Unknown Valor: A Story of Family, Courage, and Sacrifice from Pearl Harbor to Iwo Jima“In this fascinating book, Sohrab Ahmari eloquently articulates what many American Founders understood and the French revolutionaries forgot: that faith is essential for freedom to truly flourish, and that we abandon the wisdom of the past at great peril to our future. Traditional Jews, Christians, and all who care about the future of the West are in his debt.” —Rabbi Meir Soloveichik, director, Straus Center for Torah and Western Thought, Yeshiva University“In a time of widespread confusion and uncertainty about the meaning of life, Sohrab Ahmari makes a strong case for the truth and relevance of traditional values, virtues, and beliefs. This is a unique and hopeful book that reminds us that the human person is made for great and beautiful things — far more than the vision of life offered by our society today.”—Most Reverend José H. Gomez, Archbishop of Los Angeles“Drawing on the deepest wells of ancient and modern wisdom from around the world, The Unbroken Thread weaves together essential lessons desperately needed to guide a new generation into an uncertain future. Written with love as a legacy for his young son, Sohrab Ahmari has produced a gift for all of us.” —Patrick J. Deneen, professor of political science, University of Notre Dame, and author of Why Liberalism Failed“Sohrab Ahmari has been thinking for himself since arriving from Iran as a youth. Paradoxically, he has thought himself back into the heart of our best traditions and has seen, with striking clarity, that the modern quest for total liberation of the intellect and will is both quixotic and damaging, individually and collectively. This clever and engaging work is the result; the dozen questions it asks are fresh, and the answers it gives are powerfully persuasive.” —Adrian Vermeule, Ralph S. Tyler, Jr. Professor of Constitutional Law, Harvard Law School

    NBC News and MSNBC correspondent Jacob Soboroff was among the first journalists to expose the truth of what their lives were like on the inside after seeing them firsthand. His widely shared reports in June 2018 ignited public scrutiny that contributed to the President reversing his own policy by Executive Order, and earned Soboroff the Cronkite Award for Excellence in Political Broadcast Journalism and the 2019 Hillman Prize for Broadcast Journalism.In Separated, Soboroff weaves together his own experience unexpectedly covering this national issue with other key figures in the drama he met along the way, including feuding administration officials responsible for tearing apart and then reuniting families, and the parents and children who were caught in the middle. He reveals new and exclusive details of how the policy was carried out, and how its affects are still being felt. Today, there is still not a full accounting of the total number of children the President ripped away from their parents. The exact number may never be known, only that it is in the thousands. Now the President is doubling down on draconian immigration policies, including threatening to hold migrant families indefinitely and making tens of thousands applying for asylum wait in some of Mexico’s most dangerous cities. Separated is required reading for anyone who wants to understand how Trump and his administration were able to carry out this inhumane policy, and how so many missed what was happening before it was too late. Soboroff lays out compassionately, yet in the starkest of terms, its human toll, and makes clear what is at stake in the 2020 presidential election.

    But on April 13, 1873, a small army of white ex–Confederate soldiers, enraged after attempts by freedmen to assert their new rights, killed more than sixty African Americans who had occupied a courthouse. With skill and tenacity, The Washington Post’s Charles Lane transforms this nearly forgotten incident into a riveting historical saga. Seeking justice for the slain, one brave U.S. attorney, James Beckwith, risked his life and career to investigate and punish the perpetrators—but they all went free. What followed was a series of courtroom dramas that culminated at the Supreme Court, where the justices’ verdict compromised the victories of the Civil War and left Southern blacks at the mercy of violent whites for generations. The Day Freedom Died is an electrifying piece of historical detective work that captures a gallery of characters from presidents to townspeople, and re-creates the bloody days of Reconstruction, when the often brutal struggle for equality moved from the battlefield into communities across the nation.

    But in her speech she was in a mood to consider her life, her legacy, her departure from the country she was now triumphantly returning to. “I was a devil in other countries, and I was a little devil in America, too,” she told the crowd. Inspired by these few words, Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance.Abdurraqib writes prose brimming with jubilation and pain, infused with the lyricism and rhythm of the musicians he loves. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.

    W. E. B. Du Bois (1868–1963) played a key role in developing the strategy and program that dominated early 20th-century black protest in America. In this collection of essays, first published together in 1903, he eloquently affirms that it is beneath the dignity of a human being to beg for those rights that belong inherently to all mankind. He also charges that the strategy of accommodation to white supremacy advanced by Booker T. Washington, then the most influential black leader in America, would only serve to perpetuate black oppression.Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.

    He arrived with a pistol, 88 bullets, and hopes of starting a race war. Dylann Roof’s massacre of nine innocents during their closing prayer horrified the nation. Two days later, some relatives of the dead stood at Roof’s hearing and said, “I forgive you.” That grace offered the country a hopeful ending to an awful story. But for the survivors and victims’ families, the journey had just begun.In Grace Will Lead Us Home, Pulitzer Prize-winning journalist Jennifer Berry Hawes provides a definitive account of the tragedy’s aftermath. With unprecedented access to the grieving families and other key figures, Hawes offers a nuanced and moving portrait of the events and emotions that emerged in the massacre’s wake.The two adult survivors of the shooting begin to make sense of their lives again. Rifts form between some of the victims’ families and the church. A group of relatives fights to end gun violence, capturing the attention of President Obama. And a city in the Deep South must confront its racist past. This is the story of how, beyond the headlines, a community of people begins to heal.An unforgettable and deeply human portrait of grief, faith, and forgiveness, Grace Will Lead Us Home is destined to be a classic in the finest tradition of journalism.