Not only did Dinah O'Dowd face the harsh and unforgiving elements of her background - an upbringing in poverty-stricken 50s Dublin, teenage pregnancy and a lone journey to London, but she also fought like a tigress against the shadows cast across four decades of her life by the dark central figure of her existence, her psychotically abusive husband Gerry. Over the years Dinah suffered repeated physical assault, prolonged mental torture and destructive ignorance, yet successfully raised a family of six and nurtured the unique personality of a world superstar, her son Boy George. Finally she has reached equilibrium in the wake of the death of her husband, and is now ready to tell her story, striking a chord with women everywhere.Unflinchingly honest, heart-rending in the telling and packed with inconsolable tragedy and biting wit, Cry Salty Tears recounts the long and painful journey Dinah had to take. From the moment when she first set eyes on the charming, blue-eyed Gerry, to the first blow he struck when she was pregnant with their child, the suicide attempt that depression and all encompassing fear led her to and ultimately to her release from his psychotic clutches, Cry Salty Tears tells how, despite it all, this extraordinary woman could at last reclaim her life.

    Teas in 1959. The modest little film pushed all preexisting limits of on-screen nudity, and with its success, the floodgates of what was permitted to be shown on film were thrust open, never to be closed again. Russ Meyer ignited a true revolution in filmmaking, breaking all sex, nudity, and violence taboos. In a career that spanned more than forty years, Meyer created a body of work that has influenced a legion of filmmakers, fashionistas, comic book artists, rock bands, and even the occasional feminist. Bringing his anecdote- and action-packed biographical style to another renegade of popular culture, New York Times bestselling author of Shakey Jimmy McDonough offers a wild, warts-and-all portrait of Russ Meyer, the director, writer, producer, and commando moviemaking force behind the sexploitation classics Vixen, Beyond the Valley of the Dolls, Faster, Pussycat! Kill! Kill! and many others. Big Bosoms and Square Jaws blows the lid off the story of Russ Meyer, from the beginning to his recent tragic demise, creating in the process a vivid portrait of a past America.

    Before they teamed up, Dean Martin seemed destined for a mediocre career as a nightclub singer, and Jerry Lewis was dressing up as Carmen Miranda and miming records on stage. But the moment they got together, something clicked—something miraculous—and audiences saw it at once. Before long, they were as big as Elvis or the Beatles would be after them, creating hysteria wherever they went and grabbing an unprecedented hold over every entertainment outlet of the era: radio, television, movies, stage shows, and nightclubs. Martin and Lewis were a national craze, an American institution. The millions (and the women) flowed in, seemingly without end—and then, on July 24, 1956, ten years from the day when the two men joined forces, it all ended.After that traumatic day, the two wouldn’t speak again for twenty years. And while both went on to forge triumphant individual careers—Martin as a movie and television star, recording artist, and nightclub luminary (and charter member of the Rat Pack); Lewis as the groundbreaking writer, producer, director, and star of a series of hugely successful movie comedies—their parting left a hole in the national psyche, as well as in each man’s heart.In a memoir by turns moving, tragic, and hilarious, Jerry Lewis recounts with crystal clarity every step of a fifty-year friendship, from the springtime, 1945 afternoon when the two vibrant young performers destined to conquer the world together met on Broadway and Fifty-fourth Street, to their tragic final encounter in the 1990s, when Lewis and his wife ran into Dean Martin, a broken and haunted old man.In Dean and Me, Jerry Lewis makes a convincing case for Dean Martin as one of the great — and most underrated — comic talents of our era. But what comes across most powerfully in this definitive memoir is the depth of love Lewis felt, and still feels, for his partner, and which his partner felt for him: truly a love to last for all time.

    Leading music writer Graeme Thompson explores the fascinating contradictions between Lynott's unbridled rock star excesses and the shy, sensitive 'orphan' raised in working class Dublin. The mixed-race child of a Catholic teenager and a Guyanese stowaway, Lynott rose above daunting obstacles and wounding abandonments to become Ireland's first rock star. Cowboy Song examines his key musical alliances as well as the unique blend of cultural influences which informed Lynott's writing, connecting Ireland's rich reserves of music, myth and poetry to hard rock, progressive folk, punk, soul and New Wave. Published on the thirtieth anniversary of Lynott's death in January 1986, Thompson draws on scores of exclusive interviews with family, friends, band mates and collaborators. Cowboy Song is both the ultimate depiction of a multi-faceted rock icon, and an intimate portrait of a much-loved father, son and husband.

