This book offers a glimpse into the secret life of dolls with a yearbook approach--not only based around portrait photos, but also what the dolls are "most likely" to do, personal mottos and quotes, and more.This fun and kooky book sheds light on the otherwise unknown lives of these creepy little playmates. Remember, there's a reason they were kept in a toy box.Author Stacey Brooks is a graphic designer and freelance artist, and is the co-founder of G.H.O.S.T (Ghosts, Hauntings, and Other Strange Things) Paranormal Society...and she keeps the door to her doll room boarded up at all times.

    With their punk roots, state-of-the-art videos, and notoriously hedonistic lifestyle, they captivated audiences around the world. This new book traces their remarkable story: their rise to fame, their split in 1985, and the ensuing splinter groups, drug addiction, and rehabilitation. In 2001, the original five members regrouped and are enjoying a level of recognition and popularity that few serious music critics would have predicted. Their mixture of synth and swagger has ultimately triumphed due to the core friendships of the band, their flair for memorable pop hooks, and an ambition that dwarfed most of their contemporaries.

    The collection is assembled by the editors of the Third Edition of Film Noir: An Enclyclopedic Reference to the American Style, now regarded as the standard work on the subject.

    This text's consistent and comprehensive focus on writing allows students to master film vocabulary and concepts while learning to formulate rich interpretations. Part I introduces readers to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scene, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III moves beyond textual analysis to explore film as a cultural institution and introduce students to essential areas of film studies research.

    Volume one was issued with great success, and those voices were released into the wild for reader’s enjoyment. Now, here we are with volume two—some authors will be familiar, while others will be brand new. Collected within this book are stories that span the wide genre that is Horror. Crack open the book and delve in, if you dare.

    There were no witnesses, no real investigation, and no survivors. Over thirty years later, the house is suddenly back on the market. Ready to settle down, a young married couple moves from New York City to their dream home in the quiet town of Highlands, North Carolina. However, as past secrets come to light and unpredictable strangers violate their privacy, the couple’s hope for a fresh start twists into the fuel for their darkest nightmares.

     Will her time at the haunted Leaf Academy change all that? Award-winning photographer Jocelyn Graves gets an invitation to document the Leaf Academy, but she may get more than she bargained for in this spooky location. There's music coming from the rotting auditorium, doppelgangers have made an appearance, and there is a ghost boy who haunts the place. But is he a forgotten victim, or is he really a negative entity masquerading as a sad child? There's a mysterious saying carved into the stone above the door, and Jocelyn discovers black feathers in strange locations. The Leaf Academy is a puzzle Jocelyn needs an answer to--before the sun comes up. The photographer is about to get the shock of her life and meet an entity she will never forget. Although she will wish she could. The October People is a Gulf Coast Paranormal Extra and a standalone novella.  Read all the Gulf Coast Paranormal books and meet the entire paranormal investigation team.  Gulf Coast Paranormal Series The Ghosts of Kali Oka Road The Ghosts of the Crescent Theater A Haunting on Bloodgood Row  And so many more!  Scroll up and grab your copy of THE OCTOBER PEOPLE!

    Since 1969, when he became the only American among the otherwise all-British Monty Python team. Terry Gilliam's work has won plaudits and acclaim for its originality and imagination. His films are renowned for the quality of performances from some of Hollywood's top acting talent, such as Robert de Niro, Brad Pitt, Robin Williams and Johnny Depp.For the first time, this book traces thirty years of the work and art of Terry Gilliam, from his pre-Python days through to the astounding adaptation of Hunter S. Thompson's Fear and Loathing in Las Vegas, released in 1998.Using Gilliam's own drawings, storyboard and scripts, this book builds to a complete overview of the director's work, examining in detail his striking visual sense ad labyrinthing stories of Man against bureaucracy (Brazil, Twelve Monkeys), triumphant tales of imagination winning over mediocrity (Time Bandits, The Adventures of Baron Munchausen, The Fisher King) and, of course, something completely different (Monty Python and the Holy Grail).

    160 illustrations.

    Scott Poole traces the confluence of history, technology, and art that gave us modern horror films and literatureIn the early twentieth century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world’s map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war.From Nosferatu to Frankenstein’s monster and the Wolf Man, from Fritz Lang, F. W. Murnau, and Albin Grau to Tod Browning and James Whale, the touchstones of horror can all trace their roots to the bloodshed of the First World War. Historian W. Scott Poole chronicles these major figures and the many movements they influenced. Wasteland reveals how bloody battlefields, the fear of the corpse, and a growing darkness made their way into the deepest corners of our psyche.On the one-hundredth anniversary of the signing of the armistice that brought World War I to a close, W. Scott Poole takes us behind the front lines of battle to a no-man’s-land where the legacy of the War to End All Wars lives on.

