Into a Desert Place is his account of how he equipped himself, what he saw and learned, and how he survived on this harsh and beautiful journey. The book was first published in England and then by Mackintosh himself in the United States; this is its first appearance in paperback.

    Wrapped in a spiritual atmosphere that expresses the yearnings of Kerouac to find himself, "Tristessa", translated by Jorge García- Robles, a specialist in the beat generation, is the story of the strange loving relationship that the author had with Esperanza, as well as the significant description of the atmosphere that surrounded it, which depicts some key places of Mexico City back then.Hero of the beat generation, the creator of a model of life that would be followed by thousands of young people in the entire world, a sui generis mystic, "Tristessa", which until recently was not known in Spanish and that was published in English, is one of his fresher and better achieved works. Tristessa es el nombre con el que Kerouac bautizó a Esperanza Villanueva, una joven mexicana católica, prostituta y adicta a ciertas drogas, de quien se enamoró durante una de sus estancias en México, país que visitaba con frecuencia, a mediados de los años cincuenta. Tristessa, en la traducción de Jorge García- Robles, especialista en la generación beat, es el relato de la extraña relación amorosa que tuvo con Esperanza, así como la significativa descripción del ambiente que la rodeaba, en la que aparecen retratos de algunos lugares clave de la Ciudad de México: Plaza Garibaldi, Niño Perdido, la colonia Roma. Escritor «al rojo vivo», como lo calificó Henry Miller, héroe de la generación beat, creador de un modelo de vida que seguirían miles de jóvenes en todo el mundo, místico sui géneris, Tristessa, que hasta hace poco no se conocía en español y que se publicó en inglés apenas hace diez años, es una de sus obras más frescas y mejor logradas.

    For more than forty years she has traveled through her beloved adoptive country, researching and recording its truly extraordinary cuisine. Now Diana turns her attention to the book she readily admits “should have been written years ago.”Diana’s objective in From My Mexican Kitchen: Techniques and Ingredients is simple: to provide a guide to better understanding the ingredients Mexico has to offer and how best to prepare them. Her execution is little short of brilliant. The book is invaluable to the novice eager for an introduction to Mexican cooking, but it is equally important for the aficionados interested in refining and expanding their knowledge and skills.From My Mexican Kitchen takes readers and cooks on a tour of the primary ingredients of the cuisine, from achiote and avocado leaves to hoja santa, huauzontle, and the sour tunas called xoconostles—which are increasingly available in the United States. Diana unravels the dizzying array of fresh and dried chiles, explaining their uses and preparation; vibrant color photographs at last take the guesswork out of identifying them!Step-by-step photographs and Diana’s trademark instructions (peppered with her over-the-shoulder asides) lead us through the proper techniques for making moles, tamales, tortillas, and much more. Some highlights: chiles rellenos, frijoles de olla, salsa de jitomate, fresh corn tamales from Michoacán, and bolillos (Mexican bread rolls). These recipes provide a solid grounding for the new Mexican cook, and Diana then sends readers to her earlier work for more advanced regional recipes.Brilliantly photographed, with a text at once lively and authoritative, Diana Kennedy’s From My Mexican Kitchen is the one book anyone interested in this food cannot afford to be without.

    The Mexican Mafia controls every Hispanic neighborhood in Southern California and is rapidly expanding its influence across the country. Riding a wave of unchecked immigration and seemingly eluding law enforcement, the Mexican Mafia is poised to become the Cosa Nostra of 21st century America.

    Her real-life journal recounts two years of homesteading, history hints at the next six decades, and the novel explores the truth. We meet Rosette in 1888 as she revises the wedding-day page of her journal. In lush detail, in the voices of Rosette and others, the novel traces how we both choose and suffer our destiny, how hopes come to naught and sometimes rise from the wreckage. In a style reminiscent of Willa Cather, in a family saga that recalls the work of Marilynne Robinson, this novel brings us enduring themes of human life as Rosette and her friends and family make the most of the American pioneer life first detailed for most of us by Laura Ingalls Wilder. One reviewer says this story "makes an anonymous woman equal to the most celebrated hero of legend." Note that the Kindle version includes only the text of the novel. The paperback version includes 24 charcoal illustrations and highlights in a font created from Rosette's own handwriting. Now available: a companion short story - "Blizzard: A Story of Dakota Territory."

    The world is a different place after dark, and this breathtaking book illuminates the mesmerizing realm of all things nocturnal, with more than 250 glorious images. Page after page of vivid photographs explore the many nuances of night vision--from the sea by moonlight to night markets in Laos to the face of a child lit up by a screen in a darkened room. The range of images in these pages is breathtaking: A smoky jazz club. Flowers that bloom only at night. Phosphorescent fish. Lions photographed with infrared cameras. The Eiffel Tower, all lit up. Faces around a campfire. A stadium lit by floodlights. Earth from space. Elegant, sexy, and a little mysterious, this richly illustrated book is a stunning pathway to some of the world's most captivating sights.

    This book examines this topic.