    This single notion can be recited by everyone who has ever heard of him, but the actual story of his life remains unknown save for a few inaccurate anecdotes. Up Jumped the Devil is the result of over 50 years of research. Gayle Dean Wardlow has been interviewing people who knew Robert Johnson since the early 1960s, and he was the person who discovered Johnson's death certificate in 1967. Bruce Conforth began his study of Johnson's life and music in 1970 and made it his personal mission to try to fill in the gaps in what was still unknown about him. In this definitive biography, the two authors relied on every possible interview, resource and document, most of it material that no one has ever seen before. As a result, this book not only destroys every myth that ever surrounded Johnson, but also tells a very human and tragic story of a real person. It is the first book about Johnson that documents his years in Memphis, details his trip to New York, uncovers where and when his wife Virginia died and the impact this had on him, fully portrays the other women Johnson was involved with, and tells exactly how and why he died and who gave him the poison that killed him. Up Jumped the Devil will astonish blues fans who thought they knew something about Johnson—most of those things are wrong—and will be a great read for anyone interested in blues, black culture and American music.

    Everywhere around him, adults were behaving badly. His parents’ relationship was in freefall so he tried not to spend too much time at home. But outside, there was industrial unrest, football violence, racism and police brutality. As for the music, it was all ‘Save All Your Grandma’s Kisses For My Love Sweet Jesus’. It made him feel physically sick. Then The Jam appeared.This is Ian’s story of that time. Of weekend jobs so that he could go to gigs. Of bunking into the Hammersmith Odeon and ending up on the roof. Of going to see The Jam in Paris and somehow finding himself being interviewed for Melody Maker. Of attempting to keep out of the way of skinheads and trying (and failing) to work out how to talk to girls. And of devastation when in 1982 Paul Weller announced that the band were splitting up. There will never be another band like The Jam. For those who went on that journey with them, the love ran deep. And still does. They helped Ian and thousands like him to grow up – to be someone.

    They say a film is made in the editing room, and this book is easily the most comprehensive, revelatory, and illuminating account of this essential cinematic art. A must-read for both the casual moviegoer and the serious cinephile alike." —Mark HamillA Long Time Ago in a Cutting Room Far, Far Away provides a behind-the-scenes look at some of the most influential films of the last fifty years as seen through the eyes of Paul Hirsch, the Oscar-winning film editor who worked on such classics as George Lucas’s Star Wars and The Empire Strikes Back, Brian De Palma’s Carrie and Mission: Impossible, Herbert Ross’s Footloose and Steel Magnolias, John Hughes’s Ferris Bueller’s Day Off and Planes, Trains & Automobiles, Joel Schumacher’s Falling Down, and Taylor Hackford’s Ray. Hirsch breaks down his career movie by movie, offering a riveting look at the decisions that went into creating some of cinema’s most iconic scenes. He also provides behind-the-scenes insight into casting, directing, and scoring and intimate portraits of directors, producers, composers, and stars.Part film school primer, part paean to legendary filmmakers and professionals, this funny and insightful book will entertain and inform aficionados and casual moviegoers alike.

    2001 is a nonverbal experience?. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content.? The philosophy behind Part I borrows from this line of thinking: from the opening sequence of Killer's Kiss to the final frames of Eyes Wide Shut, Kubrick's complete films will be presented chronologically and wordlessly via frame enlargements. A completely nonverbal experience. Part 2: The Creative Process Divided into chapters chronologically by film, Part 2 brings to life the creative process of Kubrick's filmmaking by presenting a remarkable collection of material from his archives, including photographs, props, posters, artwork, set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules. Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick's best interviews. Special features ? Part 1 features 800 film stills scanned directly from the original prints and interpositives ? Part 2 presents about 800 items from the archives, most of which have never been published before ? essays by Kubrick scholars Gene D. Phillips, Michel Ciment, and Rodney Hill ? selected articles and essays, including interviews with and essays by Stanley Kubrick ? illustrated Kubrickchronology ? audio CD featuring a 70-minute 1966 interview of Stanley Kubrick by Jeremy Bernstein **BONUS** ? books in the first print run will each include a twelve-frame film strip from a 70mm print of 2001: A Space Odyssey owned by Stanley Kubrick Made in cooperation with Jan Harlan, Christiane Kubrick, and the Stanley Kubrick Estate. The editor: Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). Castle also edited TASCHEN's Some Like it Hot. She lives in Paris, home of the world's best cinemas.

