Invited to the family seat--Pendragon Castle in North Wales--Batky receives a mysterious phone call warning him not to go; but he does and finds himself in a bizarre world of mysticism, romance, animal experimentation, and planned murder. His quest to solve the central mystery takes him down strange byways--old libraries and warehouse cellars, Welsh mountains, and underground tombs.

    

    In 1866 newspapers across the planet are full of stories about a terrifying creature haunting the world's oceans. Professor Pierre Aronnax, along with his servant Conseil and the master harpooner Ned Land, join the global hunt for the monster. They discover that the beast is actually the Nautilus, a futuristic submarine designed by the mysterious Captain Nemo. Captured and imprisoned aboard the Nautilus, the Professor and his companions begin an extraordinary journey... one that reveals the deepest secrets of both the world's oceans and the terrifying Captain Nemo. A deadly and huge sea monster is sinking ships. Three men--a French scientist, his trusty sidekick, and a Canadian harpoonist are thrown from the deck of their American warship. A door opens on the side of the monster, and they are taken inside the greatest submarine in the world, the top-secret Nautilus commanded by a madman who will take them 20,000 leagues into the depths.

    Editor Alan Ryan includes a wide range of talents here, from Bram Stoker to Robert Bloch to Tanith Lee.Contents:"Fragment of a Novel" by George Gordon, Lord Byron "The Vampyre" by John Polidori "Varney the Vampyre, or, the Feast of Blood" [excerpt] by James Malcolm Rymer "The Mysterious Stranger" by Anonymous"Carmilla" by Sheridan Le Fanu"Good Lady Ducayne" by Mary Elizabeth Braddon "Dracula's Guest" by Bram Stoker "Luella Miller" by Mary E. Wilkins-Freeman "For the Blood is The Life" by F. Marion Crawford "The Transfer" by Algernon Blackwood "The Room in the Tower" by E.F. Benson "An Episode of Cathedral History" by M.R. James "A Rendevous in Averoigne" by Clark Ashton Smith "Shambleau" by C.L. Moore "Revelations in Black" by Carl Jacobi "School for the Unspeakable" by Manly Wade Wellman "Drifting Snow" by August Derleth "Over the River" by P. Schuyler Miller "The Girl with the Hungry Eyes" by Fritz Leiber "The Mindworm" by C.M. Kornbluth "Drink My Blood" by Richard Matheson "Place of Meeting" by Charles Beaumont "The Living Dead" by Robert Bloch "Pages from a Young Girl's Journal" by Robert Aikman "The Werewolf and the Vampire" by R. Chetwynd-Hayes "Love-Starved" by Charles L. Grant "Cabin 33" by Chelsea Quinn Yarbro "Unicorn Tapestry" by Suzy McKee Charnas "Following the Way" by Alan Ryan "The Sunshine Club" by Ramsey Campbell "The Men & Women of Rivendale" by Steve Rasnic Tem "Bite-Me-Not, or, Fleur de Feu" by Tanith Lee Also includes short appendices of vampire novels and movies.

    This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment.

    Symbolist poets and writers — Stéphane Mallarmé and Maurice Maeterlinck among them — defended the play's literary brilliance. Beyond its notoriety, the drama's haunting poetic imagery, biblical cadences, and febrile atmosphere have earned it a reputation as a masterpiece of the Aesthetic movement of fin de siècle England.Written originally in French in 1892, this sinister tale of a woman scorned and her vengeance was translated into English by Lord Alfred Douglas. The play inspired some of Aubrey Beardsley's finest illustrations, and an abridged version served as the text for Strauss' renowned opera of the same name. This volume reprints the complete text of the first English edition, published in 1894, and also includes "A Note on Salomé" by Robert Ross, Wilde's lifelong friend and literary executor. Students, lovers of literature and drama, and admirers of Oscar Wilde and his remarkable literary gifts will rejoice in this inexpensive edition.

    At the center of the novel is the great mansion called Penmarric. It is to Penmarric that Mark Castallack, a proud, strange, and sensitive man, brings his bride Janna--the first act in a tempestuous drama that was to span three generations....

    Southworth was one of the most popular and prolific writers of the nineteenth century and her Capitola Black, or Black Cap - a cross-dressing, adventure-seeking girl-woman - was so well-loved that the book was serialized three times between 1859 and 1888 and was dramatized in forty different versions. When we first meet sharp and witty Capitola she is living among beggars and street urchins, and dressed as a boy because a boy can get work and be safe, whereas a girl is left to starve for want of "proper" employment. Unknown to her, Capitola has a very rich elderly guardian who finds her at a providential moment and takes her back to his palatial mansion where she finds herself "decomposing above ground for want of having my blood stirred." But not to fear. There are bandits, true-loves, evil men, long-lost mothers, and sweet women friends in Capitola's future - not to mention thunder storms, kidnap attempts, and duels. The pace is fast, the action wonderfully unbelievable. This is escape literature at its nineteenth-century best, with a woman at its center who makes you feel strong, daring, and reckless.

