. .and the nightmare begin?Frank owns a service station on a little-used highway. His granddaughter, Allie, is sent to stay with him for the summer, but they don't talk a lot.Simon is a dreamer and an idealist, in thrall to the romance of the open road and desperately in search of something.Maggie is the woman who will bring them together, someone whose own personal journey will visit unimaginable terror on them all. . .'With echoes of Deliverance and Battle Royale, the Australian outback-set The Hunted is a truly terrifying, breathlessly exciting novel. It gut-punches you in the first few pages and doesn't let you recover until the final, thrilling climax. An extraordinary book.' M. W. CRAVEN What readers are saying: 'A high octane roller-coaster of a novel, brilliantly written with strong characters to cheer for. Just don't read it before going to sleep like I did.''This type of horror/action thriller isn't my usual thing but boy, did I love this book.''This entire book was just pure, fast-paced tension and I loved every insane page of it.''I'd say it's a hard book to put down, but a couple of times I found the suspense heightened enough that I needed a break. That's how good it was.''Even the squeamish would find it difficult to put this book down for very long.'

    . ."Border Districts, purportedly the Australian master Gerald Murnane's final work of fiction, is a hypnotic, precise, and self-lacerating "report" on a life led as an avid reader, fumbling lover, "student of mental imagery," and devout believer--but a believer not in the commonplaces of religion, but rather in the luminescence of memory and its handmaiden, literature.In Border Districts, a man moves from a capital city to a remote town in the border country, where he intends to spend the last years of his life. It is time, he thinks, to review the spoils of a lifetime of seeing, a lifetime of reading. Which sights, which people, which books, fictional characters, turns of phrase, and lines of verse will survive into the twilight? A dark-haired woman with a wistful expression? An ancestral house in the grasslands? The colors in translucent panes of glass, in marbles and goldfish and racing silks? Feeling an increasing urgency to put his mental landscape in order, the man sets to work cataloging this treasure, little knowing where his "report" will lead and what secrets will be brought to light.Border Districts is a jewel of a farewell from one of the greatest living writers of English prose.

    . . . An epic and ambitious mystery set against the vast backdrop of Central Australia, where indigenous and white people live side by side in an uneasy truce.”—Vogue (Australia) “Incorporates geophysical data, race politics and aboriginal spirituality into a seamless, often hilarious stream of narrative. [It] has all the hallmarks of a first of a very successful series with the potential to forge a new sub-genre of detective fiction—that of a feisty, female indigenous sleuth whose intelligence and tenacity prove superior to force and ignorance.”—The Sydney Morning Herald “Witty, knowing, at times downright hilarious. The plot is absorbing and Hyland’s characters are originals. . . . As Emily Tempest untangles the knot of a murder, she also comes to rediscover her past, her belonging and her self.”—Brisbane Courier Mail Emily Tempest, a feisty part-aboriginal woman, left home to get an education and has since traveled abroad. She returns to visit the Moonlight Downs “mob,” still uncertain if she belongs in the aboriginal world or that of the whitefellers. Within hours of her arrival, an old friend is murdered and mutilated. The police suspect a rogue aborigine, but Emily starts asking questions. Emily Tempest, a modern half-aboriginal sleuth, is a welcome successor to Arthur Upfield’s classic detective. Adrian Hyland worked with aboriginal communities in Central Australia for ten years.  He now teaches at LaTrobe University in Melbourne. This is his first novel.

    Some ghastly cataclysm has occurred on the opal fields, but this is a taboo subject. At the heart of the mystery is the cult messiah, Oyster, dressed in white, sexually compelling, and preaching the end of time.