    And we are also familiar with the idea that the United States is an "empire," exercising power around the world. But what about the actual territories--the islands, atolls, and archipelagos--this country has governed and inhabited?In How to Hide an Empire, Daniel Immerwahr tells the fascinating story of the United States outside the United States. In crackling, fast-paced prose, he reveals forgotten episodes that cast American history in a new light. We travel to the Guano Islands, where prospectors collected one of the nineteenth century's most valuable commodities, and the Philippines, site of the most destructive event on U.S. soil. In Puerto Rico, Immerwahr shows how U.S. doctors conducted grisly experiments they would never have conducted on the mainland and charts the emergence of independence fighters who would shoot up the U.S. Congress.In the years after World War II, Immerwahr notes, the United States moved away from colonialism. Instead, it put innovations in electronics, transportation, and culture to use, devising a new sort of influence that did not require the control of space. Rich with absorbing vignettes, full of surprises, and driven by an original conception of what empire and globalization mean today, How to Hide an Empire is a major and compulsively readable work of history.

    What has pushed the country, which has otherwise held together through seemingly insurmountable odds in the past, to the edge? In a series of dispatches the authors unveil the tensions, frustrations, challenges and justifications that are everyday realities in these troubled regions. Civil administrators talk about the widespread misappropriation of development funds in tribal and remote areas; security and police personnel describe extreme confrontations in the face of inadequate training and equipment; rebel ranks and former insurgents reveal how unemployment, lack of education and rampant exploitation have fuelled their defiance against the establishment and encouraged secessionist activities. At the heart of the on-going turmoil, ordinary people mourn the loss of their loved ones ? to starvation, lack of healthcare facilities and militancy ? even as they voice their demand to be heard.

    President Nixon and Secretary of State Kissinger began their diplomacy with China in an attempt to find a way out of Vietnam. The remaining Cold War presidents saw China as an ally against the Soviet Union and looked askance at its violations of international principles. With the end of communism and China's continued human rights abuses, the U.S has failed to forge a genuinely new relationship with China. This is the essential story of contemporary U.S./China policy.

    The Wind That Swept Mexico, originally published in 1943, was the first book to present a broad account of that revolution in its several different phases. In concise but moving words and in memorable photographs, this classic sweeps the reader along from the false peace and plenty of the Díaz era through the doomed administration of Madero, the chaotic years of Villa and Zapata, Carranza and Obregón, to the peaceful social revolution of Cárdenas and Mexico's entry into World War II. The photographs were assembled from many sources by George R. Leighton with the assistance of Anita Brenner and others. Many of the prints were cleaned and rephotographed by the distinguished photographer Walker Evans. Anita Brenner, author of Idols behind Altars and a number of children's books, was born in Mexico and lived there for many years. During the Spanish Civil War she wrote dispatches from Spain for the New York Times and the Nation and for many years she edited the magazine Mexico This Month.

    And why not?His wife may have plenty of reasons why not, but used to the intrepid septuagenarian's determination to complete any plan he comes up with, she shrugs her shoulders and waves him goodbye.At 73 years old, Simon Gandolfi sets off from Veracruz on the Gulf of Mexico to embark on a five and a half month journey culminating at 'the end of the world', Ushuaia in Tierra del Fuego. For Simon this is a journey of discovery. Leaving behind the safety and sanctuary of friends and family, he is truly alone but along the way he meets and talks with rich and poor, old and young, officials and professionals, agricultural and industrial workers. This expertly written travelogue reveals not only the stories of those he meets, and his own, but also that of Latin America, its attitudes to itself, to the USA and the UK in the aftermath of the Iraq war and the realities of the poverty and endemic corruption throughout much of this continent.But whilst guide books often warn of thieves, corrupt police and border officials, Gandolfi writes of the incredible kindness and generosity he encounters, of hope and joy, understanding and new friendships, and ultimately, an old man's refusal to surrender to his years.'The journey begins tomorrow at 8 a.m with a flight from the UK to Boston. I fly Aer Lingus and have bought and will wear a green shirt and a Clancy Brothers Arran sweater in hope of an upgrade. I will be away from home for many months and I have a long long way to ride. Am I nervous? Yes. Scared? A little.'Simon Gandolfi, 18 April 2006Outrageously irresponsible and undeniably liberating, Gandolfi's travels will fire the imaginations of every traveller, young or old.

    He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in. Olivarez has a unique voice that makes him a poet to watch.

    This brilliantly insightful, morally devastating book tells us why he believed, how he lost faith, and what his deceptions cost five of the war's witnesses and McNamara himself.In The Living and the Dead, Paul Hendrickson juxtaposes McNamara's story with those of a wounded Marine, an Army nurse, a Vietnamese refugee, a Quaker who burned himself to death to protest the war, and an enraged artist who tried to kill the man he saw as the war's architect. The result is a book whose exhaustive research and imaginative power turn history into an act of reckoning, damning and profoundly sympathetic, impossible to put down and impossible to forget."A masterpiece. . . . [Hendrickson] has a gift with language that most writers can only dream about. " --Philadelphia Inquirer"Approaches Shakespearian tragedy." --The New York Times Book Review

    But they are under threat as never before, and their problems are spreading across the continent. The Death and Life of the Great Lakes is prize-winning reporter Dan Egan’s compulsively readable portrait of an ecological catastrophe happening right before our eyes, blending the epic story of the lakes with an examination of the perils they face and the ways we can restore and preserve them for generations to come.