Steven Kellogg's hilarious retelling and irresistible illustrations bring fresh delight to this timeless classic of chain reaction panic.

    

    P. Miller's graphic, colorful farm animals seem to jump right off the page--but they aren't jumping to help the Little Red Hen plant her wheat! Young children will learn a valuable lesson about teamwork from this funny, favorite folktale.

    Arlene Mosel and Blair Lent's classic re-creation of an ancient Chinese folktale has hooked legions of children, teachers, and parents, who return, generation after generation, to learn about the danger of having such an honorable name as Tikki tikki tembo-no sa rembo-chari bari ruchi-pip peri pembo.

    "An original nonsense tale told with...spirit and gusto." -- The Horn Book

    She even falls in love with a human named Prince Eric But will the Little Mermaid remain with the prince of her dreams without losing everything she loves?

    Boys and girls ages 2-5 will roar with excitement as they read this retelling of Disney's

    The three little pigs have never looked so cute and the big bad wolf never looked so bad in this retelling of the classic fairy tale! Vintage Disney artwork from the 1940s makes this book an important addition to every Little Golden Book collector’s library.

    A tiny creature comes to save her under the condition that she has three chances to guess his name right.West Indian

    Though her patron is hideous, his disarming generosity slowly leads to a surprising connection. Accessibly and with great compassion, Max Eilenberg sheds fresh light on one of our most beloved fairy tales. Angela Barrett's enchanting illustrations illuminate both the sumptuous palace and the horrifying beast himself. The resulting tour de force reminds us that ultimately love conquers all.

    . . . The illustrations are fraught with delicious humor and detail. Like its predecessor, perfect for several uses, from picture book hour to beginning reading."--Kirkus Reviews. Caldecott Honor Medal.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    Josephine Poole and Angela Barrett have created just such an edition of "Snow White." Beautiful color illustrations throughout.

    In resourceful and humorous fashion, Elizabeth finds the dragon, outsmarts him, and rescues Ronald--who is less than pleased at her un-princess-like appearance. Full color.

    After asking several passing trains for help over the hill, a little blue train agrees to help the stranded toys. Even though she is small, the blue train tries her best to bring the toys to the children on the other side of the hill.