Travel back to the Georgian years, a time that changed life expectancy and the expectation of what life could be. Peek into the gilded drawing rooms of the aristocracy, walk down the quiet avenues of the new middle class, and crouch in the damp doorways of the poor. But watch your wallet - tourists make perfect prey for the thriving community of hawkers, prostitutes and scavengers.Visit, if you dare, the madhouses of Hackney, the workshops of Soho and the mean streets of Cheapside. Have a coffee in the city, check the stock exchange, and pop into St Paul's to see progress on the new dome.This book is about the Georgians who called London their home, from dukes and artists to rent boys and hot air balloonists meeting dog-nappers and life-models along the way. It investigates the legacies they left us in architecture and art, science and society, and shows the making of the capital millions know and love today.

    Oakleigh Manor is the home of Rosalind Vernon who lives alone but for her devoted servants and an ill-natured parrot, cut off from the outside world by the tragic result of a childhood accident. But Rosalind is brave and bright and totally devoid of self-pity - and it is these qualities which, as the days pass and the snow continues to fall, touch Amberley's heart. On his return to London, the Marquis persuades Rosalind's brother, Philip, to bring her to town for a taste of society, despite her handicap. But the course of Amberley's courtship is far from smooth. Philip Vernon actively dislikes him; Rosalind appears to be falling under the spell of the suavely elegant Duke of Rockliffe; and worse still, Amberley is haunted by a dark and terrible secret that, if revealed, may cause him to lose Rosalind forever.

    In this novella (a sequel to "The Secret History of the Pink Carnation"), the newly married spy, the Purple Gentian, and his bride find more than mince pie when they head home for the holidays.

    Like her contemporaries, Maria Edgeworth and Jane Austen, Susan Ferrier adopts an ideal of rational domesticity, illustrating the virtues of a reasonable heroine who learns to act for herself. This new edition features an introduction incorporating recent critical work on national identity and gender, and firmly situating the novel within the context of both Scottish literature and women's writing.

    Not in the usual way, however. His wealthy uncle's will promises to divide his huge fortune among his nephews if each rescues a fallen woman ... by marrying her! And since Jasper's estates were already mortgaged to the hilt before he inherited them, when he catches a pretty young prostitute trying to pick his pocket, he immediately makes his proposal.Clarissa Astley is not at all what Jasper believes. The orphaned daughter of a prosperous merchant, she is searching the seedier districts of London for her young brother, abducted by their evil guardian, who wants the little boy's inheritance. But she needs powerful help, and the darkly handsome Earl of Blackwater is certainly that. So she pretends to be exactly what he assumed --- a risky charade for an innocent virgin. But when passion flares between Jasper and Clarissa, the deception becomes even more difficult to handle ...

    Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. I Am a Beautiful Monster is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator. Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational carpe diem. This book reveals them to be something entirely different: maddening in their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura. I Am a Beautiful Monster provides the texts of of Picabia's significant publications, all presented complete, many of them accompanied by their original illustrations.

    Thomas Silkstone, anatomist and pioneering forensic detective. . .The death of Sir Edward Crick has unleashed a torrent of gossip through the seedy taverns and elegant ballrooms of Oxfordshire. Few mourn the dissolute young man--except his sister, the beautiful Lady Lydia Farrell. When her husband comes under suspicion of murder, she seeks expert help from Dr. Thomas Silkstone, a young anatomist from Philadelphia.Thomas arrived in England to study under its foremost surgeon, where his unconventional methods only add to his outsider status. Against his better judgment he agrees to examine Sir Edward's corpse. But it is not only the dead, but also the living, to whom he must apply the keen blade of his intellect. And the deeper the doctor's investigations go, the greater the risk that he will be consigned to the ranks of the corpses he studies. . .

    There were precisely two, as defined by the High Court of France. The first was a priceless necklace called the Cross of Nantes. The second was less tangible. It was, “the devil’s song, as he danced across the blood-drenched hills of the Vendée Militaire.” Both were found.