    The woman quotes a phrase from the Karlson fragments that Caddie knows does not exist—and yet to Caddie, who knows Inga Karlson’s work like she knows her name, it feels genuine.Caddie is electrified. Jolted her from her sleepy, no-worries life in torpid 1980s Brisbane, she is driven to investigate: to find the clues that will unlock the greatest literary mystery of the twentieth century

    The new chef has just arrived on set and he is drop dead gorgeous. And despite everything – the sabbatical that Lily and her flatmate Simone are taking from men, the fact that Jack is a work colleague – Lily falls head over heels for him. And while Lily battles her feelings, her flatmate Simone breaks their pact and starts dating some guy from her wholefoods shop. That guy turns out to be Jack. Up close, Lily bravely watches on as romance blossoms between Simone and Jack. Or does it? They don't seem to have much in common, apart from their striking good looks. And Lily and Jack just seem to get each other. Is that the same thing as falling in love? And could she ever dream of betraying a friendship? Lily has to make some difficult decisions about work and home, and realises that if she doesn't take life by the scruff of the neck, she is the one who'll be picked up, shaken and dumped.

    From the author of the award-winning novel Let the Great World Spin and TransAtlantic comes an eponymous novella and three stories that range fluidly across time, tenderly exploring the act of writing and the moment of creation when characters come alive on the page; the lifetime consequences that can come from a simple act; and the way our lives play across the world, marking language, image and each other.Thirteen Ways of Looking is framed by two author’s notes, each dealing with the brutal attack the author suffered last year and strikes at the heart of contemporary issues at home and in Ireland, the author’s birth place.Brilliant in its clarity and deftness, this collection reminds us, again, why Colum McCann is considered among the very best contemporary writers.

    But it isn't. In fact there's barely an investigation at all, and Superintendent Swann thinks he knows why. Heroin is the new drug in town and the money is finding its way into some very respectable hands.It's the brave or the foolish who accuse their fellow cops of corruption, and sometimes not even Swann is sure which he is. Especially when those he's pointing the finger at have mates in every stronghold of power in the state – big business, organised crime, the government. He might have won the first round by forcing a royal commission, but the judge is an ailing patsy and the outcome seems predetermined. If that's not enough to contend with, Swann's teenage daughter has disappeared, he doesn't know whether she's alive or not, and the word on the street is he's a dead man walking.Line of Sight is classic crime noir, a tale of dark corruption set in a city of sun and heat.

    And you can talk about a Mallee tree. And you can talk about the Mallee itself: a land and a place full of red sand and short stubby trees. Silent skies. The undulating scorch of summer plains. Quiet, on the surface of things. But Elise wasn't from the Mallee, and she knew nothing of its ways. Discover the world of a small homestead perched on the sunburnt farmland of northern Victoria. Meet Elise, whose urbane 1950s glamour is rudely transplanted to the pragmatic red soil of the Mallee when her husband returns to work the family farm. But you cannot uproot a plant and expect it to thrive. And so it is with Elise. Her meringues don't impress the shearers, the locals scoff at her Paris fashions, her husband works all day in the back paddock, and the drought kills everything but the geraniums she despises.As their mother withdraws more and more into herself, her spirited, tearaway daughters, Marjorie and Ruby, wild as weeds, are left to raise themselves as best they can. Until tragedy strikes, and Marjorie flees to the city determined to leave her family behind. And there she stays, leading a very different life, until the boy she loves draws her back to the land she can't forget...'In the same vein as Rosalie Ham, Brinsden weaves a compelling story of country Australia with all its stigma, controversy and beauty.' Fleur McDonald

    In a society obsessed with natural history and the discovery of new species, the birdman’s wife was at its glittering epicentre. Her artistry breathed life into hundreds of exotic finds, from her husband’s celebrated collections to Charles Darwin’s famous Galapagos finches.Fired by Darwin’s discoveries, in 1838 Elizabeth defied convention by joining John on a trailblazing expedition to the untamed wilderness of Van Diemen’s Land and New South Wales to collect and illustrate Australia’s ‘curious’ birdlife.From a naïve and uncertain young girl to a bold adventurer determined to find her own voice and place in the world, The Birdman’s Wife paints an indelible portrait of an extraordinary woman overlooked by history, until now.

