She's got an annuity of a hundred thousand a year, her lecherous-heart breaking husband has had the good graces to pop off, and best of all, she has her freedom-- Something she has every intention of reveling in to the fullest. And who better to revel with than Ryder Blake, the infamous Duke of Darkwell? A Duke's Desire: Ryder Blake, Duke of Darkwell, known as the Duke of Debauchery, is certain he will never love again. His heart lies buried with his wife and he has vowed to never give more than his body to a woman. But when Kathryn shows up on his doorstep, quite literally, demanding he show her the ways of London, he finds that his heart longs to love once again.

    Book is an important work for those interested in the origins and development of modern art, and for those fascinated by a unique and splendid talent that flourished far too briefly.

    A charming would-be "benefactor," Vincent Everett, the Baron of Windsmoor, has offered to shelter Larissa and her young brother. But more than Yuletide spirit seems to have inspired the baron's generosity. From the moment he first set eyes on Larissa, the highborn rogue was bewitched. And now that she has taken up residence in his home, he aches with wanting her --- a most unfortunate state of affairs, since the proud beauty obviously despises him ... and since Vincent has sworn to seek a righteous vengeance on the Ascot family.But Christmas is a time of miracles, after all. And even two rival souls can be touched by the spirit of forgiveness in these magical days --- and showered with precious gifts of tenderness, love, and ecstasy unbound.

    With that aim, he pursues only the most vain, and spoiled women of the Ton. Fate has other plans for him, however, and he’s made guardian to Alex Kendrick, a female he likes – God forbid . Now Declan has to get her suitably married, before he succumbs to the temptation to make this fiery temptress his own. Alex, a rapier-wielding countess in her own right, doesn’t welcome a guardian and crosses swords with him at every opportunity. In spite of their less than auspicious beginning, she soon discovers Declan’s quick wit and Black-Irish looks inspire an emotion she can’t ignore, love. Now the battle is for Declan’s heart, because Alex will accept nothing less.

    Their fathers and brothers may rule the world, but they run it . . . and when it comes to passion, they refuse to accept second best. Searching for hidden treasure, finding forbidden fantasy London's most sensual former courtesan, Viola Whedon, is incapable of being seduced-she does the seducing. Until she meets Leonidas Vaughn. Her salacious memoirs have made her the target of half the lords in England, and Vaughn is the only man she can turn to. When he promises to protect her-and to make her beg for his touch-the alluring beauty finds both offers impossible to refuse. Leonidas Vaughn secretly believes Viola possesses a fortune given to his family by the King of France. So the strong and sexy Vaughn charms his way into Viola's life . . . and her bed. But when their arrangement is consummated, he'll experience pleasure far beyond his wildest fantasies-and realize his heart may need the most protection of all.

    Nothing could have prepared her for outwitting a French mob, crossing the Channel in a hot air balloon, or fending off the advances of the fascinating Count Welcker.Arriving in London just in time for her very first Season, Juliana is going to find all her ideals challenged and the truth of her heart finally revealed.

    An ancestor of Queen Elizabeth II, Mary grew to be a highly educated young woman, winning acclaim as a playwright and botanist. Courted by a bevy of eager suitors, at eighteen she married the handsome but aloof ninth Earl of Strathmore in a celebrated, if ultimately troubled, match that forged the Bowes Lyon name. Yet she stumbled headlong into scandal when, following her husband’s early death, a charming young army hero flattered his way into the merry widow’s bed. Captain Andrew Robinson Stoney insisted on defending her honor in a duel, and Mary was convinced she had found true love. Judged by doctors to have been mortally wounded in the melee, Stoney persuaded Mary to grant his dying wish; four days later they were married.Sadly, the “captain” was not what he seemed. Staging a sudden and remarkable recovery, Stoney was revealed as a debt-ridden lieutenant, a fraudster, and a bully. Immediately taking control of Mary’s vast fortune, he squandered her wealth and embarked on a campaign of appalling violence and cruelty against his new bride. Finally, fearing for her life, Mary masterminded an audacious escape and challenged social conventions of the day by launching a suit for divorce. The English public was horrified–and enthralled. But Mary’s troubles were far from over . . . Novelist William Makepeace Thackeray was inspired by Stoney’s villainy to write The Luck of Barry Lyndon, which Stanley Kubrick turned into an Oscar-winning film. Based on exhaustive archival research, Wedlock is a thrilling and cinematic true story, ripped from the headlines of eighteenth-century England.

    A world of riches and glamour, but also tragedy, abuse and disease, this book looks at how this influenced building and the arts in London.

