Keita can only be safe if he keeps moving and eludes Hamm and the officials who would deport him to his own country, where he will face almost certain death.This is the new underground. A place where tens of thousands of people deemed to be “illegal” live below the radar of the police and government officials.As Keita surfaces from time to time to earn cash prizes by running local road races, he has to assess whether the people he meets are friends or enemies: John Falconer, a gifted student intent on making a documentary about AfricTown; Ivernia Beech, an elderly woman who is at risk of being forced into an assisted living facility; Rocco Stanton, a recreational marathoner who is the Immigration Minister; Lula DiStefano, self-declared Queen of AfricTown and Madame of the community’s infamous brothel; and Viola Hill, one of the only black reporters in the country, who is investigating the possibility of corruption linking the highest officials in Freedom State and Zantoroland.Keita’s very existence in Freedom State is illegal. As he trains in secret, eluding capture, the stakes keep getting higher. Soon, he is running not only for his life, but his sister’s life, too.Fast-moving and compelling, The Illegal addresses the fate of an undocumented refugee who struggles to survive in a nation that does not want him.

    

    Elyot and Amanda, once married and now honeymooning with new spouses at the same hotel, meet by chance, reignite the old spark and impulsively elope. After days of being reunited, they again find their fiery romance alternating between passions of love and anger. Their aggrieved spouses appear and a roundelay of affiliations ensues as the women first stick together, then apart, and new partnerships are formed.

    Life at the school is not easy, but Seepeetza still manages to find some bright spots. Always, thoughts of home make her school life bearable.An honest, inside look at life in an Indian residential school in the 1950s, and how one indomitable young spirit survived it.

    The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter, and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the ’40s and ’50s.

    Theo dreams of belonging to a “real” family, and her dream seems to come true when she is mysteriously adopted by the large, warm Kaldor family. But as time passes, the magic of Theo’s new life begins to fade, and soon she finds herself back with her mother. Were the Kaldors real or just a dream? And who is the shadowy figure who haunts Theo’s thoughts?

    

    An innocent-seeming birthday party for Stanley turns into a nightmare.The Birthday Party was first performed in 1958 and is now a modern classic. Produced and studied throughout the world.

    Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre with Stanslasky as Trigorin and was an immediate success. Checkhov's description of the play was characteristically self-mocking: "A comedy - 3F, 6M, four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love".Michael Frayn's translation was commissioned by the Oxford Playhouse Company.

    "Never before, in the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever.  The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun.""The events of every passing year add resonance to A Raisin in the Sun," said The New York Times.  "It is as if history is conspiring to make the play a classic."  This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.

    Prior is a man living with AIDS whose lover Louis has left him and become involved with Joe, an ex-Mormon and political conservative whose wife, Harper, is slowly having a nervous breakdown. These stories are contrasted with that of Roy Cohn (a fictional re-creation of the infamous American conservative ideologue who died of AIDS in 1986) and his attempts to remain in the closet while trying to find some sort of personal salvation in his beliefs.

    It is here that Alf Walker, a fixer in the local textile mill like his father before him, lives with his family.It is 1965, and when a large corporation takes over the mill, and workers attempt to unionize, Alf's actions inadvertently set in motion a series of events that will reverberate far into the future and burden him with an unspoken shame. This is also the year when his eldest son, Joe, falls headlong for a girl he first glimpses on a bridge - and his world is overturned by the passion and uncertainty of young love. The bittersweet story of Joe and Anna is juxtaposed against his father's deepening role in the tensions building at the mill and his unsettling connection with a local Native woman, Lucille Boileau. Meanwhile, Alf's wife, Margaret, must reconcile her middle-class English upbringing with her blue-collar reality, as her marriage is undermined by forces she cannot name.Set over the course of a single year, the novel reaches back to the past - to Alf's haunting memories of the Second World War and his brother's death; to the stories of the town's founder, Abraham Shade, and those of the eccentric river man Johnny North.Bemrose weaves an intricate, absolutely spellbinding narrative. Besides the five members of the Walker family, he introduces a large cast of characters, including Archie Mann, Joe's sad and inspiredteacher; Liz McVey, the wilful daughter of the town's richest man; union organizer Malachi Doyle; and Anna Macrimmon, worldly, gifted, mysterious, who turns Joe's world upside down.In The Island Walkers, Bemrose creates a world entire that immediately draws us in. His portrait of the town of Attawan and of the community of people who inhabit it is magnificently drawn, alive with detailed, evocative description. The sense of place, the characters themselves, their conflicts and deepest longings, we cannot help but recognize as our own.Dark, intensely moving, beautifully imagined, this remarkable debut follows one family to the very bottom of their night, only to confirm, in the end, life's regenerative power. Richly textured, at once intimate and epic in scope, The Island Walkers signals the emergence of a new novelist of vision and rare accomplishment.

    Also living in Zurich at this time was a British consula official called Henry Carr, a man acquainted with Joyce through the theater and later through a lawsuit concerning a pair of trousers. Taking Carr as his core, Stoppard spins this historical coincidence into a masterful and riotously funny play, a speculative portrait of what could have been the meeting of these profoundly influential men in a germinal Europe as seen through the lucid, lurid, faulty, and wholy riveting memory of an aging Henry Carr.

    Joining up with three other concerned residents, Angela fights the project, reconnecting with her ancestral roots as she does so. Harrowing, lyrical, and boldly incisive, Solar Storms is a powerful examination of the clashes between cultures and traumatic repercussions that have shaped American history.

    He was thinking about the lynx. The way it had looked at him, acknowledging his existence, then passing out of his life like smoke. . . It was the first thing—the only thing—that had managed, if only for a moment, to displace from his mind the image of the child. He had carried that image with him for a year now, and it had been a weight so great that sometimes he could hardly stand. Mary Lawson’s beloved novels, Crow Lake and The Other Side of the Bridge, have delighted legions of readers around the world. The fictional, northern Ontario town of Struan, buried in the winter snows, is the vivid backdrop to her breathtaking new novel.  Roads End brings us a family unravelling in the aftermath of tragedy: Edward Cartwright, struggling to escape the legacy of a violent past; Emily, his wife, cloistered in her room with yet another new baby, increasingly unaware of events outside the bedroom door; Tom, their eldest son, twenty-five years old but home again, unable to come to terms with the death of a friend; and capable, formidable Megan, the sole daughter in a household of eight sons, who for years held the family together but has finally broken free and gone to England, to try to make a life of her own.  Roads End is Mary Lawson at her best. In this masterful, enthralling, tender novel, which ranges from the Ontario silver rush of the early 1900s to swinging London in the 1960s, she gently reveals the intricacies and anguish of family life, the push and pull of responsibility and individual desire, the way we can face tragedy, and in time, hope to start again.