    Overhearing a conversation at his club one day, he becomes interested in a discussion regarding a man named Gastrell. Gastrell is somewhat of a mystery to the club members in spite of his renting a house from one of them. Berrington’s interest in Gastrell intensifies as his fiancé, Dulcie Challoner, befriends a wealthy widow, Mrs. Connie Stapleton who evidently has some type of relationship with Gastrell. As the plot progresses, Berrington finds himself involved with sensational robberies, brutal murders, coded messages, and even mind control! As in many Le Queux books, there are twists and turns as new characters and locations are introduced. When you are sure you know the ending, something new occurs and you wonder how it will affect the conclusion of the book.Excerpt:"I confess I'd like to know somethin' more about him." "Where did you run across him first?" "I didn't run across him; he ran across me, and in rather a curious way. We live in Linden Gardens now, you know. Several of the houses there are almost exactly alike, and about a month ago, at a dinner party we were givin', a young man was shown in. His name was unknown to me, so I supposed that he must be some friend of my wife's. Then I saw that he was a stranger to her too, and then all at once he became very confused, inquired if he were in Sir Harry Dawson's house - Sir Harry lives in the house next to ours - and, findin' he was not, apologized profusely for his mistake, and left hurriedly."

    Having given birth to daughter after daughter after daughter, she becomes desperate and turns to the first of her mystical advisors, Msgr. Philippe, who persuades her, among other things, that she is invisible.And then comes the moment of her greatest triumph with the birth of her son and the heir to the throne of all the Russias, the Tsarevich Alexei.All four volumes are (planned) as follows:1. 'The Funeral Bride' 1884-1894 - published November 20152. 'The Empress of Tears' 1895-1904 - published March 20163. 'The Pride of Eagles' 1905-1914 - to be published by November 20164. 'No Greater Crown' 1914-1918 - to be published by April 2017

    Amid bloody and eerie scenes, his daughter is possessed by Tera's soul, and her fate depends upon bringing Tera's mummified body to life.

    There, a bore is "a person who talks when you wish him to listen," and happiness is "an agreeable sensation arising from contemplating the misery of another." This is the most comprehensive, authoritative edition ever of Ambrose Bierce’s satiric masterpiece. It renders obsolete all other versions that have appeared in the book’s ninety-year history.A virtual onslaught of acerbic, confrontational wordplay, The Unabridged Devil’s Dictionary offers some 1,600 wickedly clever definitions to the vocabulary of everyday life. Little is sacred and few are safe, for Bierce targets just about any pursuit, from matrimony to immortality, that allows our willful failings and excesses to shine forth.This new edition is based on David E. Schultz and S. T. Joshi’s exhaustive investigation into the book’s writing and publishing history. All of Bierce’s known satiric definitions are here, including previously uncollected, unpublished, and alternative entries. Definitions dropped from previous editions have been restored while nearly two hundred wrongly attributed to Bierce have been excised. For dedicated Bierce readers, an introduction and notes are also included.Ambrose Bierce’s Devil’s Dictionary is a classic that stands alongside the best work of satirists such as Twain, Mencken, and Thurber. This unabridged edition will be celebrated by humor fans and word lovers everywhere.

    NOTES ABOUT To Kill a MockingbirdNOT the book To Kill a Mockingbird by Harper Lee

    She has never met her Aunt Minerva Broome, and hardly knows what to expect at majestic country home of Staplewood. Her aunt, uncle, and cousin welcome her to their estate, buy her new clothes, and provide all the amenities a young lady of quality should have. Soon, Kate begins noticing strange things about the manor. Though the guests are few, even family dinners are formal. Unexplained noises and events occur in the night. Surrounded by her domineering Aunt, handsome but moody cousin Torquil, and cousin Philip, who appears to have taken her in instant dislike, Staplewood soon turns from an inviting stately house to a cold and gloomy mansion

    Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his ghost stories, and as such is the fullest collection currently available. The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends of the Friends', a strange story of uncanny love; and 'The Private Life', which finds a shrewd, high comedy in its ghostly theme. The volume also includes James's great novella The Turn of the Screw , perhaps the most ambiguous and disturbing ghost story ever written.