    This is the tender story of love tested and won, and how Percy Windham, the dashing and brilliant man who was never supposed to become the Duke of Moreland, wooed the amazing lady who became his beloved Duchess. Percival Windham is a second son, and a cavalry officer acclaimed and respected by his men. He is immensely attractive and distracts himself with the women who seem to throw themselves at him at every turn, until at a country house party, he meets beautiful, retiring Esther Himmelfarb. Esther's wealthier relations are taking shameless advantage of her dependence on them, and only Percy seems to see the striking intelligence beneath her modest demeanor. Percy sees her as the perfect companion and she finds in him the man of her dreams.

    Jane Austen’s England explores the customs and culture of the real England of her everyday existence depicted in her classic novels as well as those by Byron, Keats, and Shelley. Drawing upon a rich array of contemporary sources, including many previously unpublished manuscripts, diaries, and personal letters, Roy and Lesley Adkins vividly portray the daily lives of ordinary people, discussing topics as diverse as birth, marriage,  religion, sexual practices, hygiene, highwaymen, and superstitions.From chores like fetching water to healing with  medicinal leeches, from selling wives in the marketplace to buying smuggled gin, from the hardships faced by young boys and girls in the mines to the familiar sight of corpses swinging on gibbets, Jane Austen’s England offers an authoritative and gripping account that is sometimes humorous, often shocking, but always entertaining.

    Chloe Anne Waverly firmly believed that Captain William Trent posed a threat to everyone's happiness.Emma, being eldest and quite responsible, felt it her duty to accept the captain's proposal of marriage. But Christmas season or no, Chloe Anne would find some way to prevent these nuptials-- for she knew Emma's heart belonged to another.But when had Chloe become so aware of the sad look in the captain's eyes--or realized that behind all his military sternness, there was a gentleness and a gallantry? When had her feelings become much too warm for a man who was suddenly aware that he had chosen the wrong sister? Before 'twas over, it would be a Christmas none of them would forget....

    A young Highlander leaves his home and his bride-to-be to follow the standard of Bonnie Prince Charlie.

    Betrayed by his elder brother, rejected by his fiancée, banished by his father, and shunned by his mother, Luke fled to Paris, where he became the most sought-after bachelor in fashionable society.Ten years later, fate has brought him back home to England as head of the family who rejected him. Unwilling as he is to be involved with them, he must assume responsibility for his younger siblings, the family estate he once loved—and the succession. He faces the prospect of marrying with the greatest reluctance—until he sees beguiling Lady Anna Marlowe across a ballroom one night.Anna, far from being the bright-eyed innocent Luke takes her for, is no more a stranger to the shadows of a painful past than he is. But for her, marriage cannot so easily solve what is wrong in her life—not when a tormentor stalks her to the very doors of Bowden Abbey, where Luke and Anna must learn to trust in each other or risk any chance they may have for a happy future.

    A most wicked plan for redemption.Venice, 1740.Desperate, starving, Kathleen Strong makes her way to a job interview that promises a chance at proper employment...and maybe a bite to eat. Accused of "gross immorality," she's adrift after being dismissed from her governess position, despite being entirely innocent.That innocence is precisely what a mysterious group of debauched aristocrats finds so alluring about Miss Strong. When they propose a scandalous offer that she can't refuse...she can't refuse. But if the darkly gallant Alistair Rohan, a gentleman involved in all manner of wicked deeds himself, has anything to say about it, Kathleen can escape her disrepute in another way.Of course, the escape route looks very similar to the group's illicit proposition itself...

    A box of buttons, mother-of-pearl and plastic, metal and glass, rattling and untethered. A hundred-year-old pin, forgotten in a hem. Fragile silks and fugitive dyes, fans and crinolines, and the faint mark on leather from a buckle now lost. Claire Wilcox has worked as a curator in Fashion at the Victoria & Albert Museum for most of her working life. Down cool, dark corridors and in quiet store rooms, she and her colleagues care for, catalogue and conserve clothes centuries old, the inscrutable remnants of lives long lost to history; the commonplace or remarkable things that survive the bodies they once encircled or adorned. In Patch Work, Wilcox deftly stitches together her dedicated study of fashion with the story of her own life lived in and through clothes. From her mother's black wedding suit to the swirling patterns of her own silk kimono, her memoir unfolds in luminous prose the spellbinding power of the things we wear: their stories, their secrets, their power to transform and disguise and acts as portals to our pasts; the ways in which they measure out our lives, our gains and losses, and the ways we use them to write our stories.