Sherman’s death sparks one of the wildest, weirdest adventures he’s ever had… Upon Mr. Sherman’s death, Charles learns the rich old gentleman gave away all his money, leaving only his Victorian mansion and the huge library in the house. His will clearly stipulates the new owner must keep the library intact. Of course, with Mr. Sherman being dead, how would he know or even care about the library? It isn’t until Charles buys the house and discovers someone has stolen items from the library that he understands the significance of keeping the library intact. Mr. Sherman’s letter to the new owner shares the secret of the library—every item in the library is haunted! But how can Charles ever imagine just how deadly the library keeper’s job is…or the blood bath that will follow if he fails to “protect and serve” according to Mr. Sherman’s will?

    He hasn't seen his mother, Faye, since she walked out when he was a child. But then one day there she is, all over the news, throwing rocks at a presidential candidate. The media paints Faye as a militant radical with a sordid past, but as far as Samuel knows, his mother never left her small Iowa town. Which version of his mother is the true one? Determined to solve the puzzle--and finally have something to deliver to his publisher--Samuel decides to capitalize on his mother's new fame by writing a tell-all biography, a book that will savage her intimately, publicly. But first, he has to locate her; and second, to talk to her without bursting into tears. As Samuel begins to excavate her history, the story moves from the rural Midwest of the 1960s to New York City during the Great Recession and Occupy Wall Street to the infamous riots at the 1968 Chicago Democratic National Convention, and finally to Norway, home of the mysterious Nix that his mother told him about as a child. And in these places, Samuel will unexpectedly find that he has to rethink everything he ever knew about his mother--a woman with an epic story of her own, a story she kept hidden from the world.

    As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life – sometimes painfully, but always with ruthless honesty.

    With compassion, wit, and what appears to be candor she seeks to determine what she actually knows about herself and her past, but we begin to suspect, along with her, that given the elusiveness of memory and understanding, any tale retrieved from the past must be fiction.

    There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.

    Nabokov's protagonist, Smurov, is a lovelorn, excruciatingly self-conscious Russian émigré living in pre-war Berlin, who takes his own life after being humiliated by a jealous husband, only to suffer even greater indignities in the afterlife.

    It reminds us once again what an important, necessary talent Dave Eggers is.

    You want a story and I will tell you one...Afghanistan, 1952. Abdullah and his sister Pari live with their father and stepmother in the small village of Shadbagh. Their father, Saboor, is constantly in search of work and they struggle together through poverty and brutal winters. To Abdullah, Pari - as beautiful and sweet-natured as the fairy for which she was named - is everything. More like a parent than a brother, Abdullah will do anything for her, even trading his only pair of shoes for a feather for her treasured collection. Each night they sleep together in their cot, their heads touching, their limbs tangled. One day the siblings journey across the desert to Kabul with their father. Pari and Abdullah have no sense of the fate that awaits them there, for the event which unfolds will tear their lives apart; sometimes a finger must be cut to save the hand. Crossing generations and continents, moving from Kabul, to Paris, to San Francisco, to the Greek island of Tinos, with profound wisdom, depth, insight and compassion, Khaled Hosseini writes about the bonds that define us and shape our lives, the ways in which we help our loved ones in need, how the choices we make resonate through history and how we are often surprised by the people closest to us.

    I hereby declare you Generation A, as much at the beginning of a series of astonishing triumphs and failures as Adam and Eve were so long ago.” — Kurt Vonnegut, Syracuse University commencement address May 8, 1994A brilliant, timely and very Couplandesque novel about honey bees and the world we may soon live in. Once again, Douglas Coupland captures the spirit of a generation….In the near future bees are extinct — until one autumn when five people are stung in different places around the world. This shared experience unites them in a way they never could have imagined.Generation A mirrors 1991’s Generation X. It explores new ways of looking at the act of reading and storytelling in a digital world.

    A dazzling tour de force, Bright Shiny Morning illuminates the joys, horrors, and unexpected fortunes of life and death in Los Angeles.

    Now, in The Girl Who Was Saturday Night, she returns to the grubby, enchanted city with a light and profound tale of the vice of fame and the ties of family.Nineteen years old, free of prospects, and inescapably famous, the twins Nicholas and Nouschka Tremblay are trying to outrun the notoriety of their father, a French-Canadian Serge Gainsbourg with a genius for the absurd and for winding up in prison. “Back in the day, he could come home from a show with a paper bag filled with women’s underwear. Outside of Québec nobody had even heard of him, naturally. Québec needed stars badly.”Since the twins were little, Étienne has made them part of his unashamed seduction of the province, parading them on talk shows and then dumping them with their decrepit grandfather while he disappeared into some festive squalor. Now Étienne is washed up and the twins are making their own almost-grown-up messes, with every misstep landing on the front pages of the tabloid Allo Police. Nouschka not only needs to leave her childhood behind; she also has to leave her brother, whose increasingly erratic decisions might take her down with him.

    Twenty miles away, in Yonkers, seventeen-year-old Kel Keller navigates life as the poor kid in a rich school and pins his hopes on what seems like a promising baseball career. The link between this unlikely pair is Kel’s mother, Charlene, a former student of Arthur’s. Told with warmth and intelligence through Arthur and Kel’s own quirky and lovable voices, Heft is the story of two improbable heroes whose connection transforms both their lives.

    He wants you to feel something too."—The Huffington PostI walked up to the side of the mountain like I used to do when I was a little boy. I looked out over Rainelle and watched it shine. The coal trucks and the logging trucks were still gunning it through town. They were still clear cutting the mountains and cutting the coal from the ground. Then I heard my mother calling and it was like I was a child again.Beginning to read Hill William is like tuning into a blues station at 4:00 a.m. while driving down the highway. Scott McClanahan's work soars with a brisk and lively plainsong, offering a boisterous peek into a place often passed over in fiction: West Virginia, where coal and heartbreak reign supreme. Hill William testifies to the way place creates and sometimes stifles one's ability to hope. It reads like a Homeric hymn to adventure, to the human comedy's upsets and small downfalls, and revels in its whispers of victory. So grab coffee, beer—whatever gets you through the night—and join Scott around the hearth. Lend him your ear, but be warned: you might not want it back.Scott McClanahan's work has appeared in New York Tyrant, Bomb, Vice, and Harper Perennial's Fifty-Two Stories. His books include Stories II and Stories V! In 2013 Two Dollar Radio will release his book Crapalachia.

    This disturbing literary thriller explores what happens when the line between those relationships blurs.Jody Goodman enters psychotherapy with questions of career and love on her mind. But Claire Roth, her therapist, keeps changing the focus of their sessions to Jody's parentage—Jody was adopted; Claire gave up a baby for adoption who would now be exactly Jody's age. As the two women become increasingly involved, speculation turns into certainty, fantasy into fixation. Until suddenly it is no longer clear just which of them needs the other more—or with more terrifying consequences.

    He edited the manuscript just before his death, and these four stories are some of his best known and most powerful work, marking his maturity as a writer. In addition to "First Sorrow," "A Little Woman," and "Josephine the Singer, or the Mouse People" is the title story, "A Hunger Artist," which has been called by the critic Heinz Politzer "a perfection, a fatal fulfillment that expresses Kafka's desire for permanence." The three volumes Twisted Spoon Press has published: Contemplation, A Country Doctor, and A Hunger Artist are the collections of stories that Kafka had published during his lifetime. Though each volume has its own distinctive character, they have most often appeared in English in collected editions. They are presented here as separate editions, in new translations by Kevin Blahut, each with its own illustrator from the Prague community.