    But she fell in (and out of) love too easily. Mickey Rooney married her as a conquest. Artie Shaw treated her like a dumb brunette. Neither marriage lasted a year. Then, after being courted by Howard Hughes and others, along came Sinatra, who was battling his own insecurities--MGM fired him, his record company dropped him, and no one seemed to want him, except Ava.Their encounter led to an affair that broke all the rules of the prudish era. Frank was married with children. Their reputations could be ruined if this got out--and it did, as Frank left his family and pursued Ava across Europe while she taunted him. They married, but then came quarrels, separations, and reconciliations. Finally, there was a divorce, but even afterwards their long, hot, messy, glorious, painful romance stretched right to the finish line.Thoroughly researched and reported, Frank & Ava is not another storybook version of a Hollywood romance but a compelling drama of love and emotional war that left two iconic celebrities wounded for life.

    Wexler has worked with the entire range of American genius: Ray Charles, Aretha Franklin, Otis Redding, Bob Dylan, Willie Nelson, and others. 75 photographs.

    The indispensable consumers' guide to the music of Frank Zappa.A thorough analysis of every officially released album by Frank Zappa and The Mothers Of Invention, from the groundbreaking albums of the Sixties through Zappa's experimental, avant-garde work, to the most recent posthumous releases.Features include...*An album by album analysis...*Information on when and where the music was recorded...*A useful Zappa bibliography*A special section of compilation, archive and posthumous releases*Sixteen page colour section

    chart hit. The band followed it with 40 further albums of consistently challenging, distinctive and innovative music. Drawing on hours of new interviews, and encouraged by Crimson supremo Robert Fripp, the author traces the band’s turbulent history year by year, track by track.

    . . . At the editing table, when I run the strip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood.” Bergman, who has conveyed this heady sense of wonder and vision to moviegoers for decades, traces his lifelong love affair with film in his breathtakingly visual autobiography, The Magic Lantern.More grand mosaic than linear account, Bergman’s vignettes trace his life from a rural Swedish childhood through his work in theater to Hollywood’s golden age, and a tumultuous romantic history that includes five wives and more than a few mistresses. Throughout, Bergman recounts his life in a series of deeply personal flashbacks that document some of the most important moments in twentieth-century filmmaking as well as the private obsessions of the man behind them. Ambitious in scope yet sensitively wrought, The Magic Lantern is a window to the mind of one of our era’s great geniuses.“[Bergman] has found a way to show the soul’s landscape . . . . Many gripping revelations.”—New York Times Book Review“Joan Tate’s translation of this book has delicacy and true pitch . . . The Magic Lantern is as personal and penetrating as a Bergman film, wry, shadowy, austere.”—New Republic“[Bergman] keeps returning to his past, reassessing it, distilling its meaning, offering it to his audiences in dazzling new shapes.”—New York Times“What Bergman does relate, particularly his tangled relationships with his parents, is not only illuminating but quite moving. No ‘tell-all’ book this one, but revealing in ways that much longer and allegedly ‘franker’ books are not.”—Library Journal

    The year was 1951. Dean had recently arrived in Manhattan in search of Broadway stardom. Sheridan was a tall, graceful aspiring dancer. They met one rainy afternoon in the parlor of the Rehearsal Club, a chaperoned boardinghouse for young actresses -- and before long Dizzy and Jimmy were inseparable. Together they hunted for jobs, haunted all-night bars and diners, and gloried in the innocent rebellion of early-'50s bohemian New York. Dizzy Sheridan and James Dean were lovers; they lived together; as even ardent Dean fans may be surprised to learn, they were engaged to be married. But when Dean began to find success on the Broadway stage and then was lured to Hollywood, the couple parted amid tears and broken dreams -- dreams that would be dashed forever when Dean died in a car crash in 1955, not long after seeing Dizzy for the last time.Dizzy & Jimmy marks the first time Liz Sheridan has written about this joyous yet ill-starred romance. She brings us closer than we have ever been to the vibrant young actor before he became a Hollywood icon, capturing his unstudied charm, his complicated psyche, the spontaneous delight he took from the world around him, and the passion he invested in his work and life. It is a journey that takes in many locales, from Dean's boyhood home in Fairmount, Indiana, to Sheridan's recuperative travels through the Caribbean after their breakup. But at its heart Dizzy & Jimmy is the story of a love affair with Manhattan -- of nights spent stealing kisses in Times Square, sharing a walkup in the Hargrave Hotel, dancing after hours beneath the stars in Grand Central Station. And in Sheridan's bittersweet, embraceable telling, it becomes a story no reader, Dean fan or otherwise, will soon forget.

    But the drama on-screen has been matched, and often exceeded, by the lives off-screen."As the title suggests the book covers the history of Hollywood from its origins in the early part of the 20th century through its heyday under the studio system and finally to the Hollywood of CGI and summer blockbusters.