    The film tells the story of an African American sea-island family preparing to come to the mainland at the turn of the century. In her richly textured, highly visual, lyrical portrayal of the day of the departure, Julie Dash evokes the details of a persisting African culture and the tensions between tradition and assimilation. Daughters of the Dust: The Making of an African American Woman’s Film, which includes Dash’s complete screenplay, describes the story of her extraordinary sixteen-year struggle to complete the project.

    Demons & Deadly Encounters. A Journey into the ultimate Heart of Darkness. Excerpts; ‘It’s the middle of the night and he thinks he’s been asleep for a while but he’s wide awake now. Something is pushing down on his chest, hard. He’s fighting to breathe and he tries to move, to get it off him, but his body won’t move. He’s paralysed and filled with panic. He tries to scream but nothing comes out...’ ‘They told her they were going to kill her and she didn't have a chance; they were too many...’ ‘Stood in the hall was a dark figure. The presence was finally showing itself to me...’ ‘The children’s eyes were rolling in their heads, blood pouring from their ears and mouths, talking in strange languages, and being thrown involuntarily across rooms...’ ‘Marks appeared on the neck of our three year old son. They were purple. They looked like strangulation marks.’ ‘Her eyes, which had moments before looked lacklustre and vacant, suddenly blazed with inhuman light.' ‘As the Doctor looked down at the blood in the bowl, he saw it swirling around in a most unnatural way, before rearing up in a solid column and leaping out of the bowl on to the floor. At this point the bowl shattered into a hundred pieces. The doctor fled in terror.’ ‘There are practitioners who have attempted to summon demons, and have been found with every bone in their body broken the next day.’ “I wake to see a tall, dark, hooded figure, standing still, right by my bed; his face covered by his hood, but watching me. I know he was real; I could hear his breathing...” “Her eyes rolled in the back of her head, her face contorted and she would tell him ‘they’ were going to kill her, that she belonged to Satan. It was a deep man’s voice that came out of her. The voice said, “We can kill her at any time we want...” “I’d lie in bed and feel someone’s arms around me. It wasn’t a safe feeling but a menacing one, as if someone was showing me that I belonged to them.” ‘According to the police report, one of the women had killed herself after she’d told friends she’d been hearing a voice that kept telling her to kill herself.’ “A creature appeared in the room, its eyes were glowing red. This creature was physical; at least after it had entered into our reality. It was naked, no hair, extremely muscular. I estimate his height about six foot five but his bone structure was bigger than in a human. His mouth was huge. There was no way to describe it other than as a demon.” "It was just supposed to be fun; we were asking it questions, and then it asked if it could visit us, so I said yes, thinking it was one of the children doing it; but it wasn’t one of the kids. And that’s when the horror started...” ‘Suddenly it was like a stake pierced my chest and gradually, I felt the sensation of it pulling open my ribs. I thought I would die...’ “I saw a boy sat at a table. He called me over to him and started talking to me. He spoke as if he knew all my thoughts. He finished my sentences for me. He promised me everything I always wanted. But there was one condition; I give my soul over to Satan.” “As I lay there I would see demons appearing in different forms; the most hideous faces, covered with blood, with sharp teeth and claws." “When I opened my eyes there was a black shadowed figure. It loomed over me, then took hold of me. I tried to get out of its grip but its strength was overpowering.

    She carefully unspools the cultural threads that inform his aesthetic to explain why this precocious arthouse film nerd from Texas has become one of the most popular directors of his generation.

    This is the story of how, with the odd misstep along the way, the owners of the Bond franchise, Eon Productions, have contrived to keep James Bond abreast of the zeitgeist and at the top of the charts for 45 years, through 21 films featuring six Bonds, three M’s, two Q’s and three Moneypennies. Thanks to the films, Fleming’s original creation has been transformed from a black sheep of the post-war English upper classes into a figure with universal appeal, constantly evolving to keep pace with changing social and political circumstances. Having interviewed people concerned with all aspects of the films, Sinclair McKay is ideally placed to describe how the Bond ‘brand’ has been managed over the years as well as to give us the inside stories of the supporting cast of Bond girls, Bond villains, Bond cars and Bond gadgetry. Sinclair McKay, formerly assistant features editor of the Daily Telegraph, works as a freelance writer and journalist. He is also the author of A Thing of Unspeakable Horror: The History of Hammer Films, which the Guardian called ‘A splendid history’ and the Independent on Sunday described as ‘Brisk, cheerful and enthusiastic.’