Fleeing from pirates, Robinson Crusoe is swept ashore in a storm possessing only a knife, a box of tobacco, a pipe-and the will to survive. His is the saga of a man alone: a man who overcomes self-pity and despair to reconstruct his life; who painstakingly teaches himself how to fashion a pot, bake bread, build a canoe; and who, after twenty-four agonizing years of solitude, discovers a human footprint in the sand... Consistently popular since its first publication in 1719, Daniel Defoe's story of human endurance in an exotic, faraway land exerts a timeless appeal.

    It includes Emily's verse from Poems by Currer, Ellis and Acton Bell, as well as 200 works collected from various manuscript sources after her death in 1848.

    In addition to writing more than two dozen works of fiction, including Kim and The Jungle Book, Kipling was a prolific poet, composing verse in every classical form from the epigram to the ode. Kipling’s most distinctive gift was for ballads and narrative poems in which he drew vivid characters in universal situations, articulating profound truths in plain language. Yet he was also a subtle, affecting anatomist of the human heart, and his deep feeling for the natural world was exquisitely expressed in his verse. He was shattered by World War I, in which he lost his only son, and his work darkened in later years but never lost its extraordinary vitality. All of these aspects of Kipling’s poetry are represented in this selection, which ranges from such well-known compositions as “Mandalay” and “If” to the less-familiar, emotionally powerful, and personal epigrams he wrote in response to the war.

    Here are poems from Hughes's first book, The Hawk in the Rain, and its successor, Lupercal, which introduced him as a major poet; from Wodwo, Crow and Gaudete, book-length poetic sequences in which the natural world is made into a thrilling and terror-filled analogue to our human one; and from six volumes of his maturity, here arranged thematically, in which the poet is at once rural chronicler and form-breaking modern artist. This volume also includes previously uncollected poems and eight poems later incorporated into Birthday Letters, Hughes's meditation in verse on his marriage to Sylvia Plath, which became an international bestseller the year after his death.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Agnes"). For this edition, Stanley Appelbaum has provided a concise Introduction to the Romantic period and brief commentaries on the poets represented. The result is a carefully selected anthology that will be welcomed by lovers of poetry, students and teachers alike.

    The tales collected here represent the essence of the storyteller’s art, with its ancient roots in fantastical legends and tales told around a fire. In Bedtime Stories, great writers of the past two centuries explore the boundaries between the real and the unreal, between waking and dreaming. From the surreal night visions of Nathaniel Hawthorne’s “Young Goodman Brown” to the unspeakable horror that haunts two little girls in A. S. Byatt’s “The Thing in the Forest,” from Washington Irving’s comical “The Legend of Sleepy Hollow” to Ursula K. LeGuin’s sly perspective on Sleeping Beauty in “The Poacher,” these spellbinding stories transform the stuff of fables and fairy tales into high art. Isak Dinesen, Vladimir Nabokov, Angela Carter, Julio Cortázar, Steven Millhauser, Neil Gaiman, Haruki Murakami, and many more mingle their voices in this one-volume gateway to dreams--the perfect bedside companion for fiction lovers everywhere.

    Here is the green and carefree world of a boy who delights in the possibilities of each day, of a child who wrings from every moment a feeling as intensely magical as it is profoundly innocent.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    This Penguin Classics edition of Sonnets and A Lover's Complaint is edited by John Kerrigan.'Shall I compare thee to a summer's day?'The language of Shakespeare's sonnets has become inseparable from the language of love in English; but the force and tenderness of these poems is undiminished by age. When this volume of Shakespeare's poems first appeared in 1609, he had already written most of the great plays that made him famous. The 154 sonnets - all but two of which are addressed to a beautiful young man, 'Mr W.H.', or a treacherous 'dark lady' - contain some of the most exquisite and haunting poetry ever written, and deal with eternal subjects such as love and infidelity, memory and mortality, and the destruction wreaked by Time. Also included is A Lover's Complaint, originally published with the sonnets, in which a young woman is overheard lamenting her betrayal by a heartless seducer.In his illuminating introduction, John Kerrigan examines how the sonnets are intertwined, the ways in which these works have been interpreted and the themes running through them. This edition also includes further reading, commentaries on each poem, a textual history, variant and further sonnets and an index of first lines.If you enjoyed Sonnets and A Lover's Complaint, you might like John Milton's Paradise Lost, also available in Penguin Classics.'Shakespeare led a life of allegory: his works are the comments on it'John Keats

    H. Auden’s Selected Poems adds twenty poems to the hundred in the original edition, broadening its focus to better reflect the enormous wealth of form, rhetoric, tone and content in Auden’s work. Newly included are such favorites as “Funeral Blues” and other works that represent Auden’s lighter, comic side, giving a fuller picture of the range of his genius. Also new are brief notes explaining references that may have become obscure to younger generations of readers and a revised introduction that draws on recent additions to knowledge about Auden.As in the original edition, the new Selected Poems makes available the preferred original versions of some thirty poems that Auden revised later in life, making it the best source for enjoying the many facets of Auden’s art in one volume.

    

    The Shepheardes Calender is represented by six eclogues, including the much-discussed "Februarie." Colin Clouts Come Home Againe, increasingly a focus of critical attention, is an important addition, and Amoretti is offered in its entirety.Seventeen critical essays, judiciously chosen from the many published since 1982, have been added to supplement eleven earlier commentaries. New to the Third Edition are the perspectives of Spenser's contemporary William Camden, Virginia Woolf, William Nelson, A. Bartlett Giamatti, Donald Cheney, Judith Anderson, Richard Helgerson, Louis Adrian Montrose, and David Lee Miller. The critical essays on the House of Busyrane, Spenser's pastoral, Muiopotmos, and Amoretti are grouped to "speak" to each other in ways sure to stimulate classroom discussion. This class-tested feature is back by popular demand along with essays by D. C. Allen, Robert A. Brinkley, Ronald P. Bond, Anne Lake Prescott, Andrew D. Weiner, Susanne Lindgren Wofford, Harry Berger, Jr., and Paul Alpers.A Chronology of Spenser's life and an extensive Bibliography are also included.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    This volume brings together three of his novels contrasting the lives of servants and masters (Loving); workers and owners, set in a Birmingham iron foundry (Living); and the different lives of the wealthy and the ordinary, (Party Going).