    Kellyanne’s brother, Ashmol, can’t see them and doesn’t believe they exist anywhere but in Kellyanne’s immature imagination. Only when Pobby and Dingan disappear and Kellyanne becomes heartsick over their loss does Ashmol realize that not only must he believe in Pobby and Dingan, he must convince others to believe in them, too.From the Trade Paperback edition.

    For Whiskey and Charlie Ferns, the two-way alphabet (alpha, bravo, charlie, delta) whispered back and forth over their crackly walkie-talkies is the best they can do. But as the brothers grow up, they grow apart. Whiskey is everything Charlie is not-bold, daring, carefree-and Charlie blames his brother for always stealing the limelight, always striving ahead while seeming to push Charlie back. By the time the twins reach adulthood, they are barely even speaking to each other.When Charlie hears that Whiskey has been in a terrible accident and has slipped into a coma, he is shocked...although perhaps not devastated. But as days and weeks slip by and the chances of Whiskey recovering grow ever more slim, Charlie is forced to look back on their lives and examine whether or not Whiskey's actions were truly as unforgivable as Charlie believed them to be.

    Rex, her adoring husband, bears mostly silent witness as she wrestles with her duties as wife and mother resisting her fate, as their marriage unravels.

    I cannot recommend this book highly enough.' Heather Morris, author of The Tattooist of AuschwitzI have wished so many times that I had acted differently.I wish that I had been more worthy of you...Eventually the war will end, and then we will find each other.Until then, remember me.Budapest, 1938. In a city park, five young Jewish mathematicians gather to share ideas, trade proofs and whisper sedition.Sydney, 2007. Illy has just buried her father, a violent, unpredictable man whose bitterness she never understood. And now Illy's mother has gifted her a curious notebook, its pages a mix of personal story and mathematical discovery, recounted by a woman full of hopes and regrets.Inspired by a true story, Miriam Sved's beautifully crafted novel charts a course through both the light and dark of human relationships: a vivid recreation of 1930s Hungary, a decades-old mystery locked in the story of one enduring friendship, a tribute to the selfless power of the heart.LONGLISTED FOR THE COLIN RODERICK AWARD 2020PRAISE FOR A UNIVERSE OF SUFFICIENT SIZE'A fascinating, compelling, beautifully written novel.' Liane Moriarty, author of Big Little Lies and The Husband's Secret 'A taut, tender novel about family, secrets, genius and survival. Sved shows great insight into the complicated emotional architecture of family created in the aftermath of trauma.' Emily Maguire, author of An Isolated Incident'A superbly structured novel of family, history, secrets, trauma, and mathematics, stretching from 1930s Budapest to Sydney in the 2000s' Andrea Goldsmith'Sved's prose is as sinewy and powerful as her characters - beautifully controlled and full of revealing moments that... glow in the memory.' Cate Kennedy'A beautifully imagined inter-generational portrait of friendship, love and loss, set across three continents.' Julienne van LoonPRAISE FOR MIRIAM SVED'The best kind of storyteller... hypnotic, startling almost.' Clementine Ford, author of Fight Like a Girl and Boys Will Be Boys'At times I found myself being reminded of the American author Jennifer Egan. Both authors share the ability to surprise with character insights, something so traditional yet so mentally refreshing. The prose is limpid yet razor sharp. Highly recommended.' The Australian

    Indiana O'Meara is no stranger to the forces of evil. Her own past is full of violence. Now a policewoman, Indy is always fighting to redeem herself and defeat the dark. So when girls begin to go missing at a remote cattle station in Tasmania, she is quick to agree to go undercover to investigate chief suspect, the owner of Calico Mountain Lodge, Logan Atherton, even though last time she went undercover it came to a bloody end. But her early encounter with Logan Atherton reveals a man full of contradictions. His deep empathy for horses and those he cares for is obvious but he is also taciturn to the point of rudeness, and there is a strange atmosphere at the lodge. It doesn't add up. As Indy begins to dig deeper into the secrets at the Lodge, she finds herself embroiled in a murderous web more complex and terrifying than she could ever have imagined...