    The idea of returning to Bath a year after they first met there seems like it can only add to their happiness; but Catherine finds that Bath still carries social dangers that she must learn to navigate. What is the nature of Henry's past relationship with a beautiful young woman? Why is a rakish baronet paying Catherine such particular attention? Is General Tilney going to marry the woman known in Bath as The Merry Widow-and what did she have to do with her husband's death? And will Henry ever be able to keep his Newfoundland out of the river? Revisit the winter pleasures of Georgian Bath with your favorite characters from Jane Austen's hilarious Northanger Abbey, and prepare for a bit of romance, a bit of mystery, and a very nice story indeed!

    In 1765 a desperate mother accepts shelter with a stranger for herself and her children, but at what cost?England in the Georgian age was not kind to the poor. When Lily Gifford finds herself homeless in the countryside on a bitter November evening has no choice but to accept shelter from a passing stranger. But when she and her children arrive at Brooks Hall, the house is cold and neglected, and their host abandons them to his handful of resentful servants.When Lily learns Sir Benjamin Brook's secret, she sees hope for herself and her family, if only she dare risk all to grasp it.

    Maitland, nobleman and highwayman, who was once known as the Prince of Midnight. Hiding in a crumbling castle in France, with a tame wolf as his pet, the hero is deaf in one ear, suffers from vertigo, and seems revoltingly sentimental to the stoic Leigh. But he joins her quest and together they begin to emerge from their individual suffering ...

    Expressing concerns that are unique to the Czech movement while alluding creatively and ironically to Joris-Karl Huysman's Against Nature, the novella is set in Prague, which is portrayed as a dead city, a city peopled by shades, who, like the protagonist – a nihilist and the "last scion of a noble line" – are only a dim reflection of the city’s medieval splendor. The man lives in a dreamworld, the labyrinth of his soul giving rise to visions. In his quest for meaning, he walks the city, often hallucinating, while pondering questions of religious fervor and loss of faith, the vanity of life, his own sense of social alienation, human identity and its relationship to a “nation,” the miserable situation of the Czechs under Habsburg rule, and Prague’s loss of its soul on the cusp of modernity as old sections, such as much of the squalid Jewish Quarter, are demolished to make way for gaudy new buildings and streets. With a history of madness running in the family and afraid the same fate awaits him, he ultimately retreats into seclusion, preferring the monastic way of life as the epitome of unity and wholeness and a tonic to present-day fragmentation. Yet Karásek eschews the mawkish, opting instead for darker tones that play with the tropes and motifs of Decadence while conflating the same-sex desires of his protagonist, the fatalism and futility of such an existence within the social construct of the day, with concerns for the dual fates of his nation and city.

    Yet, when night falls, free traders swarm onto the beaches and smuggling prospers.Terrified by a thief-taker’s warning as a child, Jenna has resolved to be good. When her brother, Silas, asks for her help to pay his creditors, Jenna feels unable to refuse and finds herself entering the dangerous world of the smuggling trade.Jack Penhale hunts down the smuggling gangs in revenge for his father’s death. Drawn to Jenna at a hiring fayre, they discover their lives are entangled. But as Jenna struggles to decide where her allegiances lie, the worlds of justice and crime collide, leading to danger and heartache for all concerned …

    Urushadze has also produced a popular anthology of Georgian poetry in English. Her preface explains the original metrical structure, which is so complex that sometimes it requires rhyming words to the fourth syllable. She also includes a brief list of Georgian words she retained, many of them names. An introduction by David M Lang (oriental and African studies, U. of London) puts Rustaveli and his poem in historical context. Annotation c. Book News, Inc., Portland, OR.

    . . .A Disastrous Season A simple statue began the scandal.A Lady Concealed An innocent English miss conceived of it, her hands gliding across the clay, delineating each smoothly defined muscle and sinew, creating a sculpture of the man she worshipped. When the likeness was exposed, along with Miss Jane Higgenbothem's secret tendre for Lord Blackburn, the ton's gleeful contempt sent the lady back to the country in disgrace.A Gentleman Revealed Now, a decade later, she's back in London, as a chaperone to her beautiful niece. But to Blackburn, Jane's unwitting model, the cool, reticent spinster is still a challenge. She once made the arrogant rake a laughingstock; so why is he tempted to revive an affair that almost began so long ago, on that scandalous evening . . . ?